Hotel Coolgardie | Journeyman Pictures

Transcript

1	6.24	FADE UP TO WS RISING MIST OVER PLAIN AT SUNRISE	MUSIC BEGINS… 39 SEC	01 00 00 00 01 00 04 18
2	3.16	WS RED DIRT HILL WITH CACTUS IN FG		01 00 06 24
3	4.01	HA TILT EWS CAR DRIVES L TO R ON ROAD THROUGH RED DIRT AND SCRUB		01 00 10 15
4	2.21	WS DIGGER DRIVES TO CONVEYER BELT WITH RED DIRT HILL IN BG		01 00 14 16
5	5.13	WS car drives past on main street of town with cold beer sign in FG		01 00 17 12
6	5.23	ls clothes hung up drying at end of pub VERANDA		01 00 23 00
7	16.20	ha ws ute pulls up to pub under swan sign then man gets out super title: hotel coolgardie	MUSIC ENDS	01 00 28 23 01 00 43 01
8	3.19	LA TILT ms tv screen playing horse racing footage		01 00 45 18
9	4.02	ms three men sit at bar behind beer taps		01 00 49 12
10	21.05	ms PROFILE man drinks can of beer at bar opposite BECKY, then she exits right to get another beer	PETE (OOS) Denver City Hotel, Coolgardie.	01 00 53 14
11	3.24	LA TILT mws rear of pub with SATELLITE dish on roof	PETE (OOS) These girls are leaving on the seventeenth. They’re ready to travel. They’ve saved their money and	01 01 14 19
12	3.16	mws mop and buckets with mats at foot of stairs	ready to go. So I need to two to take their place, probably	01 01 18 18
13	5.15	ms PETE on phone with beer kegs in can in bg	about, about on the Wednesday. About three days before.	01 01 22 09
14	10.04	ms PROFILE PETE on phone	PETE Well I mean there’s… you know I don’t want them forty four stone. If you know what I mean. I don’t want them polishing the bars both sides.	01 01 27 24
15	8.12	la mcu CLIO pouring beer then zoom out to ms and pan right as she hands beer over bar	PETE (OOS) I mean if they look good, we can do away with the experience bit. But if they’re only ordinary, they’ve gotta have plenty of experience, because they’ve got to make it up	01 01 38 03
16	5.02	ms PROFILE PETE on phone	with something else don’t they. Hey? We’ve gotta keep the customers happy mate. RECRUITMENT WORKER Hello.	01 01 46 15
17	13.21	LA TILT ms STEPHIE and LINA walk to chairs and sit with RECRUITMENT WORKER IN FG	STEPHIE Hello. RECRUITMENT WORKER Grab a seat girls. STEPHIE Thank you. LINA Hi. RECRUITMENT WORKER Hello, hello. Okay, now, who is here? I have Gina Nikolina. LINA Yeah, I’m Lina. RECRUITMENT WORKER Lina, and? STEPHIE Stephanie. RECRUITMENT WORKER Stephanie, excellent. Okay.	01 01 51 17
18	9.18	super on black background then FADE TO BLACK SUPER: After having their credit cards stolen in Bali and their travel savings drained from their accounts, Lina and Stephie have arrived in Perth looking for work.	RECRUITMENT WORKER (OOS) So, where are you guys from? LINA (OOS) Finland. RECRUITMENT WORKER (OOS) Finland! And how old are you? LINA(OOS) Twenty five. RECRUITMENT WORKER (OOS) Twenty five. STEPHIE (OOS) I’m twenty four. RECRUITMENT WORKER (OOS) And you came straight from Finland? STEPHIE (OOS) We came from Bali.	01 02 05 13
19	5.09	ms STEPHIE and LINA sit at desk in front of REAR VIEW RECRUITMENT WORKER	RECRUITMENT WORKER You have another trip planned that you have to go to or… STEPHIE No, no, no, we don’t have any plans. LINA We want to save money. RECRUITMENT WORKER Okay,	01 02 15 06
20	3.09	mcu tilt up poster on wall of country pub BARTENDERs	because most of the bar positions I have would be three month commitment.	01 02 20 15
21	5.02	ms STEPHIE an LINA sit at desk in front of REAR VIEW RECRUITMENT WORKER	STEPHIE Yep. LINA Yep. RECRUITMENT WORKER And I really need to know up front that you’re willing to say yes. STEPHIE Yes. LINA Yes. RECRUITMENT WORKER Definitely three months.	01 02 23 24
22	7.04	cu pen points to perth on map then moves through kalgoorlie to coolgardie	RECRUITMENT WORKER So we’re in Perth, Kalgoorlie is here, which is like a big mining town, and this town is called Coolgardie. So you’re close enough	01 02 29 01
23	4.19	ms STEPHIE and LINA sit at desk opposite REAR VIEW RECRUITMENT WORKER	to a larger town where you can go. You’ve got your Coles, your Woolies, but Coolgardie itself as you can see is	01 02 36 05
24	2.09	cu pen pointing to coolgardie on map	quite remote. It’s quite a big mining area,	01 02 40 24
25	10.12	ms STEPHIE and LINA sit at desk opposite REAR VIEW RECRUITMENT WORKER	so a lot of the clientele at the pubs are going to be gentlemen, so you guys have to be the kind of girls that are okay to have male attention and not really sweat it. STEPHIE Yeah. LINA Yeah. MUSIC BEGINS… 2 MIN 6 SEC	01 02 43 08 01 02 53 18
26	3.24	LA TILT ws truck drives past with cold beer sign in fg		01 02 53 20
27	2.04	ms pan left with BARTENDER		01 02 57 19
28	4.20	ms man in blue shirt then swing to mcu PROFILE clio	MAN IN BLUE SHIRT So do you know who the other girls are? CLIO We have no idea. But they’re coming tomorrow though.	01 02 59 23
29	1.07	swing to m2s DEREK AND MAN IN blue shirt at bar	DEREK Some fresh meat. BARTENDER Have we got	01 03 04 18
30	1.20	mcu PROFILE BARTENDER at bar	a bit stale for you Derek?	01 03 06 00
31	1.10	mcu PROFILE PETE	PETE Yeah. So that’s them.	01 03 07 20
32	2.00	cu STILL IMAGE of LINA and STEPHIE on screen	PETE (OOS) Lina and Steph.	01 03 09 05
33	4.09	MONTAGE EDITS of LINA and STEPHIE walking with roller bags	PETE (OOS) I don’t know which one’s which, but one of them will answer when I say Lina. MAN IN BLACK SHIRT «ENGLISH SUBTITLE» Where’s the new barmaids from Pete?	01 03 11 05
34	2.12	ms man in black SHIRT standing at bar door	PETE «ENGLISH SUBTITLE» All the way from Finland, mate. MAN IN BLACK SHIRT Oh.	01 03 15 14
35	5.12	TRack around ms man in black shirt with PETE cleaning blackboard	MAN IN BLACK SHIRT «ENGLISH SUBTITLE» Have you seen them Pete, these ones? PETE «ENGLISH SUBTITLE» Na, I’ve seen photos of them. MAN IN BLACK SHIRT «ENGLISH SUBTITLE» Usually those Finnish birds are quite good looking, hey?	01 03 18 01
36	2.13	LA TILT ms PROFILE STEPHIE and LINA sitting on TRAIN	PETE (OOS) Hopefully you’re right.	01 03 23 13
37	3.10	ms REAR VIEW PETE at blackboard saying ‘new girls tonite!!’	MAN IN BLACK SHIRT «ENGLISH SUBTITLE» And then draw a couple of pairs of boobies.	01 03 26 01
38	2.16	ms man in black shirt next to woman laughing	MAN IN BLACK SHIRT I’ll go and cut some pictures out of some of my mags	01 03 29 11
39	2.23	wms PETE behind blackboard	and we’ll stick them on there, so people will think they look like them.	01 03 32 02
40	4.04	track along street from TRAIN window pov	STEPHIE «ENGLISH SUBTITLE» So this bit is seven hours.	01 03 35 00
41	4.02	mcu LINA next to ms STEPHIE on TRAIN	STEPHIE «ENGLISH SUBTITLE» But from then, we don’t really know.	01 03 39 04
42	1.12	la mcu PETE’s arms on newspaper	PETE The train, is due	01 03 43 06
43	4.21	LA TILT mcu PETE	today at 2pm in Kalgoorlie, and that means it’s 1:35 for us.	01 03 44 18
44	16.22	mcu LINA and STEPHIE on TRAIN	LINA We’re going, I have no idea. No, we’re going to work. Save some money. STEPHIE Have fun. LINA Have fun. LINA «ENGLISH SUBTITLE» See some camels… STEPHIE «ENGLISH SUBTITLE» … kangaroos.	01 03 49 14
45	3.24	ws truck drives past pub	JAMIE Nah it’s good to have the	01 04 06 11
46	3.04	LA TILT MCU JAMIE AT BAR WITH MAN IN ORANGE IN FG	new girls come in every now and then. Keeps the pub alive.	01 04 10 10
47	2.17	track along wms TRAIN through train window pov	LINA «ENGLISH SUBTITLE» There’s eucalyptus trees everywhere.	01 04 13 14
48	4.02	LA TILT ms LINA and STEPHIE sitting in train	LINA «ENGLISH SUBTITLE» We just saw our first kangaroos.	01 04 16 06
49	1.06	ws deserted train station		01 04 20 08
50	3.15	ws pan right with REAR VIEW PETE climbing over train tracks then zoom in		01 04 21 14
51	1.21	track with ws desert landscape from train window pov	PIKEY Oh	01 04 25 04
52	2.04	LA TILT mcu LINA and STEPHIE looking out window	sometimes it’s sad to see the old ones go,	01 04 27 00
53	4.09	MCU PIKEY	because you’ve built up a relationship sort of with them, but then	01 04 29 04
54	4.13	mcu PROFILE LINA and STEPHIE looking out window	you get new ones in. I’ve got a couple of mates that have actually hooked up	01 04 33 13
55	1.12	track ws sandy plain through train window pov	with the barmaids,	01 04 38 01
56	2.09	mcu pikey	and they have families with them and shit like that.	01 04 39 13
57	5.21	LA TILT mcu PETE then swing to train arriving	CANMAN «ENGLISH SUBTITLE» Peter said to me…	01 04 41 22
58	3.16	mcu CANMAN AT BAR	I’m not allowed to pick them up cos I’ll scare them away.	01 04 47 18
59	4.24	ms LINA and STEPHIE collect bags on train	CANMAN (OOS) Cause I’ll scare em. CANMAN «ENGLISH SUBTITLE» I’ve never scared any barmaids in my life.	01 04 51 09
60		mcu CANMAN at bar
61	6.14	mws LINA and STEPHIE waiting at train doors to get off	LINA «ENGLISH SUBTITLE» Stephie there’s nothing here! MUSIC ENDS	01 04 56 08 01 04 59 08
62	4.10	LA TILT ms STEPHIE And LINA step off train past conductor	STEPHIE Thank you. PETE (OOS) Howdy girls. LINA Thank you. LINA AND STEPHIE IN UNISON (OOS) Hi. PETE «ENGLISH SUBTITLE» I’m Peter – you’re…	01 05 02 22
63	2.04	LA TILT ws REAR VIEW PETE greets STEPHIE and LINA at train door	STEPHIE Stephanie. PETE «ENGLISH SUBTITLE» Steph. Lina.	01 05 07 07
64	3.07	track with wms REAR VIEW PETE and LINA walking to can behind STEPHIE	STEPHIE «ENGLISH SUBTITLE» I guess it’s this one? PETE This is the one.	01 05 09 11
65	1.11	LA TILT ms STEPHIE and LINA behind PETE as he loads bags	LINA Thank you.	01 05 12 18
66	2.10	mcu LINA and STEPHIE	PETE (OOS) Okay dokey. Downtown Coolgardie.	01 05 14 04
67	1.23	ws train station surrounded by dirt and scrub	PETE (OOS) Where the flies are very friendly.	01 05 16 14
68	1.13	LA TILT mcu PROFILE PETE, LINA and STEPHIE in front of van		01 05 18 12
69	5.02	ws van pulls away	PETE (OOS) Righto. PETE «ENGLISH SUBTITLE» You’ve gotta save a bit of money? LINA (OOS) Yes. PETE «ENGLISH SUBTITLE» Well I’ll just tell ya, if you keep the smile on your face,	01 05 20 00
70	2.18	HA TILT mcu pv STEPHIE and LINA in front of van	they’ll keep throwin’ money in your tip jar mate.	01 05 25 02
71	6.20	track along ws dirt road from van windscreen pov	STEPHIE «ENGLISH SUBTITLE» We hope so. OK now we’re in the middle of nowhere. MUSIC BEGINS… 21 SEC	01 05 27 20 01 05 30 16
72	12.24	MONTAGE EDITS of ws track forward on tar and dirt road from van windscreen pov	PETE «ENGLISH SUBTITLE» A bit different from Finland eh? LINA (OOS) A little bit. PETE (OOS) And this is the pub.	01 05 34 15
73	2.11	ws van pan right as it turns corner	PETE (OOS) Look, I even wrote that on the board for you.	01 05 47 14
74	2.23	ws exterior pub then zoom to black board ‘new girls tonite!!’	STEPHIE (OOS) Perfect! MUSIC ENDS	01 05 50 00 01 05 51 19
75	1.20	mws van pulls up to fence		01 05 52 23
76	2.07	HA TILT ws dogs barking at fence		01 05 54 18
77	3.24	LA TILT mcu PROFILE LINA and STEPHIE in front of van	LINA «ENGLISH SUBTITLE» Well everyone knows we’re here.	01 05 57 00
78	2.06	track behind mcu STEPHIE and LINA walking into bar	BECKY (OOS) Hi!	01 06 00 24
79	5.14	track with mcu REAR VIEW LINA past PETE to meet becky and clio	PETE «ENGLISH SUBTITLE» That’s Becky there. STEPHIE «ENGLISH SUBTITLE» I’m Stephanie. BECKY Pleased to meet you. STEPHIE Nice to meet you. PETE «ENGLISH SUBTITLE» Clio. STEPHIE «ENGLISH SUBTITLE» I’m Stephanie. LINA I’m Lina.	01 06 03 05
80	2.19	ms clio reaches over bar to shake lina’s hand	LINA «ENGLISH SUBTITLE» Lina. CLIO «ENGLISH SUBTITLE» Nice to meet you. LINA Nice to meet you too.	01 06 08 19
81	4.01	LA TILT ms track with LINA following STEPHIE and becky up stairs	PETE (OOS) Righto, now. PETE «ENGLISH SUBTITLE» Somebody will work tonight with Becky… PETE (OOS) «ENGLISH SUBTITLES» and then someone will wok tomorrow with Clio…	01 06 11 13
82	2.16	ms PETE with LINA and PROFILE STEPHIE	PETE «ENGLISH SUBTITLES» and the next day with Clio… and the next day with Clio.	01 06 15 14
83	2.04	wms microwave and kettle on table	PETE That’s where you heat your meals up if you wanna.	01 06 18 05
84	3.15	ms PETE pointing for LINA and STEPHIE	PETE Fridge there. There’s a shoe library there.	01 06 20 09
85	2.17	HA TILT ws coolgardie street from pub VERANDA	PETE (OOS) And that’s the park over there. Swimming pool on the other side.	01 06 23 24
86	1.22	LA TILT m2s LINA and PETE	PETE Golf course just at the back of the	01 06 26 16
87	2.08	ws railway museum with VERANDA railing in fg	railway museum over there.	01 06 28 13
88	4.12	LA TILT m3s STEPHIE, LINA and PETE	PETE You’ve just had a guided tour. LINA Perfect.	01 06 30 21
89	2.11	mcu PROFILE clio	CLIO Between five and eight you get most of your customers.	01 06 35 08
90	2.16	mcu becky at bar then swing to ms LINA and mcu STEPHIE	CLIO (OOS) Like, after work, when all the miners finish.	01 06 37 19
91	2.20	mcu beck with REAR VIEW clio in fg	BECKY And it’s quite good, cause the local, the regulars do come in every day.	01 06 40 10
92	1.15	ms LINA next to mcu STEPHIE	BECKY Don’t they? CLIO Yeah. BECKY Same ones.	01 06 43 05
93	1.05	LA TILT mcu clio at bar	CLIO Everyone has a yarn.	01 06 44 20
94	1.04	LA TILT mcu LINA and STEPHIE	LINA A what?	01 06 46 00
95	1.08	LA TILT mcu PROFILE clio	CLIO Like a chat, a yarn.	01 06 47 04
96	2.03	ly mcu LINA and STEPHIE at bar	LINA Oh yeah.	01 06 48 12
97	7.17	LA TILT ms STEPHIE and LINA walk out door then pan left as they walk	LINA (OOS) Food. MUSIC BEGINS… 52 SEC STEPHIE SPEAKS IN FINNISH	01 06 50 15 01 06 50 19
98	9.10	MONTAGE EDITS of STEPHIE and LINA walking down street		01 06 58 07
99	3.16	ms dog barking over top of fence		01 07 07 17
100	4.19	LA TILT ms STEPHIE and LINA standing at counter	STEPHIE «ENGLISH SUBTITLE» Do you have enough money? I think I have fifteen dollars.	01 07 11 08
101	2.08	mcu STEPHIE eating	LINA «ENGLISH SUBTITLE» Hi Ma.	01 07 16 02
102	4.07	mcu LINA on phone	LINA «ENGLISH SUBTITLE» Somewhere far away from civilization.	01 07 18 10
103	5.07	ms LINA on phone	LINA «ENGLISH SUBTITLE» No, but they seem really nice. Very warm people.	01 07 22 17
104	2.19	mws REAR VIEW STEPHIE and LINA at table through café window	LINA «ENGLISH SUBTITLE» The girls who are working the bar	01 07 27 24
105	6.06	ms LINA on phone	…say that some people want to adopt them.	01 07 30 18
106	7.03	LA TILT mcu bECKY facing three men at bar	MAN IN YELLOW SHIRT «ENGLISH SUBTITLE» You’ll be sorry you left Coolgardie. BECKY I know I will. I actually might even shed a tear. MUSIC ENDS	01 07 36 24 01 07 42 00
107	3.14	ms STEPHIE and LINA walk into bar behind PETE then pan right	BECKY Hey. LINA Hi.	01 07 44 02
108	1.23	la cu fly on bar		01 07 47 16
109	2.16	mcu BECKY with STEPHIE behind bar	BECKY Right, I will show you what’s what.	01 07 49 14
110	2.18	ms PETE sitting with three men along bar	BECKY So we’ve got the back bar. In here you’ve got	01 07 52 05
111	1.15	track behind ms BECKY leading STEPHIE behind bar	all the vodka Cruisers,	01 07 54 23
112	1.19	mcu REAR VIEW STEPHIE and BECKY	and your Jim Beams and your Bundies.	01 07 56 13
113	2.22	m2s BECKY and STEPHIE then tilt down to beer in hand	BECKY People call it Toohey’s or Ted’s. STEPHIE Yep.	01 07 58 07
114	1.11	LA TILT m2s STEPHIE watches BECKY make drink	STEPHIE Okay. BECKY Then you’ve got middies,	01 08 01 04
115	1.16	LA TILT mcu PROFILE BECKY with STEPHIE	and then pints. You just	01 08 02 15
116	2.10	mcu STEPHIE	press a middy twice. STEPHIE Okay.	01 08 04 06
117	3.16	ms LINA and CANMAN at bar	CANMAN How ya goin’? LINA Nice to meet you. BECKY Now Canman,	01 08 06 16
118	1.13	LA TILT ms BECKY and STEPHIE at cash register	he always has his first one for	01 08 10 07
119	1.21	ms LINA at bar with CANMAN	free when he comes in. CANMAN Where you from?	01 08 11 20
120	4.18	ms LINA talking to CANMAN at bar with PETE and other patrons in bg	LINA From Finland. CANMAN Have you met the puppy dogs outside? LINA «ENGLISH SUBTITLE» Did we what?	01 08 13 16
121	5.21	mcu PETE	PETE What I like is just to make sure they’re alert, and reasonably quick.	01 08 18 09
122	2.19	LA TILT m2s young men at bar then pan right to long haired man	PETE (OOS) Everybody gets a drink quick as they possibly can. Apart from	01 08 24 05
123	2.05	wms REAR VIEW STEPHIE facing BECKY at fridges	that, I think the challenge for them is to be able to	01 08 26 24
124	2.11	mws truck pulled up outside pub	put up with the patrons. PATRON (OOS) Yeah, the boys were saying up at	01 08 29 04
125	1.15	ms REAR VIEW man looking through window	work, they’re coming down after work.	01 08 31 15
126	2.04	mcu LINA at bar with CANMAN	PATRON «ENGLISH SUBTITLE» They’re saying the new bar girls are in.	01 08 33 05
127	3.12	LA TILT mcu man with beer	MAN WITH BEER Yeah. Yeah. PETE «ENGLISH SUBTITLE» They’re all bloody blokes…	01 08 35 09
128	1.23	mcu PETE	and they’re all as rough as bags, mate.	01 08 38 21
129	2.19	wms REAR VIEW two men at bar with BECKY in bg	PETE «ENGLISH SUBTITLE» They grow a leg when there’s new girls in town.	01 08 40 19
130	4.09	mcu PETE	PETE Some of the old blokes as well. You know they, they all grow a leg.	01 08 43 13
131	3.21	LA TILT mcu BECKY showing STEPHIE cash register	MAN IN YELLOW SHIRT «ENGLISH SUBTITLE» Maybe we should have some sort of competition.	01 08 47 22
