Angelina Jolie

 

 

 

 

 

 

 

 

 

 

BAKU: THE CITY OF ALI AND NINO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

POST-PRODUCTION SCRIPT (13.10.14)

 


 

Waves on beach

Sea bird flying

10.00.00

MUSIC

 

 

 

 

10.00.06

PAUL THEROUX

I knew nothing but Azerbaijan. I'd never heard the word Baku.

 

 

 

 

10.00.11

NARRATOR

In 1970

MCU Paul Theroux at his desk

 

the writer Paul Theroux reviewed a book that had been lost to the world for over 30 years..

 

 

 

 

10.00.19

PAUL THEROUX

I found Baku on the

Map showing Black Sea, Caspian Sea, and Baku

 

map. In the first paragraph of the review I said, on the hawk nose of a peninsula, Baku in the Caspian.

Book: Ali and Nino by Kurban Said

 

I was always looking for a book that had dropped through the cracks, and when I found it

MCU Paul Theroux

 

it was different from all the other books that I'd read.

 

 

 

Mountain scenery

10.00.36

NARRATOR

It was a love story.

B/W archive: solders on horseback in mountain scenery

 

Tangled up in a war between rival empires.

 

 

 

 

10.00.45

PAUL THEROUX

It's a story of two cultures,

MCU Paul Theroux

 

it's a story of Asia and Europe.

 

 

 

Priests and people in church

10.00.50

MUSIC

 

 

 

 

10.00.53

NARRATOR

On one side is the might of Christian Russia struggling to hold its empire together.

 

 

 

Woman unwrapping Koran

10.00.59

MUSIC

 

 

 

 

10.00.59

NARRATOR

On the other side, peoples of the Koran, Shi'ite

CU Koran

 

and Sunni.

 

 

 

View of Baku from stone building

10.01.06

FUAD AKHUNDOV

The whole plot of the book is that the two major characters, the

MCU Fuad Akhundov

 

Azeri Muslim Khan and the Georgian Christian princess, they seem to live with one and the same geographical concept of Baku, yet

View of Baku from stone building

 

they live in two different worlds.

 

 

 

 

10.01.20

MUSIC

 

 

 

 

10.01.23

NARRATOR

It was the dawn of the

B/W archive: street scene with traffic

 

20th century, everything was

B/W archive: car in desert

 

changing.

 

 

 

 

10.01.27

PAUL THEROUX

I had this strong feeling of identification of a place

B/W archive: soldiers on horses

 

where the rumbles of empire were reverberating there and the people were where the rumbles of empire were reverberating there and the people were

MCU Paul Theroux

 

feeling these vibrations of world events.

 

 

 

B/W archive: solders on horses ride past oil derricks

10.01.38

MUSIC

 

 

 

 

10.01.40

NARRATOR

The fuel of change is

Shots of oil pumps

 

oil, in vast quantities, beneath the land where the lovers met.

 

 

 

 

10.01.48

PAUL THEROUX

The novel tells you everything, it fills in this

MCU Paul Theroux

 

empty place on the map, it suddenly becomes alive and real.

 

 

 

Shots of men playing dominoes on streets of Baku

10.01.54

MUSIC

 

 

 

 

10.01.56

NARRATOR

Above all, it tells the story of how the people of Ali's city first won their freedom.

People walking along street

 

 

 

10.02.03

PAUL THEROUX

It's local, it’s national,

MCU Paul Theroux

 

and it's timeless.

 

 

 

High shot Baku, Flame Towers in distance, national flag in foreground

10.02.07

MUSIC

Titles:

Baku

The city of Ali & Nino

 

 

 

 

 

 

10.02.14

NARRATOR

This is Baku today - a

High shot Baku

 

great city in an independent country. Steeped in history, but embracing modernity.

Low shot Flame towers

 

A bridgehead between east and west.

Mountainous countryside shots

10.02.33

But it wasn’t always so.

 

 

Two hundred years ago, this strange and beautiful landscape lay on the edge of other people's empires. The Russians to the north. The ottomans to the west.

Birds flying over sea

10.02.51

The Persians to the south.

B/W archive: Baku city shots

 

And the focal point was Baku, then a small city where people from all these three empires converged for trade and travel.

 

 

 

 

0.03.05

FUAD AKHUNDOV subtitles

The market place was the most lively place in town

MCU Fuad Akhundov standing in patio

 

This was its

 

 

beating heart

Caption: Fuad Akhundov

Baku historian

10.03.16

This small oriental citadel was the hub that linked many trade and caravan routes.

Shots in market

 

 

 

10.03.25

NARRATOR

Baku in those early days

B/W archive: eastern culture in Baku

 

had been a Persian city, with the culture and customs of the east.

B/W still: building in Baku

 

And that was the world to which the novel's hero,

B/W archive: views over Baku

 

Ali Khan, belonged.

 

 

 

Caption: Ali & Nino by Kurban Said

10.03.39

READER

I went up to the flat roof, form there I could see my world.

Fortress wall

Inscriptions on gate

 

The massive wall of the town's fortress, Arabic inscriptions at the gate.

POV shot going through old city

 

Inside the old wall, the streets were narrow and curved, like oriental daggers.

B/W archive: people walking in town

 

Minarets pierced the mild moon.

 

10.04.03

Through the labyrinth of streets camels were walking,

B/W archive: camel in city

 

their ankles so delicate

B/W archive: women goes into building

 

I wanted to caress them.

POV shot walking towards tower

10.04.12

In front of me rose the squat Maidens' Tower,

Narrow street

 

and behind the tower

View of sea

 

the sea began, leaden,

B/W archive: view of sea

 

unfathomable, Caspian Sea.

 

 

 

B/W archive: camel train in desert

10.04.27

NARRATOR

On the other side of the city lay the desert, and beyond it - imperial Christian Russia.

B/W archive: city shots with wind

10.04.35

In the early 19th century the tsar's armies began pushing south, laying claim to the windswept city and bring European modernity to the edge of Asia.

 

 

 

Mud pool, pan up to WS over desert

10.04.48

MUSIC

 

 

 

 

 

NARRATOR

But with modernity came an even bigger change - a liquid treasure which had lain for centuries

Oil pumps

 

beneath the desert itself.

