Circle of Poison
A shocking investigation into the hypocrisy of US pesticide laws
Official Selection - Environmental Film Festival, 2016 Official Selection - DOC NYC, 2015 Official Selection - Salem Film Festival, 2016
Director - Evan Mascagni is an attorney turned filmmaker from Louisville, Kentucky. He is currently the Policy Director of the Public Participation Project, working to strengthen First Amendment rights for filmmakers, journalists, and activists across the country.
Editor - Nick Capezzera is a traveler, filmmaker, and Korean-Adoptee. Born in Seoul, Korea and raised just outside of Boston, he became interested documentary work while photographing his travels through Central America and Europe. Since re-locating to Brooklyn in 2011 he has worked with the New York Times, Jazz at Lincoln Center, Red Bull, Conde Naste, and GQ creating short documentary content. in 2015 his first feature length documentary, Circle of Poison, premiered at the DOC NYC film festival in New York City.
Director - Shannon Post is a filmmaker and food and garden educator from Florida. She is co-founder, along with Evan and Nick, of Player Piano Productions, a company “making films that matter” based in Brooklyn, NY.
Evan Mascagni: I first learned about the horrendous US policy that is the subject of our film as a law student in Washington, DC. But it wasn’t until I was in Guatemala a few years later that I saw the health and environmental harm that the global pesticide industry is causing. My trip inspired me to attempt to bring national attention to this issue and highlight those individuals around the world who are resisting and fighting back.
Shannon Post: When Evan told me about the manufacturing ‘for export only’ U.S. policy on dangerous chemicals and products, I was shocked—about the policy itself, and because of the fact that I, as someone passionate about food issues, didn’t know about it. I was drawn to making a documentary with Evan on this topic because, while food and environmental films generally dive head first into complicated ethical and moral questions about the safety of pesticides, I felt that focusing on this issue of exporting known hazards could really resonate with audiences and affect change in policies and practices.