132	4.11	mcu man in black singlet at bar	MAN IN BLACK SINGLET «ENGLISH SUBTITLE» A bit of jelly wrestling or… a wet T-shirt competition. MAN IN YELLOW SHIRT (OOS) That’d be the go.	01 08 51 18
133	3.06	LA TILT mcu man in yellow shirt	MAN IN YELLOW SHIRT Which ones are better ones, if they’re worth the swap or not.	01 08 56 04
134	1.08	LA TILT ms man in black singlet and man in yellow shirt laughing at bar		01 08 59 10
135	1.17	la mcu BECKY with ms STEPHIE bent over	BECKY And…	01 09 00 18
136	2.03	LA TILT ms man in yellow shirt at bar with STEPHIE in fg	BECKY «ENGLISH SUBTITLE» … you’ve also got stubbies in here.	01 09 02 10
137	1.17	la mcu BECKY with ms STEPHIE bent over	STEPHIE Okay. BECKY Yeah.	01 09 04 13
138	4.00	mcu clio comes in door behind LINA	CLIO How’s it going? LINA Good. CLIO You had a drink? LINA No, not yet.	01 09 06 05
139	3.06	la ms BECKY showing STEPHIE how to pour bear	CLIO (OOS) No? If you leave it in the spout,	01 09 10 05
140	3.10	swing to ms LINA and clio at bar	when you turn it off, it will stop it doing that frothing	01 09 13 11
141	1.13	ms PROFILE STEPHIE pouring beer with BECKY behind	thing. PATRON (OOS) That’s alright you’ll learn.	01 09 16 21
142	2.05	mcu PETE	PETE We’ll educate them mate, don’t worry about that.	01 09 18 09
143	10.21	ms STEPHIE carries beer then swing right as she hands it to patron next PETE at bar	PETE Now you can give him that one, you can give him that one. Do you know why? You didn’t swap the glass. You’ve got to give him a clean glass every time. Every time. STEPHIE Ah, okay.	01 09 20 14
144	1.15	mcu PETE wags finger		01 09 31 10
145	1.22	mcu CANMAN at bar	PETE (OOS) You’ve had a warning.	01 09 33 00
146	4.06	la ms man with beard crouched with dog shakes hands then kisses it	MAN WITH BEARD Shake hands. Now give me a kiss. Good girl.	01 09 34 22
147	1.21	LA TILT wms man with beard points at dog	CLIO (OOS) A slab.	01 09 39 03
148	1.22	LA TILT ms man with red cap at bar	LINA «ENGLISH SUBTITLE» A slap? CLIO (OOS) Like a…	01 09 40 24
149	6.05	wms LINA standing next to clio crouched	CLIO «ENGLISH SUBTITLE» S.L.A.B. LINA Oh, not a slap. CLIO A slab. No, a slab.	01 09 42 21
150	2.12	wms REAR VIEW LINA and CLIO face patrons at bar	PATRON «ENGLISH SUBTITLE» A four-X of middy, please. LINA Okay, four-X of middy.	01 09 49 01
151	4.02	zoom to ms STEPHIE with LINA in fg	STEPHIE «ENGLISH SUBTITLE» Can you understand what they’re saying? LINA (OOS) Nah.	01 09 51 13
152	2.13	wms STEPHIE with REAR VIEW LINA in fg	LINA «ENGLISH SUBTITLE» I’m glad she’s here next to me!	01 09 55 15
153	2.04	LA TILT mcu two young men behind beer taps	PETE (OOS) That’s it. Look at the numbers up the left	01 09 58 03
154	2.21	mcu LINA at cash register	hand side mate. About halfway down you’ll see	01 10 00 07
155	5.13	LA TILT REAR VIEW mcu PETE with ms LINA in bg then zoom to mcu LINA	Emu Bitter, Emu Exports. LINA Oh yeah. PETE Either one of those ones just press it. Not takeaway. LINA «ENGLISH SUBTITLE» Is it draught or bitter?	01 10 03 03
156	4.06	LA TILT mcu PROFILE PETE at bar with patrons	PETE Fuck me dead, what did I just say? I said export.	01 10 08 16
157	1.17	cu LINA	PETE Doesn’t say fucking draught	01 10 12 22
158	2.20	LA TILT mcu PROFILE PETE at bar with patrons	or bitter. PETE «ENGLISH SUBTITLE» Emu export?	01 10 14 14
159	1.21	LA TILT cu PROFILE clio with mcu li	LINA That one or that one? CLIO Okay just press that one.	01 10 17 09
160	1.13	LA TILT mcu PROFILE PETE at bar with patron in bg	MUSIC BEGINS… 27 SEC	01 10 19 05 01 10 19 18
161	2.13	ls street outside pub		01 10 20 18
162	10.01	ms PROFILE lina stretches hand out then pan right as she shakes hands with patrons drinking with BECKY	LINA Hey. GINTY Ginty LINA Lina. DAMIAN Damian. LINA Lina. PETER Peter. LINA Lina. KEIRAN Keiran. LINA Lina. Nice to meet you all.	01 10 23 06
163	3.04	LA TILT wms line of patrons at bar	BALD MAN «ENGLISH SUBTITLE» New meat in town. CLIO Pull	01 10 33 07
164	1.15	LA TILT mcu clio watches lina pour beer	down, just leave it, no, no, no,	01 10 36 11
165	1.16	la mcu LINA’s hands pour beer	leave it there.	01 10 38 01
166	2.22	LA TILT m3s patrons drinking beer at bar, bald man mimes combing hair	CLIO (OOS) Okay, okay. That’ll do.	01 10 39 17
167	2.00	mcu STEPHIE at bar		01 10 42 14
168	4.10	ms LINA hands beer to patron over bar then PETE slaps money	LINA And there you go. PATRON Thank you. MUSIC ENDS LINA Thank you.	01 10 44 14 01 10 46 09
169	7.04	ws exterior hotel at night then truck drives past then FADE TO BLACK		01 10 48 24
170	2.18	fade up to ws utes parked outside pub	WOMAN IN WHITE SINGLET (OOS) Alright	01 10 56 03
171	3.05	ms STEPHIE and LINA working behind bar	then. Righto. CLIO «ENGLISH SUBTITLE» These girls are working their first shift…	01 10 58 21
172	8.09	ms clio then swing to ms woman in white singlet at bar	WOMAN IN WHITE SINGLET (OOS) Ah, righto, here we go. CLIO «ENGLISH SUBTITLE» … properly on their own. WOMAN IN WHITE SINGLET «ENGLISH SUBTITLE» … we’re going to give you heaps. CLIO (OOS) And they’re going to be on the other side of the bar. WOMAN IN WHITE SINGLET «ENGLISH SUBTITLE» Job’s on! WOMAN IN WHITE SINGLET Righto. WOMAN IN WHITE SINGLET «ENGLISH SUBTITLE» We’ll initiate these new girls to the pub.	01 11 02 01
173	6.01	m2s clio watches BECKY open bottle then chink classes	CLIO Whoa! MUSIC BEGINS… 1 MIN 8 SEC CLIO «ENGLISH SUBTITLE» To the last shift. The end of an era.	01 11 10 10 01 11 10 20
174	3.23	LA TILT mws CLIO and BECKY high five at bar then BECKY cheers another patron and breaks glass		01 11 16 11
175	2.00	LA TILT ms LINA cleaning bar with PETE behind		01 11 20 09
176	2.08	wms BECKY leans over bar to put broken glass in bin while patrons laugh		01 11 22 09
177	1.10	ms STEPHIE smiling behind bar	PETE (OOS) What are you doing? What are you doing?	01 11 24 17
178	3.06	swing to ms pete with patrons at bar and REAR VIEW APRIL behind bar	PETE What’s, what’s going on here? See there’s people coming in, they’ve got to be served. You	01 11 26 02
179	6.06	ws PETE with patrons at bar and STEPHIE serving	just, you can’t all just stop for fuckin no reason. CUSTOMER «ENGLISH SUBTITLE» You got a bottle shop here? PETE You’re right in it mate. You’re standing in the middle of it.	01 11 29 08
180	4.21	ms LINA looking in cooler	LINA Cans? PETE (OOS) In the middle, in the middle. Fuck me dead.	01 11 35 14
181	1.10	LA TILT ms PETE scratching head		01 11 40 10
182	2.14	ms REAR VIEW STEPHIE walks around LINA bent over cooler	STEPHIE «ENGLISH SUBTITLE» They should be in the middle somewhere.	01 11 41 20
183	1.17	LA TILT wms clio and BECKY at bar laughing with patrons	PETE «ENGLISH SUBTITLE» Did you show em where anything was?	01 11 44 09
184	1.21	mcu PETE	PETE «ENGLISH SUBTITLE» They didn’t even know where the bourbon was!	01 11 46 01
185	3.10	mws patron’s around bar with STEPHIE and LINA working	STEPHIE AND LINA SPEAK IN FINNISH	01 11 47 22
186	3.04	LA TILT mcu PETE	STEPHIE (OOS) Strongbow. PETE What are you looking for? What are you looking for? Ask me.	01 11 51 07
187	1.22	ms REAR VIEW STEPHIE serving bar with BECKY, pete and patrons on other side	STEPHIE Strongbow, but… PETE It’s right there. STEPHIE …do you have them	01 11 54 11
188	1.16	LA TILT mcu STEPHIE and patrons watching	in six pack or like just	01 11 56 08
189	2.21	ms REAR VIEW STEPHIE serving bar with BECKY, pete and patrons on other side	bottles. BECKY Just bottles. STEPHIE Okay. PETE Yeah, just put them in a bag. STEPHIE Yep.	01 11 57 24
190	2.07	ms BECKY and patrons at bar	MAN IN YELLOW SHIRT «ENGLISH SUBTITLE» New ones, I take it?	01 12 00 20
191	5.00	LA TILT mcu PETE with man in yellow shirt	PETE «ENGLISH SUBTITLE» They’re brand spankin’. Just out of the packet, they are.	01 12 03 02
192	1.06	wms clio, BECKY and friends drinking shot at the bar		01 12 08 02
193	1.24	mcu PETE talking to CANMAN	PETE These ones are gonna get nothin’ in their fuckin’ tip jar.	01 12 09 08
194	2.08	ZOOM IN ON mcu sign “bex & clio’s travelling fund’	PETE (OOS) Nothin’.	01 12 11 07
195	1.16	ms PROFILE STEPHIE pouring beer		01 12 13 15
196	2.05	LA TILT mcu PETE watching	PETE Fuckin’ hell.	01 12 15 06
197	3.07	wms flashing open signs in windows	LINA (OOS) Dry white? MUSIC ENDS	01 12 17 11 01 12 18 10
198	1.23	mcu LINA holding bottles of wine on bar	PETE (OOS) Do it quick. Just open one up.	01 12 20 18
199	1.20	mcu PROFILE PETE with patrons at bar	PETE «ENGLISH SUBTITLE» This bloke here thinks his throat’s cut!	01 12 22 16
200	0.24	mcu LINA at bar holding wine bottles	LINA Huh?	01 12 24 11
201	1.12	mcu PROFILE PETE with patrons at bar	PETE This bloke here thinks his throat’s cut.	01 12 25 10
202	2.12	ms lina behind bar then swing to PETE with patrons	PETE (OOS) Go and get a drink. PETE «ENGLISH SUBTITLE» Fuck me dead.	01 12 26 22
203	2.07	ms STEPHIE and LINA working bar	LINA No wine glasses! STEPHIE Here.	01 12 29 09
204	5.18	m2s PETE and man in blue shirt at bar	MAN IN BLUE SHIRT «ENGLISH SUBTITLE» What nationality? PETE «ENGLISH SUBTITLE» Finn. MAN IN BLUE SHIRT «ENGLISH SUBTITLE» Finn? Fin-ish! PETE «ENGLISH SUBTITLE» They might be finishing early!	01 12 31 16
205	2.09	mcu LINA at register		01 12 37 09
206	3.19	ms STEPHIE holding docket, then swing to mcu PROFILE PETE	PETE Hey what are you doing with that? Hey! Steph!	01 12 39 18
207	1.11	ms STEPHIE serving man at bar	PETE (OOS) Steph!	01 12 43 12
208	27.12	mcu PROFILE PETE then swing right to STEPHIE at tills THEN PAN RIGHT WITH STEPHIE WALKING TO TILL AND MAN IN GREEN SHIRT	PETE Steph. What are you doing with that? STEPHIE I’m going to put it there. PETE (OOS) And where did you get the money from? Out of there did you? STEPHIE Yeah. PETE (OOS) When you fuckin put the thing in where you got the money from. STEPHIE But… PETE (OOS) Don’t put it in that till. Put it in that till. STEPHIE Yep. PETE (OOS) This is going to be hard work, I can tell you that. MAN IN GREEN SHIRT AT BAR «ENGLISH SUBTITLE» That silenced the joint. STEPHIE Yep.	01 12 44 23
209	2.20	MCU PROFILE PETE AT BAR WITH PATRONS	PETE Obviously fuckin’ anywhere across the English Channel, they’re fucked.	01 13 12 10
210	3.09	ms STEPHIE turns head	MUSIC BEGINS… 7 SEC	01 13 15 05 01 13 18 13
211	2.11	m3s men at bar		01 13 18 14
212	4.09	mcu BECKY and woman holding beer	WOMAN HOLDING BEER Hello. Where’d you come from? MUSIC ENDS	01 13 21 00 01 13 25 02
213	3.20	ms PROFILE ANTHONY and dave leaning over bar with STEPHIE and LINA working other side	DAVE «ENGLISH SUBTITLE» I’m looking for a nice Finnish brunette.	01 13 25 09
214	12.23	ms STEPHIE behind bar with DAVE in fg	DAVE I’ve a very, very… small penis. ANTHONY «ENGLISH SUBTITLE» I’ve seen it, it’s like a sausage! DAVE It’s like, it’s like… STEPHIE I don’t want to know. DAVE It’s like that. So	01 13 29 04
215	3.05	mcu PROFILE DAVE and ANTHONY leaning over bar	if we have sex it will be bad, but it will be very quick.	01 13 42 02
216	4.23	ms STEPHIE turns and walks away then swing to mcu PROFILE DAVE and ANTHONY at bar	DAVE So it’s not so much of a problem. Ah Steph, can I have another Swan?	01 13 45 07
217	2.05	cu PROFILE dave and ANTHONY	MAN (OOS) Who are those blokes? PETE (OOS) This is the chefs down at the motel.	01 13 50 05
218	2.19	ms LINA behind bar	PETE (OOS) Now listen, what do you eat in Finland? PETE «ENGLISH SUBTITLE» You eat seals and shit don’t you?	01 13 52 10
219	3.15	ms PROFILE PETE at bar with clio	LINA (OOS) Reindeer, reindeer. CLIO Seals! You like a bit of seal? PETE «ENGLISH SUBTITLE» Reindeer?	01 13 55 04
220	2.03	ms PROFILE LINA at bar with STEPHIE behind	PETE «ENGLISH SUBTITLE» Dolphins, seals?	01 13 58 19
221	1.00	mcu PETE and BECKY t bar with DAVE in fg	DAVE Lina! Lina!	01 14 00 22
222	3.08	ms lina behind bar with DAVE LEANING IN	DAVE «ENGLISH SUBTITLE» Do you have a boyfriend that cooks for you in the past? LINA Yes.	01 14 01 22
223	6.02	ms BECKY at bar banging glass	BECKY Ah!	01 14 05 05
224	2.07	ms STEPHIE and LINA working behind bar	STEPHIE «ENGLISH SUBTITLE» Damn it they’re disgusting.	01 14 11 07
225	2.24	ms LINA carries drinks past STEPHIE behind bar	LINA «ENGLISH SUBTITLE» Mum wouldn’t want to see this.	01 14 13 14
226	3.13	ms through bar door BECKY and clio cheers glasses with other patrons	BECKY Eh!	01 14 16 13
227	1.00	ms PROFILE LINA takes money over bar	PATRON (OOS) Couple of tequilas.	01 14 20 01
228	2.04	mcu PROFILE LINA	PATRON 2 (OOS) Show us ya tits! LINA Thank you.	01 14 21 1
229	4.08	wms clio at jukebox then man slaps her bottom with man and woman in fg		01 14 23 05
230	3.00	ms REAR VIEW LINA working bar then BECKY throws rubbish at her from other side	BECKY I didn’t mean	01 14 27 13
231	4.21	mcu REAR VIEW PETE talking to clio and patrons at bar	to do that. PETE They’re fuckin slow these two. I’ll give you the tip. This one’d fucked by herself. And there’s	01 14 30 13
232	2.16	ms LINA eating dinner	nobody in here, and she wouldn’t be able to handle that. You know what	01 14 35 09
233	3.06	cu LINA eating	I mean?	01 14 38 00
234	6.12	ls PETE and patron at end of bar with LINA in fg eating	PETE «ENGLISH SUBTITLE» You look like you’re enjoying it! PATRON «ENGLISH SUBTITLE» What are they eating?	01 14 41 06
235	3.15	LA TILT mcu PETE	PETE Fuck knows. But obviously it’s not that flash.	01 14 47 18
236	2.23	la cu fork spinning in food	PETE (OOS) And whatever they’re eating, that’s what I eat.	01 14 51 08
237	5.00	ws exterior denver city hotel at night	PETE (OOS) Steph! Steph!	01 14 54 06
238	3.14	m3s PETE sitting with oman and man at bar then swing to ws STEPHIE at back bar	WOMAN IN BLACK TOP Steph! MUSIC BEGINS… 45 SEC PETE Steph!	01 14 59 06 01 14 59 19
239	2.04	ms PETE at bar with patrons	PETE Staph’s deaf. WOMAN IN BLACK TOP (OOS) Stephanie!	01 15 02 20
240	1.23	mws REAR VIEW LINA and STEPHIE at back bar	WOMAN IN BLACK TOP (OOS) Steph!	01 15 04 24
241	3.07	LA TILT mcu man throwing drink back	LINA «ENGLISH SUBTITLE» … but he’s like totally drunk.	01 15 06 22
242	8.14	ms clio dancing with man in grey shirt and BECKY in doorway behind		01 15 10 04
243	6.15	LA TILT ms STEPHIE taking money from bar in front of PETE	PETE You got the money right? You sort it out yet, or…?	01 15 18 18
244	19.06	ms PROFILE BECKY pulling two men in to hug and being picked up	MUSIC ENDS	01 15 25 08 01 15 44 00
245	2.05	mws LINA and STEPHIE BEHIND bar	LINA «ENGLISH SUBTITLE» How long has this been opened? CLIO Doesn’t matter,	01 15 44 14
246	2.11	m2s PETE and clio at bar	just put it in a drink. WOMAN IN BLACK TOP «ENGLISH SUBTITLE» If it’s not	01 15 46 19
247	1.18	ws LINA behind bar	fizzy, throw it away.	01 15 49 05
248	1.14	LA TILT PETE with clio and patrons at bar	WOMAN IN BLACK TOP Don’t listen to her! Shut the	01 15 50 23
249	3.03	m3s woman in black top yelling at clio over PETE	fuck up, if it’s not fizzy it’s fucked. Throw it out.	01 15 52 12
250	1.14	ws STEPHIE and LINA behind bar	WOMAN IN BLACK TOP (OOS) Throw it out honey.	01 15 55 15
251	1.13	LA TILT ms PETE and clio at bar	PETE We’re going to have trouble you and me.	01 15 57 04
252	1.03	ws STEPHIE and LINA behind bar	LINA «ENGLISH SUBTITLE» Where do you have more of them?	01 15 58 17
253	1.13	LA TILT m2s PETE and clio at bar	PETE Don’t worry. CLIO Just put it in the drink.	01 15 59 20
254	1.10	m3s woman in black, PETE and clio at bar	WOMAN IN BLACK TOP (OOS) You can’t put that in a drink. PETE You shut up.	01 16 01 08
255	1.15	mws STEPHIE and LINA behind bar	PETE (OOS) You just drive trucks.	01 16 02 18
256	6.09	LA TILT ms woman in black top kisses PETE next to clio at bar	PETE You just tell em how to drive trucks, I’ll tell em how to pour piss. WOMAN IN BLACK TOP (OOS) Alright then, I’m going to shut the fuck up. See what I mean? He’s a hard man. See what I mean? He’s a hard man. PETE That’s the best fuckin’ thing	01 16 04 08
257	2.08	ms LINA watches customers walk out door	I’ve heard all night. WOMAN IN BLACK TOP (OOS) He’s a fuckin’ hard man. Cheers.	01 16 10 17
258	1.13	mcu PROFILE man skulls beer	WOMAN (OOS) Oggie, oggie, oggie!	01 16 13 00
259	2.02	LA TILT m3s PETE with clio and patron at bar	MAN (OOS) Oi, oi, oi! CLIO Oi!	01 16 14 13
260	3.02	mcu PETE with clio throwing arm in air at bar	CLIO Oi, oggie, oi,	01 16 16 15
261	1.11	LA TILT m3s PETE and patron with clio throwing arm in air at bar	CLIO Oggie, oggie, oggie.	01 16 19 17
262	2.06	LA TILT ms PROFILE LINA pouring beer and walks away	MAN (OOS) Oi, oi ,oi! WOMAN IN BLACK TOP (OOS) Ah that’s	01 16 21 03
263	1.10	LA TILT mcu PETE and clio at bar with WOMAN IN BLACK TOP’S ARM IN FG	for the girls.	01 16 23 09
264	2.13	LA TILT ms clio	WOMAN IN BLACK TOP (OOS) For the holiday. CLIO Get me a pint glass. WOMAN IN BLACK TOP (OOS) Got another two dollars.	01 16 24 19
265	3.07	LA TILT ms STEPHIE behind bar then pan left to ms clio next to patron at bar	CLIO Get me a pint glass. No. Fuck me dead.	01 16 27 07
266	2.24	ms LINA turns and walks away	WOMAN IN BLACK TOP (OOS) The poor little prick hasn’t got any fuckin’ idea.	01 16 30 14
267	1.22	LA TILT cu clio shrugs and turns head	WOMAN IN BLACK TOP (OOS) She’s never done this before in Australia, ever.	01 16 33 13
