1 |
6.24 |
FADE UP TO WS RISING MIST OVER PLAIN AT SUNRISE |
MUSIC BEGINS… 39
SEC |
01 00 00
00 01 00 04
18 |
2 |
3.16 |
WS RED DIRT HILL WITH
CACTUS IN FG |
|
01 00 06 24 |
3 |
4.01 |
HA TILT EWS CAR DRIVES L TO
R ON ROAD THROUGH RED DIRT AND SCRUB |
|
01 00 10 15 |
4 |
2.21 |
WS DIGGER DRIVES TO
CONVEYER BELT WITH RED DIRT HILL IN BG |
|
01 00 14 16 |
5 |
5.13 |
WS car drives past on main
street of town with cold beer sign in FG |
|
01 00 17 12 |
6 |
5.23 |
ls clothes hung up drying
at end of pub VERANDA |
|
01 00 23 00 |
7 |
16.20 |
ha ws ute pulls up to pub
under swan sign then man gets out super
title: hotel
coolgardie |
MUSIC ENDS |
01 00 28 23 01 00 43 01 |
8 |
3.19 |
LA TILT ms tv screen
playing horse racing footage |
|
01 00 45 18 |
9 |
4.02 |
ms three men sit at bar
behind beer taps |
|
01 00 49 12 |
10 |
21.05 |
ms PROFILE man drinks can
of beer at bar opposite BECKY, then she exits right to get another beer |
PETE (OOS) Denver City Hotel, Coolgardie. |
01 00 53 14 |
11 |
3.24 |
LA TILT mws rear of pub
with SATELLITE dish on roof |
PETE (OOS) These girls are leaving on the seventeenth. They’re
ready to travel. They’ve saved their money and |
01 01 14 19 |
12 |
3.16 |
mws mop and buckets with
mats at foot of stairs |
ready to go. So I need to two to take their place,
probably |
01 01 18 18 |
13 |
5.15 |
ms PETE on phone with beer
kegs in can in bg |
about, about on the Wednesday. About three days
before. |
01 01 22 09 |
14 |
10.04 |
ms PROFILE PETE on phone |
PETE Well I mean there’s… you know I don’t want them
forty four stone. If you know what I mean. I don’t want them polishing the
bars both sides. |
01 01 27 24 |
15 |
8.12 |
la mcu CLIO pouring beer
then zoom out to ms and pan right as she hands beer over bar |
PETE (OOS) I mean if they look good, we can do away with the
experience bit. But if they’re only ordinary, they’ve gotta have plenty of
experience, because they’ve got to make it up |
01 01 38 03 |
16 |
5.02 |
ms PROFILE PETE on phone |
with something else don’t they. Hey? We’ve gotta
keep the customers happy mate. RECRUITMENT WORKER Hello. |
01 01 46 15 |
17 |
13.21 |
LA TILT ms STEPHIE and LINA
walk to chairs and sit with RECRUITMENT
WORKER IN FG |
STEPHIE Hello. RECRUITMENT WORKER Grab a seat girls. STEPHIE Thank you. LINA Hi. RECRUITMENT WORKER Hello, hello. Okay, now, who is here? I have Gina Nikolina. LINA Yeah, I’m Lina. RECRUITMENT WORKER Lina, and? STEPHIE Stephanie. RECRUITMENT WORKER Stephanie, excellent. Okay. |
01 01 51 17 |
18 |
9.18 |
super on black background
then FADE TO BLACK SUPER: After having their
credit cards stolen in Bali and their travel savings drained from their
accounts, Lina and Stephie have arrived in Perth looking for work. |
RECRUITMENT WORKER (OOS) So, where are you guys from? LINA (OOS) Finland. RECRUITMENT WORKER (OOS) Finland! And how old are you? LINA(OOS) Twenty five. RECRUITMENT WORKER (OOS) Twenty five. STEPHIE (OOS) I’m twenty four. RECRUITMENT WORKER (OOS) And you came straight from Finland? STEPHIE (OOS) We came from Bali. |
01 02 05 13 |
19 |
5.09 |
ms STEPHIE and LINA sit at
desk in front of REAR VIEW RECRUITMENT
WORKER |
RECRUITMENT WORKER You have another trip planned that you have to go to
or… STEPHIE No, no, no, we don’t have any plans. LINA We want to save money. RECRUITMENT WORKER Okay, |
01 02 15 06 |
20 |
3.09 |
mcu tilt up poster on wall
of country pub BARTENDERs |
because most of the bar positions I have would be
three month commitment. |
01 02 20 15 |
21 |
5.02 |
ms STEPHIE an LINA sit at
desk in front of REAR VIEW RECRUITMENT
WORKER |
STEPHIE Yep. LINA Yep. RECRUITMENT WORKER And I really need to know up front that you’re
willing to say yes. STEPHIE Yes. LINA Yes. RECRUITMENT WORKER Definitely three months. |
01 02 23 24 |
22 |
7.04 |
cu pen points to perth on
map then moves through kalgoorlie to coolgardie |
RECRUITMENT WORKER So we’re in Perth, Kalgoorlie is here, which is like
a big mining town, and this town is called Coolgardie. So you’re close enough |
01 02 29 01 |
23 |
4.19 |
ms STEPHIE and LINA sit at
desk opposite REAR VIEW RECRUITMENT
WORKER |
to a larger town where you can go. You’ve got your
Coles, your Woolies, but Coolgardie itself as you can see is |
01 02 36 05 |
24 |
2.09 |
cu pen pointing to coolgardie
on map |
quite remote. It’s quite a big mining area, |
01 02 40 24 |
25 |
10.12 |
ms STEPHIE and LINA sit at
desk opposite REAR VIEW RECRUITMENT
WORKER |
so a lot of the clientele at the pubs are going to
be gentlemen, so you guys have to be the kind of girls that are okay to have
male attention and not really sweat it. STEPHIE Yeah. LINA Yeah. MUSIC BEGINS… 2 MIN
6 SEC |
01 02 43 08 01 02 53 18 |
26 |
3.24 |
LA TILT ws truck drives
past with cold beer sign in fg |
|
01 02 53 20 |
27 |
2.04 |
ms pan left with BARTENDER |
|
01 02 57 19 |
28 |
4.20 |
ms man in blue shirt then
swing to mcu PROFILE clio |
MAN IN BLUE SHIRT So do you know who the other girls are? CLIO We have no idea. But they’re coming tomorrow though. |
01 02 59 23 |
29 |
1.07 |
swing to m2s DEREK AND MAN
IN blue shirt at bar |
DEREK Some fresh meat. BARTENDER Have we got |
01 03 04 18 |
30 |
1.20 |
mcu PROFILE BARTENDER at
bar |
a bit stale for you Derek? |
01 03 06 00 |
31 |
1.10 |
mcu PROFILE PETE |
PETE Yeah. So that’s them. |
01 03 07 20 |
32 |
2.00 |
cu STILL IMAGE of LINA and
STEPHIE on screen |
PETE (OOS) Lina and Steph. |
01 03 09 05 |
33 |
4.09 |
MONTAGE EDITS of LINA and
STEPHIE walking with roller bags |
PETE (OOS) I don’t know which one’s which, but one of them will
answer when I say Lina. MAN IN BLACK SHIRT «ENGLISH SUBTITLE» Where’s the new barmaids from Pete? |
01 03 11 05 |
34 |
2.12 |
ms man in black SHIRT
standing at bar door |
PETE «ENGLISH SUBTITLE» All the way from Finland, mate. MAN IN BLACK SHIRT Oh. |
01 03 15 14 |
35 |
5.12 |
TRack around ms man in
black shirt with PETE cleaning blackboard |
MAN IN BLACK SHIRT «ENGLISH SUBTITLE» Have you seen them Pete, these ones? PETE «ENGLISH SUBTITLE» Na, I’ve seen photos of them. MAN IN BLACK SHIRT «ENGLISH SUBTITLE» Usually those Finnish birds are quite good looking,
hey? |
01 03 18 01 |
36 |
2.13 |
LA TILT ms PROFILE STEPHIE
and LINA sitting on TRAIN |
PETE (OOS) Hopefully you’re right. |
01 03 23 13 |
37 |
3.10 |
