MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
1.
Black
2.
3.03 Title 1
A Projector Films production in association with Screen Australia, the South Australian Film Corporation and the Media Resource Centre
Typesite Post Production Scripts Contact MUSIC STARTS 00:00:00:06
3.
.21 Fade to black 00:00:03:09
4.
1.20 Fade in CU chump chop 00:00:04:05
5.
.06 CU Packaged chops 00:00:06:00
6.
.06 CU Packaged sausages 00:00:06:06
7.
.06 CU Packaged fish 00:00:06:12
8.
.06 CU Packaged chops 00:00:06:18
9.
.05 CU Packaged sausage mince 00:00:06:23
10.
1.01 WS man and woman at meat section in supermarket - backshot
00:00:07:24
11. 8 .24 WS shelves of packaged meat 00:00:08:23
12.
1.09 CU Packaged chicken 00:00:10:07
13.
.06 CU Packaged chops 00:00:10:13
14.
.06 CU Packaged sausages 00:00:10:19
15.
.06 CU smoked meats 00:00:11:00
16.
1.03 MS Right tilt packaged meat on shelves,
pans down
00:00:11:06
17.
.06 MS tracks right shelves of packaged
meat
00:00:12:09
18.
.06 MCU tracks right shelves of
packaged meat
00:00:12:15
19.
.06 MCU tracks right shelves of packaged
meat
00:00:12:21
20.
.08 MS tracks right shelves of packaged
meat
00:00:13:02
MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
21.
.06 MCU tracks right shelves of packaged
00:00:13:10 meat
22.
.06 MS tracks right shelves of packaged
meat
Typesite Post Production Scripts Contact 00:00:13:16
23.
.2.16 WS narrator in meat section 00:00:13:22
24.
1.14 CU narrator looks down 00:00:16:13
25.
3.03 MS narrator to camera NARRATOR
Meat: I certainly eat it. Most people do.
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26.
1.11 MCU track along shelves in
supermarket meat section
NARRATOR VO Throughout my life
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27.
1.11 MWS narrator walks along meat
section
NARRATOR VO I've eaten lamb, chicken,
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28.
1.15 MCU narrator chooses package NARRATOR VO
fish, and kangaroo,
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29.
3.08 MS narrator to camera NARRATOR
but I've never killed anything bigger than a spider.
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30.
1.08 Colour still narrator's family BBQ 00:00:29:00
31.
.20 Colour still narrator's family BBQ 00:00:30:08
32.
1.0 Colour still narrator's family BBQ NARRATOR VO
My family
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33.
.22 Colour still narrator's family BBQ NARRATOR VO
have
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34.
.23 Colour still narrator's family BBQ NARRATOR VO
celebrated through food
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35.
.22 Colour still narrator as a child at BBQ NARRATOR VO
for generations.
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36.
.19 Pans down, previous still NARRATOR VO
And, with
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37.
1.15 Colour still narrator & friends at dinner NARRATOR VO
my friends, I have
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38.
1.02 Zoom in - previous still NARRATOR VO
continued the tradition.
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MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
39.
2.19 Archive footage two women NARRATOR VO
00:00:38:06 This is my Yai Yai and her mother in law,
40.
1.11 Colour still waterfall 00:00:41:00
41.
.05 Colour still two women NARRATOR VO
Old Yai Yai. Legend
Typesite Post Production Scripts Contact 00:00:42:11
42.
6.15 Archive footage Old Yai Yai and
family
NARRATOR VO has it Old Yai Yai used to kill chickens daily by spinning them around by their feet and cracking their necks, or cutting their heads off with an axe.
00:00:42:16
43.
1.04 Archive footage Old Yai Yai and
family
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44.
6.04 MCU Yai Yai in her house NARRATOR VO
Then my Yai Yai would turn those chickens into her delicious signature chicken soup,
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45.
.24 CU Colour still soup in a bowl MS NARRATOR VO
avgolemono.
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46.
1.03 Colour still narrator as a child at
eating soup WS
NARRATOR VO More like
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47.
2.01 Zoom - previous still NARRATOR VO
Avgolemon - yes.
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48.
2.12 Archive footage narrator as toddler NARRATOR VO
And this is me.
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49.
2.16 Archive footage narrator as little girl 00:01:03:04
50.
1.18 Archive footage narrator as little girl
and sibling run in back yard
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51.
1.12 MCU meat in display at butcher shop 00:01:07:13
52.
.20 MS Bag of chops on scales 00:01:09:00
53.
.18 MCU Butcher wrapping meat 00:01:09:20
54.
1.12 MCU butcher sticking price label on
meat
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55.
1.17 MCU Package with label ‘MURDER
MOUTH'
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MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
56.
1.20 CU Package with label ‘MURDER
NARRATOR VO
00:01:13:17 MOUTH'
If we
57.