268	10.22	ms LINA behind bar and PETE, CLIO and WOMAN IN BLACK TOP IN BG THEN STEPHIE WALKS IN FRONT	PETE «ENGLISH SUBTITLE» She’s not going to be around long, mate. WOMAN IN BLACK TOP But god love em. It takes a little while for them to settle down. What’s that young girl’s name? CLIO Stephie have you set… PETE Maybe she’s as dumb as dog	01 16 35 10
269	6.14	LA TILT mcu STEPHIE and LINA working register	shit, mate. You know what I mean? I mean you can take a horse to water, but you can’t make it drink.	01 16 46 07
270	5.20	HA TILT wms LINA walking up stairs in dark		01 16 52 21
271	6.15	ms STEPHIE walks in front of LINA at top of stairs		01 16 58 16
272	4.17	LA TILT ms REAR VIEW STEPHIE follows LINA through door	STEPHIE «ENGLISH SUBTITLE» Gee that went well.	01 17 05 06
273	2.19	LA TILT ms PROFILE LINA crying		01 17 09 23
274	3.07	mcu STEPHIE looks down		01 17 12 17
275	2.23	ms LINA on bed wiping eyes		01 17 15 24
276	3.12	LA TILT ms STEPHIE laughs		01 17 18 22
277	5.00	mcu LINA shakes head then FADE TO BLACK		01 17 22 09
278	5.18	fade up to HA TILT ws main street from pub pov SUPER: day four		01 17 27 09
279	4.23	la ms CANMAN pats dog then tilt up as he stands and walks away		01 17 33 02
280	2.24	HA TILT ms CANMAN unpacks drinks into ice		01 17 38 00
281	4.13	MONTAGE EDITS of CANMAN cleaning behind bar		01 17 40 24
282	3.16	LA TILT ms PROFILE LINA and STEPHIE getting ready		01 17 45 12
283	4.17	LA TILT ws mining truck drives past pub		01 17 49 03
284	6.07	m2s STEPHIE and LINA outside pub	LINA «ENGLISH SUBTITLE» Where to go then? STEPHIE Over this way.	01 17 53 20
285	1.24	ms PROFILE STEPHIE and LINA waiting at station		01 18 00 02
286	2.21	ws vintage train stopped at platform		01 18 02 01
287	2.13	LA TILT ms LINA and STEPHIE lean forward		01 18 04 22
288	2.00	ms PROFILE LINA and STEPHIE pull on door		01 18 07 10
289	2.19	ws STEPHIE and LINA outside swimming pool	STEPHIE It’s not open.	01 18 09 10
290	3.06	ms pan left as STEPHIE and LINA walk away	LINA «ENGLISH SUBTITLE» There’s not a whole lot to see.	01 18 12 04
291	4.12	track with ms STEPHIE and LINA walking		01 18 15 10
292	9.17	ms LINA sitting on park bench then swing left to STEPHIE standing	LINA «ENGLISH SUBTITLE» I’m really enjoying this park. There’s a pile of rocks.	01 18 19 22
293	3.19	wms sculpture garden with sign ‘welcome you to coolgardie	STEPHIE (OOS) They welcome you to Coolgardie.	01 18 29 14
294	8.04	MONTAGE EDITS of STEPHIE and LINA walking back to pub		01 18 33 08
295	8.15	LA TILT mcu chef and LINA mcu chef makes face at camera	CHEF Chips or mash? LINA Ah Stephie chips, or mash? STEPHIE (OOS) Huh? LINA Chips or mash. STEPHIE (OOS) Chips.	01 18 41 12
296	2.05	ms STEPHIE behind bar and LINA turning to CHef then swing to mcu chef walking away	LINA Chips. Thank you.	01 18 50 02
297	2.04	mcu WELLSY at bar	STEPHIE «ENGLISH SUBTITLE» There’s no price.	01 18 52 07
298	3.14	ms PROFile STEPHIE at register	WELLSY (OOS) Scotch, seven hundred. CANMAN «ENGLISH SUBTITLE» Red label.	01 18 54 11
299	3.01	m2s CANMAN and LINA at bar	WELLSY (OOS) What have you	01 18 58 0
300	3.02	mcu STEPHIE at register	found? STEPHIE Oh yeah. WELLSY (OOS) How much is it?	01 19 01 01
301	6.13	m2s CANMAN at bar with lina laughing	STEPHIE (OOS) Forty eight. LINA It’s good that you’re helping. CANMAN Eh? LINA It’s good that you’re helping.	01 19 04 03
302	4.12	ms STEPHIE turns from register then pan right as she walks to bar	CANMAN «ENGLISH SUBTITLE» I know where everything is in the fridges. LINA (OOS) Yeah I know, and they’re all Australian. I have never	01 19 10 16
303	9.03	m2s CANMAN and lina at bar	heard about them. CANMAN Haven’t ya? LINA No. CANMAN Do you drink wine? LINA Yeah I drink wine.	01 19 15 03
304	1.06	wms clio zips bag up		01 19 24 06
305	1.03	mws BECKY stands in doorway with bag		01 19 25 12
306	2.19	la ms bag on bed then tilt up to clio	CLIO Let’s go! Bye room.	01 19 26 15
307	5.20	fade up to super on black background then FADE TO BLACK SUPER: Becky and Clio have finished work but are staying on for a few days at the guesthouse across the road.	BECKY (OOS) Both feel emotional.	01 19 29 09
308	2.13	ws pub exterior at sunset		01 19 35 04
309	1.20	ms chef carries meal l to r	PETE (OOS) Oi!	01 19 37 17
310	3.09	swing to PETE next to clio and patron at bar then pan left as STEPHIE walks BEHIND bar to get pepper and salt	PETE Pepper and salt. Obviously there’s no	01 19 39 12
311	2.00	ms PETE between clio and patron at bar	pepper and salt in Finland.	01 19 42 21
312	4.18	ms man with beard at bar	MAN WITH BEARD What nationality are you? STEPHIE Ah, Finnish and German. MAN WITH BEARD Ah see	01 19 44 21
313	1.11	ms STEPHIE with hands on hips	Finnish. If you don’t	01 19 49 14
314	2.12	ms man with beard next to BECKY at bar	look after him, you’ll finish.	01 19 51 00
315	2.00	ms STEPHIE with hands on hips	MAN WITH STRIPE JUMPER «ENGLISH SUBTITLE» These two here…	01 19 53 12
316	10.11	m4s man with stripe jumper between BECKY and clio laughing	… have spoken the most fluent English we’ve heard in the Coolgardie Hotel for three fucking years! MAN WITH STRIPE JUMPER You know. All the rest go… oh excuse me…	01 19 55 12
317	1.24	ms STEPHIE standing with hands on hips	and we do have a	01 20 05 23
318	4.09	m4s man with stripe jumper between BECKY and clio laughing	connection there, ‘cause we can fluently speak the language.	01 20 07 22
319	1.10	ms STEPHIE standing with hands on hips		01 20 12 06
320	5.06	m3s man with stripe jumper between BECKY and clio then pan right to mcu PROFILE STEPHIE and man with beard in bg	MAN WITH STRIPE JUMPER «ENGLISH SUBTITLE» Chop Chop. You understand that? MAN WITH BEARD Yeah. STEPHIE Yeah. MAN WITH STRIPE JUMPER «ENGLISH SUBTITLE» Ah, now we gonna be friends aren’t we?	01 20 13 16
321	1.00	HA TILT m2s BECKY next to man with stripe jumper laughing		01 20 18 22
322	1.11	ms PETE in between clio and patron at bar	MUSIC BEGINS… 13 SEC	01 20 19 22 01 20 20 10
323	2.07	ms STEPHIE standing with hands on hips behind bar		01 20 21 08
324	3.11	ms man with stripe jumper dancing with woman and REAR VIEW LINA filming in fg		01 20 23 15
325	1.15	mcu PROFILE STEPHIE smiling		01 20 27 01
326	1.08	mcu PROFILE PETE puts glass on bar with dancing in bg		01 20 28 16
327	1.15	mcu woman with glasses dancing at bar		01 20 29 24
328	1.22	mcu man eating at bar shakes head		01 20 31 14
329	2.18	wms exterior pub bar doors	MUSIC ENDS	01 20 33 11 01 20 33 18
330	5.22	HA TILT ws truck driving down main street with xxxx gold signage in fg then FADE TO BLACK		01 20 36 04
331	2.17	fade up to wms galahs on power lines		01 20 42 01
332	3.01	ws dog walking down dusty road		01 20 44 18
333	3.06	HA TILT ws deserted streets		01 20 47 19
334	4.04	mws LINA sitting in lounge chair on ipad	LINA Wait. LINA’S MOTHER «ENGLISH SUBTITLE» I haven’t seen you in months.	01 20 51 00
335	14.00	ms LINA looking at ipad	LINA’S MOTHER «ENGLISH SUBTITLE» Have you checked your blood sugar? LINA No.	01 20 55 04
336			LINA’S MOTHER «ENGLISH SUBTITLE» I want you to check it today. LINA Yep. LINA’S MOTHER «ENGLISH SUBTITLE» Remember that. LINA Yep. LINA’S MOTHER «ENGLISH SUBTITLE» Listen to what I say. LINA «ENGLISH SUBTITLE» Yes I’ll do it.
337	3.05	LA TILT ws exterior of pub SIDE VIEW	PETE Righto. Wellsy,	01 21 09 04
338	7.17	zoom out to m2s PETE handing key to wellsy	there’s the key for tomorrow. I’ve written a couple of cheques, I’ve written a couple of cheques, so that’ll be all cool? WELLSY Yep.	01 21 12 09
339	3.12	LA TILT mcu LINA PROFILE	PETE (OOS) Canman’ll get the stock. Everything will be clean when you take over, and you’ve met these girls	01 21 20 01
340	1.21	ms STEPHIE sitting at bar	girls haven’t you? WELLSY Yeah. PETE You know Wellsy	01 21 23 13
341	11.07	ms PETE walks behind wellsy to STEPHIE at bar	don’t you? STEPHIE Yeah. PETE John’s taking over tomorrow. STEPHIE Yep. PETE And he’ll be here for a week. Then Tony’ll be here for a week, and then I’ll be back. STEPHIE Okay. PETE And I want to see it bloody running by the time I get back.	01 21 25 09
342	2.05	ms REAR VIEW CANMAN at boot of car	CANMAN Piggy!	01 21 36 16
343	5.05	LA TILT ms CANMAN opens door for dogs	CANMAN Come on. Pig, you ready? Hey! Hey! In you go.	01 21 38 21
344	4.05	MONTAGE EDITS of dog getting into dark car	CANMAN You’re in the wrong seat. That’s Piggy’s spot.	01 21 44 01
345	3.03	LA TILT ms CANMAN closes car door and walks away with bottle		01 21 48 06
346	6.04	la ms CANMAN’s hands holding bottle then tilt up to CANMAN and track left as he walks	CANMAN Cowgirl. For the barmaids. LINA Oh	01 21 51 09
347	6.10	m2s CANMAN with LINA holding bottle then pan left with CANMAN laughing	Canman. Cowgirl. CANMAN Yeah. LINA (OOS) Thank you.	01 21 57 13
348	4.23	ms LINA holding bottle behind bar	LINA «ENGLISH SUBTITLE» What is it? CANMAN «ENGLISH SUBTITLE» Something to drink. Get drunk!	01 22 03 23
349	4.01	ms BECKY and clio at bar	BECKY Surprise, we’re drinking again.	01 22 08 21
350	2.21	ms man wearing hood walks in bar door and waves	CLIO (OOS) Pikey! CANMAN (OOS) How are you mate?	01 22 12 22
351	4.13	LA TILT ms clio swats fly	CLIO Yes! Boom.	01 22 15 18
352	0.23	ms LINA walks through back bar doorway		01 22 20 06
353	3.07	ms STEPHIE and patron at bar then REAR VIEW LINA walks in	LINA They’re still here, drinking. Screaming. MUSIC BEGINS… 46 SEC	01 22 21 04 01 22 24 00
354	5.15	HA TILT ws clio and BECKY at bar surrounded by men	LINA «ENGLISH SUBTITLE» I think it would be easier if the girls just left.	01 22 24 11
355	5.24	LA TILT ms clio and BECKY on bar dancing then zoom in and out		01 22 30 01
356	2.05	ms LINA carries drinks past camera		01 22 36 00
357	10.06	MONTAGE EDITS of BECKY and clio dancing on bar		01 22 38 05
358	3.07	LA TILT ms STEPHIE at bar drinking strongbow with CANMAN in bg		01 22 48 11
359	3.16	LA TILT ms clio and BECKY dancing on bar		01 22 51 18
360	3.13	ms man helps BECKY down from bar		01 22 55 09
361	7.04	LA TILT ms BECKY behind STEPHIE at bar	BECKY You don’t have to, but it’s up to you. Come on. Cut the filling up the fucking ketchup bottles.	01 22 58 22
362	4.13	ms LINA handing change over to hands over bar	BECKY (OOS) What are you? Ketchup woman. MAN (OOS) Can I get another can please?	01 23 06 01
363	5.19	LA TILT ms clio dancing on bar		01 23 10 14
364	2.10	LA TILT mcu STEPHIE looks up	LINA «ENGLISH SUBTITLE» I’m waiting for the day when we can get really shit-faced.	01 23 16 08
365	2.22	HA TILT ms STEPHIE and CANMAN at bar with REAR VIEW LINA in fg		01 23 18 18
366	2.07	HA TILT ws BECKY and clio dancing and around and drinking with patrons	LINA «ENGLISH SUBTITLE» … go berserk, scream and behave like shit. MUSIC ENDS	01 23 21 15 01 23 22 04
367	2.22	ms becky hugging man		01 23 23 22
368	5.19	LA TILT mcu STEPHIE at bar with CANMAN in bg	STEPHIE «ENGLISH SUBTITLE» I’m too sober to be in the back bar. So I’m sitting here with him…	01 23 26 19
369	4.23	mcu CANMAN smiling with PROFILE STEPHIE	… he’s nice and quiet. BECKY «ENGLISH SUBTITLE» Canman!	01 23 32 13
370	4.11	ws CLIO and BECKY with patrons in back bar and LINA working	CLIO Wellsy! Can’t you hear us Canman?	01 23 37 11
371	2.05	ms LINA closes door behind patrons	LINA Goodnight.	01 23 41 22
372	3.06	LA TILT mcu lina walking behind STEPHIE and wellsy at bar	BECKY (OOS) Steph. Would you mind if we came upstairs?	01 23 44 02
373	2.02	LA TILT ms BECKY holding drink up at bar next to clio and man in hoodie	BECKY Just for a wee one?	01 23 47 08
374	1.13	mcu STEPHIE smiling		01 23 49 10
375	2.15	ms PROFILE BECKY and man	BECKY Let’s go.	01 23 50 23
376	3.05	LA TILT ms CLIO holds door as BECKY waves pikey in	BECKY Go man go!	01 23 53 13
377	4.22	ms REAR VIEW LINA locks door		01 23 56 18
378	13.19	tilt up to LINA looking up stairs, then BECKY walks down	LINA Hey sorry girls, but I really want to sleep. BECKY (OOS) Okay, we’re walking down. We’re going. STEPHIE (OOS) Night. LINA Good night. BECKY Night.	01 24 01 15
379	1.12	LA TILT ms BECKY		01 24 15 09
380	5.11	LA TILT mcu LINA and clio walk past each other then FADE TO BLACK		01 24 16 21
381	6.16	super on black background then FADE TO BLACK SUPER: week two Becky and Clio have left town.		01 24 22 07
382	6.07	HA TILT ws car driving down street past pub		01 24 28 23
383	4.07	LA TILT wms LINA brings money back to JAMIE at bar in fg	JAMIE Just bring lots and lots of these.	01 24 35 05
384	5.00	ms JAMIE At bar and REAR VIEW LINA	JAMIE And take that out of that one, and if there’s any silver shit to go with that, that’s yours.	01 24 39 12
385	2.10	LA TILT ms LINA behind bar and JAMIE in fg	JAMIE I don’t take silver.	01 24 44 12
386	6.16	ms REAR VIEW LINA turns and walks away from JAMIE at bar	LINA You don’t take silver? JAMIE So… LINA Thank you. JAMIE You get a tip out of it.	01 24 46 22
387	2.07	ms LINA puts money away	JAMIE You’ve gotta make some money somehow.	01 24 53 13
388	11.16	LA TILT mcu jamie at bar SUPER: JAMIE	JAMIE Without any disrespect to the females cause they, they work hard, but the race is on, on to who’s going to tag it first, and who’s going to put their name to her first.	01 24 55 20
389	3.13	LA TILT ms PROFILE LINA opening cans at bar	JAMIE (OOS) And it’s like, mate, you know no need to fight about em, there’s gonna	01 25 07 11
390	4.04	LA TILT mcu jamie at bar	be fuckin’ another two more come in the next couple of weeks. Don’t worry about it.	01 25 10 24
391	3.23	LA TILT ms PROFILE LINA at bar then pan right to men at bar	MAN IN WHITE CAP «ENGLISH SUBTITLE» So where are you from then? LINA I’m from Finland. MAN IN WHITE CAP «ENGLISH SUBTITLE» Finland – long way from home!	01 25 15 03
392	10.07	LA TILT mcu jamie at bar	JAMIE They’re only out for one thing anyway. They’re only gonna, they’re only out for one thing, and it’s not the real thing that they should be going for. They should be, instead of	01 25 19 01
393	3.15	zoom out to ms pan right with LINA carrying drink	trying to get in their pants, take em out and show em a bit of Australia.	01 25 29 08
394	4.05	LA TILT mcu LINA WITH ms jamie at bar	LINA «ENGLISH SUBTITLE» Of course, let’s go hunting.	01 25 32 23
395	3.19	LA TILT ms STEPHIE and man in glasses at bar	JAMIE «ENGLISH SUBTITLE» … and catch some yabbies, or go out and hunt a kangaroo down, or a goat.	01 25 37 03
396	7.11	LA TILT mcu with ms jamie at bar	LINA Yeah, let’s do that. JAMIE And show you a bit of the outback. LINA Let’s do that. JAMIE Hopefully we’ll come across a snake or two.	01 25 40 22
397	2.04	LA TILT m2s DAVE and ANTHONY at bar		01 25 48 08
398	7.08	m2s man in glasses next to STEPHIE at bar	MAN IN GLASSES «ENGLISH SUBTITLE» She’s gorgeous. Look at that.	01 25 50 12
399	18.17	LA TILT m2s man in glasses and STEPHIE at bar	MAN IN GLASSES The costs of gold mining nowadays, there’s a lot of, lot of energy involved. Like whether it’s electricity, or paying wages, and having gay people, oh no sorry, not gay people, but um, soft cocks.	01 25 57 20
400	2.21	LA TILT mcu LINA serving ANTHONY at bar	MAN IN GLASSES (OOS) Like, have a fuckin’ go, you know like	01 26 16 12
401	8.04	LA TILT m2s man in glasses and STEPHIE at bar	living in a shit hole. All those blokes living in Sydney or Melbourne, and we’re up here doin’ it fuckin’ hard,	01 26 19 08
402	9.09	ms anthony SHIRT drinking beer at bar	livin’ in a fuckin’ caravan. ANTHONY So when do you get a break? Tomorrow? LINA (OOS) Tomorrow. ANTHONY Tomorrow night?	01 26 27 12
403	4.06	ws pub exterior at twilight	ANTHONY This’ll make you feel happy. If you’re in Coolgardie,	01 26 36 21
404	2.03	ms LINA and anthony sitting on lounge chairs then tilt down to drink he is pouring SUPER: anthony	this will become your best friend.	01 26 41 02
405	4.22	ms PROFILE STEPHIE	ANTHONY «ENGLISH SUBTITLE» Just give it a month.	01 26 43 05
406	19.08	wms anthony in lounge chair with PROFILE LINA in fg then anthony holds up four fingers	LINA How many years did you study? Four? ANTHONY I did honours. LINA Four years to become a Bachelor? ANTHONY I did an honours year. LINA Four years? ANTHONY Honours! LINA I became a Master in… five… ANTHON Yeah, this is in Finland. LINA Five and a half years yeah, but… ANTHONY Finland, Finland, Finland. LINA No, just because I’m	01 26 48 02
407	3.04	ms PROFILE STEPHIE sitting in lounge chair	I’m so clever. ANTHONY (OOS) Australia, Australia. Look at that Stephanie.	01 27 07 10
408	8.13	ms anthony in lounge chair then swing right to STEPHIE laughing	ANTHONY She’s fuckin beautiful. Stephanie, oh. She’s so attractive. Yeah. And	01 27 10 14
409	1.06	ms anthony in lounge chair		01 27 19 02
410	4.10	mcu PROFILE LINA	LINA What’s my name? ANTHONY (OOS) Mrs Economics. LINA I’m not Mrs Economics. What’s	01 27 20 08
411	4.24	ms anthony lies back in lounge chair	my real name? ANTHONY Lani? Lena…	01 27 24 18
412	1.19	ms i sitting on lounge		01 27 29 17
413	1.16	ms STEPHIE laughing		01 27 31 11
414	5.02	wms anthony with ms PROFILE STEPHIE in fg	ANTHONY «ENGLISH SUBTITLE» I used to be pretty ripped, if you want to know.	01 27 33 02