ms REAR VIEW PETE at
blackboard saying ‘new girls tonite!!’ |
MAN IN BLACK SHIRT «ENGLISH SUBTITLE» And then draw a couple of pairs of boobies. |
01 03 26 01 |
38 |
2.16 |
ms man in black shirt next
to woman laughing |
MAN IN BLACK SHIRT I’ll go and cut some pictures out of some of my mags |
01 03 29 11 |
39 |
2.23 |
wms PETE behind blackboard |
and we’ll stick them on there, so people will think
they look like them. |
01 03 32 02 |
40 |
4.04 |
track along street from
TRAIN window pov |
STEPHIE «ENGLISH SUBTITLE» So this bit is seven hours. |
01 03 35 00 |
41 |
4.02 |
mcu LINA next to ms STEPHIE
on TRAIN |
STEPHIE «ENGLISH SUBTITLE» But from then, we don’t really know. |
01 03 39 04 |
42 |
1.12 |
la mcu PETE’s arms on
newspaper |
PETE The train, is due |
01 03 43 06 |
43 |
4.21 |
LA TILT mcu PETE |
today at 2pm in Kalgoorlie, and that means it’s 1:35
for us. |
01 03 44 18 |
44 |
16.22 |
mcu LINA and STEPHIE on
TRAIN |
LINA We’re going, I have no idea. No, we’re going to
work. Save some money. STEPHIE Have fun. LINA Have fun. LINA «ENGLISH SUBTITLE» See some camels… STEPHIE «ENGLISH SUBTITLE» … kangaroos. |
01 03 49 14 |
45 |
3.24 |
ws truck drives past pub |
JAMIE Nah it’s good to have the |
01 04 06 11 |
46 |
3.04 |
LA TILT MCU JAMIE AT BAR
WITH MAN IN ORANGE IN FG |
new girls come in every now and then. Keeps the pub
alive. |
01 04 10 10 |
47 |
2.17 |
track along wms TRAIN
through train window pov |
LINA «ENGLISH SUBTITLE» There’s eucalyptus trees everywhere. |
01 04 13 14 |
48 |
4.02 |
LA TILT ms LINA and STEPHIE
sitting in train |
LINA «ENGLISH SUBTITLE» We just saw our first kangaroos. |
01 04 16 06 |
49 |
1.06 |
ws
deserted train station |
|
01 04 20 08 |
50 |
3.15 |
ws
pan right with REAR VIEW PETE climbing over train tracks then zoom in |
|
01 04 21 14 |
51 |
1.21 |
track
with ws desert landscape from train window pov |
PIKEY Oh |
01 04 25 04 |
52 |
2.04 |
LA
TILT mcu LINA and STEPHIE looking out window |
sometimes it’s sad to see the old ones go, |
01 04 27 00 |
53 |
4.09 |
MCU
PIKEY |
because you’ve built up a relationship sort of with
them, but then |
01 04 29 04 |
54 |
4.13 |
mcu
PROFILE LINA and STEPHIE looking out window |
you get new ones in. I’ve got a couple of mates that
have actually hooked up |
01 04 33 13 |
55 |
1.12 |
track ws sandy plain
through train window pov |
with the barmaids, |
01 04 38 01 |
56 |
2.09 |
mcu
pikey |
and they have families with them and shit like that. |
01 04 39 13 |
57 |
5.21 |
LA
TILT mcu PETE then swing to train arriving |
CANMAN «ENGLISH SUBTITLE» Peter said to me… |
01 04 41 22 |
58 |
3.16 |
mcu
CANMAN AT BAR |
I’m not allowed to pick them up cos I’ll scare them
away. |
01 04 47 18 |
59 |
4.24 |
ms
LINA and STEPHIE collect bags on train |
CANMAN (OOS) Cause I’ll scare em. CANMAN «ENGLISH SUBTITLE» I’ve never scared any barmaids in my life. |
01 04 51 09 |
60 |
|
mcu CANMAN at bar |
|
|
61 |
6.14 |
mws LINA and STEPHIE
waiting at train doors to get off |
LINA «ENGLISH SUBTITLE» Stephie there’s nothing here! MUSIC ENDS |
01 04 56 08 01 04 59 08 |
62 |
4.10 |
LA
TILT ms STEPHIE And LINA step off train past conductor |
STEPHIE Thank you. PETE (OOS) Howdy girls. LINA Thank you. LINA AND STEPHIE IN UNISON (OOS) Hi. PETE «ENGLISH SUBTITLE» I’m Peter – you’re… |
01 05 02 22 |
63 |
2.04 |
LA
TILT ws REAR VIEW PETE greets STEPHIE and LINA at train door |
STEPHIE Stephanie. PETE «ENGLISH SUBTITLE» Steph. Lina. |
01 05 07 07 |
64 |
3.07 |
track
with wms REAR VIEW PETE and LINA
walking to can behind STEPHIE |
STEPHIE «ENGLISH SUBTITLE» I guess it’s this one? PETE This is the one. |
01 05 09 11 |
65 |
1.11 |
LA TILT ms STEPHIE and LINA
behind PETE as he loads bags |
LINA Thank you. |
01 05 12 18 |
66 |
2.10 |
mcu
LINA and STEPHIE |
PETE (OOS) Okay dokey. Downtown Coolgardie. |
01 05 14 04 |
67 |
1.23 |
ws
train station surrounded by dirt and scrub |
PETE (OOS) Where the flies are very friendly. |
01 05 16 14 |
68 |
1.13 |
LA
TILT mcu PROFILE PETE, LINA and STEPHIE in front of van |
|
01 05 18 12 |
69 |
5.02 |
ws
van pulls away |
PETE (OOS) Righto. PETE «ENGLISH SUBTITLE» You’ve gotta save a bit of money? LINA (OOS) Yes. PETE «ENGLISH SUBTITLE» Well I’ll just tell ya, if you keep the smile on
your face, |
01 05 20 00 |
70 |
2.18 |
HA
TILT mcu pv STEPHIE and LINA in front of van |
they’ll keep throwin’ money in your tip jar mate. |
01 05 25 02 |
71 |
6.20 |
track
along ws dirt road from van windscreen pov |
STEPHIE «ENGLISH SUBTITLE» We hope so. OK now we’re in the middle of nowhere. MUSIC BEGINS… 21
SEC |
01 05 27 20 01 05 30 16 |
72 |
12.24 |
MONTAGE
EDITS of ws track forward on tar and dirt road from van windscreen pov |
PETE «ENGLISH SUBTITLE» A bit different from Finland eh? LINA (OOS) A little bit. PETE (OOS) And this is the pub. |
01 05 34 15 |
73 |
2.11 |
ws
van pan right as it turns corner |
PETE (OOS) Look, I even wrote that on the board for you. |
01 05 47 14 |
74 |
2.23 |
ws
exterior pub then zoom to black board ‘new girls tonite!!’ |
STEPHIE (OOS) Perfect! MUSIC ENDS |
01 05 50 00 01 05 51 19 |
75 |
1.20 |
mws
van pulls up to fence |
|
01 05 52 23 |
76 |
2.07 |
HA
TILT ws dogs barking at fence |
|
01 05 54 18 |
77 |
3.24 |
LA
TILT mcu PROFILE LINA and STEPHIE in front of van |
LINA «ENGLISH SUBTITLE» Well everyone knows we’re here. |
01 05 57 00 |
78 |
2.06 |
track
behind mcu STEPHIE and LINA walking into bar |
BECKY (OOS) Hi! |
01 06 00 24 |
79 |
5.14 |
track
with mcu REAR VIEW LINA past PETE to meet becky and clio |
PETE «ENGLISH SUBTITLE» That’s Becky there. STEPHIE «ENGLISH SUBTITLE» I’m Stephanie. BECKY Pleased to meet you. STEPHIE Nice to meet you. PETE «ENGLISH SUBTITLE» Clio. STEPHIE «ENGLISH SUBTITLE» I’m Stephanie. LINA I’m Lina. |
01 06 03 05 |
80 |
2.19 |
ms
clio reaches over bar to shake lina’s hand |
LINA «ENGLISH SUBTITLE» Lina. CLIO «ENGLISH SUBTITLE» Nice to meet you. LINA Nice to meet you too. |
01 06 08 19 |
81 |
4.01 |
LA
TILT ms track with LINA following STEPHIE and becky up stairs |
PETE (OOS) Righto, now. PETE «ENGLISH SUBTITLE» Somebody will work tonight with Becky… PETE (OOS) «ENGLISH SUBTITLES» and then someone will wok tomorrow with Clio… |
01 06 11 13 |
82 |
2.16 |
ms
PETE with LINA and PROFILE STEPHIE |
PETE «ENGLISH SUBTITLES» and the next day with Clio… and the next day with Clio.
