Street in Johannesburg | v/o: Johannesburg, the biggest and most modern city in Africa. But as the continent charges towards the 21st century, there are still mysterious and ancient forces at work here. Meet Seth Saroka, a third generation traditional healer or sangoma. Seth has turned African medicine into a lucrative money spinner from the white community. It's all about protection. And this is arsenal of weapons of secret weapons to keep the thieves at bay. |
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Bottles and jars | Secretions from the lungs of a lion, and hyena fat, just to name a few.
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Wilson with Seth | Wilson: So how do these substances keep thieves away?
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| Seth: This substance keeps thieves away because if you walk and you see a lion you run away.
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| I grind this raw material into powder. And this one...
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| Wilson: Seth mixes his brews for more than 40 white clients, who call on his traditional medicines to allay their greatest fear - the fear of crime. It's a booming market with no shortage of potential customers.
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| Seth: Maybe they need to come to us - to the healers and say, let's sit down and talk about this thing. Then we give them a guarantee. We sign a contract - and then we start to give them the protection.
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Seth walking along street | Wilson: Seth's work is a curious mix of centuries' old traditions and the ills of a modern society. Today's protection job, a nursery on the outskirts of Johannesburg.
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| Seth first met Linda De Luca 12 months ago, when he was called in to protect her fleet of utes. A disgruntled former employee was threatening to steal them and kill the drivers.
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| Linda: Makes the staff happy. I think in this day and age, anything that will protect you is fine.
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Linda
Super: LINDA DeLUCA Nursery Owner | But I wouldn't call on the sangoma to sort my problems out. I believe those I can do myself. And yet amongst the black population is a feeling that the sangoma can help them to sort their problems out.
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Seth preparing ground | Wilson: The first job is to stop the criminals from coming into the nursery.
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| Seth: What I'm doing here is to protect this nursery for Linda, so that when the criminals come in they will feel inside their bodies that this nursery is not good -- it's dangerous.
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| Wilson: After protecting the gates, a fire is lit to burn away any evil intentions that may be lurking. Now all of this is a bit of a concern in the neighbourhood, considering this is Christian fundamentalist territory.
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| Linda: To them this is dabbling with the devil. I've had a lot of people put me down because I've tolerance about that. But I believe that, but then I believe you are Catholic you are also dabbling with the devil. So what the hell.
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Seth carrying bucket | Wilson: Now this isn't just any old bucket of water, at about a hundred bucks a splash, this sort of traditional protection certainly doesn't come cheap, particularly if you're white.
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Linda | Linda: It burns, it burns. There's no question. But I must say they charge you much more if you are a business than if you are a private person. And I think there's a bit of discrimination there as well, about what colour you are.
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Seth's office | Wilson: Back at the office, there's a burning question of a rather more personal nature. Ephrahim Hlamini has, well, a rather nasty dose of the clap. A throw of the bones, and Seth sees all.
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| Seth: Like if you know he do intercourse with his wife then you know he's very weak and you know a woman needs a strong man -- so if you're weak, obviously you can't perform whatever.
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Seth and Wilson | Wilson: Now call me a skeptic, but in the pursuit of journalistic truth, how could I possibly avoid throwing the bones.
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| Wilson: What's my future? So, what have we got?
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| Seth: You need to go back to your ancestors especially your grandmother becasuse she's crying. She says you do a lot of jobs, but you didn't report anything to her... so she's crying.
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| Wilson: Now I swear, 24 hours earlier, my grandmother had rung. And you've got one guess what she was talking about.
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| Wilson: Which bone told you that?
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| Seth: The bone that tells me that your grandmother is crying is this one - this big shell here. And this one... these four basic bones, means you are not communicating with her, so she's crying.
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| Wilson: I guess I'll just have to take it on faith that it was all in the bones. And sorry Nan, I promise I'll call. No, I'll write, every day.
| Ends 05.33 |
CREDITS
Reporter BEN WILSON
Camera TIM LAMBON
Sound TIM LAMBON
Editor TIM LAMBON
An ABC Australia Production