415	3.09	ms LINA lying back on lounge	ANTHONY (OOS) «ENGLISH SUBTITLE» Do you know what 100 kilos is? ANTHONY (OOS) Well,	01 27 38 04
416	7.19	wms anthony lying back in lounge chair	ANTHONY «ENGLISH SUBTITLE» You probably weigh fifty, you’d probably weigh fifty. ANTHONY «ENGLISH SUBTITLES» I could fuckin bench the both of you.	01 27 41 13
417	2.23	ms LINA with hand over face laughing	ANTHONY «ENGLISH SUBTITLE» A hundred kilos!	01 27 49 07
418	3.20	wms anthony lying back in lounge chair miming weight lifting		01 27 52 05
419	2.15	ms STEPHIE laughing	ANTHONY «ENGLISH SUBTITLE» You’re gonna be here for three months…	01 27 56 00
420	3.02	HA TILT ws LINA, ANTHONY and STEPHIE in lounges around table	LINA Yeah. ANTHONY «ENGLISH SUBTITLE» Who you gonna have sex with?	01 27 58 15
421	2.11	mcu PROFILE STEPHIE looks down laughing		01 28 01 17
422	2.10	ms LINA lying back laughing in lounge		01 28 04 03
423	13.07	HA TILT ws LINA, ANTHONY and STEPHIE in lounges around table	ANTHONY You don’t want to just sleep together and have a massive gang bang, and… STEPHIE «ENGLISH SUBTITLE» Thank you for the offer, but no thankyou. ANTHONY No?	01 28 06 13
424	2.07	swing to ms LINA laughing	ANTHONY (OOS) You’re going to be very lonely then.	01 28 19 20
425	3.13	LA TILT wms ANTHONY in lounge with PROFILE STEPHIE i fg	ANTHONY Why the fuck not? I’ll have a shave,	01 28 22 02
426	1.22	wms LINA shaking her head on lounge	LINA No. ANTHONY (OOS) No?	01 28 25 15
427	2.22	wms anthony lying back in lounge chair	ANTHONY You can go and get fucked. I don’t really care.	01 28 27 12
428	2.11	ms STEPHIE laughing	ANTHONY «ENGLISH SUBTITLE» You girls do not know what you’re missing.	01 28 30 09
429	2.07	cu LINA	LINA Mmhm. ANTHONY (OOS) Yeah.	01 28 32 20
430	10.08	wms anthony lying back in lounge chair with LINA in fg then pan right to STEPHIE	ANTHONY «ENGLISH SUBTITLE» You are somewhat very attractive. And so is Steph.	01 28 35 02
431	2.06	HA TILT ws red dog standing on dirt driveway		01 28 45 10
432	2.09	la wms black dog lying in dirt		01 28 47 16
433	6.11	track with REAR VIEW ms cam walking to deliver biscuits to door	CANMAN «ENGLISH SUBTITLE» Two packets of biscuits.	01 28 50 00
434	5.16	mcu CANMAN looking at watch	CANMAN I thought she would have been up, but no hurry. I’ve got all day.	01 28 56 11
435	8.15	ms STEPHIE then pan left to wms LINA in chair on ipad	LINA We’re getting gifts all the time from all the people here, and it’s weird. We’re not used to getting presents all the time everyday.	01 29 02 02
436	6.21	track with mcu CANMAN then tilt down to bottles in hand	LINA «ENGLISH SUBTITLE» Canman is bringing us something almost every day. LINA «ENGLISH SUBTITLES» He brings us alcohol.	01 29 10 17
437	3.21	wms LINA on lounge on ipad then pan right to STEPHIE holding up bracelets	LINA We’ve got how many bottles? Four bottles. STEPHIE «ENGLISH SUBTITLE» Bracelets. LINA (OOS) Bracelets.	01 29 17 13
438	1.23	la ms placing shampoo bottle on table	LINA (OOS) Shampoo. STEPHIE (OOS) Chocolate.	01 29 21 09
439	2.11	LA TILT ms STEPHIE holds banana smoothie bottle	STEPHIE «ENGLISH SUBTITLE» Banana smoothie. LINA «ENGLISH SUBTITLE» Biscuits.	01 29 23 07
440	4.04	LA TILT ms STEPHIE pulls bottle out of freezer	STEPHIE «ENGLISH SUBTITLE» But he likes cowgirl and cowboy.	01 29 25 18
441	4.10	la ms CANMAN lying in van with dog	STEPHIE «ENGLISH SUBTITLE» I think if my Dad saw Canman he’d…	01 29 29 22
442	3.14	LA TILT mcu STEPHIE behind bar	probably buy a ticket back home for me.	01 29 34 07
443	10.14	ms LINA walks along bar towards camera	LINA Yeah. Anthony came here to pay for his Jacks bottle. ANTHONY Yeah, I’ve been	01 29 37 21
444	6.19	ms ANTHONY on main street	to the pub to apologise to Nina for my crude behaviour last night when I was very much pissed.	01 29 48 10
445	4.16	ms LINA behind bar	LINA Yeah, he was a bit embarrassed for yesterday.	01 29 55 04
446	3.01	LA TILT ms pan left with ANTHONY crossing road	ANTHONY Propositioning her. LINA He	01 29 59 20
447	3.02	LA TILT mcu LINA	still couldn’t remember my name.	01 30 02 21
448	8.18	mcu ANTHONY	ANTHONY I know what I will do. I’m not going anywhere near Jack Daniels for at least a week. I don’t want to ruin it for myself. I don’t want to make it harder.	01 30 05 23
449	2.24	LA TILT ms REAR VIEW ANTHONY turns towards camera	ANTHONY «ENGLISH SUBTITLE» Be nice to bag a Finnish girl though.	01 30 14 16
450	3.06	LA TILT ws exterior side wall of pub	CANMAN «ENGLISH SUBTITLE» You wanna come for a drive?	01 30 17 15
451	4.04	ms CANMAN talking to PROFILE STEPHIE at bar	CANMAN «ENGLISH SUBTITLE» Something for you to do. STEPHIE Yeah I know.	01 30 20 21
452	3.20	m2s CANMAN with STEPHIE at bar	PETE Hey? PETE «ENGLISH SUBTITLE» C’mon… I’ll go and buy you a small cake.	01 30 25 00
453	4.06	ms CANMAN talking to PROFILE STEPHIE at bar	PETE Hey? We won’t be long. STEPHIE Where? CANMAN Kalgoorlie.	01 30 28 20
454	10.00	m2s PETE talking to STEPHIE at bar	PETE «ENGLISH SUBTITLE» I’ve got to buy you something. STEPHIE «ENGLISH SUBTITLE» No you don’t have to. PETE I do. STEPHIE No. PETE Yes. STEPHIE No. PETE «ENGLISH SUBTITLE» I’ve gotta look after you barmaids.	01 30 33 01
455	6.05	swing to mws LINA serving customer at bar	STEPHIE «ENGLISH SUBTITLE» Lina, come and save me. STEPHIE «ENGLISH SUBTITLES» He’s trying to force me to go to Kalgoorlie with him.	01 30 43 01
456	3.02	mcu LINA With coffee at bar	CANMAN «ENGLISH SUBTITLE» Be better than sitting here. CANMAN (OOS) Huh?	01 30 49 06
457	6.09	ms CANMAN next to mcu STEPHIE	STEPHIE «ENGLISH SUBTITLE» I want to relax. STEPHIE I don’t want to. CANMAN «ENGLISH SUBTITLE» It’s alright. If you don’t want to come it’s alright.	01 30 52 08
458	2.05	mcu PROFILE LINA	CANMAN «ENGLISH SUBTITLE» No problem.	01 30 58 17
459	2.19	mws man walks through exterior bar doors		01 31 00 22
460	3.01	LA TILT ms men chatting at bar	MAN IN BLUE SHIRT Yeah,	01 31 03 16
461	4.24	wms PROFILE man in blue shirt at bar served by STEPHIE	I want to go to Cape York, and I want to go driving all the way to the tip. STEPHIE Yeah.	01 31 06 17
462	16.09	mws LINA playing pool with jamie	JAMIE «ENGLISH SUBTITLE» Yeah no, if you go to Sydney don’t work in The Cross. MUSIC BEGINS… 54 SEC JAMIE Try and find a small pub or something, away from the shit. You can make a lot of money in tips, but you also got the danger factor as well. Like getting stabbed in the eye. Getting stabbed in the shoulder. That was in The Cross.	01 31 11 16 01 31 12 05
463	3.00	la ms jamie taking pool shot FRONT VIEW	LINA (OOS) How many times did you	01 31 28 00
464	8.07	la wms PROFILE JANET taking pool shot then left pan over table to LINA	get stabbed? JAMIE Twice. But the bloke who got me in the eye, he got his	01 31 31 00
465	5.13	mws LINA and jamie at either end of pool table	knife back. Straight into the knee cap.	01 31 39 07
466	2.05	wms LINA hits pool ball in		01 31 44 20
467	2.20	mcu jamie laughing		01 31 47 00
468	4.00	wms LINA shakes jamie’s hand over pool table	JAMIE Rematch? LINA No. JAMIE Come on.	01 31 49 20
469	2.04	ms PROFILE jamie wiping nose	LINA (OOS) I need to eat.	01 31 53 20
470	3.08	wms LINA and jamie either side of pool table	JAMIE OK go and eat then.	01 31 55 24
471	4.00	LA TILT ms lina hands drink to jamie as she walks past	JAMIE I can’t let a girl starve. Thank you. LINA (OOS) No you can’t.	01 31 59 07
472	4.17	LA TILT mcu jamie takes drink	JAMIE See ya. TONY So you liking the job so far? MUSIC ENDS	01 32 03 07 01 32 06 21
473	4.08	LA TILT ms TONY and LEONIE behind then pan left to LINA and STEPHIE at bar	LINA (OOS) Yeah. TONY (OOS) That’s good. LINA It’s really nice. A lot of really nice people. Friendly	01 32 07 24
474	4.04	LA TILT ms TONY and LEONIE behind bar	people. TONY Most people are very friendly. LINA Yeah. LINA (OOS) Yeah, really friendly.	01 32 12 07
475	3.17	mcu PROFILE LINA and STEPHIE	LINA «ENGLISH SUBTITLE» You’re here now for a week? LEONIE «ENGLISH SUBTITLE» Yes, we go on Wednesday.	01 32 16 11
476	1.24	LA TILT ms LEONIE	LEONIE «ENGLISH SUBTITLE» When we leave Peter comes back.	01 32 20 03
477	1.19	LA TILT ms TONY	TONY Just work hard.	01 32 22 02
478	2.00	LA TILT ms woman in red behind bar laughing with mcu LINA in fg		01 32 23 21
479	2.12	mws exterior bar doors	CANMAN Every body around here	01 32 25 21
480	5.11	ms CANMAN at bar	knows me sometimes calls me the Canman. Not John or Jason or anything like… Canman.	01 32 28 08
481	3.04	ms pikey drinking can at bar	CANMAN I walk in and some of the	01 32 33 19
482	1.13	mcu PROFILE CANMAN at bar	staff knows me,	01 32 36 23
483	2.01	ms LINA leaning on bar	knows what I want.	01 32 38 11
484	4.24	ms LEONIE and TONY then pan left to LINA reading paper	TONY «ENGLISH SUBTITLE» Chop chop.	01 32 40 12
485	3.03	ms pikey at bar yawns		01 32 45 11
486	5.04	LA TILT ms LINA pouring wine	pikey «ENGLISH SUBTITLE» Get yourself one too Lina. PIKEY «ENGLISH SUBTITLES» You can have one behind the bar.	01 32 48 14
487	3.23	ms pikey then swing left to LINA	pikey No-one’ll see it. pikey «ENGLISH SUBTITLE» What, did you leave your balls in your purse?	01 32 53 18
488	2.18	ms pikey	LINA (OOS) Hmm? pikey What? I love you dear.	01 32 57 16
489	3.00	zoom to mcu LINA at register	pikey (OOS) Let’s get pissed.	01 33 00 09
490	7.06	mcu pikey throws beer back drinking SUPER: pikey		01 33 03 09
491	3.18	wms LINA behind bar the tilt down to photo album as TONY opens it	MUSIC BEGINS… 53 SEC TONY This is worth its weight in gold.	01 33 10 15 01 33 10 17
492	1.16	ms REAR VIEW LINA joins pikey to look at album on bar	PIKEY «ENGLISH SUBTITLE» Fuckin oath it is. LINA Oh my god.	01 33 14 08
493	2.20	HA TILT mcu photo album with STILL IMAGE of naked barmaid	PIKEY «ENGLISH SUBTITLE» This is what it was like, Lina.	01 33 15 24
494	1.13	cu STILL IMAGE of naked barmaid in album	LINA (OOS) Really?	01 33 18 19
495	4.05	mcu LINA then pan right to TONY	LINA To have naked girls in the bar? TONY What’s wrong with that?	01 33 20 07
496	1.22	cu PHOTO of naked barmaid in album	TONY (OOS) What’s wrong with that?	01 33 24 12
497	0.24	mcu LINA and pikey looking at album	LINA Oh my god.	01 33 26 09
498	4.01	MONTAGE EDITS of photos of naked barmaids in album	PIKEY (OOS) Oh hello. There we go. Look at it. TONY Have a look at that.	01 33 27 08
499	1.08	mcu LINA covering face	TONY That’s pretty heavy. PIKEY (OOS) Tickle tickle tickle.	01 33 31 09
500	1.05	m3s pikey, LINA and TONY AT BAR	LINA I don’t want to see it.	01 33 32 17
501	1.04	cu photo of naked barmaids in album	PIKEY (OOS) That’s everything, look.	01 33 33 22
502	1.23	mcu LINA	PIKEY (OOS) Oh look at this. PIKEY «ENGLISH SUBTITLE» Look at the fuckin mush on them.	01 33 35 01
503	3.02	MONTAGE EDITS of photos of naked barmaids in album	TONY (OOS) Come here, come here. Have a look. Look.	01 33 36 24
504	1.15	mcu photo album then tilt up to LINA	LINA Is that you?	01 33 40 01
505	4.01	mcu LINA and TONY	TONY Yeah. LINA It is. TONY (OOS) Not here. I had a pub	01 33 41 16
506	1.14	cu photo of TONY AS A YOUNG MAN	in Perth. This has got	01 33 45 17
507	1.14	ms TONY	nothing to do with Coolgardie.	01 33 47 06
508	3.06	cu pan over photos of naked barmaids in album	LINA (OOS) Thank you for showing me the pictures.	01 33 48 20
509	11.14	wms LINA at bar looking at album with pikey, CANMAN and TONY	PATRON (OOS) Where’s the barmaids gone? LINA Thank you. PIKEY Sorry. LINA What are you hugging and touching? PIKEY You. LINA Yeah. MUSIC ENDS	01 33 52 01 01 34 03 14
510	6.21	ms LINA then pan right to TONY and LEONIE	LINA How long have you been together? TONY (OOS) Too long. LEONIE Twenty sixth of March it was thirty five years.	01 34 03 15
511	2.17	mcu LINA leaning on bar	TONY (OOS) You’ve never been married? LINA No.	01 34 10 11
512	2.07	mcu PROFILE TONY AND LEONIE	LINA (OOS) I haven’t found the right person.	01 34 13 03
513	3.08	mcu LINA leaning on bar	TONY (OOS) Oh it’s what you make of it you know? A lot of people try.	01 34 15 10
514	2.09	mcu TONY AND LEONIE	PIKEY (OOS) Yeah me too.	01 34 18 18
515	0.20	mcu LINA smiling		01 34 21 02
516	2.00	ms pikey at bar	PIKEY Bitches just don’t like me.	01 34 21 22
517	1.06	mcu PROFILE LINa turns head		01 34 23 22
518	7.07	mcu PROFILE TONY AND LEONIE THEN PAN LEFT TO PIKEY	PIKEY I got two fuckin’ chicks pregnant and they had abortions. TONY (OOS) Hey? PIKEY How do you think that made me feel? TONY (OOS) Is that right?	01 34 25 03
519	12.18	cu pikey	PIKEY It’s alright. TONY Well, what can you do? Nothing you can do about it is there? PIKEY Kill em.	01 34 32 10
520	2.22	ms LINA behind bar with CANMAN in bg		01 34 45 03
521	9.09	LA TILT mcu pikey throwing back beer		01 34 48 00
522	4.11	ms LINA leans against bar	PIKEY Tell you the truth, like here right now, it’s like everyone else, like they can	01 34 57 09
523	13.17	mcu pikey at bar	pick up like fuckin’ women, but I can’t because I don’t know how to actually talk to them properly. Like other cunts can.	01 35 01 20
524	2.24	ms LEONIE at bar with REAR VIEW pikey in fg	PIKEY But other people like they can actually	01 35 15 12
525	7.14	mcu pikey at bar	talk to em. And know what to say and fucking, next minute they’re going home with them, and	01 35 18 11
526	3.21	LA TILT ms LINA behind bar raises eyebrows	like I don’t know how other people fuckin’ do it. TONY «ENGLISH SUBTITLE» If you tried, what would you say?	01 35 26 00
527	7.21	mcu pikey at bar	PIKEY Probably some fuckin’ lovely shit, I don’t know. I don’t know.	01 35 29 21
528	3.11	mcu PROFILE LINA smiles	PIKEY (OOS) I’ve just told them what I fuckin’ want to do with them. Let’s go back to my house	01 35 37 17
529	1.14	LA TILT ms leaning on register with CANMAN in bg	and fuck like rabbits.	01 35 41 03
530	2.19	mcu LINA turns and walks off		01 35 42 17
531	4.15	mcu pikey at bar	PIKEY «ENGLISH SUBTITLE» I get slapped in the face and told to fuck off PIKEY «ENGLISH SUBTITLES» then the boyfriends come over PIKEY «ENGLISH SUBTITLES» and I have to belt the fuck out of em.	01 35 45 11
532	2.16	mcu PROFILE TONY and LEONIE nodding	PIKEY No seriously I used to,	01 35 50 01
533	4.04	mcu pikey	I’ve had violence I my life… TONY (OOS) No what I’m saying… PIKEY … all the fuckin time since I was fuckin’ spat out into this world	01 35 52 17
534	4.15	ms LINA pouring beer	but I hold it all the time when I come here. I mean I could just snap and just go	01 35 56 21
535	8.04	mcu pikey at bar	fucking ballistic and just belt every cunt right now. It wouldn’t matter. I could just want away, have a cigarette, and not care in the world.	01 36 01 11
536	1.21	mcu PROFILE TONY AND LEONIE		01 36 09 15
537	9.18	mcu pikey at bar	PIKEY Maybe a chick just doesn’t want to fuckin’, I don’t know, fuckin’, a thing like me. With no	01 36 11 11
538	3.05	LA TILT ms LINA eating	licence, no car, fuckin’ nothin’ going for him.	01 36 21 04
539	3.04	mcu pikey	PIKEY Well just think if I asked fuckin Lina out for a date,	01 36 24 09
540	6.10	mcu LINA	I asked her to tea, how do you think I’m gonna fuckin’ take her out?	01 36 27 13
541	6.08	mcu pikey at bar	PIKEY Fuckin’ taxi. That’s not going to fuckin’ look good on me is it?	01 36 33 23
542	14.08	ms LINA behind bar	LINA Why would a taxi be a problem? PIKEY «ENGLISH SUBTITLE» Because I don’t have a licence.. PIKEY (OOS) I can’t… LINA So? PICKY «ENGLISH SUBTITLE» Because I would like to drive you there! LINA So if you take me in a taxi there and pay for the taxis. What’s the problem?	01 36 40 06
543	2.03	mcu pikey shrugs		01 36 54 14
544	4.24	ms LINA leaning on register	LINA «ENGLISH SUBTITLE» There’s no problem. TONY (OOS) Oh you bitch.	01 36 56 17
545	6.24	mcu pikey at bar	PIKEY Oh well, when aren’t you working then and we’ll do it?	01 37 01 16
546	4.09	ms pikey then swing to LINA working	PIKEY «ENGLISH SUBTITLE» Now she’s laughing see, she just thinks it’s a joke.	01 37 08 15
547	4.02	mcu pikey at bar	PIKEY See, look at her now. She’s just	01 37 12 24
548	2.13	track with mcu LINA working	disgusted, like you prick.	01 37 17 01
549	3.05	mcu pikey laughing at bar then tilt down to cu LEONIE		01 37 19 14
550	2.19	ms pan left with lina serving drink	LINA There you go. CANMAN Thank you.	01 37 22 19
551	2.18	MS PIKEY at bar	PIKEY Shits and giggles, shits and giggles.	01 37 25 13
552	1.18	ms TONY at register		01 37 28 06
553	6.02	LA TILT ms pan right with LINA walking to door to lock up		01 37 29 24
554	4.08	LA TILT wms exterior denver city motel signage at night then FADE TO BLACK		01 37 36 01
555	4.17	fade up to super on black background THE FADE TO BLACK SUPER: week three		01 37 40 09
556	5.19	fade up to SILHOUETTE of bar then lights up mws PROFILE TONY behind bar AND LA LEONIE IN FG		01 37 45 01
557	10.01	MONTAGE EDITS of CANMAN cleaning up cans	CANMAN «ENGLISH SUBTITLE» I’ve got to take my trailer to the tip	01 37 50 20
558	4.00	LA TILT ms dog on back seat and CANMAN in bg through back window	then load my can bales on.	01 38 00 21
559	9.05	LA TILT m2s CANMAN and man at bar	CANMAN «ENGLISH SUBTITLE» And take the barmaids with me. Two of them.	01 38 04 21
