Tanzania Transit

The disparate lives of three passengers aboard a cross country train

Tanzania Transit On board a sleeper train crossing Tanzania, the stories of three passengers unfold. Rukia is an entrepreneurial woman, on her way to begin a new life. Isaya is an old Masai man heading back to the bush with his grandson. Peter, a powerful preacher, makes money by letting his followers pay for his services. This microcosm offers a glimpse into their lives as each character moves towards an uncertain future in this precarious society.

“I wish I had a small pistol to shoot any man who tried to approach me. I wish I could build my own road where I could walk without stress.” Rukia, a Kenyan woman constantly fighting to be considered an equal to the men that surround her, was thrust into an arranged marriage at the age of fourteen and treated like an animal ever since. She remembers how she “cried, my eyes were red and so swollen I could barely see”, and how she had to be nursed by her sister after such a traumatic ordeal, terrified of her father and husband.

On the poorest part of the train a Maasai elder is returning home to his tribe, but his travelling companion, his grandson William, aspires to perform on stage in the city rather than live according to the traditions of his family. Having previously been told “we are not human and spat on”, the pair are confronted by fellow Tanzanians sitting beside them and labelled as “killers”, being from a tribe of poor reputation.

Meanwhile in first class, charismatic preacher Peter, who earlier in life was the leader of a large gang of boys, captivates his audience with promises of vanquishing “demons, evil spirits and witchcraft” whilst also shilling his book.

Despite the desperate personal situations that have left each of the characters feeling close to hopeless, they continue to resist the preconceptions with which others have burdened them. As their journey approaches its terminus a startling incident forces a premature stop; but the adversity that the situation brings to the passengers could prove crucial in cementing their sense of unity.

The Producers

Jeroen van Velzen: Director

Jeroen van Velzen graduated from the Netherlands Film and Television Academy (NFTA) in 2009 as a documentary filmmaker. He grew up abroad, in amongst others Kenya, and regularly returns on visits. His feature documentary debut Wavumba based in Kenya won the award for Best New Documentary Director at the Tribeca Film Festival in New York, 2012. In 2010 cinematographer Niels van Koevorden (1984) also graduated from the NFTA as a documentary filmmaker. His feature directing debut Ne Me Quitte Pas won the Golden Calf for best feature documentary at the Netherlands Film Festival in Utrecht, 2014. Veteran editor Patrick Minks (1966), another NFTA alumni, has worked with numerous acclaimed directors in his expansive career.

Niels van Koevorden: Cinematographer

Niels van Koevorden is Dutch but spend his childhood in Belgium. At the age of 17 he returned to the Netherlands to study at the Bernhard Lievegoed College of Liberal Arts. Here he discovered film, which took him to the Dutch Film Academy in Amsterdam. There he graduated (in 2010) as a documentary film director with his film Lukomir - Six Months Off . It was rewarded with the VPRO documentary award for best graduation documentary. His second short documentary By Her Side won several awards among which the jury award at the Full Frame documentary festival (USA). Niels also works as a cinematographer, for his own films as well as for other directors. His first feature-length film Ne Me Quitte Pas (in co-direction with Sabine Lubbe Bakker) is premiering at the IDFA this year and is selected for the Dutch and the feature-length competition.

Patrick Minks: Editor

Patrick Minks studied Drama and Film at the University of Amsterdam before he switched to the Dutch Film Academy where he graduated as a film editor in 1992. He was a film critic for the Dutch film magazine Skrien in the 1990s, before concentrating completely on film editing and writing/directing. As a film editor he worked with acclaimed directors such as Heddy Honigmann, Jos de Putter, John Appel, Eugenie Jansen, Hany Abu-Assad, Walter Stokman and Masha Novikova. Recently he edited films by Liew Seng Tat, Thom Vander Beken and Jeroen van Velzen. In 1999 he wrote and directed the short fiction film 100% followed by the teleplay Life after Mrs. De Nijs in 2001, both broadcast by VPRO TV. In 2008 he produced, directed and edited the short film Final . Patrick co-wrote the screenplay for Eugenie Jansen's third feature film Above us all that premiered at the Berlinale in 2014. In 2017 he produced, co-directed and edited the feature documentary Michel, actor looses the words . Besides his work as a film editor and writer/director Patrick has been involved in the Master Film programme at the Dutch Film Academy since 2009 and he regularly consults and coaches filmmakers and visual artists on their scripts and rough cuts.

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