 

 

 

 

10.05.02

THOMAS DE WAAL

The key date is 1828, when the lands

MCU Thomas de Waal

Caption: Thomas de Waal

Author, The Caucasus: An Introduction

 

of Azerbaijan are divided into north and south, most of the people actually stay in what's now the Iranian side of the border, but...

 

 

 

B/W stills montage: Baku streets, buildings and people

10.05.14

MUSIC

 

 

 

 

 

THOMAS DE WAAL

... the northern side, the Russian side, slowly Europeanises. This is mainly due to Baku, which becomes this huge boom town and the world's first oil capital, and pulls these Azerbaijanis into a completely different world.

Tracking shot past Villa Petrolea

 

 

 

10.05.40

NARRATOR

Half an hour's drive from the elegant city centre stands

EXT shots Villa Petrolea

 

the Villa Petrolea. In the 1880s, it became home to a family whose enterprise

INT shots Villa Petrolea

 

helped change the face of Baku - the Nobels.

 

 

 

 

10.05.57

MUSIC

 

 

 

 

10.05.57

NARRATOR

Ten years before it was

Paintings: Nobel brothers

 

built, Ludwig Nobel had given his brother 25,000 roubles to buy exotic hardwood for rifle

INT office in Villa Petrolea

 

stocks. Instead, the money was spent

B/W still: horse and cart in oilfield

 

on buying drilling rights and an oil refinery.

B/W stills: oil field shots

10.06.19

They struck gold - black gold. Oil that literally gushed into the air in fountains such as they had never seen before.

 

 

 

 

10.06.30

AUDREY ALTSTADT

There was so much pressure

MCU Audrey Altstadt

Caption: Audrey Altstadt, University of Massachusetts

 

from the natural gas that’s down there with the oil that it created a gusher, and the gushers would occasionally flow completely out of control.

 

 

 

B/W still: oilfield

10.06.45

PHILIP NOBEL

They found Klondike, they

MCU Philip Nobel

Caption: Philip Nobel, Ludvig's grandson

 

found a country filled with possibilities beyond imagination.

 

 

 

B/W still: camels in Baku city

10.06.52

NARRATOR

To begin with, the process was primitive.

B/W stills: laden camels

 

Oil was poured into sacks make of camel skin and carried to the docks.

B/W still: camels at refinery

 

But as demand grew, the Nobels and other entrepreneurs like the Rothschilds

B/W still: INT factory with machines

 

introduced mechanisation and amassed fortunes.

 

 

 

MCU Thomas de Waal

10.07.12

THOMAS DE WAAL

Baku became a k an international city before its time because of this huge oil boom, and people like the Nobels and the Rothschilds and all these international capitalists coming in to develop the oil industry.

 

 

 

Garden seen from house

10.07.27

PHILIP NOBEL

Sitting on this terrace you feel that

MCU Philip Nobel

 

history don’t stop, you know, it continues, it's a legacy, it is a

B/W still: man in hammock on terrace

 

fantastic feeling just listen to the birds, to have my coffee there in the morning.

 

 

 

Garden

10.07.40

NARRATOR

Even the garden around the house grew on oil.

 

 

 

B/W still: tanker ship

10.07.44

PHILIP NOBEL

When the tanker ships went out with the oil,

MCU Philip Nobel

 

they brought back water to irrigate the grounds, I think at one time in total they had brought in maybe like

EXT building

 

40,000 different species

Pool in garden

 

of flowers, grasses, er,

B/W still: planting a tree

B/W still: 2 man with tree in garden

 

trees, shrubs, it was an amazing feat what they did.

 

 

 

 

10.08.04

MUSIC

 

 

 

B/W still: man in garden

10.08.05

PHILIP NOBEL

It was like a little green paradise

B/W still: family picnic in garden

 

surrounded by derricks.

 

 

 

B/W archive: shots of oilfields

10.08.11

NARRATOR

At the height of the boom, you could see the derricks growing like a forest beyond the citadel walls. And in that forest were the poor and the hopeful, heading to Baku like gold diggers to California.

 

 

 

MCU Irada Bagirova

Caption: Irada Bagirova

Academy of Sciences, Baku

10.08.26

IRADA BAGIROVA subtitles

Workers came from Russia, Iran - also Azeris -

Slow pan shots over Baku

 

so the Azeri population grew.

 

10.08.39

But the numbers of other nationalities grew too - Russians, Armenians, many Jews came here, Poles.

 

 

 

EXT shots mansions at night (undercranked)

10.08.49

MUSIC

 

 

 

 

10.09.00

NARRATOR

The city you see today began growing from that moment. Not so much to accommodate the influx of poor workers as to accommodate the tastes and ambitions of the newly rich tycoons. Europe was flooding into Asia on a tide of oil.

 

 

 

 

10.09.19

ALTAY GOYUSHOV

All these oil tycoons - Armenians, Jews, Azerbaijanis, Russians - they are trying to provide some kind of help to their own community, this competition being more philanthropist,

MCU Altay Goyushov

Caption: Altay Goyushov

Baku State University

 

you know, it's amazing that they are really generous.

 

 

 

Oil pump with Baku city in background

10.09.36

MUSIC

 

 

 

 

10.09.37

NARRATOR

Each tycoon was generous to his own.

Shots of oil pumps at work

 

Armenian for the Armenians, Russian for the Russians. And for the Azeris, a champion who surpassed them all.

LS Baku over water

 

 

EXT National Museum of the History of Azerbaijan

10.09.57

This building, now the National Museum of the History of Azerbaijan, is the

Painting Haji Zeynalabdin Tagiev.

 

legacy of the man who did most to help the Azeri people - Haji Zeynalabdin Tagiev.

B/W still: mansion

B/W still: men gathered around desk

10.10.12

When he moved into his mansion at the turn of the century, the great and the good of Baku society gathered around him. Just a few years before,

B/W archive: oilfield shots

 

this cobbler's son had been a builder, but he could see what others were doing, so he found himself a partner, bought some land, and started digging for himself.

 

 

 

 

10.10.33

NAILYA ABDULAEVA subtitles

They dug for a long time ... but there was no oil.

MCU Nailya Abdulaeva

 

His Armenian partner said: 'I am not going to dig any longer'

 

 

 

B/W archive: horse-operated pump

10.10.44

NARRATOR

But Tagiev kept faith and pressed on alone.