560	10.02	track along ws road from windscreen pov then pan right to CANMAN driving	MUSIC BEGINS… 20 SEC STEPHIE «ENGLISH SUBTITLE» Bec and Clio said his car is dirty and his dogs live in the car.	01 38 14 01 01 38 15 12
561	14.20	ws CANMAN drives car then pan left to STEPHIE and LINA getting in	STEPHIE «ENGLISH SUBTITLE» She said something that, that we shouldn’t go with him. MUSIC ENDS	01 38 24 03 01 38 35 00
562	3.00	la mcu dog food in bowl then tilt up to dog	CANMAN Hey Noopy. LINA (OOS) Good morning Canman.	01 38 38 23
563	1.09	mcu CANMAN and LINA in car from passenger side		01 38 41 23
564	1.23	mcu CANMAN and LINA in car from drivers side	LINA How are you? CANMAN Alright. MUSIC BEGINS… 47 SEC	01 38 43 07 01 38 45 00
565	3.20	wms CANMAN drives car and full trailer past camera	STEPHIE (OOS) Oh my god.	01 38 45 05
566	4.22	ms CANMAN, STEPHIE and LINA in car	STEPHIE «ENGLISH SUBTITLE» I don’t want to inhale.	01 38 49 00
567	3.22	track along ws road from windscreen pov	STEPHIE «ENGLISH SUBTITLE» You should feel lucky to have a blocked nose.	01 38 53 22
568	3.19	ws CANMAN drives car towards camera then pan left as it drives past	STEPHIE «ENGLISH SUBTITLE» I’m just breathing through my mouth.	01 38 57 19
569	1.09	wms STEPHIE and LINA getting out of car		01 39 01 13
570	8.14	track with wms REAR VIEW LINA and STEPHIE walking to mine then camera tilts down hole	CANMAN «ENGLISH SUBTITLE» Bit hole innit? LINA It is.	01 39 02 22
571	4.12	LA TILT mcu PROFILE LINA and STEPHIE looking at mine		01 39 11 11
572	2.16	HA TILT ws mining hole	CANMAN «ENGLISH SUBTITLE» A big hole.	01 39 15 23
573	3.03	mws REAR VIEW silhouette CANMAN, STEPHIE and LINA against mine		01 39 18 14
574	7.06	LA TILT ws STEPHIE, LINA and CANMAN walk l to r past mining equipment	CANMAN «ENGLISH SUBTITLE» I had a daughter… I never heard from her for twenty five years…	01 39 21 17
575	19.06	ws REAR VIEW CANMAN walking with LINA and STEPHIE	CANMAN And she wrote me a letter, I was married. Wanted to know if I was the natural father. I said yes. MUSIC ENDS MUSIC BEGINS… 1 MIN 4 SEC CANMAN Do you want to keep in contact with me? I said yes. Then my wife couldn’t get on with her so she went back to South Australia. I haven’t heard from me daughter for about two years or more. I think of her all the time you know. Wonder where the hell she is.	01 39 28 23 01 39 32 00 01 39 35 00
576	4.17	MONTAGE EDITS of CANMAN unloading bags of cans		01 39 48 04
577	2.09	LA TILT mcu LINA waiting		01 39 52 21
578	5.16	LA TILT ms CANMAN walks to LINA with paper	CANMAN «ENGLISH SUBTITLE» Eighty-eight dollars. CANMAN Hey? LINA Eighty-eight dollars.	01 39 55 05
579	3.05	LA TILT ws crane picking up garbage	CANMAN «ENGLISH SUBTITLE» Bit of beer money.	01 40 00 21
580	5.09	ms CANMAN gets into car	CANMAN «ENGLISH SUBTITLE» I reckon if I won the lotto and my daughter heard about it… CANMAN «ENGLISH SUBTITLES» she’d be down here like a shot.	01 40 04 01
581	2.20	LA TILT ms crane claw moving	CANMAN «ENGLISH SUBTITLE» She’d say ‘Beauty Dad”. CANMAN «ENGLISH SUBTITLES» I’d say “Sorry, can’t help ya”.	01 40 09 10
582	5.02	ms STEPHIE in back of car	CANMAN «ENGLISH SUBTITLE» I’d say you’re no longer my daughter.	01 40 12 05
583	3.08	LA TILT mcu CANMAN starts car		01 40 17 07
584	5.22	MONTAGE EDITS of CANMAN, STEPHIE and LINA driving	STEPHIE «ENGLISH SUBTITLE» I’m seriously about to throw up.	01 40 20 15
585	2.19	LA TILT mcu CANMAN and LINA in front with STEPHIE dry RETCHING in back		01 40 26 12
586	3.17	LA TILT ws REAR VIEW car with back door open		01 40 29 06
587	6.00	LA TILT mcu CANMAN and LINA in front of car		01 40 32 23
588	2.05	ws CANMAN’s car pulls up	STEPHIE (OOS) Thank you. MUSIC ENDS LINA (OOS) Thank you.	01 40 38 23 01 40 39 00
589	4.15	LA TILT ms pan right STEPHIE and LINA walk away from car	CANMAN «ENGLISH SUBTITLE» See you tonight!	01 40 41 03
590	2.14	LA TILT mws STEPHIE and LINA climb up stairs		01 40 45 18
591	3.13	LA TILT ms SATELLITE dish on exterior of pub	LINA «ENGLISH SUBTITLE» Did you get my postcard?	01 40 48 07
592	2.07	mcu LINA looking at ipad	LINA’S MOTHER «ENGLISH SUBTITLE» That was so much fun!	01 40 51 20
593	2.20	ms PROFILE LINA leaning back on lounge looking at ipad	LINA «ENGLISH SUBTITLE» On Tuesday we’re going looking for gold…	01 40 54 02
594	3.19	mcu LINA’s hand holding ipad	and the following week we’re going with Kangaroo Rob…	01 40 56 22
595	3.21	ms PROFILE LINA leaning back on lounge looking at ipad	to look for kangaroo babies. LINA’S MOTHER «ENGLISH SUBTITLE» Are you never coming home?	01 41 00 16
596	5.04	la mcu LINA’s hands on ipad	LINA «ENGLISH SUBTITLE» No I want to stay and save some money LINA «ENGLISH SUBTITLES» to buy a car and travel around Australia.	01 41 04 12
597	3.18	mcu LINA looking at ipad	LINA’S MOTHER «ENGLISH SUBTITLE» You don’t want to come home? LINA «ENGLISH SUBTITLE» Nope.	01 41 09 16
598	1.23	HA TILT wms LINA in lounge chair looking at ipad	LINA’S MOTHER «ENGLISH SUBTITLE» Have you checked your blood sugar?	01 41 13 09
599	2.04	mcu LINA looking at IPAD	LINA Yeah.	01 41 15 07
600	3.00	HA TILT wms LINA in lounge chair looking at ipad emotional		01 41 17 11
601	1.18	mcu LINA wiping tears		01 41 20 11
602	5.15	ws pub exterior SILHOUETTE at sunset SIDE VIEW		01 41 22 04
603	5.06	mcu LINA then tilt down to birthday cake and man lighting candles	LINA (OOS) It’s beautiful. LINA (SINGING) Happy	01 41 27 19
604	7.07	track with mcu REAR VIEW LINA carrying cake into bar	birthday to you, happy birthday to you, happy	01 41 33 00
605	3.19	mcu REAR VIEW LINA puts cake on bar for ms STEPHIE	birthday dear Stephanie.	01 41 40 07
606	2.21	mcu STEPHIE cutting cake	LINA Wait, wait, wait. I have to take a picture.	01 41 44 01
607	3.08	mcu LINA eating cake next to jamie at bar	MAN (OOS) Where is this fuckin’ girl,	01 41 46 22
608	4.15	ms CANMAN eating cake at bar then lina carries plates past	serving or what’s she doing? LINA Is it good? CANMAN Yep.	01 41 50 05
609	4.11	LA TILT ms STEPHIE turns lights out	STEPHIE See you tomorrow. LINA Good night. See you.	01 41 54 20
610	4.19	swing from JAMIE at bar to LINA and STEPHIE behind bar	LINA «ENGLISH SUBTITLE» So who is going upstairs? STEPHIE «ENGLISH SUBTITLE» I don’t know. STEPHIE «ENGLISH SUBTITLES» I haven’t invited anyone but he’s on his way.	01 41 59 06
611	0.24	LA TILT ms STEPHIE behind bar		01 42 04 00
612	2.06	LA TILT ms REAR VIEW man in blue shirt leaning over bar	MAN IN BLUE SHIRT «ENGLISH SUBTITLE» Eight cans, takeaway. LINA (OOS) Eight cans?	01 42 04 24
613	7.03	ms pov walking up stairs to ms JAMIE and LINA at fridge	MAN IN BLUE SHIRT (OOS) Yep. LINA Well, this is where we live. MUSIC BEGINS… 1 MIN 19 SEC	01 42 07 05 01 42 13 00
614	1.09	wms STEPHIE lying back on lounge chair	MAN IN BLUE SHIRT (OOS) Here we are girls.	01 42 14 08
615	1.17	LA TILT mcu man in blue shirt at door	MAN IN BLUE SHIRT Open the door. Open the	01 42 15 17
616	5.05	MONTAGE EDITS of la mcu carrying spider inside	door up. Here ladies. STEPHIE (OOS) No, no no, no,	01 42 17 09
617	3.10	la ms man in blue shirt with spider on arm and JAMIE in bg	I don’t like spiders. JAMIE «ENGLISH SUBTITLE» They don’t want him inside, JAMIE mate. LINA (OOS) No,	01 42 22 14
618	1.14	swing to wms STEPHIE by fridge	no. LINA (OOS) No	01 42 25 24
619	1.21	mcu STEPHIE	where’s the spider? JAMIE (OOS) Come here, come here.	01 42 27 13
620	2.13	la ms JAMIE walks to LINA	JAMIE Don’t worry about it, don’t worry about it.	01 42 29 09
621	1.11	LA TILT ms man in blue shirt walks out to VERANDA	LINA (OOS) Stop it, stop it,	01 42 31 22
622	3.08	m2s LINA and JAMIE	LINA No, no, no go away, it’s a fucking spider.	01 42 33 08
623	2.24	wms LINA runs around behind STEPHIE on lounge	JAMIE (OOS) I’ll catch it for ya. MAN IN BLUE SHIRT «ENGLISH SUBTITLE» Happy birthday to Miss Stephanie.	01 42 36 16
624	2.07	swing left to LA TILT m2s man in blue shirt and JAMIE		01 42 39 15
625	2.22	wms STEPHIE leaning back in lounge	JAMIE «ENGLISH SUBTITLE» Don’t be shy.	01 42 41 22
626	1.09	mws LINA on lounge with REAR VIEW mcu JAMIE in fg	LINA Stephie. STEPHIE (OOS) Hmm.	01 42 44 19
627	3.12	mws through doorway man in blue shirt on balcony	LINA (OOS) You should look after your friend. STEPHIE (OOS) My friend?	01 42 46 03
628	8.14	mws LINA on lounge with REAR VIEW mcu JAMIE in fg then pan left to PROFILE STEPHIE	LINA Well, it wasn’t me that invited him. STEPHIE «ENGLISH SUBTITLE» He invited himself. JAMIE (OOS) I invited myself. LINA (OOS) Yeah I know.	01 42 49 15
629	2.21	ms STEPHIE on lounge	LINA «ENGLISH SUBTITLE» Is this your best birthday ever?	01 42 58 04
630	11.05	mcu STEPHIE	STEPHIE «ENGLISH SUBTITLE» My last birthday, I was in Bali… STEPHIE on a housewarming party, barbeque, pool party, at my friend’s place.	01 43 01 00
631	1.11	LA TILT m2s man in blue shirt and j aon lounge	LINA «ENGLISH SUBTITLE» Was it nicer than today?	01 43 12 05
632	2.04	ms STEPHIE laughing on lounge	STEPHIE Yep. LINA But	01 43 13 16
633	2.11	wms LINA and JAMIE on lounges	Stephie this is almost like Bali.	01 43 15 20
634	1.00	la mcu opening can	JAMIE You’re pretty	01 43 18 06
635	1.14	mcu JAMIE	sober for a birthday girl.	01 43 19 06
636	1.13	mcu man in blue shirt throws back drink	STEPHIE (OOS) Yeah.	01 43 20 20
637	1.21	pan left to ms JAMIE sitting on floor	JAMIE «ENGLISH SUBTITLE» Come on, skull up.	01 43 22 08
638	1.07	wms STEPHIE on lounge shakes head		01 43 24 04
639	2.20	mcu JAMIE nods his head	JAMIE Go on. STEPHIE (OOS) No.	01 43 25 11
640	2.19	wms STEPHIE in lounge laughing	JAMIE «ENGLISH SUBTITLE» You should be pissed.	01 43 28 06
641	7.04	ws truck drives past with pub balcony in fg then FADE TO BLACK	MUSIC ENDS	01 43 31 00 01 43 32 00
642	6.24	FADE up to super on black background then FADE TO BLACK SUPER: Stephie accepts an offer from Jamie to take her to Kalgoorlie.		01 43 38 04
643	3.05	ws REAR VIEW JAMIE at ute parked outside pub		01 43 45 03
644	1.11	LA TILT ms STEPHIE on lounge	STEPHIE What?	01 43 48 08
645	1.10	LA TILT ms LINA walking	LINA He’s here.	01 43 49 19
646	2.04	ms STEPHIE on lounge	STEPHIE «ENGLISH SUBTITLE» I don’t want to go to Kalgoorlie.	01 43 51 04
647	2.00	LA TILT ms LINA laughing on lounge		01 43 53 08
648	2.17	mcu STEPHIE	STEPHIE «ENGLISH SUBTITLE» Yeah fuck you Lina.	01 43 55 08
649	2.15	LA TILT ms JAMIE standing at ute door	STEPHIE «ENGLISH SUBTITLE» I’m trying to be polite.	01 43 58 00
650	3.16	wms STEPHIE walks out pub door then pan right as she walks	STEPHIE «ENGLISH SUBTITLE» I don’t think I have any choices. MUSIC BEGINS… 2 MIN 45 SEC	01 44 00 15 01 44 03 05
651	2.22	ms JAMIE waiting at ute as REAR VIEW STEPHIE walks towards him	STEPHIE Morning.	01 44 04 06
652	1.21	mcu STEPHIE gets into ute next ot JAMIE		01 44 07 03
653	24.23	LA TILT m2s JAMIE and STEPHIE driving in ute		01 44 08 24
654	3.05	ws ute drives past camera r to l		01 44 33 22
655	2.19	mws kalgoorlie road sign	JAMIE «ENGLISH SUBTITLE» So what sort of food do you like?	01 44 37 02
656	26.06	LA TILT m2s JAMIE and STEPHIE in ute	STEPHIE «ENGLISH SUBTITLE» A little bit of everything. JAMIE «ENGLISH SUBTITLE» OK, that helps. STEPHIE Huh? JAMIE That helps. STEPHIE «ENGLISH SUBTITLE» What food do you like? JAMIE «ENGLISH SUBTITLE» A little bit of everything. STEPHIE See.	01 44 39 21
657	5.06	la mcu STEPHIE cutting food then pan right to JAMIE’s hands		01 45 06 02
658	5.14	LA TILT ms STEPHIE and JAMIE at table eating		01 45 11 08
659	4.22	tilt up to cu PROFILE STEPHIE chewing		01 45 16 22
660	4.15	cu JAMIE chewing		01 45 21 19
661	4.07	LA TILT ws ute drives past camera l to r	JAMIE «ENGLISH SUBTITLE» I made a lot of money building industrial sheds.	01 45 26 09
662	33.05	LA TILT m2s JAMIE and STEPHIE driving in ute	STEPHIE Yeah. JAMIE «ENGLISH SUBTITLE» And then me ex took it all. STEPHIE Huh? JAMIE Then me ex girlfriend took it all. STEPHIE Oh yeah. JAMIE Took the lot. Car, everything. STEPHIE Huh? JAMIE «ENGLISH SUBTITLE» She took the car, the house, the lot. STEPHIE Why? JAMIE «ENGLISH SUBTITLE» Why? Cos she’s a bitch. STEPHIE «ENGLISH SUBTITLE» Oh right. I see.	01 45 30 16
663	4.11	ws ute pulls up on red dirt		01 46 03 21
664	6.06	ws REAR VIEW JAMIE and STEPHIE walking to edge of water	JAMIE (OOS) Nice and peaceful out here. STEPHIE (OOS) Yeah.	01 46 08 07
665	3.09	LA TILT ms PROFILE STEPHIE with arms folded	JAMIE (OOS) This is what I like doin’, just comin’ out and just chillin’ out.	01 46 14 13
666	2.22	LA TILT mcu JAMIE	STEPHIE (OOS) Sounds good.	01 46 17 22
667	3.06	ws water surrounded by red dirt and bush	JAMIE (OOS) Yeah I wouldn’t go swimming in there but.	01 46 20 19
668	4.23	LA TILT ws REAR VIEW STEPHIE and JAMIE walk up hill to ute	STEPHIE (OOS) No, its pretty dirty. JAMIE (OOS) Yeah, it’s just all mud.	01 46 24 00
669	6.01	mws pan left with ute driving past and turning corner	JAMIE (OOS) Well there you go mate.	01 46 28 23
670	5.07	LA TILT m2s JAMIE and STEPHIE in ute	STEPHIE Thank you. JAMIE Thank you. I enjoyed today. STEPHIE Thank you for taking me and	01 46 34 24
671	2.08	LA TILT ws STEPHIE gets out of ute parked in front of pub	showing me these places.	01 46 40 06
672	2.04	track forward to wms JAMIE following STEPHIE through exterior pub doors		01 46 42 14
673	1.16	LA TILT mcu STEPHIE	STEPHIE See you.	01 46 44 18
674	2.14	mcu LINA then STEPHIE walks past	JAMIE (OOS) See ya. STEPHIE Thank you. JAMIE No MUSIC ENDS	01 46 46 09 01 46 48 00
675	1.19	mcu PROFILE JAMIE at bar	JAMIE worries.	01 46 48 23
676	8.01	wms JAMIE at bar with LINA behind	JAMIE «ENGLISH SUBTITLE» Bored her shitless mate. JAMIE (OOS) They’re	01 46 50 17
677	4.15	mcu JAMIE at bar drinking	backpackers mate. They get cracked onto by every man under the sun, so they’re probably thinking oh yeah, that’s just someone else cracking on to em.	01 46 58 18
678	7.05	mcu JAMIE outside pub	JAMIE But it’s just to get em out of the pub and doin’ something. Seeing, seeing a bit of around here.	01 47 03 08
679	6.14	mws REAR VIEW STEPHIE sitting on lounge on balcony	JAMIE (OOS) Oh yeah, it’d be good if something developed, but I’m not looking for it. Company’s good enough.	01 47 10 13
680	3.19	la wms STEPHIE on lounge on balcony		01 47 17 02
681	5.22	LA TILT ms shirtless man clapping and dancing		01 47 20 21
682	2.04	m2s two men throw drinks back		01 47 26 18
683	3.06	LA TILT mcu STEPHIE	MALE PATRON «ENGLISH SUBTITLE» Must have made an impression, I see your boyfriend’s in again tonight.	01 47 28 22
684	4.15	LA TILT ms PROFILE JAMIE throwing can back at bar		01 47 32 03
685	4.09	pan right with STEPHIE carrying drink to men at bar	MAN IN BLUE SHIRT What’s your name? STEPHIE Stephanie. MAN IN BLUE SHIRT Stephanie.	01 47 36 18
686	15.13	mcu JAMIE and LINA at bar	JAMIE Go on, get shitfaced. I wanna see you drunk. LINA Yeah, but it takes a long, long time. JAMIE Alright, we’ll see. LINA It does. JAMIE That sounds like a drinking challenge.	01 47 41 02
687	1.19	LA TILT mcu JAMIE and LINA at bar SIDE VIEW	JAMIE My record’s	01 47 56 15
688	3.06	mcu JAMIE and LINA at bar	eighty six cans in one night.	01 47 58 09
689	2.12	wms STEPHIE walks towards camera behind bar	LINA (OOS) It’s really empty today.	01 48 01 15
690	5.13	mcu JAMIE and LINA at bar	JAMIE Yeah. So’s my can. LINA Scream	01 48 04 02
691	2.22	la ms STEPHIE pouring beer	to her. JAMIE No. LINA Yeah. JAMIE Barmaids aren’t dogs.	01 48 09 15
692	4.15	mcu JAMIE and LINA at bar	LINA Yeah I know, but people think that. JAMIE Yeah, nah, well they’re not.	01 48 12 12
693	2.22	mcu STEPHIE hands change over bar	STEPHIE There you go.	01 48 17 02
694	31.10	mcu JAMIE and LINA at bar	JAMIE My ex um, slept with a lot of my friends, and a couple of my bosses. We broke up. We tried to get back together, I just couldn’t trust her. And a relationship’s nothing without trust. So we went our ways, and she remarried and, oh she got married, and yeah. Every time I try to see me daughter she disappears. Been six years now since I seen me daughter.	01 48 19 24
695	3.02	LA TILT mcu STEPHIE behind bar with patrons in bg	LINA «ENGLISH SUBTITLE» You have a child? JAMIE «ENGLISH SUBTITLE» Yeah. LINA (OOS) Oh.	01 48 51 09
696	1.15	mcu JAMIE	JAMIE «ENGLISH SUBTITLE» There’s not a day goes by	01 48 54 11
697	2.10	LA TILT cu PROFILE LINA nods	I don’t wake up in the morning and think about my daughter.	01 48 56 01
698	4.02	tight ms JAMIE and LINA at bar	LINA «ENGLISH SUBTITLE» Really?	01 48 58 11
699	3.12	ews JAMIE and LINA standing outside pub	JAMIE Yeah when she was born she was about thirty two centimetres.	01 49 02 13
700	3.11	ws REAR VIEW JAMIE standing with LINA outside pub	JAMIE Layin’ on this hospital bed, covered in all this equipment. They tried	01 49 06 00
701	3.14	LA TILT mcu LINA facing JAMIE	to get her stable enough so they could put her in the helicopter.	01 49 09 11
702	5.07	tight mcu LINA wiping away tears with JAMIE in fg	JAMIE And they’re saying that if she dies on the way, she dies, she’s meant to die.	01 49 13 00
703	6.05	m2s LINA and JAMIE facing each other outside pub	JAMIE I knew that they’d, they were gonna turn the machines off, and I went up there thinking I was going to say my goodbyes.	01 49 18 07