6.21 CU red & white checked table cloth - stop motion animation plates of meat meals piling up
Typesite Post Production Scripts Contact NARRATOR VO say on average I've eaten meat three times a week for twenty-one years that's three thousand two hundred and seventy six meat meals.
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58.
2.11 MS sheep NARRATOR VO
How many animals died to feed me?
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59.
2.23 WS cows NARRATOR VO
And how many have I killed? None.
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60.
1.21 MS narrator to camera NARRATOR
I have no connection with this steak.
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61.
1.06 CU various processed meats NARRATOR
If it didn't tell me on the
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62.
.24 CU packaged chicken NARRATOR
package, I wouldn't
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63.
1.09 CU various processed meats NARRATOR
know what kind of animal it was.
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64.
3.04 MS narrator to camera NARRATOR
So, if I can't kill it, I won't eat it.
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65.
2.22 CU narrator looking at meat in
package
NARRATOR VO Some people think plants
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66.
2.16 WS narrator at supermarket meat
section
NARRATOR VO feel pain so I thought I'd start with a broccoli.
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67.
2.21 MS overhead broccoli seedling in a
pot on red and white checked tablecloth
MUSIC ENDS 00:01:41:21
68.
4.13 CU broccoli plants NARRATOR VO
And I asked Pedro, permaculturalist and plant lover, to help me.
NARRATOR So Pedro,
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69.
4.10 WS HA narrator and Pedro in broccoli
patch
NARRATOR do you think that plants feel pain?
PEDRO Ah yes, I do.
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MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
70.
2.18 CU broccoli leaves NARRATOR VO
00:01:53:15 When you pick a plant aren't you worried about hurting it?
71.
8.18 WS HA narrator and Pedro in broccoli
patch
Typesite Post Production Scripts Contact PEDRO I have to acquiesce to that, as a responsibility that we have to take when we want to eat food.
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72.
1.13 CU broccoli plant NARRATOR VO
Do you think that killing
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73.
3.05 CU kale NARRATOR VO
plants is very different to killing animal?
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74.
5.19 WS HA narrator and Pedro in broccoli
patch
PEDRO I think it's different because we can't hear a plant scream.
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75.
1.08 CU cabbage PEDRO VO
I mean they've scientifically
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76.
3.08 CU broccoli PEDRO VO
shown that the plants react to the pain and even have..
00:02:15:18
77.
2.13 CU broccoli PEDRO VO
have a consciousness that it's about to happen.
00:02:19:01
78.
4.19 WS HA narrator and Pedro in
broccoli
NARRATOR If you tell a plant that you love it and you're gonna care for it, it responds to that?
PEDRO Definitely.
00:02:21:14
79.
1.15 ECU broccoli head PEDRO
Yeah.
NARRATOR Okay. I love you
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80.
3.15 WS HA narrator and Pedro in broccoli
patch
NARRATOR broccoli plant.
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81.
3.08 ECU narrator bitting into broccoli MUSIC STARTS
PEDRO May I?
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MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
82.
6.20 WS HA narrator and Pedro in broccoli
PEDRO
00:02:34:21 patch, Pedro eats broccoli
Mmm, pretty good.
NARRATOR That felt good.
83.
.10 CU cutting up broccoli PEDRO Mmmm.
Typesite Post Production Scripts Contact
00:02:41:16
84.
.06 CU cutting up broccoli 00:02:42:01
85.
.07 CU cutting up broccoli 00:02:42:07
86.
.05 CU broccoli on board 00:02:42:14
87.
.17 CU broccoli going into pot NARRATOR VO
I hope
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88.
1.24 MCU narrator NARRATOR
our broccoli plant did feel good when it died.
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89.
.08 CU Cutting lemon 00:02:45:10
90.
.07 CU almonds on chopping board 00:02:45:18
91.
.04 CU chopping almonds 00:02:46:00
92.
.07 CU chopping almonds 00:02:46:04
93.
.17 CU taking lid off pot 00:02:46:11
94.
1.12 MCU narrator in kitchen NARRATOR
because it did taste good.
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95.
2.13 MCU stop animation eating broccoli
salad
NARRATOR VO A fish however puts up a fight.
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96.
2.02 MS overhead fish in a bowl on red
and white checked tablecloth
MUSIC STOPS 00:02:51:03
97.
1.14 Colour still fish and chips MUSIC STARTS
NARRATOR VO Every family
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98.
2.14 Colour still pans up, family eating fish
& chips
NARRATOR VO has their takeaway of choice. When we were
00:02:54:19
99.
1.08 Colour still narrator and family at a
restaurant
NARRATOR VO too lazy to cook,
00:02:57:08
MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
100.
2.21 Colour still CU narrator as child NARRATOR VO
00:02:58:16 we'd get fish and chips.
101.