 

 

 

MCU Nailya Abdulaeva

Caption: Nailya Abdulaeva

Tagiev's great-granddaughter

10.10.49

NAILYA ABDULAEVA subtitles

Tagiev took a new loan, carried on digging... and struck a fountain!

 

 

 

B/W archive: oil gushing and flowing on the ground, and being collected

10.10.56

MUSIC

 

 

 

 

10.11.03

NAILYA ABDULAEVA subtitles

The oil gushed with such force right into the sea. They sold it by the bucket until he grew richer.

MCU Nailya Abdulaeva

 

Then he built factories and produced kerosene. ...and ended up in shipping too, with three oil tankers.

 

 

 

B/W still: Tagiev and family

10.11.23

MUSIC

 

 

 

 

10.11.27

NARRATOR

That wealth transformed the life of his own family, of course. But Tagiev wanted all Azeris to share his good fortune too. Above all, he wanted them to have

B/W still: Tagiev in office

 

the sort of education he'd never had.

 

 

 

 

10.11.41

NAILYA ABDULAEVA subtitles

He gave an education to a

MCU Nailya Abdulaeva

 

great number of people. They became doctors, engineers, and scientists Even now there are many people who say 'We eat Tagiev's bread'. ... in the sense that Tagiev paid for their education.

 

 

 

EXT shots mansion

10.12..01

MUSIC

 

 

 

 

10.12.03

NARRATOR

This building just outside the walls of the ancient city was once the first secular school for Muslim girls in the entire orient,

B/W still: Tagiev

 

built with money from that cobbler's son.

 

 

 

 

10.12.17

FUAD AKHUNDOV subtitles

He knew the

MCU Fuad Akhundov

 

only way to raise his people was by education. By educating a boy, he said, you get one educated person, but educate a girl and you get a whole educated family.

 

 

 

POV shot walking along street, Baku

10.12.32

NARRATOR

Tagiev himself was a devout Muslim

 

B/W still: mansion

 

but his views on education for women were far ahead of his time.

 

 

 

 

10.12.41

FUAD AKHUNDOV subtitles

In one of his letters, Tagiev says:

MCU Fuad Akhundov

 

'The only way to convey to a Muslim woman - this marvellous creation of the Almighty ...what her human rights are

B/W still: girls in queue up stairs in school

10.12.52

is through education, education, education.'

B/W stills: girls at school

 

The letter is dated 1896. 52 years

MCU Fuad Akhundov

 

before the Universal Declaration of Human Rights. The term is used in a letter by a Baku millionaire!

CU letter

 

His signature scrawled like a chicken's claw...

 

 

 

 

10.13.15

NARRATOR

Illiterate did not mean

Portrait: Tagiev

 

uninformed. Every morning

INT shots office in mansion

 

Tagiev's secretaries read the foreign newspapers to him, to feed his appetite for knowledge of the world.

 

 

 

MCU Irada Bagirova

10.13.27

IRADA BAGIROVA subtitles

At the start of the 20th century, over 40 newspapers were published in Baku.

CU newspaper

 

They were the forum for a serious debate

MCU Irada Bagirova

 

... between those who favoured a Western path of development and those who preferred an Eastern path.

 

 

 

EXT mansion

10.13.40

MUSIC

 

 

 

 

10.13.42

NARRATOR

Over the road from the school

INT mansion

 

he'd built was the Christian school that Ali's beloved Nino attended.

 

 

 

B/W still: children in classroom

Caption: Ali & Nino by Kurban Said

10.13.55

READER

Professor Sanin addressed our class - it is partly your responsibility as to whether our town should belong to progressive

Shots of teacher teaching class

 

Europe or to reactionary Asia. We sat silent for a while,

B/W still: children in classroom

 

overwhelmed by the load of responsibility so suddenly laid upon our shoulders.

 

 

 

Street shot with minaret

10.14.12

MUSIC

 

 

 

CU dome with minaret

10.14.13

NARRATOR

One aspect of belonging to Asia was that daily life would

 

 

controlled by the deeply conservative Shi'ite mullahs.

Service in Russian Orthodox church

10.14.23

But quite apart from the large Russian Orthodox population in Baku,

Street shot with car

 

there were Sunni Muslims too, mainly from the Ottoman

Men sitting outside café

 

empire next door. The new visionaries

High shot over mosque

 

believed that the only answer was a secular society.

 

 

 

 

10.14.41

AUDREY ALTSTADT

By the time you get to the setting of this novel of

Book: Ali & Nino by Kurban Said

 

Ali and Nino, you have especially in Baku a substantial cohort of people who are interested in a

MCU Audrey Altstadt

 

kind of reformed Islam, they are not by any means atheists, but they want to come to a kind of modus vivendi

B/W still: group photo

 

gradually striving to build a larger and larger nationally conscious community.

 

 

 

Mosque gate

Cover of satirical magazine with cartoon

10.15.07

MUSIC

 

 

 

 

10.15.15

NARRATOR

The mullahs became the target of an iconic

Cartoons from magazine

 

satirical magazine, filled with cartoons to reach people who couldn't read. The idealists

B/W still: group photo

 

behind it wanted to free themselves, not from their history,

Cartoons

 

but from the prejudice and sectarianism that could easily overwhelm such mixed society, and for Ali

Tower and wall

 

it was personal -

 

 

 

Caption: Ali & Nino by Kurban Said

10.15.39

READER

God let me be born here as a Muslim of the Shi'ite faith.

Narrow Baku street

 

May he be merciful and let me die here in the same street, in the same house where I was born.

Cat on windowsill

10.15.52

Me and Nino, a

Narrow Baku street

 

Christian, who eats with a knife and fork, has laughing eyes and wears

Woman's legs walking in street

 

filmy silk stockings.

 

 

 

 

10.16.03

CHARLES KING

The key issue

MCU Charles King

Caption: Charles King

Georgetown University

 

here is not one of geography or ethnicity or religion even, it's one of civilisation and of modernity, they feel that they themselves are bringing their society into the modern world,

B/W still: group photo

 

and in so many ways they are like the reformist currents

MCU Charles King

 

that are taking place in Russia proper.

 

 

 

B/W still: EXT opera house

10.16.21

MUSIC

 

 

 

 

10.16.24

NARRATOR

Another step on the way to modernity was Baku's magnificent opera house, also built

EXT opera house

 

with Tagiev's money.