704	5.04	mcu JAMIE with LINA in fg	JAMIE Yeah they said, we don’t know what’s going on, but your daughter’s there breathing for herself.	01 49 24 12
705	7.18	LA TILT mcu LINA and JAMIE outside pub	JAMIE But that’s what made me realise no matter what happens in your life mate, don’t give up.	01 49 29 16
706	13.17	ms LINA fanning face with JAMIE outside pub then they hug	LINA I have to stop crying, and I’m really happy that you’re daughter’s still alive, and I… She’s coming back and you’re gonna find her. JAMIE It’s all good mate.	01 49 37 09
707	5.16	LA TILT mcu JAMIE opens door for LINA	LINA I have to stop crying. JAMIE I probably had to go through all that shit	01 49 51 01
708	4.15	mcu JAMIE and LINA at bar	so I could help other people out.	01 49 56 17
709	6.01	mcu LINA	JAMIE (OOS) Since I’ve straightened me life out, I’ve built Ministry Centres for me sister’s church, I’ve cooked for the homeless.	01 50 01 07
710	5.03	mcu JAMIE and LINA at bar	JAMIE Um, I’ve helped hundreds of people	01 50 07 08
711	8.18	mcu LINA listening	through drugs, just talking to em and you know showing em that there is a future after drugs. LINA That’s really amazing.	01 50 12 11
712	6.09	mcu JAMIE then pan right to LINA then dissolve to		01 50 21 04
713	4.12	HA TILT ws JAMIE and LINA at bar	JAMIE I don’t fight, but that New Year’s I did.	01 50 27 13
714	4.21	mcu JAMIE and LINA at bar with bottles and register in fg	JAMIE Knocked three blokes out, and left one bloke out cold on the railway line.	01 50 32 00
715	10.24	mcu JAMIE and LINA at bar with bottle pourer in fg	JAMIE Punched one bloke over a picnic table, another bloke, he got one punch in the gut, and collapsed.	01 50 36 21
716	4.08	mcu JAMIE and LINA at bar then STEPHIE walks past camera	JAMIE «ENGLISH SUBTITLE» Bam. Yeah I fucking king-hit him. MUSIC BEGINS… 52 SEC	01 50 47 20 01 50 52 00
717	2.18	mls DAVE in back bar		01 50 52 03
718	4.23	LA TILT mcu JAMIE and LINA at bar SIDE VIEW		01 50 54 21
719	2.16	mls DAVE in back bar		01 50 59 19
720	3.20	ms DAVE at bar with JAMIE and LINA either side	DAVE Anthony and I have been planning the wedding. LINA Ahuh.	01 51 02 10
721	3.11	LA TILT ms REAR VIEW STEPHIE behind bar with DAVE, LINA and JAMIE on other side	DAVE Constant sexual satisfaction is our aim.	01 51 06 05
722	1.22	mcu ANTHONY	DAVE Because there’s two of us and both of us…	01 51 09 16
723	6.00	LA TILT ms PROFILE STEPHIE behind bar with DAVE and ANTHONY on other side with JAMIE and LINA in bg	DAVE Yeah, like this, strong. ANTHONY Extra pleasure.	01 51 11 13
724	1.19	LA TILT ms ANTHONY at bar		01 51 17 13
725	1.20	LA TILT ms JAMIE throwing can back		01 51 19 07
726	3.04	mcu ANTHONY in fg with ws LINA packing up then pan left to ms JAMIE	JAMIE I’ll catch youse later eh?	01 51 21 02
727	10.01	MONTAGE EDITS of jamie and other patrons leaving pub with ANTHONY at door	LINA (OOS) Goodnight. ANTHONY See ya bro. JAMIE (OOS) See ya.	01 51 24 06
728	4.04	MONTAGE EDITS of ANTHONY climbing stairs		01 51 34 07
729	4.10	cu beer bottles on table	LINA He hasn’t seen his daughter	01 51 38 11
730	2.17	LA TILT cu LINA	in, what was it, six years? ANTHONY (OOS) Yeah. MUSIC ENDS	01 51 42 21 01 51 44 24
731	2.02	mcu ANTHONY sitting back in lounge	LINA He hopes that someday, she will come and	01 51 45 13
732	2.08	mcu LINA	and find her dad. ANTHONY «ENGLISH SUBTITLE» That’s pretty rough. LINA It	01 51 47 15
733	7.19	ms ANTHONY lying back in lounge	costs twenty thousand dollars to get a private investigator to try to find her. ANTHONY «ENGLISH SUBTITLE» Yeah… poor bloke.	01 51 49 23
734	4.09	LA TILT cu LINA then tilt down to bracelet	LINA Did you see what we got today? ANTHONY (OOS) Plastic bracelets from Canman.	01 51 57 17
735	1.16	cu ANTHONY lying back in lounge	STEPHIE (OOS) There’s something wrong with these	01 52 02 01
736	1.15	LA TILT cu LINA	people. LINA And now we have to wear them.	01 52 03 178
737	1.21	LA TILT cu ANTHONY laughing	LINA If he sees	01 52 05 07
738	3.23	LA TILT cu LINA	that we’re wearing them, it probably makes him really happy.	01 52 07 03
739	4.01	ms STEPHIE then pan right to ANTHONY	ANTHONY But he won’t even remember. LINA Yeah he does. ANTHONY Nah.	01 52 11 01
740	2.08	cu ANTHONY lying back on lounge	ANTHONY I’m going to go to sleep. LINA (OOS) Don’t fall asleep.	01 52 15 02
741	4.05	ms ANTHONY lying back in lounge	ANTHONY «ENGLISH SUBTITLE» It’s not your problem if I sleep on the couch. LINA (OOS) You’re not sleeping on the couch.	01 52 17 10
742	2.17	ms LINA	ANTHONY (OOS) Let’s go to bed. LINA No you are going home. ANTHONY I don’t	01 52 21 15
743	3.19	ms ANTHONY lying back in lounge	have fucking keys. I lost my keys... Dave took them. LINA (OOS) I don’t fucking care.	01 52 24 07
744	14.16	ms LINA then pan left to ANTHONY	ANTHONY (OOS) Don’t be so harsh. LINA You’re not sleeping here. ANTHONY (OOS) I’m not sleeping anywhere near you, I’m sleeping on the couch. LINA You’re not sleeping here. You’re going home. ANTHONY What are you gonna do about it?	01 52 28 1
745	3.04	ms LINA	LINA Goodnight. Out.	01 52 42 17
746	5.01	LA TILT mcu ANTHONY stepping out door then pan left to LINA	ANTHONY Cheerio. Au revoir. LINA Goodnight. Go.	01 52 45 21
747	3.01	track in darkness past faint lights as ANTHONY walks down stairs then FADE TO BLACK		01 52 50 22
748	6.07	fade up to super on black background then FADE TO BLACK SUPER: week four		01 52 53 23
749	3.17	LA TILT ws clouds at sun set with silhouette trees		01 53 00 05
750	3.00	ws person riding bike through scrub l to r		01 53 03 22
751	6.21	ms REAR VIEW LINA looking out from pub balcony	LINA What’s that sad music?	01 53 06 22
752	8.01	ws ice cream van driving through streets		01 53 13 18
753	5.22	ms LINA looking out from pub balcony	LINA I want to cry.	01 53 21 19
754	13.02	cu PROFILE LINA	LINA Yeah I think that this town has a bit of sadness to it. I mean, people are, I don’t know if they’re depressed, but they’re sad.	01 53 27 16
755	2.22	ws customer walking away from ice cream van	LINA No-one	01 53 40 18
756	7.00	mcu LINA	wants to sit there and look at them when they feel sorry for themselves.	01 53 43 15
757	5.13	HA TILT ws pan right with truck driving past at night	LINA There’s a lot of traffic today. No-one	01 53 50 15
758	7.13	mcu LINA looking out from balcony	stays here, but no wonder. Who wants to stay here?	01 53 56 03
759	1.04	ws men playing pool	WOMAN IN BLUE TOP (OOS) I think	01 54 03 16
760	2.01	wms REAR VIEW lina working behind bar	you should make it. MAN IN BLACK TOP «ENGLISH SUBTITLE» She’s got no arse!	01 54 04 20
761	6.22	tight m2s woman and in black and woman in BLUE TOP at bar	WOMAN IN BLACK «ENGLISH SUBTITLE» Who’d want to root that? WOMAN IN BLUE TOP I think you should make a documentary from, I think you should make a documentary… WOMAN IN BLACK «ENGLISH SUBTITLE» You need something to hang on to!	01 54 06 21
762	2.01	tight m2s woman in black and BLUE TOP at bar	WOMAN IN BLACK Can I have four Sambucas please?	01 54 13 18
763	1.23	tight m2s woman in black and woman in green at bar	WOMAN IN BLACK She’s gotta have meat on her bones. WOMAN IN GREEN They’re Lina	01 54 15 19
764	1.06	swing to ms REAR VIEW STEPHIE looking in ice box	and Steph. WOMAN IN BLUE TOP (OOS) No.	01 54 17 17
765	1.05	tight m2s woman in black and woman in BLUE TOP at bar	WOMAN IN BLACK I don’t give a fuck.	01 54 18 23
766	1.24	ms REAR VIEW STEPHIE looking in ice chest	WOMAN IN BLACK (OOS) They’re fuckin’ new ones.	01 54 20 03
767	3.17	tight m2s woman in black and woman in BLUE TOP at bar	WOMAN IN BLACK «ENGLISH SUBTITLE» We all know they’re slack tarts, they can’t fuckin’ serve a beer.	01 54 22 02
768	3.19	ms REAR VIEW STEPHIE then swing left to CANMAN walking past with LINA	WOMAN IN BLUE TOP (OOS) Poor little things. WOMAN IN BLACK (OOS) Oh not that old cockhead.	01 54 25 19
769	2.03	tight m2s woman in black and woman in BLUE TOP at bar	WOMAN IN BLACK Fuckin’ cunt of a thing.	01 54 29 13
770	1.19	LA TILT ms woman in black throws back drink as woman in BLUE TOP cheers		01 54 31 16
771	1.05	m2s woman in black and woman in BLUE TOP at bar	WOMAN IN BLACK Get fucked.	01 54 33 10
772	0.00	MONTAGE EDITS of woman in black and woman in BLUE TOP at bar then dancing		01 54 34 15
773	3.08	ms woman in black puts glass on bar then chucks drink on ground with patrons laughing behind	WOMAN IN BLACK You haven’t put ice in it. MUSIC BEGINS… 13 SEC	01 54 34 15 01 54 36 24
774	2.07	ms PROFILE woman in black sexy dancing with man at bar		01 54 37 23
775	4.16	ms woman in black sexy dancing with man and woman in BLUE behind	WOMAN IN BLUE TOP «ENGLISH SUBTITLE» You are really out of control! WOMAN IN BLACK «ENGLISH SUBTITLE» Well I’ve gotta root something.	01 54 40 05
776	1.19	ms LINA eating at bar		01 54 44 21
777	2.12	wms woman in black slaps woman in blue’s butt	WOMAN IN BLUE Fuck off.	01 54 46 15
778	1.23	ms STEPHIE t bar serving ANTHONY then zoom out to back bar	MUSIC ENDS	01 54 49 02 01 54 49 21
779	6.02	ms woman in black drags man out of pub with other patrons watching	MUSIC BEGINS… 17 SEC WOMAN IN BLUE (OOS) Fuckin Robin’s got him under control. PATRON (OOS) Oh yes. PATRON 2 (OOS) Look out! WOMAN IN BLUE (OOS) See you don’t	01 54 51 00 01 54 51 19
780	1.24	ms jukebox	need a bouncer at the Denver City.	01 54 57 02
781	4.18	ms through pub door to woman in black pushing man around then woman in blue walks out		01 54 59 01
782	5.07	swing left to ms LINA behind bar biting nails	MUSIC ENDS	01 55 03 19 01 55 08 04
783	4.14	ms REAR VIEW men in orange shirts putting women in 4wd		01 55 09 01
784	10.14	wms man in orange shirt putting woman in 4wd then woman in blue puts down car window	WOMAN IN BLACK Fuck you. Fuck ya. WOMAN IN BLUE TOP We’re alright. Tell out mothers, we’re alright. WOMAN IN BLACK No, I can walk home. Fuck you. WOMAN IN BLUE TOP We’re going up bush. We’re going’. MAN IN ORANGE SHIRT Hey, hey, hey, hey. WOMAN IN BLUE TOP Hey Sambuca	01 55 13 15
785	2.13	ms woman in blue top walks back to pub door followed y man in orange shirt	time. Oh no. We’re back.	01 55 24 04
786	4.15	ms woman in black and woman in blue top dancing and singing	MUSIC BEGINS… 13 SEC	01 55 26 17 01 55 27 02
787	2.09	ms STEPHIE leaning over ice box		01 55 31 07
788	5.17	ms woman in black and woman in blue top dancing and singing		01 55 33 16
789	3.06	wms woman with glasses sitting at bar	ANTHONY (OOS) That’s what I was going to say, MUSIC ENDS	01 55 39 08 01 55 40 00
790	2.03	mc PROFILE LINA at bar	ANTHONY (OOS) you know how you have Good Friday off?	01 55 42 14
791	1.15	LA TILT mcu ANTHONY at bar	ANTHONY Do you want to do something?	01 55 44 17
792	1.02	mcu PROFILE LINA at bar	LINA What?	01 55 46 07
793	2.11	mcu PROFILE ANTHONY at bar	ANTHONY You, me, Dave, and Steph,	01 55 47 09
794	4.13	mcu PROFILE LINA at bar	camping. LINA Camping? ANTHONY (OOS) Yeah, it’s like seventy K’s from here.	01 55 49 20
795	10.18	mcu ANTHONY then pan right to PROFILE STEPHIE	ANTHONY It’s like the water there, and you got barbecue, bathrooms, and you have fires and stuff. Drink, play cards, marshmallows.	01 55 54 08
796	6.16	mcu ANTHONY and cu LINA in fg	ANTHONY It’s Easter. We can only get Easter eggs. It’ll be funny. MAN IN BROWN CAP (OOS) Who you going with?	01 56 05 01
797	2.24	LA TILT mcu PROFILE man in brown cap and man in green cap at bar	STEPHIE (OOS) I don’t know… MAN IN BROWN CAP You going camping? STEPHIE No, we’re going with Anthony,	01 56 11 17
798	6.16	ms STEPHIE pouring beer	and Dave who works at the motel. CANMAN «ENGLISH SUBTITLE» Spiders and Snakes. Who with?	01 56 14 16
799	4.12	mcu PROFILE CANMAN at bar then pan left to LINA	LINA The boys from the motel, and then our friend is coming to visit us.	01 56 21 07
800	1.22	ms LINA behind bar	LINA «ENGLISH SUBTITLE» Yeah. Can you ring James?	01 56 25 19
801	4.05	mcu LINA behind bar with STEPHIE in fg	LINA «ENGLISH SUBTITLE» Say to get the train because we’re going camping.	01 56 27 16
802	4.01	mcu STEPHIE leaning on bar	LINA «ENGLISH SUBTITLE» James is our friend. He’s living in Perth. We travelled with him for a month,	01 56 31 21
803	3.14	mcu LINA behind bar with PROFILE STEPHIE in fg	and now he’s coming to visit us. STEPHIE We text you	01 56 35 22
804	1.18	mcu STEPHIE on phone	the name, where you	01 56 39 11
805	4.10	mcu LINA eating	can get out the train. Yeah. See you tomorrow. LINA Probably have to go	01 56 41 04
806	2.15	mcu STEPHIE on phone	camping even if James isn’t coming with us,	01 56 45 14
807	3.13	mcu LINA	because the boys are talking about it all the time. STEPHIE It’s like	01 56 48 04
808	6.24	mcu STEPHIE	to be on a double date if it’s just like these two guys, and me and Lina. LINA So it’s good	01 56 51 17
809	4.18	mcu LINA eating	if James is coming because if we have to sleep in a tent, he’s going to sleep in the middle.	01 56 58 16
810	1.21	mcu STEPHIE laughing	LINA I mean the guys are	01 57 03 09
811	13.24	mcu LINA	really stupid if they think that a camping trip means like gang bangs and, whatever, I don’t know what they’re thinking, but they’re really stupid if they think that a camping trip means that.	01 57 05 05
812	3.04	ws exterior pub at night	DAVE Meet us tomorrow	01 57 19 4
813	2.04	m3s dave, LINA and ANTHONY at bar	morning at half past five. LINA But it’s after twelve anyway,	01 57 22 08
814	3.17	mcu PETE	so… DAVE Yeah. ANTHONY We’ll be right. Nah fuck that.	01 57 24 12
815	3.02	ms STEPHIE hands drink over bar wo ANTHONY	I need to get a good night’s sleep. DAVE Every night, like we finish at seven.	01 57 28 04
816	2.04	ls bar of patrons with PETE at end and ms STEPHIE in fg	PETE They’re going out in the middle of the bush.	01 57 31 06
817	7.09	ms PETE talking to LINA with patron at bar	PETE «ENGLISH SUBTITLE» How you getting out there? LINA With Dave from the Motel. PETE Jamie. LINA Dave with… PETE Oh yeah, okay.	01 57 33 10
818	4.01	mcu PETE	PETE Steph. Come and talk to me.	01 57 40 19
819	15.07	ms PETE and patron ta bar with PROFILE STEPHIE in fg	PETE You want a bit of rope? STEPHIE Yeah. PETE Tie around? And you can tie the knot, so nobody knows how to undo it? STEPHIE What are we gonna do with the rope? PETE Tie your legs together. STEPHIE Why? PETE You’re going out with	01 57 44 20
820	3.21	m3s dave, ANTHONY and LINA at bar	these deviants mate. STEPHIE (OOS) We’ll fucking tie them up.	01 58 00 02
821	8.14	ms PETE and PATRON at bar then STEPHIE walks out of fg then pan left to STEPHIE shaking head	PETE He’s getting in between your legs mate. That’s what I’m saying. I’ll give you some rope, so you can tie em together. Hey? STEPHIE No.	01 58 03 23
822	8.20	ms PETE and patron at bar pan left to STEPHIE pan right to PETE at bar	STEPHIE No. All good. PETE It’s all good? STEPHIE All good. PETE I’m only trying to look after you mate. I don’t want you to go home to fuckin’ Finland with any babies. MUSIC BEGINS… 1 MIN 47 SEC	01 58 12 12 01 58 21 01
823	8.14	MONTAGE EDITS ANTHONY and pete pack car		01 58 21 07
824	2.05	m2s DAVE hold up game for ANTHONY at car	DAVE Drinking games.	01 58 29 21
825	4.18	track with wms JAMes walking in door		01 58 32 01
826	2.23	ms REAR VIEW PETE opens door for james	PETE Straight up the stairs mate. JAMES Sweet.	01 58 36 19
827	2.05	LA TILT ms JAMES climbs stairs		01 58 39 17
828	4.07	ms REAR VIEW james walks in door and hugs STEPHIE	STEPHIE Hey! JAMES Hello. STEPHIE Hi.	01 58 41 22
829	3.04	ms LINA hugs JAMES	LINA Oh.	01 58 46 04
830	2.19	mcu STEPHIE and LINA with ms JAMES	LINA I was sure that you’re not going to get that train.	01 58 49 08
831	1.13	ms james	JAMES This is it?	01 58 52 02
832	2.00	mws LINA & STEPHIE’s room	LINA (OOS) This is it. JAMES «ENGLISH SUBTITLE» Not a lot is there?	01 58 53 15
833	1.14	LA TILT ms JAMES	JAMES «ENGLISH SUBTITLE» But it’s alright.	01 58 55 15
834	1.09	ms STEPHIE	LINA «ENGLISH SUBTITLE» There’s a petrol station.	01 58 57 04
835	2.01	mcu JAMES		01 58 58 13
836	4.19	mws LINA leaning over balcony and JAMES on phone in bg	LINA It’s not open today. No. Tomorrow.	01 59 00 14
837	3.06	LA TILT wms STEPHIE opens fridge for JAMES with LINA in	STEPHIE James, James, James, a surprise for you.	01 59 05 08
838	2.12	LA TILT mws LINA watches STEPHIE hand james pink bottle	JAMES What is it? LINA You’re welcome.	01 59 08 14
839	3.18	LA TILT ms LINA hands JAMES yellow bottle	LINA And that as well. You’re welcome.	01 59 11 01
840	1.20	ws ANTHONY closes door on station wagon		01 59 14 19
841	4.04	track behind ms an and LINA walking onto balcony to JAMES	LINA And Anthony, James. ANTHONY James, how are you man? JAMES You alright? ANTHONY Yeah good.	01 59 16 14
842	4.08	ms JAMES and ANTHONY	JAMES «ENGLISH SUBTITLE» The girls told me all about you. You work down there don’t you? ANTHONY «ENGLISH SUBTITLE» At the motel. JAMES Yeah. ANTHONY Yeah.	01 59 20 18
843	1.22	mcu JAMES	JAMES «ENGLISH SUBTITLE» We off soon then are we?	01 59 25 01
844	1.09	ms ute pulls up		01 59 26 23
845	3.05	mws LINA and STEPHIE hand bags to dave with ANTHONY in bg	ANTHONY «ENGLISH SUBTITLE» Let’s get out there, I want a drink.	01 59 28 07
846	2.23	ms STEPHIE follows ws ANTHONY to car	ANTHONY «ENGLISH SUBTITLE» Get in the shaggin’ wagon!	01 59 31 12