|
01 06 15 14 |
83 |
2.04 |
wms
microwave and kettle on table |
PETE That’s where you heat your meals up if you wanna. |
01 06 18 05 |
84 |
3.15 |
ms
PETE pointing for LINA and STEPHIE |
PETE Fridge there. There’s a shoe library there. |
01 06 20 09 |
85 |
2.17 |
HA
TILT ws coolgardie street from pub VERANDA |
PETE (OOS) And that’s the park over there. Swimming pool on the
other side. |
01 06 23 24 |
86 |
1.22 |
LA
TILT m2s LINA and PETE |
PETE Golf course just at the back of the |
01 06 26 16 |
87 |
2.08 |
ws
railway museum with VERANDA railing in fg |
railway museum over there. |
01 06 28 13 |
88 |
4.12 |
LA TILT m3s STEPHIE, LINA
and PETE |
PETE You’ve just had a guided tour. LINA Perfect. |
01 06 30 21 |
89 |
2.11 |
mcu
PROFILE clio |
CLIO Between five and eight you get most of your
customers. |
01 06 35 08 |
90 |
2.16 |
mcu
becky at bar then swing to ms LINA and mcu STEPHIE |
CLIO (OOS) Like, after work, when all the miners finish. |
01 06 37 19 |
91 |
2.20 |
mcu beck with REAR VIEW
clio in fg |
BECKY And it’s quite good, cause the local, the regulars
do come in every day. |
01 06 40 10 |
92 |
1.15 |
ms
LINA next to mcu STEPHIE |
BECKY Don’t they? CLIO Yeah. BECKY Same ones. |
01 06 43 05 |
93 |
1.05 |
LA TILT mcu clio at bar |
CLIO Everyone has a yarn. |
01 06 44 20 |
94 |
1.04 |
LA
TILT mcu LINA and STEPHIE |
LINA A what? |
01 06 46 00 |
95 |
1.08 |
LA TILT mcu PROFILE clio |
CLIO Like a chat, a yarn. |
01 06 47 04 |
96 |
2.03 |
ly
mcu LINA and STEPHIE at bar |
LINA Oh yeah. |
01 06 48 12 |
97 |
7.17 |
LA
TILT ms STEPHIE and LINA walk out door then pan left as they walk |
LINA (OOS) Food. MUSIC BEGINS… 52
SEC STEPHIE SPEAKS IN FINNISH |
01 06 50 15 01 06 50 19 |
98 |
9.10 |
MONTAGE
EDITS of STEPHIE and LINA walking down street |
|
01 06 58 07 |
99 |
3.16 |
ms
dog barking over top of fence |
|
01 07 07 17 |
100 |
4.19 |
LA
TILT ms STEPHIE and LINA standing at counter |
STEPHIE «ENGLISH SUBTITLE» Do you have enough money? I think I have fifteen
dollars. |
01 07 11 08 |
101 |
2.08 |
mcu
STEPHIE eating |
LINA «ENGLISH SUBTITLE» Hi Ma. |
01 07 16 02 |
102 |
4.07 |
mcu
LINA on phone |
LINA «ENGLISH SUBTITLE» Somewhere far away from civilization. |
01 07 18 10 |
103 |
5.07 |
ms
LINA on phone |
LINA «ENGLISH SUBTITLE» No, but they seem really nice. Very warm people. |
01 07 22 17 |
104 |
2.19 |
mws
REAR VIEW STEPHIE and LINA at table through café window |
LINA «ENGLISH SUBTITLE» The girls who are working the bar |
01 07 27 24 |
105 |
6.06 |
ms LINA on phone |
…say that some people want to adopt them. |
01 07 30 18 |
106 |
7.03 |
LA
TILT mcu bECKY facing three men at bar |
MAN IN YELLOW SHIRT «ENGLISH SUBTITLE» You’ll be sorry you left Coolgardie. BECKY I know I will. I actually might even shed a tear. MUSIC ENDS |
01 07 36 24 01 07 42 00 |
107 |
3.14 |
ms
STEPHIE and LINA walk into bar behind PETE then pan right |
BECKY Hey. LINA Hi. |
01 07 44 02 |
108 |
1.23 |
la
cu fly on bar |
|
01 07 47 16 |
109 |
2.16 |
mcu
BECKY with STEPHIE behind bar |
BECKY Right, I will show you what’s what. |
01 07 49 14 |
110 |
2.18 |
ms PETE sitting with three
men along bar |
BECKY So we’ve got the back bar. In here you’ve got |
01 07 52 05 |
111 |
1.15 |
track behind ms BECKY
leading STEPHIE behind bar |
all the vodka Cruisers, |
01 07 54 23 |
112 |
1.19 |
mcu
REAR VIEW STEPHIE and BECKY |
and your Jim Beams and your Bundies. |
01 07 56 13 |
113 |
2.22 |
m2s
BECKY and STEPHIE then tilt down to beer in hand |
BECKY People call it Toohey’s or Ted’s. STEPHIE Yep. |
01 07 58 07 |
114 |
1.11 |
LA TILT m2s STEPHIE watches
BECKY make drink |
STEPHIE Okay. BECKY Then you’ve got middies, |
01 08 01 04 |
115 |
1.16 |
LA
TILT mcu PROFILE BECKY with STEPHIE |
and then pints. You just |
01 08 02 15 |
116 |
2.10 |
mcu
STEPHIE |
press a middy twice. STEPHIE Okay. |
01 08 04 06 |
117 |
3.16 |
ms
LINA and CANMAN at bar |
CANMAN How ya goin’? LINA Nice to meet you. BECKY Now Canman, |
01 08 06 16 |
118 |
1.13 |
LA
TILT ms BECKY and STEPHIE at cash register |
he always has his first one for |
01 08 10 07 |
119 |
1.21 |
ms
LINA at bar with CANMAN |
free when he comes in. CANMAN Where you from? |
01 08 11 20 |
120 |
4.18 |
ms
LINA talking to CANMAN at bar with PETE and other patrons in bg |
LINA From Finland. CANMAN Have you met the puppy dogs outside? LINA «ENGLISH SUBTITLE» Did we what? |
01 08 13 16 |
121 |
5.21 |
mcu PETE |
PETE What I like is just to make sure they’re alert, and
reasonably quick. |
01 08 18 09 |
122 |
2.19 |
LA
TILT m2s young men at bar then pan right to long haired man |
PETE (OOS) Everybody gets a drink quick as they possibly can.
Apart from |
01 08 24 05 |
123 |
2.05 |
wms
REAR VIEW STEPHIE facing BECKY at fridges |
that, I think the challenge for them is to be able
to |
01 08 26 24 |
124 |
2.11 |
mws
truck pulled up outside pub |
put up with the patrons. PATRON (OOS) Yeah, the boys were saying up at |
01 08 29 04 |
125 |
1.15 |
ms
REAR VIEW man looking through window |
work, they’re coming down after work. |
01 08 31 15 |
126 |
2.04 |
mcu LINA at bar with CANMAN |
PATRON «ENGLISH SUBTITLE» They’re saying the new bar girls are in. |
01 08 33 05 |
127 |
3.12 |
LA
TILT mcu man with beer |
MAN WITH BEER Yeah. Yeah. PETE «ENGLISH SUBTITLE» They’re all bloody blokes… |
01 08 35 09 |
128 |
1.23 |
mcu
PETE |
and they’re all as rough as bags, mate. |
01 08 38 21 |
129 |
2.19 |
wms
REAR VIEW two men at bar with BECKY in bg |
PETE «ENGLISH SUBTITLE» They grow a leg when there’s new girls in town. |
01 08 40 19 |
130 |
4.09 |
mcu
PETE |
PETE Some of the old blokes as well. You know they, they
all grow a leg. |
01 08 43 13 |
131 |
3.21 |
LA
TILT mcu BECKY showing STEPHIE cash register |
MAN IN YELLOW SHIRT «ENGLISH SUBTITLE» Maybe we should have some sort of competition. |
01 08 47 22 |
132 |
4.11 |
mcu
man in black singlet at bar |
MAN IN BLACK SINGLET «ENGLISH SUBTITLE» A bit of jelly wrestling or… a wet T-shirt
competition. MAN IN YELLOW SHIRT (OOS) That’d be the go. |
01 08 51 18 |
133 |
3.06 |
LA
TILT mcu man in yellow shirt |
MAN IN YELLOW SHIRT Which ones are better ones, if they’re worth the
swap or not. |
01 08 56 04 |
134 |
1.08 |
LA
TILT ms man in black singlet and man in yellow shirt laughing at bar |
|
01 08 59 10 |
135 |
1.17 |
la
mcu BECKY with ms STEPHIE bent over |
BECKY And… |
01 09 00 18 |
136 |
2.03 |
LA
TILT ms man in yellow shirt at bar with STEPHIE in fg |
BECKY «ENGLISH SUBTITLE» … you’ve also got stubbies in here. |
01 09 02 10 |
137 |
1.17 |
la
mcu BECKY with ms STEPHIE bent over |
STEPHIE Okay. BECKY Yeah. |
01 09 04 13 |
138 |
4.00 |
mcu
clio comes in door behind LINA |
CLIO How’s it going? LINA Good. CLIO You had a drink? LINA No, not yet. |