INT shots opera house

10.16.33

Opera ran through the veins of Russian culture, but this was the first in a Muslim city, and it became a proving ground for Azeri national identity.

 

 

 

 

10.16.44

AUDREY ALTSTADT

Opera was such an important vehicle for the articulation

MCU Audrey Altstadt

 

of national consciousness in Europe, and the most important composers and musicians of

Statue: Uzeyir Hajibeyli

 

Azerbaijan, Uzeyir Hajibeyli and his circle, were

CU poster for Layla and Mejnun, Saturday 12 January 1908

 

really inspired by Italian opera and the use of

MCU Audrey Altstadt

 

historical themes, traditional music, but modern forms, and Azerbaijan is just a leader in this aspect of arts.

 

 

 

Shots at the opera

10.17.13

MUSIC actuality at the opera

 

 

 

 

10.17.18

NARRATOR

Tonight's opera is a perfect example. European in form, but sounding so different.

 

10.17.29

Layla and Mejnun - a Persian love story sung in Azeri, and using instruments from east and west.

 

 

 

High shot over Flame towers

10.17.49

MUSIC

 

 

 

 

10.18.03

NARRATOR

As it does today, the Baku of Ali and Nino thrived on its wealth. Since 1901 its oil fields have been providing more than half the world's oil.

Tracking shot past shops, Baku

10.18.17

Fuelled by the revenue, the population grew at a faster rate than London, Paris, or New York.

 

 

 

 

10.18.25

SIMON SEBAG MONTEFIORE

It was an extraordinary place,

MCU Simon Sebag Montefiore

Caption: Simon Sebag Montefiore

Historian

 

t was cosmopolitan, its millionaires were the oligarchs of the turn of the century.

 

 

 

Tracking shots through Baku streets at night

10.18.32

MUSIC

 

 

 

 

10.18.33

SIMON SEBAG MONTEFIORE

It was like a mixture between sort of medieval Baghdad, er, Al Capone's Chicago, and the sort of Paris of the east..

INT shots restaurant

10.18.43

It was literally the most extraordinary place and irrepressible, exciting, fascinating, cosmopolitan kaleidoscope.

MCU Simon Sebag Montefiore

 

This was a totally thrilling place to be.

 

 

 

B/W still: people in car

B/W still: man and woman

B/W still: 2 children

B/W still: woman on chair

10.18.54

MUSIC

 

 

 

EXT shots buildings in Baku

10.19.07

NARRATOR

Not all these newly wealthy oilmen were philanthropists like Tagiev. They adorned the city with

INT shots building

 

French-style chateaux and Venetian palaces. Frescoes of nymphs alongside heroes of Islam.

Wisteria growing up wall

10.19.24

But the dazzling facades and secluded gardens couldn't

High shot courtyard

 

shut out reality.

Low shot outside staircases with Wisteria

10.19.31

Beyond the city walls a growing population of the angry and the poor was taking root.

 

 

 

 

10.1937

SIMON SEBAG MONTEFIORE

Everything there was excessive, flamboyant, but also ferocious, because

MCU Simon Sebag Montefiore

 

at the top you had these sudden new millionaires and their new palaces, but at the bottom you had a huge workforce of 50,000, 60,000 people, who were Azeris, Turks, Persians, mountain Jews, Georgians, Armenians,

B/W stills: oilfield

10.19.58

all of them at war with each other, and along with them was a criminal underclass, led by vicious organised criminals, gangsters.

 

 

 

LS Baku city

10.20.10

MUSIC

 

 

 

 

10.20.11

NARRATOR

The ancient city seemed to shrink as the gangsters and developers poured into the new town around it.

 

 

 

LS Baku

Caption: Ali & Nino by Kurban Said

10.20.18

READER

There were really two towns, one inside the other. Like a kernel in a nut. Outside the old wall was the outer town, its people noisy and greedy for money.

 

10.20.31

There were theatres, schools, hospitals, libraries,

High shot sea and city at sunset

 

policemen and...

 

 

 

 

10.20.35

MUSIC

 

 

 

 

10.20.35

READER

... woman with naked shoulders. If there was shooting in the outer town it was always about money.

 

 

 

Oilfields and pumps

10.20.47

NARRATOR

Beyond the outer town were the oil fields and the shanty towns where the workers lived. There too the issue was

B/W archive: oil pumps and workers

 

money. But in their case - lack of it.

 

10.20.59

As discontent grew, a singularly interested

B/W still: mugshots - Stalin

 

outsider began visiting Baku, a political organiser from Georgia called Joseph Stalin.

Fade to black

 

 

 

GVs Baku environs

10.21.12

MUSIC

 

 

 

 

10.21.15

NARRATOR

They called the oil workers' shacks the black city. To Stalin, it was the perfect

B/W still: Stalin

 

canvas for his own black arts.

 

 

 

 

10.21.25

SIMON SEBAG MONTEFIORE

Stalin was the expert, he was the guy you

MCU Simon Sebag Montefiore

 

went to if you wanted to organise a bank robbery, if you wanted to execute a double agent or a traitor...

 

 

 

Bes plotters

10.21.32

MUSIC

 

 

 

 

 

SIMON SEBAG MONTEFIORE

...or if you wanted to kidnap someone, he could arrange all of this.

Oilfield with pumps

 

 

MCU Fuad Akhundov

10.21.40

FUAD AKHUNDOV subtitles

The mass of Azeri workers lived in appalling conditions ... but were rather

Oilfield with pumps

 

passive, mainly because of the mullahs.

Stalin saw these

MCU Fuad Akhundov

 

Azeri workers as his target audience ...an untilled field which he began to cultivate

 

 

 

B/W still: Lenin

10.22.02

MUSIC

 

 

 

 

10.22.05

NARRATOR

Lenin needed money for the revolution

B/W archive: oil workers

 

he was planning and Stalin's job was to collect it.

 

 

 

 

10.22.11

SIMON SEBAG MONTEFIORE

The only way to do it was

MCU Simon Sebag Montefiore

 

so-called expropriations, which was a, a sort of euphemism for gangsterism,

B/W still: Stalin

 

and this sort of group was really hardened, tempered, trained

MCU Simon Sebag Montefiore

 

in Baku, in the Caucasus, where clan loyalties really mattered, where vengeance was part of daily life, where multiethnic groups fought each other.