847	1.20	mcu ANTHONY in car with STEPHIE and LINA in back		01 59 34 10
848	5.11	MONTAGE EDITS of red station wagon driving on roads		01 59 36 05
849	3.01	ms ANTHONY takes swig of beer in car with JAMES, and LINA and STEPHIE in back		01 59 41 16
850	3.22	ws station wagon drives towards camera on red dirt road	ANTHONY «ENGLISH SUBTITLE» I did lose my license for six months for drink driving.	01 59 44 17
851	2.13	ms ANTHONY driving car with JAMES and STEPHIE and LINA in back	ANTHONY But I haven’t now. I just	01 59 48 14
852	2.03	ws track along red dirt road from windscreen pov	got it back.	01 59 51 02
853	6.18	ms ANTHONY driving car with JAMES and STEPHIE and LINA in back hen car goes over bump	STEPHIE Ah! ANTHONY Fuck me dead.	01 59 53 05
854	9.11	MONTAGE EDITS of car and ute driving then pulled up in bush	MUSIC ENDS	01 59 59 23 02 00 08 10
855	1.16	ms STEPHIE and LINA in back of car		02 00 09 09
856	3.14	ws bushy plain	LINA (OOS) Well what the fuck are we doing here?	02 00 11 00
857	4.08	ms JAMES, STEPHIE and LINA in car	STEPHIE I thought it was a nice place. ANTHONY So we’re going to smash some vodka Red Bulls.	02 00 14 14
858	5.10	ws LINA walks to STEPHIE	STEPHIE «ENGLISH SUBTITLE» What a wonderful camping experience. LINA «ENGLISH SUBTITLE» In the middle of a field.	02 00 18 22
859	7.02	MONTAGE EDITS of JAMES and ANTHONY putting up tent	LINA (OOS) Fucking one day off with Stephie. STEPHIE (OOS) This is just what we were dreaming of.	02 00 24 07
860	2.15	LA TILT m2s LINA and STEPHIE		02 00 31 09
861	4.12	ms DAVE setting up stereo	LINA (OOS) I’ve had enough of all the drunken people, now I want to get drunk.	02 00 33 24
862	2.03	ms REAR VIEW JAMES AND STEPHIE at table WITH LINA and DAVE	ANTHONY «ENGLISH SUBTITLE» Cleaning pools, hey?	02 00 38 11
863	3.04	mcu STEPHIE, JAMES and ANTHONY	ANTHONY «ENGLISH SUBTITLE» My mate did that around the Northern Beaches for a while… ANTHONY And he used to	02 00 40 14
864	5.03	mcu STEPHIE and LINA at table	get these hot chicks hey. Old MILFs that are just like toey as.	02 00 43 18
865	9.20	ms STEPHIE at table with mcu REAR VIEW LINA	ANTHONY (OOS) He was banging this chick for ages, she’d still pay him. DAVE (OOS) So he’d never did the pool? He’d just come round and rooted her? ANTHONY (OOS) Oh, and maybe clean the filter out. Then he’d just smash her for like three hours.	02 00 48 21
866	2.01	LA TILT ms ANTHONY gets up from table	DAVE (OOS) Good work if you can get it.	02 00 58 16
867	4.06	LA TILT ms ANTHONY pouring drink	ANTHONY Whoop. LINA (OOS) Whoop? ANTHONY Whoop.	02 01 00 17
868	5.15	LA TILT ms STEPHIE, j and ANTHONY at table	ANTHONY That’s the King… DAVE (OOS) You have to bet whether it will be in between the five and the King. STEPHIE Oh yeah. JAMES Oh yeah. DAVE And you can bet drinks	02 01 04 23
869	2.16	LA TILT ms LINA and DAVE at table with STEPHIE in fg	you know. So she’s got three drinks to choose who drinks them. ANTHONY So,	02 01 10 13
870	4.19	LA TILT m3s STEPHIE, JAMES and ANTHONY at table	you just skull it like four times. JAMES What if you start by saying a card each, black or red.	02 01 13 04
871	3.04	LA TILT m2s DAVE and LINA at table	DAVE This is the one where you take your top off.	02 01 17 23
872	4.18	LA TILT ms PROFILE STEPHIE, JAMES and ANTHONY	LINA (OOS) Girls don’t have to take clothes off. DAVE (OOS) I’m not playing.	02 01 21 02
873	1.19	LA TILT m2s DAVE and LINA at table	DAVE How do you play your game? ANTHONY (OOS) Just fuckin’ do it.	02 01 25 20
874	1.22	HA TILT ms STEPHIE, JAMES, ANTHONY and LINA around table as DAVE drinks	DAVE Me? LINA Drink.	02 01 27 14
875	1.12	ms STEPHIE, JAMES, ANTHONY, DAVE and LINA stand and sit at table		02 01 29 11
876	1.13	mcu STEPHIE and JAMES	STEPHIE Drink.	02 01 30 23
877	4.00	m2s STEPHIE and JAMES at table with LINA in fg	LINA Drink! JAMES Oh I didn’t do it did I?	02 01 32 11
878	1.16	HA TILT ms ANTHONY and DAVE point at STEPHIE at table	ANTHONY Oh! DAVE Oh!	02 01 36 11
879	1.12	mcu ANTHONY drinking with STEPHIE in bg	MUSIC BEGINS… 7 SEC	02 01 38 02 02 01 39 08
880	5.11	ms DAVE playing guitar and singing		02 01 39 14
881	3.05	la mcu sausages cooking on fire	LINA (OOS) When he’s sitting down in the bar, MUSIC ENDS	02 01 45 00 02 01 46 17
882	2.11	ms LINA and JAMES at table with other campers in bg	LINA he always screaming to you like, what the fuck,	02 01 48 05
883	2.06	ms DAVE playing guitar with REAR VIEW ANTHONY	fucking idiot. You’re fucking useless.	02 01 50 16
884	1.15	ms LINA and JAMES at table with other campers in bg	LINA I hate him so much.	02 01 52 22
885	3.01	mws station wagon at camp at twilight	LINA (OOS) And Pikey, he’s blaming he’s still single	02 01 54 12
886	1.16	mcu LINA and STEPHIE	because he doesn’t have a car,	02 01 57 13
887	1.20	ms STEPHIE sitting with ANTHONY standing at table	and that’s not the fucking reason.	02 01 59 04
888	1.12	mcu LINA and STEPHIE	LINA He’s like ‘hey bitch’,	02 02 00 24
889	4.02	mc STEPHIE and ANTHONY PROFILE	staring at my arse in the bar. ANTHONY You haven’t even got an arse. Stephanie’s got an arse.	02 02 02 11
890	2.15	swing to mcu JAMES and DAVE	JAMES (OOS) You haven’t got an arse. DAVE You have no junk in the trunk.	02 02 06 13
891	1.15	mcu LINA and STEPHIE laughing	ANTHONY «ENGLISH SUBTITLE» You’ve got some tits, that’s about it.	02 02 09 03
892	4.11	ms LINA, STEPHIE, ANTHONY and DAVE around table	DAVE Do you girls have boyfriends? LINA Yeah we have a lot of boyfriends. STEPHIE Yeah.	02 02 10 18
893	3.06	ms LINA, STEPHIE, ANTHONY and DAVE around table	JAMES So I’m your Welsh boyfriend then? LINA No you’re not. STEPHIE You’re just a friend.	02 02 15 04
894	2.12	mcu PROFILE LINA, STEPHIE ad ANTHONY	JAMES (OOS) I should just go home now. LINA When you	02 02 18 10
895	4.10	m2s LINA and STEPHIE	walk away from them, they’re like whistling, and they are like, screaming their,	02 02 20 22
896	1.23	mcu DAVE and JAMES	I don’t know, disgusting things.	02 02 25 07
897	2.10	mcu ANTHONY has a drink of beer	DAVE (OOS) What do you think of Australian guys that you’ve met? LINA When they’re	02 02 27 05
898	4.02	ms LINA, STEPHIE, ANTHONY and DAVE around table	not standing behind the bar doing this, oh, oh, oh!	02 02 29 15
899	7.15	mcu PROFILE JAMES and DAVE	ANTHONY (OOS) It’s just when you live in a town where… JAMES Especially when it’s so full of miners. Then it is. ANTHONY Everyone is, yeah full of miners. DAVE That’s the thing, you’re here in Coolgardie.	02 02 33 17
900	3.06	mcu LINA and ms STEPHIE	JAMES (OOS) Everyone we spoke to before you left, told you how it was going to be. LINA And we	02 02 41 07
901	14.06	mcu ANTHONY and JAMES at table then slow pan left to STEPHIE and LINA	have to live with all the people that has alcohol problems, drinking until they’re drunk enough so that we cut them of. And we’re sending them home, and they’re like ‘well fuck off. You’re a fucking bitch.’ ANTHONY Have you cut me off? STEPHIE Yeah. LINA Yeah I have.	02 02 44 13
902	8.01	mcu LINA and STEPHIE	STEPHIE I don’t stress about it, just let it go. Don’t listen to them, and yeah, here’s the drink. Give me the fucking money. MUSIC BEGINS… 1 MIN 35 SEC	02 02 58 19 02 03 04 01
903	2.11	ms fire burning		02 03 06 20
904	22.02	MONTAGE EDITS of LINA, STEPHIE, JAMES, DAVE and ANTHONY around table and fire then dissolve to		02 03 09 06
905	9.00	TIME-LAPSE LINA, STEPHIE, ANTHONY and DAVE around table around the table and fire		02 03 31 08
906	41.22	MONTAGE EDITS of ms LINA, STEPHIE, ANTHONY and DAVE around table, then ANTHONY and LINA stagger out exit left		02 03 40 08
907	3.12	ms LINA’s hair peaking out from behind station wagon door		02 04 22 05
908	2.20	ms ANTHONY behind station wagon door		02 04 25 17
909	3.23	mcu PROFILE JAMES		02 04 28 12
910	2.23	ms PROFILE STEPHIE at table		02 04 32 10
911	5.12	ms ANTHONY’s back through station wagon door then LINA’s lag wraps around him then FADE TO BLACK	MUSIC ENDS	02 04 35 08 02 04 39 00
912	5.01	cu cask and bottles on table	ANTHONY (OOS) Oh.	02 04 40 20
913	4.11	LA TILT ms JAMES siting outside tent with LINA inside	DAVE Good morning ladies.	02 04 45 21
914	5.15	LA TILT ms ANTHONY, DAVE and james around tent then ANTHONY lets down fly	DAVE You feeling good? LINA (OOS) No. DAVE Well you’re probably gonna start feeling worse now.	02 04 50 07
915	3.09	mws STEPHIE gets out of tent surrounded by boys	ANTHONY Wakey wakey. DAVE How are you Stephie?	02 04 55 22
916	3.13	HA TILT ms LINA sitting surrounded by tent on ground	STEPHIE (OOS) My head.	02 04 59 06
917	7.11	ws ANTHONY leans over LINA crouched in grass		02 05 02 19
918	1.17	ms LINA in car		02 05 10 05
919	7.03	ms JAMES turned to LINA with STEPHIE in back of car	LINA «ENGLISH SUBTITLE» I’m not going camping ever again. I got really bad blisters. LINA (OOS) Bad blisters.	02 05 11 22
920	6.23	ms ANTHONY driving JAMES, STEPHIE, and LINA sleeping in car then FADE TO BLACK		02 05 19 00
921	4.21	fade up to ws park with warning sign		02 05 25 23
922	6.05	ms PROFILE LINA crying	LINA «ENGLISH SUBTITLE» You say something Stephie.	02 05 30 19
923	8.01	LA TILT ms PROFILE STEPHIE sitting on grass then pan left to LINA	LINA «ENGLISH SUBTITLE» I don’t want to talk because of morkkis. STEPHIE You know when you have done	02 05 36 24
924	11.22	ms STEPHIE sitting on grass	something when you are drunk, and you wake up the next morning. You just feel like you want to dig a hole to yourself.	02 05 45 00
925	10.00	ms PROFILE LINA	LINA «ENGLISH SUBTITLE» That’s called “morkkis” in Finland, and I can’t talk about my morkkis yet.	02 05 56 22
926	7.23	LA TILT ms STEPHIE	LINA «ENGLISH SUBTITLE» But I don’t remember it. LINA And I was so drunk so that I couldn’t understand anything.	02 06 06 22
927	10.04	LA TILT m2s LINA and STEPHIE sitting on grass	LINA And I said that they’re really stupid if they think that something’s going to happen.	02 06 14 20
928	8.14	LA TILT mcu PROFILE LINA then pan right to STEPHIE laughing	LINA Seven, eight, nine weeks left. This guy said that we have to stay here for three months, and that’s like the deal.	02 06 24 24
929	1.23	LA TILT ms PROFILE LINA	LINA But no longer. STEPHIE We have	02 06 33 13
930	5.01	LA TILT m2s LINA and STEPHIE sitting on grass	to save money. That’s why we are here.	02 06 35 11
931	2.19	LA TILT ms PROFILE LINA		02 06 40 12
932	4.23	LA TILT ws exterior of pub	MUSIC BEGINS… 43 SEC	02 06 43 06 02 06 47 10
933	1.16	LA TILT wms STEPHIE opens blind		02 06 48 04
934	4.12	ms pan left as STEPHIE and PETE walk past camera	PETE Okay, righto. So you’ve been here for four weeks,	02 06 49 20
935	1.14	ms PETE with REAR VIEW STEPHIE in fg	you should have noticed that in there. STEPHIE Okay.	02 06 54 07
936	3.11	ms REAR VIEW STEPHIE behind bar	PETE (OOS) When you’re doin’ fuckin’ nothin’ all day, you should be learning how to do this shit.	02 06 55 21
937	2.13	ws PETE at bar with patrons	LADY WITH GLASSES That’s it, now move. Bring it to me.	02 06 59 07
938	3.01	swing to ms woman with glasses at bar and REAR VIEW STEPHIE passing her drink	LADY WITH GLASSES That’s it. PETE (OOS) That’s it.	02 07 01 20
939	2.11	mcu STEPHIE turns	WELLSY «ENGLISH SUBTITLE» Steph said last night, you know this place is a shithole.	02 07 04 21
940	2.11	mcu wellsy behind bar	WELLSY They’re only here for one reason, cause they need the money.	02 07 07 07
941	2.13	ms REAR VIEW LINA behind bar with PETE then swing to pikey walking in door	PATRON Yeah Piko!	02 07 09 18
942	2.14	HA TILT ws PETE sitting at bar with patrons and STEPHIE working	PETE These bastards have been here for four fuckin weeks mate.	02 07 12 06
943	2.05	ms pan right with reaching underneath bar	PETE (OOS) They stand around all day doing fuck all.	02 07 14 20
944	2.04	mcu wellsy behind bar	WELLSY «ENGLISH SUBTITLE» They haven’t got the personality. They’re not prepared to	02 07 17 00
945	3.05	ms JAMie drinking at bar	even talk to the locals, and that, let alone anything else.	02 07 19 04
946	3.18	ms PROFILE STEPHIE pouring beer	WELLSY (OOS) They just don’t seem to want to be involved with anybody,	02 07 22 09
947	2.05	mcu wellsy	apart from the Canman. PETE (OOS) Well fuck them	02 07 26 02
948	2.02	ms STEPHIE behind bar with PROFILE JAmie in fg	mate. I give them a fuckin’ chance.	02 07 28 07
949	3.12	la mcu REAR VIEW LINA in fridge	MUSIC ENDS	02 07 30 09 02 07 30 20
950	4.11	ms LINA on couch taking table and drinking from bottle		02 07 33 21
951	5.20	super on black background then FADE TO BLACK SUPER: Since the camping trip, Lina has developed a fever and has started vomiting.	STEPHIE We went camping, and	02 07 38 07
952	3.06	LA TILT ws TONY and woman with glasses at door and STEPHIE on lounge	she got like big blisters on her toes.	02 07 44 02
953	4.21	ms STEPHIE sitting on lounge	STEPHIE «ENGLISH SUBTITLE» She don’t really have feelings in her feet, because she got diabetes.	02 07 47 08
954	3.12	LA TILT ws TONY and woman with glasses at door and STEPHIE on lounge	STEPHIE So after that, she got like, really high fever,	02 07 52 04
955	10.23	la ms PROFILE lina on lounge then zoom to cu blackened toes	LINA They’re really nice. I have to go to the bar later.	02 07 55 16
956	8.09	mcu LINA	LINA For an hour. So Stephie can eat. Then I’m going back to bed.	02 08 06 14
957	8.10	LA TILT ms CANMAN knocking at door then track right	CANMAN Good evening. How you going madam? Very sick. Do you want anything to eat? LINA (OOS) Yeah,	02 08 14 23
958	17.15	LA TILT ms PROFILE CANMAN at door then CANMAN walks away laughing	I have to eat, so, yeah. CANMAN Okay. LINA I’m coming down. CANMAN That’s a yes. LINA Yes. CANMAN Okay. No worries. LINA (OOS) Thank you. CANMAN Alright? You’re very sick. And not enough chocolates.	02 08 23 08
959	7.06	HA TILT wms CANMAN walking down stairs then FADE TO BLACK		02 08 40 23
960	4.17	fade up to STEPHIE in doorway then swing right	STEPHIE Who is that?	02 08 48 04
961	17.09	zoom in to ms LINA in doorway then tilt down to pikey face down in lounge	LINA «ENGLISH SUBTITLE» What is he doing here?	02 08 52 21
962	3.11	la wms pikey sleeping on couch with LINA standing next to him		02 09 10 05
963	3.10	ms LINA bent to microwave	LINA People can’t just come up here.	02 09 13 16
964	5.21	la wms pikey asleep face down in lounge		02 09 17 01
965	3.06	LA TILT ms LINA		02 09 22 22
966	3.14	wms LINA standing next to pikey asleep on lounge		02 09 26 03
967	4.13	mcu LINA eating then whistles	LINA Hey!	02 09 29 17
968	4.18	la ms LINA prodding pikey	LINA «ENGLISH SUBTITLE» Why are you sleeping here? PIKEY Hm.	02 09 34 05
969	2.24	mcu pikey asleep on lounge with beer in fg	LINA (OOS) Hm?	02 09 38 23
970	5.13	LA TILT mcu LINA eating	PIKEY (OOS) ‘Cause I can.	02 09 41 22
971	4.12	ws LINA eating on lounge with pikEy	PIKEY «ENGLISH SUBTITLE» What, do you want me to go now?	02 09 47 10
972	3.16	LA TILT mcu LINA	LINA We don’t usually have our customers on our couch.	02 09 51 22
973	9.23	wms LINA and pikey on lounge s	LINA «ENGLISH SUBTITLE» Are you going back to the bar? PIKEY «ENGLISH SUBTITLE» No.	02 09 55 13
974	12.09	ms pikey gets up from lounge then sits back down	LINA (OOS) «ENGLISH SUBTITLE» You’re sitting on your sunglasses.	02 10 05 11
975	6.18	mcu LINA then swing right to pikey		02 10 17 20
976	4.08	ms REAR VIEW LINA coughing with pikey on lounge next ot her		02 10 24 13
977	18.20	ms pikey drinks beer	PIKEY «ENGLISH SUBTITLE» Bit warm, but I’ll drink it.	02 10 28 21
978	3.05	ms LINA lying back on lounge	PIKEY «ENGLISH SUBTITLE» Actually I was probably coming to see what you were like…	02 10 47 16
979	143.22	LA TILT ms pikey then slow pan left to m2s with LINA sitting on lounge next to him LINA stands and walks towards door PIKEY stands and follows LINA LINA walks down hall then pan right as pikey turns and walks out door	… but you were probably asleep so that’s why I crashed out. To see if you were alright. But you might have been asleep. I came to see you were alright. LINA «ENGLISH SUBTITLE» Thank you for that. PIKEY «ENGLISH SUBTITLE» I care about ya. PIKEY I do. LINA That’s nice. PIKEY «ENGLISH SUBTITLE» More than you fucking know. LINA Hm? PIKEY «ENGLISH SUBTITLE» I said more than you know. Oh well, shit happens. LINA «ENGLISH SUBTITLE» I think I should go back to bed. PIKEY «ENGLISH SUBTITLE» If you want. PIKEY «ENGLISH SUBTITLE» I’ll come join you. LINA Are you staying here? PIKEY «ENGLISH SUBTITLE» I was gonna come join you. LINA No. No. PIKEY «ENGLISH SUBTITLE» Why not? LINA No. PIKEY «ENGLISH SUBTITLE» No fucking… or nothing, just laying there. LINA «ENGLISH SUBTITLE» I need my personal space. PIKEY «ENGLISH SUBTITLE» I don’t give you that? PIKEY Oh god damn it. PIKEY «ENGLISH SUBTITLE» I give you fucking heaps. Hey? LINA What? PIKEY «ENGLISH SUBTITLE» I give you fucking heaps. Jesus. All right then. LINA «ENGLISH SUBTITLE» Goodnight. PIKEY «ENGLISH SUBTITLE» I’ll give you fuckin space and shit! LINA Huh? What? PIKEY «ENGLISH SUBTITLE» Look at the old Nana. LINA «ENGLISH SUBTITLE» What? Go back to the bar. Good night. Hey, hey, hey, my toes! Good night. See you. PIKEY «ENGLISH SUBTITLE» If you’re lucky. Have a look at her.