01 09 06 05 |
139 |
3.06 |
la ms BECKY showing STEPHIE how to pour bear |
CLIO (OOS) No? If you leave it in the spout, |
01 09 10 05 |
140 |
3.10 |
swing to ms LINA and clio
at bar |
when you turn it off, it will stop it doing that
frothing |
01 09 13 11 |
141 |
1.13 |
ms
PROFILE STEPHIE pouring beer with BECKY behind |
thing. PATRON (OOS) That’s alright you’ll learn. |
01 09 16 21 |
142 |
2.05 |
mcu
PETE |
PETE We’ll educate them mate, don’t worry about that. |
01 09 18 09 |
143 |
10.21 |
ms
STEPHIE carries beer then swing right as she hands it to patron next PETE at
bar |
PETE Now you can give him that one, you can give him that
one. Do you know why? You didn’t swap the glass. You’ve got to give him a
clean glass every time. Every time. STEPHIE Ah, okay. |
01 09 20 14 |
144 |
1.15 |
mcu PETE wags finger |
|
01 09 31 10 |
145 |
1.22 |
mcu
CANMAN at bar |
PETE (OOS) You’ve had a warning. |
01 09 33 00 |
146 |
4.06 |
la
ms man with beard crouched with dog shakes hands then kisses it |
MAN WITH BEARD Shake hands. Now give me a kiss. Good girl. |
01 09 34 22 |
147 |
1.21 |
LA
TILT wms man with beard points at dog |
CLIO (OOS) A slab. |
01 09 39 03 |
148 |
1.22 |
LA
TILT ms man with red cap at bar |
LINA «ENGLISH SUBTITLE» A slap? CLIO (OOS) Like a… |
01 09 40 24 |
149 |
6.05 |
wms
LINA standing next to clio crouched |
CLIO «ENGLISH SUBTITLE» S.L.A.B. LINA Oh, not a slap. CLIO A slab. No, a slab. |
01 09 42 21 |
150 |
2.12 |
wms
REAR VIEW LINA and CLIO face patrons at bar |
PATRON «ENGLISH SUBTITLE» A four-X of middy, please. LINA Okay, four-X of middy. |
01 09 49 01 |
151 |
4.02 |
zoom
to ms STEPHIE with LINA in fg |
STEPHIE «ENGLISH SUBTITLE» Can you understand what they’re saying? LINA (OOS) Nah. |
01 09 51 13 |
152 |
2.13 |
wms
STEPHIE with REAR VIEW LINA in fg |
LINA «ENGLISH SUBTITLE» I’m glad she’s here next to me! |
01 09 55 15 |
153 |
2.04 |
LA
TILT mcu two young men behind beer taps |
PETE (OOS) That’s it. Look at the numbers up the left |
01 09 58 03 |
154 |
2.21 |
mcu
LINA at cash register |
hand side mate. About halfway down you’ll see |
01 10 00 07 |
155 |
5.13 |
LA
TILT REAR VIEW mcu PETE with ms LINA in bg then
zoom to mcu LINA |
Emu Bitter, Emu Exports. LINA Oh yeah. PETE Either one of those ones just press it. Not
takeaway. LINA «ENGLISH SUBTITLE» Is it draught or bitter? |
01 10 03 03 |
156 |
4.06 |
LA
TILT mcu PROFILE PETE at bar with patrons |
PETE Fuck me dead, what did I just say? I said export. |
01 10 08 16 |
157 |
1.17 |
cu LINA |
PETE Doesn’t say fucking draught |
01 10 12 22 |
158 |
2.20 |
LA TILT mcu PROFILE PETE at
bar with patrons |
or bitter. PETE «ENGLISH SUBTITLE» Emu export? |
01 10 14 14 |
159 |
1.21 |
LA
TILT cu PROFILE clio with mcu li |
LINA That one or that one? CLIO Okay just press that one. |
01 10 17 09 |
160 |
1.13 |
LA
TILT mcu PROFILE PETE at bar with patron in bg |
MUSIC BEGINS… 27
SEC |
01 10 19 05 01 10 19 18 |
161 |
2.13 |
ls street outside pub |
|
01 10 20 18 |
162 |
10.01 |
ms
PROFILE lina stretches hand out then pan right as she shakes hands with
patrons drinking with BECKY |
LINA Hey. GINTY Ginty LINA Lina. DAMIAN Damian. LINA Lina. PETER Peter. LINA Lina. KEIRAN Keiran. LINA Lina. Nice to meet you all. |
01 10 23 06 |
163 |
3.04 |
LA
TILT wms line of patrons at bar |
BALD MAN «ENGLISH SUBTITLE» New meat in town. CLIO Pull |
01 10 33 07 |
164 |
1.15 |
LA
TILT mcu clio watches lina pour beer |
down, just leave it, no, no, no, |
01 10 36 11 |
165 |
1.16 |
la
mcu LINA’s hands pour beer |
leave it there. |
01 10 38 01 |
166 |
2.22 |
LA
TILT m3s patrons drinking beer at bar, bald man mimes combing hair |
CLIO (OOS) Okay, okay. That’ll do. |
01 10 39 17 |
167 |
2.00 |
mcu
STEPHIE at bar |
|
01 10 42 14 |
168 |
4.10 |
ms
LINA hands beer to patron over bar then PETE slaps money |
LINA And there you go. PATRON Thank you. MUSIC ENDS LINA Thank you. |
01 10 44 14 01 10 46 09 |
169 |
7.04 |
ws exterior hotel at night
then truck drives past then FADE TO BLACK |
|
01 10 48 24 |
170 |
2.18 |
fade
up to ws utes parked outside pub |
WOMAN IN WHITE SINGLET (OOS) Alright |
01 10 56 03 |
171 |
3.05 |
ms
STEPHIE and LINA working behind bar |
then. Righto. CLIO «ENGLISH SUBTITLE» These girls are working their first shift… |
01 10 58 21 |
172 |
8.09 |
ms
clio then swing to ms woman in white singlet at bar |
WOMAN IN WHITE SINGLET (OOS) Ah, righto, here we go. CLIO «ENGLISH SUBTITLE» … properly on their own. WOMAN IN WHITE SINGLET «ENGLISH SUBTITLE» … we’re going to give you heaps. CLIO (OOS) And they’re going to be on the other side of the
bar. WOMAN IN WHITE SINGLET «ENGLISH SUBTITLE» Job’s on! WOMAN IN WHITE SINGLET Righto. WOMAN IN WHITE SINGLET «ENGLISH SUBTITLE» We’ll initiate these new girls to the pub. |
01 11 02 01 |
173 |
6.01 |
m2s
clio watches BECKY open bottle then chink classes |
CLIO Whoa! MUSIC BEGINS… 1 MIN
8 SEC CLIO «ENGLISH SUBTITLE» To the last shift. The end of an era. |
01 11 10 10 01 11 10 20 |
174 |
3.23 |
LA TILT mws CLIO and BECKY
high five at bar then BECKY cheers another patron and breaks glass |
|
01 11 16 11 |
175 |
2.00 |
LA
TILT ms LINA cleaning bar with PETE behind |
|
01 11 20 09 |
176 |
2.08 |
wms
BECKY leans over bar to put broken glass in bin while patrons laugh |
|
01 11 22 09 |
177 |
1.10 |
ms
STEPHIE smiling behind bar |
PETE (OOS) What are you doing? What are you doing? |
01 11 24 17 |
178 |
3.06 |
swing
to ms pete with patrons at bar and REAR VIEW APRIL behind bar |
PETE What’s, what’s going on here? See there’s people
coming in, they’ve got to be served. You |
01 11 26 02 |
179 |
6.06 |
ws
PETE with patrons at bar and STEPHIE serving |
just, you can’t all just stop for fuckin no reason. CUSTOMER «ENGLISH SUBTITLE» You got a bottle shop here? PETE You’re right in it mate. You’re standing in the
middle of it. |
01 11 29 08 |
180 |
4.21 |
ms LINA looking in cooler |
LINA Cans? PETE (OOS) In the middle, in the middle. Fuck me dead. |
01 11 35 14 |
181 |
1.10 |
LA
TILT ms PETE scratching head |
|
01 11 40 10 |
182 |
2.14 |
ms REAR VIEW STEPHIE walks
around LINA bent over cooler |
STEPHIE «ENGLISH SUBTITLE» They should
be in the middle somewhere. |
01 11 41 20 |
183 |
1.17 |
LA
TILT wms clio and BECKY at bar laughing with patrons |
PETE «ENGLISH SUBTITLE» Did you show em where anything was? |
01 11 44 09 |
184 |
1.21 |
mcu
PETE |
PETE «ENGLISH SUBTITLE» They didn’t even know where the bourbon was! |
01 11 46 01 |
185 |
3.10 |
mws
patron’s around bar with STEPHIE and LINA working |
STEPHIE AND LINA SPEAK IN FINNISH |
01 11 47 22 |
186 |
3.04 |
LA TILT mcu PETE |
STEPHIE (OOS) Strongbow. PETE What are you looking for? What are you looking for?