B/W still: Stalin

10.22.34

So it was a mixture of sort of gangsterism,

MCU Simon Sebag Montefiore

 

piracy, and revolutionary enthusiasm.

 

 

 

B/W archive: the Baku strike of December 1904

10.22.40

MUSIC

 

 

 

 

10.22.43

FUAD AKHUNDOV subtitles

This kind of agitation resulted in the all-out strike of December 1904. Baku

MCU Fuad Akhundov

 

produced half the world's oil and 96 per cent of Russia's. The strike threatened to paralyse Russian industry and the economy. So the participation of Azeri workers in the strike was... an alarm signal for the Russian authorities.

 

 

 

B/W archive: workers demonstrating at oilfield

10.23.12

MUSIC

 

 

 

 

10.23.15

NARRATOR

It was a triumph for the Russian

B/W archive: revolution scenes

 

revolutionary labour movement. The order came from St. Petersburg to buy off the strikers before labour unrest spread any further.

 

 

 

Oilfield with pump

10.23.26

IRADA BAGIROVA subtitles

The oil industrialists were made to sign a collective agreement ... the first in the Russian Empire.

MCU Irada Bagirova

 

10.23.35

Many regulations were introduced to meet the workers' demands.

B/W archive: oilfield workers

 

It was amazing for the time.

 

 

 

 

10.23.42

MUSIC

 

 

 

 

10.23.43

IRADA BAGIROVA subtitles

Cutting the working day from 14 hours to 9 was a huge achievement.

Building seen across the Neva river

 

 

GVs St. Petersburg

10.23.57

NARRATOR

Two thousand miles away in the cold of St. Petersburg, reverberations of the strike shook the imperial government.

B/W archive: Bloody Sunday

Caption: 9th January 1905

 

 

 

10.24.14

In January 1905, on what became known as Bloody Sunday, an unarmed crowd of petitioners was gunned down by the Imperial Guard outside the Winter Palace.

 

 

 

 

10.24.32

DOMINIC LEVEN

The revolution of 1904 to 5

B/W archive: revolution in Baku oilfield

 

hit Baku very hard indeed, because there you have the emergence of an

MCU Dominic Leven

Caption: Dominic Leven

Cambridge University

 

anti-Tsarist and to a great extent anti-capitalist movement, which, there, as in many other parts of the world, gets entangled In a nationalist movement.

 

 

 

Shots in Russian Orthodox church

10.24.50

MUSIC

 

 

 

 

10.24.50

DOMINIC LEVEN

So you have a situation which is tailor-made for national conflict.

 

 

 

Procession comes out of the church and along street

10.24.59

NARRATOR

Above all, it opened the possibility in the Caucasus that autocratic Russian power under which they had lived for nearly a hundred years might be losing its grip.

 

 

 

Shot over Baku city at night

10.25.10

CHARLES KING

Certainly the thing that develops is this rising sense that you could be Muslim in the Russian Empire,

MCU Charles King

 

that there was a kind of core national identity that you needed to develop in contradistinction to being Russian

 

 

 

Mountain scenery shots, Azerbaijan

Caption: 1st August 1914

10.25.23

MUSIC

 

 

 

 

10.25.25

NARRATOR

In 1914, a faraway war broke out between the great European powers. But by pitting Russia against turkey, it forced young

Shepherd with sheep, Azerbaijan

 

men in Baku to confront an uncomfortable question -

Mountain scenery shot

 

was it a war they wished to fight in? And if so, on whose side?

 

 

 

B/W archive: solders marching in countryside

10.25.42

MUSIC

 

 

 

 

10.25.48

THOMAS de WAAL

If you're an Azerbaijani Muslim in 1914 you have a very mixed reaction to what's going on in the world.

MCU Thomas de Waal

Caption: Thomas de Waal

Author, The Caucasus: An Introduction

 

Where do we belong, er, are we, you know, Russian subjects, Russian citizens, or are we Turks, are we Muslims, or are we a bit of both? And in time of war you have to choose.

 

 

 

EXT opera house, Baku

10.26.06

MUSIC

Shots in opera house

 

 

 

10.26.11

NARRATOR

While the troops were mobilising for battle, Ali and Nino went to the opera.

EXT garden

 

Afterwards, they met an Armenian friend for a drink in what was then the Baku City Club.

 

10.26.24

Nino is amazed to find that neither of them want to fight.

 

 

 

MCU Fuad Akhundov

10.26.29

FUAD AKHUNDOV subtitles:

Nachararyan looks at her condescendingly. "We want to fight, Princess, but not against each other. There is a great wall between us and the Russians - the Caucasus Mountains. If the Russians are victorious, we well be completely Russified, lose our religion and our language. We'll become Eurasian mongrels. No! Whoever fights with Russia and the Tsar fights against the Caucasus!"

B/W archive: solders on horseback

 

 

 

10.26.58

READER

My father was surprised and worried. You really do not want to go to war? Most of our ancestors have fallen on the battlefield. It is the natural death of our family.

 

 

 

Man smoking outside building

10.27.09

MUSIC

 

 

 

Caption: Ali & Nino by Kurban Said

 

10.27.12

READER

I was sitting on the carpet, leaning against the cushions.

Blacksmith at work

 

I will draw my sword when I want to. Our country will

Men sitting on bench outside building

 

need my sword later.

 

 

 

Shepherd in mountain pasture

10.27.28

NARRATOR

Europe's war soon spread to Asia.

Oilfield with pumps

 

It was about resources, but it was about imperial power too.

 

 

 

 

10.27.37

CHARLES KING

One of the places that this came together was on the frontier between the Ottomans and the Russians.

MCU Charles King

 

Here you had oil resources, here you had mixed cultures being pulled apart by these empires that were

Map showing Black Sea, Caspian Sea, Russian Empire, Ottoman Empire, Persia, and Baku

 

clashing over the future of the imperial system.

 

 

 

 

10.27.54

ALTAY GOYUSHOV

If you look at map you will see the Caspian Sea and you will see the Black Sea. On the north you have

MCU Altay Goyushov

 

Russian Empire, on the south you have Iran and Turkey. Big countries and between these

Map showing areas occupied by Georgians, Azeris, and Armenians

 

two countries you have this small nations who are trying to, you know, to establish their own

MCU Altay Goyushov

 

countries, their own nations, independent nations. And for them, the...