980	6.16	ms REAR VIEW pikey walks out of door then FADE TO BLACK		02 13 14 18
981	7.18	la ms LINA sits down in chair on balcony	LINA I went to the medical centre this morning to get some antibiotics, and I have to go	02 13 21 09
982	3.18	mcu LINA	back to the medical centre after a couple of hours.	02 13 29 02
983	6.17	LA TILT ms STEPHIE at register with TONY and lady with glasses at bar	LINA Hopefully getting better soon, because I can’t work. MUSIC BEGINS… 23 SEC	02 13 32 20 02 13 33 08
984	7.03	track behind ms LINA walking outside pub and in door	LINA I have an infection, not in my lungs, but around my lungs or something.	02 13 39 12
985	5.08	track behind ms LINA walking past wellsy to bar	LINA Hi. WELLSY Stay away from me.	02 13 46 15
986	3.09	ms PROFILE LINA crying at bar	WELLSY «ENGLISH SUBTITLE» What’s wrong?	02 13 51 23
987	4.07	ms wellsy	MAN «ENGLISH SUBTITLE» She has to go to the hospital. MUSIC ENDS WELLSY «ENGLISH SUBTITLE» Up here? MAN «ENGLISH SUBTITLE» In Kalgoorlie.	02 13 55 07 02 13 56 00
988	1.08	ms PROFILE LINA at bar	LINA «ENGLISH SUBTITLE» I’m at 38.5 degrees…	02 13 59 14
989	1.15	ms STEPHIE behind bar	and my toes are fucked up.	02 14 00 22
990	3.06	ms LINA leaning on bar		02 14 02 12
991	3.19	MONTAGE EDITS LINA packing bags		02 14 05 18
992	12.03	ms LINA and wellsy in storeroom	LINA They’re sending me to the hospital now but I don’t know when I’m getting back. WELLSY You don’t know which? LINA When I’m getting back. WELLSY Oh well, we’ll sort that out. You gotta get better first. That’s the main thing.	02 14 09 12
993	1.12	mws REAR VIEW LINA walks out door		02 14 21 15
994	1.21	LA TILT ws ambulance		02 14 23 02
995	2.16	mws ambulance office helping lina into back of ambulance	AMBULANCE OFFICER (OOS) Gina. LINA (OOS) Lina.	02 14 24 23
996	3.09	ws REAR VIEW ambulance driving away		02 14 27 14
997	2.22	mws STEPHIE serving beer to CANMAN sitting with patron and wellsy at bar		02 14 30 23
998	2.12	ms STEPHIE behind bar	CANMAN «ENGLISH SUBTITLE» I reckon you could still go, and get in.	02 14 33 20
999	11.01	mcu PROFILE CANMAN talking to patron t bar	CANMAN «ENGLISH SUBTITLE» You’ve got a couple of visiting hours. PATRON «ENGLISH SUBTITLE» Yeah, but you’ve got to find out what they are. CANMAN «ENGLISH SUBTITLE» You don’t worry about that, you just walk in and say CANMAN «ENGLISH SUBTITLES» ‘listen, I’m going to see a bloody friend and that’s bad luck.’ PATRON «ENGLISH SUBTITLE» You can’t. They’ll arsehole you out.	02 14 36 07
1000	3.09	ms STEPHIE behind bar	CANMAN «ENGLISH SUBTITLE» If you want to go to Kalgoorlie let me know.	02 14 47 08
1001	4.13	mcu PROFILE CANMAN at bar with patron	STEPHIE Lina’s in hospital, and here is a lot of	02 14 50 17
1002	3.11	ms STEPHIE behind bar	people who could take me there, but	02 14 55 05
1003	7.00	wms STEPHIE lying back in lounge	ninety nine percent of them, Lina don’t want to see right now.	02 14 58 16
1004	14.16	mcu STEPHIE	STEPHIE I know she don’t want to see Pikey, and he offered the lift. She don’t want to see Anthony, and I know she don’t want to see Jamie, and yeah. So.	02 15 05 16
1005	3.03	track with REAR VIEW ms wellsy climbing stairs		02 15 20 07
1006	67.14	track behind ms wellsy as he enters door and sits on lounge then track around to m2s with STEPHIE	WELLSY Got to talk to you Steph. STEPHIE (OOS) Hi. WELLSY This is going to be your last shift today. I’ve got the horrible job of telling you this. I don’t know why they asked me, but Peter, as you know he’s the man. STEPHIE Yeah. WELLSY And he’s not happy with yous. He doesn’t think yous are suited to the job. STEPHIE Okay. WELLSY I don’t think you want to be here anyway, do you? STEPHIE Yeah. WELLSY Hey? But, like I said, they’ve given me the job to tell you, which is, I don’t like anyone losing their job, but I don’t think you’re really suited to it either. You know, you just seem like you’re not interested. STEPHIE Yeah. WELLSY But ah, so, talk to Tony and Leonie. STEPHIE Yeah. WELLSY Cause they’re going back to Perth next Tuesday. STEPHIE Yeah. WELLSY So whether you want to stay until then, and them give you a lift back to Perth, or wait and see what happens to Lina. STEPHIE Okay. WELLSY So alright? STEPHIE Yeah. WELLSY Sorry, but that’s… STEPHIE No, what can you do. WELLSY It’s like I say, mainly it’s Peter’s decision, and he’s the… STEPHIE Yeah. WELLSY He’s the man who pays the bills, so… STEPHIE Okay. WELLSY So I just hope that everything works out alright for you and Lina.	02 15 23 10
1007	14.20	mcu STEPHIE	WELLSY (OOS) Sorry mate.	02 16 30 24
1008	2.11	ms PROFILE STEPHIE on phone		02 16 45 19
1009	3.17	la ms CANMAN moving things in back of car	STEPHIE (OOS) Canman.	02 16 48 05
1010	1.13	mcu STEPHIE on phone		02 16 51 22
1011	2.14	ms STEPHIE in car with CANMAN	CANMAN We’re going to the hospital aren’t we?	02 16 53 10
1012	7.15	zoom to mcu CANMAN and STEPHIE in front of car	STEPHIE Can you put the car on, so I can open the window? Canman.	02 16 55 24
1013	12.04	MONTAGE EDITS of LINA sitting in hospital bed	PATIENT (OOS) No Mum! Mum it’s fuckin…	02 17 03 14
1014	4.05	ws CANMAN’s car driving past camera		02 17 15 18
1015	8.07	mcu LINA lying in hospital bed	LINA «ENGLISH SUBTITLE» Now they have me on antibiotics through a drip…	02 17 19 23
1016	4.08	ms PROFILE STEPHIE sitting on bed	and they’ll reduce the drip later on.	02 17 28 05
1017	2.05	ms CANMAN walks through curtain		02 17 32 13
1018	4.21	LA TILT mcu STEPHIE and CANMAN	STEPHIE Yeah, it was a pretty, pretty short conversation.	02 17 34 18
1019	5.20	ms LINA in hospital bed	STEPHIE That ... LINA That we’re fired. STEPHIE Yeah.	02 17 39 14
1020	9.14	LA TILT m2s CANMAN and STEPHIE then pan left to LINA laughing	LINA Really? Okay.	02 17 45 09
1021	3.00	LA TILT m2s CANMAN watches STEPHIE shake head		02 17 54 23
1022	9.19	ms LINA lying back in hospital bed crying	LINA I don’t even know why I’m sad. CANMAN «ENGLISH SUBTITLE» You should stay here, cos you’re very nice. LINA I’m gonna miss Canman.	02 17 57 23
1023	2.02	LA TILT mcu PROFILE CANMAN	CANMAN You shouldn’t cry you know.	02 18 07 17
1024	6.12	ms LINA in hospital bed crying	LINA And I have never been fired.	02 18 09 19
1025	8.04	ms STEPHIE sitting on LINA’s bed with CANMAN standing	CANMAN «ENGLISH SUBTITLE» I’ll look after you, don’t worry. No more chocolate biscuits.	02 18 16 06
1026	11.13	tilt up to mcu STEPHIE with ms CANMAN behind then pan left to LINA	STEPHIE «ENGLISH SUBTITLE» As a travel experience… STEPHIE «ENGLISH SUBTITLES» Coolgardie… doesn’t get any stars from me. LINA «ENGLISH SUBTITLE» Not from me either. STEPHIE «ENGLISH SUBTITLE» Canman gets some stars from me.	02 18 24 10
1027	14.09	LA TILT mcu STEPHIE with CANMAN in bg then pan left to LINA then FADE TO BLACK	LINA «ENGLISH SUBTITLE» Canman gets a lot of stars. LINA «ENGLISH SUBTITLES» He’s our friend. LINA «ENGLISH SUBTITLES» I’m gonna cry again. MUSIC BEGINS… 1 MIN 18 SEC	02 18 35 23 02 18 45 05
1028	4.10	fade up to super on black background SUPER: Lina will need to stay in hospital for several weeks.		02 18 50 07
1029	3.08	ms STEPHIE hugs LINA in hospital bed	STEPHIE SPEAKS IN FINNISH	02 18 54 17
1030	5.00	fade up to super on black background then FADE TO BLACK SUPER: Stephie returns to Perth to find alternative work.		02 18 58 00
1031	7.02	ws track along road from windscreen pov	CANMAN «ENGLISH SUBTITLE» If I owned a pub I’d employ you. Give you two frees beers a night, whatever you drink. I would.	02 19 03 00
1032	7.03	m2s CANMAN and STEPHIE driving in car	CANMAN «ENGLISH SUBTITLE» You can send me a birthday card. STEPHIE «ENGLISH SUBTITLE» When is your birthday?	02 19 10 02
1033	1.22	ws track along road from windscreen pov	CANMAN (OOS) Twenty fourth of July.	02 19 17 05
1034	3.11	ms CANMAN and STEPHIE driving in car		02 19 19 02
1035	6.08	ms CANMAN and STEPHIE driving in car	CANMAN «ENGLISH SUBTITLE» Ah, gonna miss you. STEPHIE Oh.	02 19 22 13
1036	8.13	ws train station then zoom to REAR VIEW STEPHIE and CANMAN walking along platform	STEPHIE «ENGLISH SUBTITLE» Will you go see Lina? CANMAN Yeah. STEPHIE «ENGLISH SUBTITLE» Take care of her for me? CANMAN «ENGLISH SUBTITLE» I’ll go see her tomorrow.	02 19 28 21
1037	2.22	LA TILT m2s CANMAN and STEPHIE waiting on platform		02 19 37 09
1038	10.02	mcu STEPHIE hugs CANMAN	STEPHIE Yeah, it was nice to meet you. CANMAN «ENGLISH SUBTITLE» Yeah, same to you. Have a nice time. STEPHIE «ENGLISH SUBTITLE» … and thank you for taking care of us. CANMAN That’s alright.	02 19 40 06
1039	3.22	mws STEPHIE getting on train with other passengers	KID (OOS) See ya. STEPHIE See ya. CANMAN (OOS) Look after yourself. STEPHIE (OOS) Thank you.	02 19 50 08
1040	12.05	mws CANMAN reflected in windows of train as it pulls out revealing bushy landscape	MUSIC ENDS PETE And what I need is	02 19 54 05 02 20 04 08
1041	6.20	mws REAR VIEW PETE sitting on keg on phone	two to take their place, probably about twenty five, twenty six. Have you got anybody there? GIRL 1 (OOS) Hi.	02 20 06 10
1042	3.01		RECRUITMENT WORKER Hello girls, how you going? GIRL 1 Hello, good thank you. RECRUITMENT WORKER Have a seat.	02 20 13 05
1043	12.19	ms two girls at desk with REAR VIEW RECRUITMENT WORKER	RECRUITMENT WORKER Okay, so I do think you two could be a good fit for some country pub work. MUSIC BEGINS… 1 MIN 9 SEC RECRUITMENT WORKER Now the one that I would have in mind for the two of you is actually in Coolgardie, which is in a mining area. As long as you’re up for something	02 20 16 06 02 20 21 00
1044	37.00	fade up to super on black background then FADE TO BLACK SUPER: Stephie and Lina spent five weeks at the pub, each earning around AU$3350. SUPER: Stephie applied for work with a different job agency. She was sent to another pub 200km west of Coolgardie. SUPER: After three weeks, Lina was transferred to a hospital in Perth. After another four weeks she was well enough to fly home to Finland. SUPER: Lina’s toe infection had spread around her body and into her spinal chord. Being extremely vulnerable to bacteria (due to her diabetes), she also contracted a severe blood infection which led to her losing all sight in one eye and 30% in the other.	that’s a bit different. It’s a relatively small town. It’s got a you know, a petrol station, roadhouse, a couple of shops. So we’re here in Perth, Kalgoorlie’s here, and then Coolgardie is here. So it’s not going to be, you know, it’s not Perth.	02 20 29 00
1045	7.08	fade up to STILL IMAGE of lina at departures gate on black background then FADE TO BLACK SUPER: Lina returned to her hometown, where she fell in love and is now married. She hopes to return one day to experience “the rest of Australia”.		02 21 06 00
1046	7.12	fade up to SUPER on black background then FADE TO BLACK SUPER: In memory of John Joseph Lowe, aka “The Canman” who passed away not long after filming.		02 21 13 08
1047	3.19	fade up to super on black background then FADE TO BLACK SUPER: The Denver City Hotel is now under new management.		02 21 20 20
1048	6.16	fade up to super on black background then FADE TO BLACK SUPER: The filmmakers gratefully acknowledge the assistance and generosity of the former management of The Denver City Hotel, it’s staff and patrons, and the people of Coolgardie.	MUSIC ENDS/MUSIC BEGINS… 2 MIN 1 SEC	02 21 24 14 02 21 30 00
1049	101.16	end credits roll HOTEL COOLGARDIE A RAW AND COOKED FILM DIRECTED SHOT EDITED BY Pete Gleeson PRODUCED BY Melissa Hayward Kate Neylon ADDITIONAL CAMERA & LOCATION SOUND Melissa Hayward ADDITIONAL EDITING Lawrie Silvestrin, ASE POST PRODUCTION VISION Sandbox POST PRODUCTION SOUND Ric Curtin POST FACILITY PRODUCER Grady Habib COLOURIST Jaemie Manners VISUAL EFFECTS Tony Bannan ONLINE EDITORS Jaemie Manners Tony Bannan TRANSLATIONS Tina Kashfi Anna Sanderson Tom Nilsson Irene Kollanus Martin Lundmark ADDITIONAL EDITING Haig Stewart ADDITIONAL POST PRODUCTION SOUND Richard J. Mahony TRAILER EDITORS John Carozzi Andrei Petrut Lawrie Silvestrin, ASE Trailer post production sound Joshua Hogan Post Production Script Reezy Miller PRODUCTION ACCOUNTS Rose Grandile-Pizzi CO-PRODUCED BY Pete Gleeson WITH THANKS TO Nicolina & Stephanie Peter Coffey Tony & Leonie Pileggi John Wells Former staff and patrons of the Denver City Hotel The people of Coolgardie Michael Tucak The PVI Collective Julia Overton Robert Nugent Richard Sowada Mia Stewart Rosalyne Bauer Skylar K James Grandison Trevor Hope Jeremy Ashton Brendan Roache Shaun Miller Joan Peters Richard Owen Kerryn and Matt Bolte The Hayward Family The Gleeson Family The Neylon/Williams Family Chris Nixon Steve Berrick Screenwest Screen Australia Adam Smith Adam Bishop Lucy Maclaren Ed Bannerman Verity Manchester Danielle Hadley Coolgardie Shire Robert Forsyth Ryan Hodgson Kate Separovich Valerie Tonkin Trans WA Lyndsey Organ Johnny Ma Clive Rocher Soundbyte Studios Ian Hale Nicholas Cheetham Laurent Boyé Julia Krysicak Studio Papa Owen Hughes Ben Young Aaron McCann Nicole Munro Roly Skender John Taylor Lynda Doulas Roslyn Walker Erin Stam Ricki Lea Bestall Cristina Pozzan Kristian Connolly Ingrid van der Berghe Tony Bective Ah Ga Do Do Do Performed by Black Lace Licensed by Marathon Media International Composed by Mia Simillie, Michel Delancray and Francois Bernheim © 1981 Warner/Chappell Music France S.A.S. By kind permission of Warner/Chappell Music Australia Pty Ltd Girls Just Want To Have Fun Written by Robert Hazard Published by Sony/ATV Music Publishing Performed by Cassey Doreen Licensed from Glamara Records.- a division of lickin’ records Germany” Bad To The Bone Written by G. Thorogood Del Sound Music Administered by Universal Music Publishing Pty Ltd Performed by George Thorogood & The Destroyers Under Exclusive License from Capitol Records LLC Licensed courtesy of Universal Music Australia Pty Limited Black Betty Performed by Spiderbait Licensed courtesy of Universal Music Australia Pty Limited Love Is All Around Written by R. Presley Universal/Dick James Music Ltd Administered by Universal Music Publishing Pty Ltd Performed by The Troggs Under Exclusive License from Mercury Records Limited To Her Door Written by Paul Kelly Published by Sony/ATV Music Publishing Australia Turn Me Up Chris Bussey/ Craig Bussey / James Brander Published by Audio Network Tumbleweed Composed by Phillip Dupuy Published by Audio Network Mitchell’s Peak Chris Norton & Frank Mizen Published by Audio Network Dustbowl Mark Johns Published by Audio Network Bluesy-Ole-Boys John Etheridge Published by Audio Network Banjo Ditty Chris Norton & Frank Mizen Published by Audio Network Railway Ghost Jeremy Sherman Published by Audio Network Dark Times John OO Fleming Published by Audio Network Disco Dreams Kobayashee Published by Audio Network Desert Drift Adam Drake & Neil Williams Published by Audio Network Creepy Blue Adam Drake/Neil Williams/ Alison Pearse Published by Audio Network Coyote Mark Johns Published by Audio Network Devil’s Brew Bob Bradley/Steven Dymond/ Frank Mizen/ Daniel Mizen Published by Audio Network Dust Trail Mark Johns Published by Audio Network Risk Factor Terry Devine-King Published by Audio Network Lonesome Cowboy Jeremy Sherman Published by Proud Music Library Want You Richard Lloyd Published by Audio Network Oak And Ash Gavin Courtie and Liz Radford Published by Shockwave Sound LEGALS Michael Tucak CREATIVE LEGAL LOGO EXECUTIVE PRODUCERS Grady Habib Brad Habib Filmed on location in Western Australia		02 21 31 05
1050	4.21	RAW AND COOKED LOGO BOARD		02 23 12 21
1051	4.20	SANDBOX LOGO BOARD		02 23 17 17
1052	4.21	FTI LOGO BOARD PRODUCED WITH THE ASSISTANCE OF THE FILM AND TELEVISION INSTITUTE (WESTERN AUSTRALIA) INC		02 23 22 12
1053	4.20	SCREENWEST LOGO BOARD MUSIC ENDS		02 23 27 08 02 23 31 00
1054	4.18	© 2017 Raw and Cooked Media Pty Ltd, Beebs Vision Pty Ltd and ScreenWest Inc		02 23 32 03
1055		BLACK		02 23 36 21

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Film: Hotel Coolgardie

http://www.journeyman.tv/film/7072

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