Ask me. |
01 11 51 07 |
187 |
1.22 |
ms
REAR VIEW STEPHIE serving bar with BECKY, pete and patrons on other side |
STEPHIE Strongbow, but… PETE It’s right there. STEPHIE …do you have them |
01 11 54 11 |
188 |
1.16 |
LA TILT mcu STEPHIE and
patrons watching |
in six pack or like just |
01 11 56 08 |
189 |
2.21 |
ms
REAR VIEW STEPHIE serving bar with BECKY, pete and patrons on other side |
bottles. BECKY Just bottles. STEPHIE Okay. PETE Yeah, just put them in a bag. STEPHIE Yep. |
01 11 57 24 |
190 |
2.07 |
ms
BECKY and patrons at bar |
MAN IN YELLOW SHIRT «ENGLISH SUBTITLE» New ones, I take it? |
01 12 00 20 |
191 |
5.00 |
LA
TILT mcu PETE with man in yellow shirt |
PETE «ENGLISH SUBTITLE» They’re brand spankin’. Just out of the packet, they
are. |
01 12 03 02 |
192 |
1.06 |
wms
clio, BECKY and friends drinking shot at the bar |
|
01 12 08 02 |
193 |
1.24 |
mcu
PETE talking to CANMAN |
PETE These ones are gonna get nothin’ in their fuckin’
tip jar. |
01 12 09 08 |
194 |
2.08 |
ZOOM
IN ON mcu sign “bex & clio’s travelling fund’ |
PETE (OOS) Nothin’. |
01 12 11 07 |
195 |
1.16 |
ms PROFILE STEPHIE pouring
beer |
|
01 12 13 15 |
196 |
2.05 |
LA
TILT mcu PETE watching |
PETE Fuckin’ hell. |
01 12 15 06 |
197 |
3.07 |
wms
flashing open signs in windows |
LINA (OOS) Dry white? MUSIC ENDS |
01 12 17 11 01 12 18 10 |
198 |
1.23 |
mcu
LINA holding bottles of wine on bar |
PETE (OOS) Do it quick. Just open one up. |
01 12 20 18 |
199 |
1.20 |
mcu
PROFILE PETE with patrons at bar |
PETE «ENGLISH SUBTITLE» This bloke here thinks his throat’s cut! |
01 12 22 16 |
200 |
0.24 |
mcu
LINA at bar holding wine bottles |
LINA Huh? |
01 12 24 11 |
201 |
1.12 |
mcu
PROFILE PETE with patrons at bar |
PETE This bloke here thinks his throat’s cut. |
01 12 25 10 |
202 |
2.12 |
ms
lina behind bar then swing to PETE with patrons |
PETE (OOS) Go and get a drink. PETE «ENGLISH SUBTITLE» Fuck me dead. |
01 12 26 22 |
203 |
2.07 |
ms
STEPHIE and LINA working bar |
LINA No wine glasses! STEPHIE Here. |
01 12 29 09 |
204 |
5.18 |
m2s
PETE and man in blue shirt at bar |
MAN IN BLUE SHIRT «ENGLISH SUBTITLE» What nationality? PETE «ENGLISH SUBTITLE» Finn. MAN IN BLUE SHIRT «ENGLISH SUBTITLE» Finn? Fin-ish! PETE «ENGLISH SUBTITLE» They might be finishing early! |
01 12 31 16 |
205 |
2.09 |
mcu
LINA at register |
|
01 12 37 09 |
206 |
3.19 |
ms
STEPHIE holding docket, then swing to mcu PROFILE PETE |
PETE Hey what are you doing with that? Hey! Steph! |
01 12 39 18 |
207 |
1.11 |
ms STEPHIE serving man at
bar |
PETE (OOS) Steph! |
01 12 43 12 |
208 |
27.12 |
mcu
PROFILE PETE then swing right to STEPHIE at tills THEN
PAN RIGHT WITH STEPHIE WALKING TO TILL AND MAN IN GREEN SHIRT |
PETE Steph. What are you doing with that? STEPHIE I’m going to put it there. PETE (OOS) And where did you get the money from? Out of there
did you? STEPHIE Yeah. PETE (OOS) When you fuckin put the thing in where you got the
money from. STEPHIE But… PETE (OOS) Don’t put it in that till. Put it in that till. STEPHIE Yep. PETE (OOS) This is going to be hard work, I can tell you that. MAN IN GREEN SHIRT AT BAR «ENGLISH SUBTITLE» That silenced the joint. STEPHIE Yep. |
01 12 44 23 |
209 |
2.20 |
MCU
PROFILE PETE AT BAR WITH PATRONS |
PETE Obviously fuckin’ anywhere across the English
Channel, they’re fucked. |
01 13 12 10 |
210 |
3.09 |
ms
STEPHIE turns head |
MUSIC BEGINS… 7 SEC
|
01 13 15 05 01 13 18 13 |
211 |
2.11 |
m3s
men at bar |
|
01 13 18 14 |
212 |
4.09 |
mcu
BECKY and woman holding beer |
WOMAN HOLDING BEER Hello. Where’d you come from? MUSIC ENDS |
01 13 21 00 01 13 25 02 |
213 |
3.20 |
ms
PROFILE ANTHONY and dave leaning over bar with STEPHIE and LINA working other
side |
DAVE «ENGLISH SUBTITLE» I’m looking for a nice Finnish brunette. |
01 13 25 09 |
214 |
12.23 |
ms
STEPHIE behind bar with DAVE in fg |
DAVE I’ve a very, very… small penis. ANTHONY «ENGLISH SUBTITLE» I’ve seen it, it’s like a sausage! DAVE It’s like, it’s like… STEPHIE I don’t want to know. DAVE It’s like that. So |
01 13 29 04 |
215 |
3.05 |
mcu PROFILE DAVE and
ANTHONY leaning over bar |
if we have sex it will be bad, but it will be very
quick. |
01 13 42 02 |
216 |
4.23 |
ms
STEPHIE turns and walks away then swing to mcu PROFILE DAVE and ANTHONY at
bar |
DAVE So it’s not so much of a problem. Ah Steph, can I
have another Swan? |
01 13 45 07 |
217 |
2.05 |
cu
PROFILE dave and ANTHONY |
MAN (OOS) Who are those blokes? PETE (OOS) This is the chefs down at the motel. |
01 13 50 05 |
218 |
2.19 |
ms
LINA behind bar |
PETE (OOS) Now listen, what do you eat in Finland? PETE «ENGLISH SUBTITLE» You eat seals and shit don’t you? |
01 13 52 10 |
219 |
3.15 |
ms
PROFILE PETE at bar with clio |
LINA (OOS) Reindeer, reindeer. CLIO Seals! You like a bit of seal? PETE «ENGLISH SUBTITLE» Reindeer? |
01 13 55 04 |
220 |
2.03 |
ms PROFILE LINA at bar with
STEPHIE behind |
PETE «ENGLISH SUBTITLE» Dolphins, seals? |
01 13 58 19 |
221 |
1.00 |
mcu
PETE and BECKY t bar with DAVE in fg |
DAVE Lina! Lina! |
01 14 00 22 |
222 |
3.08 |
ms
lina behind bar with DAVE LEANING IN |
DAVE «ENGLISH SUBTITLE» Do you have a boyfriend that cooks for you in the
past? LINA Yes. |
01 14 01 22 |
223 |
6.02 |
ms BECKY at bar banging
glass |
BECKY Ah! |
01 14 05 05 |
224 |
2.07 |
ms
STEPHIE and LINA working behind bar |
STEPHIE «ENGLISH SUBTITLE» Damn it they’re disgusting. |
01 14 11 07 |
225 |
2.24 |
ms
LINA carries drinks past STEPHIE behind bar |
LINA «ENGLISH SUBTITLE» Mum wouldn’t want to see this. |
01 14 13 14 |
226 |
3.13 |
ms
through bar door BECKY and clio cheers glasses with other patrons |
BECKY Eh! |
01 14 16 13 |
227 |
1.00 |
ms
PROFILE LINA takes money over bar |
PATRON (OOS) Couple of tequilas. |
01 14 20 01 |
228 |
2.04 |
mcu
PROFILE LINA |
PATRON 2 (OOS) Show us ya tits! LINA Thank you. |
01 14 21 1 |
229 |
4.08 |
wms
clio at jukebox then man slaps her bottom with man and woman in fg |
|
01 14 23 05 |
230 |
3.00 |
ms REAR VIEW LINA working
bar then BECKY throws rubbish at her from other side |
BECKY I didn’t mean |
01 14 27 13 |
231 |
4.21 |
mcu
REAR VIEW PETE talking to clio and patrons at bar |
to do that. PETE They’re fuckin slow these two. I’ll give you the
tip. This one’d fucked by herself. And there’s |
01 14 30 13 |
232 |
2.16 |
ms LINA eating dinner |
nobody in here, and she wouldn’t be able to handle
that. You know what |
01 14 35 09 |
233 |
3.06 |
cu
LINA eating |
I mean? |
01 14 38 00 |
234 |
6.12 |
ls