 

 

 

B/W archive: soldiers on horseback

10.28.16

MUSIC

 

 

 

 

 

ALTAY GOYUSHOV

...change which this war can bring to the world is kind of opportunity.

 

 

 

 

10.28.25

NARRATOR

As Russian losses

Mounted solders in retreat with casualties

 

mounted, disaffection throughout its empire turned into outright revolution. In 1917, the Tsar abdicated and the Caucasus

 

 

 

 

10.28.40

DOMINIC LEVEN

The basic impact of the Russian revolution

MCU Dominic Leven

 

on the Transcaucasus in general and what we now call Azerbaijan in particular is that it destroys Russian power.

 

 

 

B/W archive: Baku scenes with life and demonstrations

10.28.49

MUSIC

 

 

 

 

10.28.52

NARRATOR

It left a vacuum in which subject nationalities throughout the Caucasus all made bids for freedom. But in what form and under which faction was much harder to resolve.

 

 

 

 

10.29.04

IRADA BAGIROVA

Power change hands literally every couple of months. It was the same all over Russia.

MCU Irada Bagirova

 

Sometimes they didn’t even manage to change the flags. They flew one flag; a month later, someone else came to power and they'd raise another flag

 

 

 

B/W archive: oilfield with gusher

10.29.20

MUSIC

 

 

 

 

10.29.20

NARRATOR

The Azeris' bid

B/W archive: soldiers enter Baku

 

was complicated by their wealth. The Bolsheviks were interested in power, not freedom, and in particular they wanted Baku's oil

B/W archive: Bolsheviks in Baku overlaid with a b/w still of Shaumian in 1917

 

10.29.31

On orders from Lenin, a man called Stepan Shaumian seized power. Shaumian's allies were Christian Armenians, Dashnaks, as they were called. But he knew that the leaders of the

B/W still: politicians

 

Muslim Azeri party...

 

 

 

 

10.29.45

MUSIC

 

 

 

 

10.29.45

NARRATOR

...actually had far more popular support.

B/W archive: demonstration

 

He needed to find a way of to neutralise them, and in a

B/W still: Tagiev

 

tragic twist of fate it was the son of the Azeris' great benefactor Tagiev who gave them the opportunity.

 

 

 

B/W archive: soldiers on horseback

10.30.00

MUSIC

 

 

 

 

10.30.00

NARRATOR

Tagiev's son was an officer in a Muslim division of what had been the Imperial Army, and at this critical moment he was killed - not in a battle, but a game of Russian roulette.

 

 

 

MCU Altay Goyushov

Caption: Altay Goyushov

Baku State University

10.30.12

ALTAY GOYUSHOV

And funeral for this guy is held in Baku. And according to tradition, all of his, you know, friends from his regiment...

 

 

 

B/W stills: soldiers on horseback

10.30.22

MUSIC

 

 

 

 

10.30.22

ALTAY GOYUSHOV

...officers, wants to come to Baku to participate in his funeral.

 

 

 

 

10.30.29

NARRATOR

The friends know they cannot

B/W still: solders - group photo

 

enter the city bearing weapons, but regimental honour demands that they do.

 

 

 

 

10.30.36

ALTAY GOYUSHOV

The situation was

MCU Altay Goyushov

 

used by Shaumian as a pretext, to launch his crackdown on the national forces.

 

 

 

EXT building in Baku with door

10.30.50

READER

Then the telephone rang.

B/W archive: POV shot going through door

Caption: Ali & Nino by Kurban Said

 

Ilyas Beg's voice came through the receiver. The Armenians have joined the Russians.

B/W archive: tower in Baku

 

They demand that all Mohammedans give up their weapons not later

B/W still: Muslims in yard

 

than 3 o'clock tomorrow afternoon. We refuse, of course.

B/W still: Zizianishvili's Gate

10.31.05

You will be at the machine gun at the wall, left of Zizianishvili's Gate.

LS Fuad Akhundov on wall above Zizianishvili's Gate

Caption: Fuad Akhundov

Baku historian

 

 

MCU Fuad Akhundov by building

10.31.10

FUAD AKHUNDOV subtitles

It was the last time these defensive walls saw action… March 1918. When the Bolshevik-Dashnak regime unleashed the most vicious slaughter on the town

 

 

 

B/W stills: Dashnak slaughter in Baku

10.31.24

MUSIC

 

 

 

 

10.31.28

FUAD AKHUNDOV subtitles

Entire Muslim quarters were cut down Around 10,000 people were killed

 

 

 

 

10.31.50

THOMAS DE WAAL

There was a British intelligence officer who said, when you talk about the streets running with blood, this is usually a bit of a

MCU Thomas de Waal

 

metaphor and exaggeration, but when you talk about

B/W archive: burning building in Baku

 

 

Baku in 1918 this was the literal truth.

B/W stills: Dashnak slaughter in Baku

 

 

 

Mountain scenery shots

10.32.26

NARRATOR

But it was not the end of Azeri freedom.

 

 

 

 

10.32.29

MUSIC

 

 

 

 

10.32.29

NARRATOR

It was the beginning. The survivors of the massacre fled to safety in the mountains, and on the 28th of May 1918 their leaders announced the creation

B/W still: mosque with minarets, Ganja

 

of the Democratic Republic of Azerbaijan.

 

10.32.47

The city of Ganja became their temporary capital, while they

Waves on beach near Baku

 

planned their return to Baku.

Fade to black

 

 

B/W stills: ships at pier

10.32.59

MUSIC

 

 

 

 

10.33.04

NARRATOR

By now the Bolsheviks had

B/W stills: oilfields and related equipment

 

taken Russia out of the war. What mattered to the powers still fighting was who controlled the oil wells. Hitherto they'd been protected by the Russian army. Now they were open to all comers.

 

 

 

 

10.33.20

THOMAS DE WAAL

You have Germans and the British popping up and sailing across the Caspian Sea, an

MCU Thomas de Waal

 

incredibly complicated theatre of war in,

B/W archive: Baku port and oilfield

 

in this region, and really the kind of pivotal place is the city of Baku, a huge prize for the oil claimed by the Ottomans, claimed by the British, claimed by the Germans.

