Simkin: A salaryman is being born. Not just any salaryman --Kosaku Shima is Japanese most famous white collar worker. He's the star of a hugely popular adult comic book series, and the creation of this man -- Kenshi Hirokane.

The artist knows what he's talking -- or drawing -- about. He used to be a salaryman himself. 25:23

Hirokane: You can recognise a salaryman by his white shirt and necktie, which he will wear at all times, even in summer. His neat hairstyle is also a giveaway. 25:30

The salaryman thinks his own interest equals his company’s interest.This is his destiny. 25:42

Simkin: The salaryman is native to Japan. This specimen is typical of the species. Every morning he migrates to work as part of a huge herd. 26:04

His desk is tiny, his hours long, and the rules of behaviour very strict. Notions of hierarchy are rigidly enforced. He doesn't leave the office until his supervisor does. 26:21

Even fun is taken seriously. If the head of the herd wants to go to a watering hole after work, the salaryman has no choice but to follow. 26:37

Salaryman: My train is packed, but many young people get off at Yokohama, so there's a chance of getting a seat. 26:50

Simkin: With no natural predator, the species has flourished -- until now. These corporate warriors were once seen as crucial cogs in Japan's industrial machine, but now they're becoming a national laughing stock. 27:00
TV advertisment Singing 27:16

Simkin: TV ads urge salarymen to regain their strength. Newspaper articles describe them as mindless drones, and argue that their lack of individuality is stifling the economy. 27:25

Simkin: Across the country, salarymen are being laid off and divorced in the millions. Like the character in the comic book, these salarymen dream of breaking out of their confined world -- if they can. 27:43

Nakajima: even if a salaryman has a dream, it is very hard for him to fulfil it, because of his company or family obligations. He is swept away by the stream. 28:00

Simkin: But this salaryman is determined to swim against the tide. Jutem Nakajima wants to exchange his white collar for spandex, and his tiny desk for a stage. He longs to dance. 28:12

Simkin: Occasionally -- just occasionally -- dreams do come true. Nakajima and five other salarymen have formed a band. They call themselves the Oyaji Dancers, which translates, very roughly, as 'old fart dancers.' 28:34

Suzuki [singing]: Repeatedly shaking my waist and dancing I am the dancer Sexily, I'm inviting you in dripping sweat. 28:53

Simkin: Fed up with the declining status of salarymen, the Oyaji Dancers want to show that white collars are nothing to be ashamed of.

Suzuki: It's like Superman -- at one time he is Clark Kent, then he becomes a superman who saves the earth, 29:21
Suzuki then he resumes his identity as a miserable salaryman. 29:30

Oyaji Dancers preparing for performance Simkin: None of these salaried supermen are particularly young. Some fill out their costumes a little too well, and for others -- well, a comb seems somewhat redundant. But that's the point -- they're salarymen and they're proud. 29:40

Tonight though, the Oyajis are a little nervous. They're preparing for their biggest concert yet.
Concert Music 30:02

Simkin: After seeing the warm up act they would have been even more worried.

Simkin: But when their big moment came, the Oyajis put the competition to shame, bursting into song with a raw sexuality. 30:20

Singing: Round and round the midnight dream, the world of pleasure is going around. Go forward, go forward, my lover. It's okay to live like this, it's okay. 30:29

Simkin: What followed was a 90 minute tribute to the white collar warrior -- even though the only white collar to be seen was covered in sequins. Nakajima-san wowed the crowd with a powerful solo. 30:43

Singing: By crowded commuting train, I go to the office today. After work, my fun time -- dancing -- begins. 31:00

Simkin: They might be self-confessed old farts, but these Oyaji can still belt out a raunchy love song. 31:13

Singing: Energetic love tonight. Let's dance together until morning. Let it loose. Have a dream. 31:22

Simkin: The Oyaji Dancers certainly have dreams, but unlike most of their salarymen colleagues, they're living them. And they're doing it without giving up their day jobs.


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