PETE and patron at end of bar with LINA in fg eating |
PETE «ENGLISH SUBTITLE» You look like you’re enjoying it! PATRON «ENGLISH SUBTITLE» What are they eating? |
01 14 41 06 |
235 |
3.15 |
LA
TILT mcu PETE |
PETE Fuck knows. But obviously it’s not that flash. |
01 14 47 18 |
236 |
2.23 |
la
cu fork spinning in food |
PETE (OOS) And whatever they’re eating, that’s what I eat. |
01 14 51 08 |
237 |
5.00 |
ws
exterior denver city hotel at night |
PETE (OOS) Steph! Steph! |
01 14 54 06 |
238 |
3.14 |
m3s
PETE sitting with oman and man at bar then swing to ws STEPHIE at back bar |
WOMAN IN BLACK TOP Steph! MUSIC BEGINS… 45
SEC PETE Steph! |
01 14 59 06 01 14 59 19 |
239 |
2.04 |
ms
PETE at bar with patrons |
PETE Staph’s deaf. WOMAN IN BLACK TOP (OOS) Stephanie! |
01 15 02 20 |
240 |
1.23 |
mws
REAR VIEW LINA and STEPHIE at back bar |
WOMAN IN BLACK TOP (OOS) Steph! |
01 15 04 24 |
241 |
3.07 |
LA
TILT mcu man throwing drink back |
LINA «ENGLISH SUBTITLE» … but he’s like totally drunk. |
01 15 06 22 |
242 |
8.14 |
ms
clio dancing with man in grey shirt and BECKY in doorway behind |
|
01 15 10 04 |
243 |
6.15 |
LA
TILT ms STEPHIE taking money from bar in front of PETE |
PETE You got the money right? You sort it out yet, or…? |
01 15 18 18 |
244 |
19.06 |
ms
PROFILE BECKY pulling two men in to hug and being picked up |
MUSIC ENDS |
01 15 25 08 01 15 44 00 |
245 |
2.05 |
mws
LINA and STEPHIE BEHIND bar |
LINA «ENGLISH SUBTITLE» How long has this been opened? CLIO Doesn’t matter, |
01 15 44 14 |
246 |
2.11 |
m2s
PETE and clio at bar |
just put it in a drink. WOMAN IN BLACK TOP «ENGLISH SUBTITLE» If it’s not |
01 15 46 19 |
247 |
1.18 |
ws
LINA behind bar |
fizzy, throw it away. |
01 15 49 05 |
248 |
1.14 |
LA
TILT PETE with clio and patrons at bar |
WOMAN IN BLACK TOP Don’t listen to her! Shut the |
01 15 50 23 |
249 |
3.03 |
m3s
woman in black top yelling at clio over PETE |
fuck up, if it’s not fizzy it’s fucked. Throw it
out. |
01 15 52 12 |
250 |
1.14 |
ws STEPHIE and LINA behind
bar |
WOMAN IN BLACK TOP (OOS) Throw it out honey. |
01 15 55 15 |
251 |
1.13 |
LA
TILT ms PETE and clio at bar |
PETE We’re going to have trouble you and me. |
01 15 57 04 |
252 |
1.03 |
ws
STEPHIE and LINA behind bar |
LINA «ENGLISH SUBTITLE» Where do you have more of them? |
01 15 58 17 |
253 |
1.13 |
LA
TILT m2s PETE and clio at bar |
PETE Don’t worry. CLIO Just put it in the drink. |
01 15 59 20 |
254 |
1.10 |
m3s
woman in black, PETE and clio at bar |
WOMAN IN BLACK TOP (OOS) You can’t put that in a drink. PETE You shut up. |
01 16 01 08 |
255 |
1.15 |
mws STEPHIE and LINA behind
bar |
PETE (OOS) You just drive trucks. |
01 16 02 18 |
256 |
6.09 |
LA
TILT ms woman in black top kisses PETE next to clio at bar |
PETE You just tell em how to drive trucks, I’ll tell em
how to pour piss. WOMAN IN BLACK TOP (OOS) Alright then, I’m going to shut the fuck up. See
what I mean? He’s a hard man. See what I mean? He’s a hard man. PETE That’s the best fuckin’ thing |
01 16 04 08 |
257 |
2.08 |
ms LINA watches customers
walk out door |
I’ve heard all night. WOMAN IN BLACK TOP (OOS) He’s a fuckin’ hard man. Cheers. |
01 16 10 17 |
258 |
1.13 |
mcu
PROFILE man skulls beer |
WOMAN (OOS) Oggie, oggie, oggie! |
01 16 13 00 |
259 |
2.02 |
LA
TILT m3s PETE with clio and patron at bar |
MAN (OOS) Oi, oi, oi! CLIO Oi! |
01 16 14 13 |
260 |
3.02 |
mcu
PETE with clio throwing arm in air at bar |
CLIO Oi, oggie, oi, |
01 16 16 15 |
261 |
1.11 |
LA
TILT m3s PETE and patron with clio throwing arm in air at bar |
CLIO Oggie, oggie, oggie. |
01 16 19 17 |
262 |
2.06 |
LA
TILT ms PROFILE LINA pouring beer and walks away |
MAN (OOS) Oi, oi ,oi! WOMAN IN BLACK TOP (OOS) Ah that’s |
01 16 21 03 |
263 |
1.10 |
LA
TILT mcu PETE and clio at bar with WOMAN
IN BLACK TOP’S ARM IN FG |
for the girls. |
01 16 23 09 |
264 |
2.13 |
LA
TILT ms clio |
WOMAN IN BLACK TOP (OOS) For the holiday. CLIO Get me a pint glass. WOMAN IN BLACK TOP (OOS) Got another two dollars. |
01 16 24 19 |
265 |
3.07 |
LA
TILT ms STEPHIE behind bar then pan left to ms clio next to patron at bar |
CLIO Get me a pint glass. No. Fuck me dead. |
01 16 27 07 |
266 |
2.24 |
ms
LINA turns and walks away |
WOMAN IN BLACK TOP (OOS) The poor little prick hasn’t got any fuckin’ idea. |
01 16 30 14 |
267 |
1.22 |
LA
TILT cu clio shrugs and turns head |
WOMAN IN BLACK TOP (OOS) She’s never done this before in Australia, ever. |
01 16 33 13 |
268 |
10.22 |
ms
LINA behind bar and PETE, CLIO and WOMAN
IN BLACK TOP IN BG THEN STEPHIE WALKS IN FRONT |
PETE «ENGLISH SUBTITLE» She’s not going to be around long, mate. WOMAN IN BLACK TOP But god love em. It takes a little while for them to
settle down. What’s that young girl’s name? CLIO Stephie have you set… PETE Maybe she’s as dumb as dog |
01 16 35 10 |
269 |
6.14 |
LA
TILT mcu STEPHIE and LINA working register |
shit, mate. You know what I mean? I mean you can
take a horse to water, but you can’t make it drink. |
01 16 46 07 |
270 |
5.20 |
HA
TILT wms LINA walking up stairs in dark |
|
01 16 52 21 |
271 |
6.15 |
ms
STEPHIE walks in front of LINA at top of stairs |
|
01 16 58 16 |
272 |
4.17 |
LA
TILT ms REAR VIEW STEPHIE follows LINA through door |
STEPHIE «ENGLISH SUBTITLE» Gee that went well. |
01 17 05 06 |
273 |
2.19 |
LA
TILT ms PROFILE LINA crying |
|
01 17 09 23 |
274 |
3.07 |
mcu
STEPHIE looks down |
|
01 17 12 17 |
275 |
2.23 |
ms
LINA on bed wiping eyes |
|
01 17 15 24 |
276 |
3.12 |
LA
TILT ms STEPHIE laughs |
|
01 17 18 22 |
277 |
5.00 |
mcu
LINA shakes head then FADE TO BLACK |
|
01 17 22 09 |
278 |
5.18 |
fade up to HA TILT ws main
street from pub pov SUPER: day
four |
|
01 17 27 09 |
279 |
4.23 |
la
ms CANMAN pats dog then tilt up as he stands and walks away |
|
01 17 33 02 |
280 |
2.24 |
HA
TILT ms CANMAN unpacks drinks into ice |
|
01 17 38 00 |
281 |
4.13 |
MONTAGE
EDITS of CANMAN cleaning behind bar |
|
01 17 40 24 |
282 |
3.16 |
LA
TILT ms PROFILE LINA and STEPHIE getting ready |
|
01 17 45 12 |
283 |
4.17 |
LA TILT ws mining truck
drives past pub |
|
01 17 49 03 |
284 |
6.07 |
m2s
STEPHIE and LINA outside pub |
LINA «ENGLISH SUBTITLE» Where to go then? STEPHIE Over this way. |
01 17 53 20 |
285 |
1.24 |
ms
PROFILE STEPHIE and LINA waiting at station |
|
01 18 00 02 |
286 |
2.21 |
ws
vintage train stopped at platform |
|
01 18 02 01 |
287 |
2.13 |
LA
TILT ms LINA and STEPHIE lean forward |
|
01 18 04 22 |
288 |
2.00 |
ms
PROFILE LINA and STEPHIE pull on door |
|