 

 

 

 

10.33.39

MUSIC

 

 

 

Mountain scenery

10.33.45

NARRATOR

The fledgling Azeri government in the mountains sided

B/W archive: soldiers on camels

 

with Turkey. Ottoman Sunnis and Azeri Shi'ites marched together on Baku.

B/W archive: oilfield

10.33.58

In Baku, there was

Solders on horses in Baku

 

chaos. The local Bolsheviks had been ousted. Armenians were now in charge.

 

10.34.08

Ali's hope of returning from exile...

 

 

 

 

10.34.10

MUSIC

 

 

 

 

10.34.10

NARRATOR

...hung on a Muslim victory.

Tower in Baku and POV walking in the city

 

 

Caption: Ali & Nino by Kurban Said

10.34.14

READER

I called to my homeland as a child calls to his mother. Never, never should I have left this town where God let me be born. I was

High shot Baku street

 

chained to the old wall like a dog to his kennel. Only a refugee

B/W still: Baku street

 

knows what his homeland means to him.

 

 

 

B/W stills: British soldiers in Baku

10.34.44

MUSIC

 

 

 

Caption: August 1918

10.34.44

NARRATOR

Fearful of defeat, the new administration invited the British in to help them defend the city. But the British completely misjudged the crisis, sending just a small detachment to assist what they assumed was a viable local army.

 

 

 

 

10.35.03

ANGUS HAY

They were absolutely horrified to discover that the local peoples of the various different

MCU Angus Hay

Caption: Angus Hay

Military historian

 

nationalities were rather expecting the British to arrive and to defend the city on their behalf,

B/W stills: British soldiers in Azerbaijan

10.35.12

and there was a total misunderstanding, as one of the British officers said, that the local troops had the tendency to scamper away at the first sound of gunfire, leaving large gaps in the line.

 

 

 

B/W archive: solders on horses in countryside

10.35.23

MUSIC

 

 

 

MCU Angus Hay

10.35.28

ANGUS HAY

The very first major battle took

B/W still: solders with field gun

 

place at a place called the mud volcano.

LS mud volcano

 

There the local forces

MCU Angus Hay

 

basically withdrew at first sight of the Turks approaching.

B/W still: soldiers behind drystone wall

10.35.39

The Turks attacked British positions and the British were defeated and predominantly killed.

Fade to black

 

 

 

B/W still: back street full of soldiers

Caption: 15th September 1918

 

10.35.45

NARRATOR

But Ottoman control was short-lived. Within a month, news reached Baku

Slow pan over Baku buildings

 

that the great war was over and the Turks had lost. Azeri leaders took over the building which had once

EXT Tagiev's school for Muslim girls

 

been Tagiev's school for Muslim girls and with the blessing of the victors set up the government

B/W still: politicians outside building

 

they'd been dreaming about for years.

 

 

 

 

10.36.08

AUDREY ALTSTADT

It's both before and during

MCU Audrey Altstadt

Caption: Audrey Altstadt

University of Massachusetts

 

English occupation that the republic was able to establish itself, and the people who establish it are all of these

B/W still: politicians in office

B/W still: politicians in street

 

intellectual pro-reform modernist secular men and they have a real vision of what a republic ought to look like,

MCU Audrey Altstadt

 

and it's very European.

B/W stills: political meeting

10.36.30

They have a multiparty system which includes Russian, Armenian, Jewish, Azerbaijani

MCU Audrey Altstadt

 

political parties.

B/W still: political meeting

10.36.37

They write a constitution that gives all adults the vote, it's the first place to enfranchise women,

MCU Audrey Altstadt

 

in the Muslim world, before the United States does so.

 

 

 

MCU Charles King

Caption: Charles King

Georgetown University

10.36.47

CHARLES KING

The period of the Azerbaijan republic was actually the time when a modern sense of what it means to be Azerbaijani first got created.

 

 

 

B/W still: politicians in office with map on wall

10.36.57

MUSIC

 

 

 

 

10.36.58

NARRATOR

One of the first acts of the new republic was to draw up a map of its borders

Map of Azerbaijan

 

and give it a name - Azerbaijan.

B/W still: politicians - group photo

 

In January 1920, it received international recognition.

 

 

 

 

10.37.12

IRADA BAGIROVA subtitles

Calling this territory

MCU Irada Bagirova

Caption: Irada Bagirova

Academy of Sciences, Baku

 

Azerbaijan for the first time was very important for national identity. At last people thought of themselves as masters of their own land

 

 

 

Baku street scene with horse-drawn carriage

10.37.30

MUSIC

 

 

 

 

10.37.32

NARRATOR

Nino and Ali Khan now married, became the

Baku street with cars

 

perfect young diplomats for the new country.

 

 

 

 

10.37.39

READER

Who is coming tonight? I told her

Shots of banquet

Caption: Ali & Nino by Kurban Said

 

all the names of the English civil servants and officers who would honour us with their presence. She knew. No minister and no general in Azerbaijan had what her husband had - a sophisticated wife with a western upbringing, royal parents, and a knowledge of English.

 

 

 

MCU Audrey Altstadt

10.38.00

AUDREY ALTSTADT

You think about other areas that have Islamic populations, how many decades it took them to achieve independence and statehood. And what happened to the territories in the Ottoman empire. And Azerbaijan can say we were if not the very first, we were one of the first.

Flames at base of cliff at night

 

 

 

10.38.26

FUAD AKHUNDOV

This is what local people called Azer.

 

 

 

 

10.38.30

NARRATOR

The flames feed off gas seeping from the oil fields below.

 

 

 

 

10.38.34

FUAD AKHUNDOV

And this everlasting

MCU Fuad Akhundov

 

flame found its way into the name of my country - Azerbaijan - and its people proudly calling themselves

Flames at base of cliff at night

 

the Azeris.

 

 

 

 

10.38.48

NARRATOR

But as long as oil lay beneath the land, the new republic was vulnerable to predators.

 

 

 

B/W archive: soldiers in Baku

10.38.54

MUSIC

 

 

 

 

10.38.56

NARRATOR

Just three months after recognition in Paris, the Bolsheviks in Russia sent an army to crush it.

 

 

 

MCU Audrey Altstadt

10.39.09

AUDREY ALTSTADT

Ultimately, the British were too far away and the Bolsheviks were, were right there, they were closer, they had the means, and of course they were ruthless.