2.10 WS ocean breaking on rocks 00:03:01:12
102.
1.03 MS ocean breaking on rocks 00:03:03:22
103.
3.08 MS narrator on a pier NARRATOR
The only person I know who goes fishing is my uncle, Father
Typesite Post Production Scripts Contact 00:03:05:00
104.
2.16 CU Father Peter FG, Narrator BG NARRATOR VO
Peter.
FATHER PETER When you feel a bite,
00:03:08:08
105.
2.02 MS narrator FG and Father Peter BG FATHER PETER
keep the rod tipped high and reel it in
00:03:10:24
106.
5.13 WS narrator casting FG, Father Peter
BG
FATHER PETER VO slow. Yep, that's right.
NARRATOR VO And if I don't
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107.
1.15 MS narrator FG and Father Peter BG NARRATOR
feel a bite I just leave it.
FATHER PETER Just leave
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108.
1.03 CU Father Peter FG, Narrator BG FATHER PETER it as it is and you
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109.
1.16 MS narrator FG and Father Peter BG FATHER PETER
wait patiently.
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110.
4.24 CU Father Peter FG, Narrator BG NARRATOR
Oh! Ah..
MUSIC STOPS
FATHER PETER Don't get too excited.
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111.
2.13 WS narrator and Father Peter on jetty NARRATOR VO
Peter is a Greek orthodox priest. He deals with
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112.
3.19 MS Father Peter NARRATOR VO
death on a daily basis.
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MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
NARRATOR [cont] So how did you feel the first time
113.
8.11 MCU Father Peter FG, Narrator BG,
on the jetty
Typesite Post Production Scripts Contact NARRATOR you killed a fish? Can you describe that to me?
FATHER PETER I was extremely excited when I caught my first fish and yes,
00:03:34:04
114.
4.07 MS Father Peter BG narrator FG on
the jetty
FATHER PETER the excitement was so great I didn't consider the death of the fish at all.
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115.
1.09 EWS HA jetty NARRATOR VO
Have you never
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116.
1.10 WS narrator and Father Peter on jetty NARRATOR VO
struggled with the fact that
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117.
2.20 WS LA Father Peter fishing NARRATOR VO
you're killing things to eat?
FATHER PETER VO Yes, I
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118.
3.17 CU Father Peter FG, Narrator BG, on
the jetty
FATHER PETER did struggle in my early part of my fishing career. I
00:03:52:11
119.
1.21 WS seagull flying FATHER PETER VO
did feel sympathetic for the fish.
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120.
1.16 CU reel turning FATHER PETER VO
But with individual fish,
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121.
3.11 MS Father Peter fishing FATHER PETER VO
as a purpose in life, is it there just to be looked at or
00:03:59:15
122.
2.14 CU Father Peter FG, Narrator BG
(partial) on the jetty
FATHER PETER is it there to be eaten?
00:04:03:01
123.
3.01 WS jetty 00:04:05:15
124.
2.0 CU rusty bolt on jetty NARRATOR VO
So, you called yourself a
00:04:08:16
125.
3.16 CU Father Peter FG, Narrator BG,
seated on the jetty
NARRATOR SNAF.
00:04:10:16
MURDER MOUTH
POST PRODUCTION SCRIPT
SHOT DUR VISION DIALOGUE INPOINT
FATHER PETER [cont] A SNAF, that's right. A sensitive new
126.
1.17 HA ocean from the jetty FATHER PETER VO
age fisherman.
NARRATOR VO And how
Typesite Post Production Scripts Contact 00:04:14:07
127.
3.22 HA WS ocean next to the jetty NARRATOR VO
would I kill fish if I was a sensitive new age fisherman.
FATHER PETER Well, I would
00:04:15:24
128.
8.10 CU Father Peter, pans to MCU
narrator
FATHER PETER catch the fish, place it in a bucket or an esky, fresh sea water in it, take it home alive
00:04:19:21
129.
3.11 WS LA Father Peter casts FATHER PETER VO
and then toss it straight into the pan,
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130.
4.09 MCU Father Peter FG, narrator BG FATHER PETER
and cook them alive.
NARRATOR What! What!
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131.
2.0 WS narrator fishing NARRATOR VO
I was excited
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132.
2.13 WS fish being pulled up NARRATOR VO
when I first pulled the fish up but that
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133.
.24 CU narrator removing hook from fish NARRATOR VO
excitement pretty quickly
00:04:40:14
134.
.22 CU LA narrator NARRATOR VO
turned to panic.
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135.
1.06 CU fish flapping 00:04:42:10
136.
1.11 CU fish escaping from narrator NARRATOR VO
The fish was
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137.
.17 CU narrator trying to hold fish NARRATOR VO
obviously
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138.
.24 CU LA narrator NARRATOR VO
suffering
00:04:45:19