01 18 07 10 |
289 |
2.19 |
ws
STEPHIE and LINA outside swimming pool |
STEPHIE It’s not open. |
01 18 09 10 |
290 |
3.06 |
ms
pan left as STEPHIE and LINA walk away |
LINA «ENGLISH SUBTITLE» There’s not a whole lot to see. |
01 18 12 04 |
291 |
4.12 |
track
with ms STEPHIE and LINA walking |
|
01 18 15 10 |
292 |
9.17 |
ms
LINA sitting on park bench then swing left to STEPHIE standing |
LINA «ENGLISH SUBTITLE» I’m really enjoying this park. There’s a pile of
rocks. |
01 18 19 22 |
293 |
3.19 |
wms
sculpture garden with sign ‘welcome you to coolgardie |
STEPHIE (OOS) They welcome you to Coolgardie. |
01 18 29 14 |
294 |
8.04 |
MONTAGE
EDITS of STEPHIE and LINA walking back to pub |
|
01 18 33 08 |
295 |
8.15 |
LA
TILT mcu chef and LINA mcu
chef makes face at camera |
CHEF Chips or mash? LINA Ah Stephie chips, or mash? STEPHIE (OOS) Huh? LINA Chips or mash. STEPHIE (OOS) Chips. |
01 18 41 12 |
296 |
2.05 |
ms
STEPHIE behind bar and LINA turning to CHef then swing to mcu chef walking
away |
LINA Chips. Thank you. |
01 18 50 02 |
297 |
2.04 |
mcu
WELLSY at bar |
STEPHIE «ENGLISH SUBTITLE» There’s no price. |
01 18 52 07 |
298 |
3.14 |
ms
PROFile STEPHIE at register |
WELLSY (OOS) Scotch, seven hundred. CANMAN «ENGLISH SUBTITLE» Red label. |
01 18 54 11 |
299 |
3.01 |
m2s
CANMAN and LINA at bar |
WELLSY (OOS) What have you |
01 18 58 0 |
300 |
3.02 |
mcu
STEPHIE at register |
found? STEPHIE Oh yeah. WELLSY (OOS) How much is it? |
01 19 01 01 |
301 |
6.13 |
m2s
CANMAN at bar with lina laughing |
STEPHIE (OOS) Forty eight. LINA It’s good that you’re helping. CANMAN Eh? LINA It’s good that you’re helping. |
01 19 04 03 |
302 |
4.12 |
ms
STEPHIE turns from register then pan right as she walks to bar |
CANMAN «ENGLISH SUBTITLE» I know where everything is in the fridges. LINA (OOS) Yeah I know, and they’re all Australian. I have
never |
01 19 10 16 |
303 |
9.03 |
m2s
CANMAN and lina at bar |
heard about them. CANMAN Haven’t ya? LINA No. CANMAN Do you drink wine? LINA Yeah I drink wine. |
01 19 15 03 |
304 |
1.06 |
wms
clio zips bag up |
|
01 19 24 06 |
305 |
1.03 |
mws
BECKY stands in doorway with bag |
|
01 19 25 12 |
306 |
2.19 |
la
ms bag on bed then tilt up to clio |
CLIO Let’s go! Bye room. |
01 19 26 15 |
307 |
5.20 |
fade
up to super on black background then FADE TO BLACK SUPER: Becky and Clio have finished work but are staying on for a few days
at the guesthouse across the road. |
BECKY (OOS) Both feel emotional. |
01 19 29 09 |
308 |
2.13 |
ws
pub exterior at sunset |
|
01 19 35 04 |
309 |
1.20 |
ms
chef carries meal l to r |
PETE (OOS) Oi! |
01 19 37 17 |
310 |
3.09 |
swing
to PETE next to clio and patron at bar then pan left as STEPHIE walks BEHIND
bar to get pepper and salt |
PETE Pepper and salt. Obviously there’s no |
01 19 39 12 |
311 |
2.00 |
ms
PETE between clio and patron at bar |
pepper and salt in Finland. |
01 19 42 21 |
312 |
4.18 |
ms
man with beard at bar |
MAN WITH BEARD What nationality are you? STEPHIE Ah, Finnish and German. MAN WITH BEARD Ah see |
01 19 44 21 |
313 |
1.11 |
ms
STEPHIE with hands on hips |
Finnish. If you don’t |
01 19 49 14 |
314 |
2.12 |
ms
man with beard next to BECKY at bar |
look after him, you’ll finish. |
01 19 51 00 |
315 |
2.00 |
ms
STEPHIE with hands on hips |
MAN WITH STRIPE JUMPER «ENGLISH SUBTITLE» These two here… |
01 19 53 12 |
316 |
10.11 |
m4s
man with stripe jumper between BECKY and clio laughing |
… have spoken the most fluent English we’ve heard in
the Coolgardie Hotel for three fucking years! MAN WITH STRIPE JUMPER You know. All the rest go… oh excuse me… |
01 19 55 12 |
317 |
1.24 |
ms
STEPHIE standing with hands on hips |
and we do have a |
01 20 05 23 |
318 |
4.09 |
m4s
man with stripe jumper between BECKY and clio laughing |
connection there, ‘cause we can fluently speak the
language. |
01 20 07 22 |
319 |
1.10 |
ms STEPHIE standing with
hands on hips |
|
01 20 12 06 |
320 |
5.06 |
m3s
man with stripe jumper between BECKY and clio then pan right to mcu PROFILE
STEPHIE and man with beard in bg |
MAN WITH STRIPE JUMPER «ENGLISH SUBTITLE» Chop Chop. You understand that? MAN WITH BEARD Yeah. STEPHIE Yeah. MAN WITH STRIPE JUMPER «ENGLISH SUBTITLE» Ah, now we gonna be friends aren’t we? |
01 20 13 16 |
321 |
1.00 |
HA
TILT m2s BECKY next to man with stripe jumper laughing |
|
01 20 18 22 |
322 |
1.11 |
ms PETE in between clio and
patron at bar |
MUSIC BEGINS… 13
SEC |
01 20 19 22 01 20 20 10 |
323 |
2.07 |
ms
STEPHIE standing with hands on hips behind bar |
|
01 20 21 08 |
324 |
3.11 |
ms
man with stripe jumper dancing with woman and REAR VIEW LINA filming in fg |
|
01 20 23 15 |
325 |
1.15 |
mcu
PROFILE STEPHIE smiling |
|
01 20 27 01 |
326 |
1.08 |
mcu
PROFILE PETE puts glass on bar with dancing in bg |
|
01 20 28 16 |
327 |
1.15 |
mcu
woman with glasses dancing at bar |
|
01 20 29 24 |
328 |
1.22 |
mcu
man eating at bar shakes head |
|
01 20 31 14 |
329 |
2.18 |
wms
exterior pub bar doors |
MUSIC ENDS |
01 20 33 11 01 20 33 18 |
330 |
5.22 |
HA
TILT ws truck driving down main street with xxxx gold signage in fg then FADE
TO BLACK |
|
01 20 36 04 |
331 |
2.17 |
fade
up to wms galahs on power lines |
|
01 20 42 01 |
332 |
3.01 |
ws
dog walking down dusty road |
|
01 20 44 18 |
333 |
3.06 |
HA
TILT ws deserted streets |
|
01 20 47 19 |
334 |
4.04 |
mws
LINA sitting in lounge chair on ipad |
LINA Wait. LINA’S MOTHER «ENGLISH SUBTITLE» I haven’t seen you in months. |
01 20 51 00 |
335 |
14.00 |
ms
LINA looking at ipad |
LINA’S MOTHER «ENGLISH SUBTITLE» Have you checked your blood sugar? LINA No. |
01 20 55 04 |
336 |
|
|
LINA’S MOTHER «ENGLISH SUBTITLE» I want you to check it today. LINA Yep. LINA’S MOTHER «ENGLISH SUBTITLE» Remember that. LINA Yep. LINA’S MOTHER «ENGLISH SUBTITLE» Listen to what I say. LINA «ENGLISH SUBTITLE» Yes I’ll do it. |
|
337 |
3.05 |
LA
TILT ws exterior of pub SIDE VIEW |
PETE Righto. Wellsy,
|
01 21 09 04 |
338 |
7.17 |
zoom
out to m2s PETE handing key to wellsy |
there’s the key for tomorrow. I’ve written a couple
of cheques, I’ve written a couple of cheques, so that’ll be all cool? WELLSY Yep. |
01 21 12 09 |
339 |
3.12 |
LA TILT mcu LINA PROFILE |
PETE (OOS) Canman’ll get the stock. Everything will be clean
when you take over, and you’ve met these girls |
01 21 20 01 |
340 |
1.21 |
ms
STEPHIE sitting at bar |
girls haven’t you? WELLSY Yeah. PETE You know Wellsy |
01 21 23 13 |
341 |
11.07 |
ms PETE walks behind wellsy
to STEPHIE at bar |