 

 

 

Mountain scenery shots

10.39.22

NARRATOR

This was the battle for which Ali Khan had been saving his sword. He sent Nino and their child over the mountains to safety in Georgia and went off to defend the new republic with his life.

 

 

 

 

10.39.39

READER

Ali Khan Shirvanshir fell at quarter past five on the bridge of Ganja, behind his machine gun. His body fell into the dry river bed.

Shepherd with sheep in countryside by river

 

We buried him in the early morning, shortly before the Russians started the last attack.

Babbling mountain brook

10.40.00

The life of our republic has come to an end, as has the life of Ali Khan Shirvanshir.

Mountains with clouds

 

Captain Ilyas Beg, son of Seinal Aga, from the village of Biniyadi, near Baku.

 

 

 

 

10.40.15

MUSIC

 

 

 

 

10.40.19

NARRATOR

Seinal Aga from the novel was

B/W still: Tagiev and family

 

loosely based on the Azeris' great benefactor Seinal Abdin Tagiev. He was approaching a hundred when the republic fell.

B/W stills: INT shots mansion

 

Throughout all these changes Tagiev had remained true to his roots.

Azerbaijani musicians playing

 

 

 

Caption: Ali & Nino by Kurban Said

 

10.40.45

READER

What horrible music, said the headmaster,

INT mansion

 

like a Caucasian donkey howling in the night. I was

CU Koran

 

about to tiptoe away when I noticed an old man

B/W still: Tagiev and family

 

with snow-white hair and strange light eyes listening to the music and crying.

Folly-type building in garden

CU inscription

 

His Excellency Seinal Aga.

 

 

 

 

10.41.09

NARRATOR

The Bolsheviks took away his palaces

B/W still: Tagiev and family

 

and his wealth and after his death is widow was mad to sweep the streets.

 

 

 

MCU Nailya Abdulaeva

10.41.16

NAILYA ABDULAEVA

She wore one of her Paris outfits... ...a beautiful dress and long white gloves

Woman sweeping street

 

but all dirty and in tatters. And that's how she died, on the streets.

MCU Nailya Abdulaeva

 

I can't bear to think about it too deeply

Fade to black

 

 

 

View over Baku, national flag in foreground

10.41.36

MUSIC

 

 

 

High shot oil rig in sea

10.41.48

NARRATOR

For the next 71 years, until independence was declared again, Baku and its oil remained firmly in the grip of the Kremlin,

Aerial shot Flame towers, Baku

 

but the flame that Tagiev had nourished did not die.

 

 

 

MCU Charles King

10.42.02

CHARLES KING

The ideals of Azerbaijan in 1918, 1920 were the ideals of human rights and of multiparty government and of national identity, but at the same time being connected to Europe and being modern.

 

 

 

EXT Baku Museum of Modern Art at night

10.42.16

NARRATOR

This huge sinuous building is like a monument to the modernity those pioneers dreamed of - and, for a brief period, achieved.

 

 

 

 

10.42.28

AUDREY ALTSTADT

To be able to say we had a republic,

B/W still: politicians in meeting room

 

we had self-government, we had a parliament,

B/W still: politicians in office

 

we had political parties, we had a free press

MCU Audrey Altstadt

 

and we had diplomatic recognition from lots of places, our representatives met with the leaders of Europe, they met with

B/W still: politicians meeting

 

Woodrow Wilson, this is big.

 

 

 

Aerial shots over Baku at night

10.42.53

NARRATOR

Once again the city has been adorned by the wealth that flows from beneath its land. But this time it’s an independent Azerbaijan reaping the rewards.

 

 

 

MCU Altay Goyushov

10.43.06

ALTAY GOYUSHOV

Maybe it was an idea, we gave the people to feel it, maybe not to live it but at least to feel it, that was our achievement. If Ali could see his nation independent, he could be really happy.

Aerial shots over Baku at night

 

 

 

 

 

Roll end credits

10.43.28

 

 

End credits

 

Produced and directed by

TERESA CHERFAS

 

Written and narrated by

GEORGE CAREY

 

Editor

STEFAN RONOWICZ

 

Composer

SIMON RUSSELL

 

Additional music

VAGIF MUSTAFAZADEH

SHIRVASHAKH TRIO

 

Voice of Ali Khan

PHILIP ARDITTI

 

Voice of Iljas Beg

BEHROUZ AFAGH

 

Film archive and stills

AZERBAIJAN NATIONAL FILM & PHOTO ARCHIVE

AZERBAIJAN NATIONAL HISTORY MUSEUM

BAKU CENTER

BAKU NOBEL HERITAGE FUND

EXTRAORDINARY INVESTIGATE COMMISSION OF THE GOVERNMENT OF THE REPUBLIC OF AZERBAIJAN, 1918

IMPERIAL WAR MUSEUM

INTERSTUDIOS

NATIONAL ARCHIVE OF THE REPUBLIC OF AZERBAIJAN

21ST CENTURY STUDIOS

 

With thanks to

PAUL THEROUX

AZERBAIJAN STATE OPERA & BALLET THEATRE

TOGRUL BAGIROV

SARA KHANLAROVA AND SCHOOL NO. 134, BAKU

 

Administration of Icherisheher, Baku

JAMIL HASANLI

EMBASSY OF SWITZERLAND IN AZERBAIJAN

ELIZABETH WHITE

 

Production assistance

BAKU MEDIA CENTER

KATY ROSE LAKE

 

Photography

BAGHIR RAFIYEV

RAY BRISLIN

SID LEVIN

JOHN VRILAKAS

RASHAD NURIYEV

TERESA CHERFAS

PHIX FILM & PHOTOGRAPHY

ETIBAR SHIRINOV

 

Sound

ORKHAN ALIYEV

JIM ARNOLD

BRIAN GARFIELD

PAUL MILLAR

 

Graphics

KISS MY PIXEL

 

Online editor

NIGEL GOURLEY

 

Dubbing mixer

ALAN SNELLING

 

Colourist

VINCE NARDUZZO

 

Production manager

VIVIENNE STEELE

 

Co-Producers

MAIRI BETT

PIP WILLIAMS

 

Executive producers

LEYLA ALIYEVA

KRIS THYKIER

GEORGE CAREY

 

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