don’t you? STEPHIE Yeah. PETE John’s taking over tomorrow. STEPHIE Yep. PETE And he’ll be here for a week. Then Tony’ll be here
for a week, and then I’ll be back. STEPHIE Okay. PETE And I want to see it bloody running by the time I
get back. |
01 21 25 09 |
342 |
2.05 |
ms
REAR VIEW CANMAN at boot of car |
CANMAN Piggy! |
01 21 36 16 |
343 |
5.05 |
LA
TILT ms CANMAN opens door for dogs |
CANMAN Come on. Pig, you ready? Hey! Hey! In you go. |
01 21 38 21 |
344 |
4.05 |
MONTAGE
EDITS of dog getting into dark car |
CANMAN You’re in the wrong seat. That’s Piggy’s spot. |
01 21 44 01 |
345 |
3.03 |
LA
TILT ms CANMAN closes car door and walks away with bottle |
|
01 21 48 06 |
346 |
6.04 |
la
ms CANMAN’s hands holding bottle then tilt up to CANMAN and track left as he
walks |
CANMAN Cowgirl. For the barmaids. LINA Oh |
01 21 51 09 |
347 |
6.10 |
m2s
CANMAN with LINA holding bottle then pan left with CANMAN laughing |
Canman. Cowgirl. CANMAN Yeah. LINA (OOS) Thank you. |
01 21 57 13 |
348 |
4.23 |
ms
LINA holding bottle behind bar |
LINA «ENGLISH SUBTITLE» What is it? CANMAN «ENGLISH SUBTITLE» Something to drink. Get drunk! |
01 22 03 23 |
349 |
4.01 |
ms
BECKY and clio at bar |
BECKY Surprise, we’re drinking again. |
01 22 08 21 |
350 |
2.21 |
ms
man wearing hood walks in bar door and waves |
CLIO (OOS) Pikey! CANMAN (OOS) How are you mate? |
01 22 12 22 |
351 |
4.13 |
LA
TILT ms clio swats fly |
CLIO Yes! Boom. |
01 22 15 18 |
352 |
0.23 |
ms
LINA walks through back bar doorway |
|
01 22 20 06 |
353 |
3.07 |
ms
STEPHIE and patron at bar then REAR VIEW LINA walks in |
LINA They’re still here, drinking. Screaming. MUSIC BEGINS… 46
SEC |
01 22 21 04 01 22 24 00 |
354 |
5.15 |
HA
TILT ws clio and BECKY at bar surrounded by men |
LINA «ENGLISH SUBTITLE» I think it would be easier if the girls just left. |
01 22 24 11 |
355 |
5.24 |
LA
TILT ms clio and BECKY on bar dancing then zoom in and out |
|
01 22 30 01 |
356 |
2.05 |
ms
LINA carries drinks past camera |
|
01 22 36 00 |
357 |
10.06 |
MONTAGE
EDITS of BECKY and clio dancing on bar
|
|
01 22 38 05 |
358 |
3.07 |
LA
TILT ms STEPHIE at bar drinking strongbow with CANMAN in bg |
|
01 22 48 11 |
359 |
3.16 |
LA
TILT ms clio and BECKY dancing on bar |
|
01 22 51 18 |
360 |
3.13 |
ms
man helps BECKY down from bar |
|
01 22 55 09 |
361 |
7.04 |
LA
TILT ms BECKY behind STEPHIE at bar |
BECKY You don’t have to, but it’s up to you. Come on. Cut
the filling up the fucking ketchup bottles. |
01 22 58 22 |
362 |
4.13 |
ms
LINA handing change over to hands over bar |
BECKY (OOS) What are you? Ketchup woman. MAN (OOS) Can I get another can please? |
01 23 06 01 |
363 |
5.19 |
LA TILT ms clio dancing on
bar |
|
01 23 10 14 |
364 |
2.10 |
LA TILT mcu STEPHIE looks
up |
LINA «ENGLISH SUBTITLE» I’m waiting for the day when we can get really
shit-faced. |
01 23 16 08 |
365 |
2.22 |
HA TILT ms STEPHIE and
CANMAN at bar with REAR VIEW LINA in fg |
|
01 23 18 18 |
366 |
2.07 |
HA
TILT ws BECKY and clio dancing and around and drinking with patrons |
LINA «ENGLISH SUBTITLE» … go berserk, scream and behave like shit. MUSIC ENDS |
01 23 21 15 01 23 22 04 |
367 |
2.22 |
ms
becky hugging man |
|
01 23 23 22 |
368 |
5.19 |
LA
TILT mcu STEPHIE at bar with CANMAN in bg |
STEPHIE «ENGLISH SUBTITLE» I’m too sober to be in the back bar. So I’m sitting
here with him… |
01 23 26 19 |
369 |
4.23 |
mcu
CANMAN smiling with PROFILE STEPHIE |
… he’s nice and quiet. BECKY «ENGLISH SUBTITLE» Canman! |
01 23 32 13 |
370 |
4.11 |
ws
CLIO and BECKY with patrons in back bar and LINA working |
CLIO Wellsy! Can’t you hear us Canman? |
01 23 37 11 |
371 |
2.05 |
ms
LINA closes door behind patrons |
LINA Goodnight. |
01 23 41 22 |
372 |
3.06 |
LA
TILT mcu lina walking behind STEPHIE and wellsy at bar |
BECKY (OOS) Steph. Would you mind if we came upstairs? |
01 23 44 02 |
373 |
2.02 |
LA
TILT ms BECKY holding drink up at bar next to clio and man in hoodie |
BECKY Just for a wee one? |
01 23 47 08 |
374 |
1.13 |
mcu
STEPHIE smiling |
|
01 23 49 10 |
375 |
2.15 |
ms
PROFILE BECKY and man |
BECKY Let’s go. |
01 23 50 23 |
376 |
3.05 |
LA
TILT ms CLIO holds door as BECKY waves pikey in |
BECKY Go man go! |
01 23 53 13 |
377 |
4.22 |
ms
REAR VIEW LINA locks door |
|
01 23 56 18 |
378 |
13.19 |
tilt
up to LINA looking up stairs, then BECKY walks down |
LINA Hey sorry girls, but I really want to sleep. BECKY (OOS) Okay, we’re walking down. We’re going. STEPHIE (OOS) Night. LINA Good night. BECKY Night. |
01 24 01 15 |
379 |
1.12 |
LA
TILT ms BECKY |
|
01 24 15 09 |
380 |
5.11 |
LA
TILT mcu LINA and clio walk past each other then FADE TO BLACK |
|
01 24 16 21 |
381 |
6.16 |
super
on black background then FADE TO BLACK SUPER: week two Becky and Clio have left town. |
|
01 24 22 07 |
382 |
6.07 |
HA
TILT ws car driving down street past pub |
|
01 24 28 23 |
383 |
4.07 |
LA TILT wms LINA brings
money back to JAMIE at bar in fg |
JAMIE Just bring lots and lots of these. |
01 24 35 05 |
384 |
5.00 |
ms
JAMIE At bar and REAR VIEW LINA |
JAMIE And take that out of that one, and if there’s any
silver shit to go with that, that’s yours. |
01 24 39 12 |
385 |
2.10 |
LA TILT ms LINA behind bar
and JAMIE in fg |
JAMIE I don’t take silver. |
01 24 44 12 |
386 |
6.16 |
ms
REAR VIEW LINA turns and walks away from JAMIE at bar |
LINA You don’t take silver? JAMIE So… LINA Thank you. JAMIE You get a tip out of it. |
01 24 46 22 |
387 |
2.07 |
ms
LINA puts money away |
JAMIE You’ve gotta make some money somehow. |
01 24 53 13 |
388 |
11.16 |
LA
TILT mcu jamie at bar SUPER: JAMIE |
JAMIE Without any disrespect to the females cause they,
they work hard, but the race is on, on to who’s going to tag it first, and
who’s going to put their name to her first. |
01 24 55 20 |
389 |
3.13 |
LA
TILT ms PROFILE LINA opening cans at bar |
JAMIE (OOS) And it’s like, mate, you know no need to fight about
em, there’s gonna |
01 25 07 11 |
390 |
4.04 |
LA
TILT mcu jamie at bar |
be fuckin’ another two more come in the next couple
of weeks. Don’t worry about it. |
01 25 10 24 |
391 |
3.23 |
LA
TILT ms PROFILE LINA at bar then pan right to men at bar |
MAN IN WHITE CAP «ENGLISH SUBTITLE» So where are you from then? LINA I’m from Finland. MAN IN WHITE CAP «ENGLISH SUBTITLE» Finland – long way from home! |
01 25 15 03 |
392 |
10.07 |
LA
TILT mcu jamie at bar |
JAMIE They’re only out for one thing anyway. They’re only
gonna, they’re only out for one thing, and it’s not the real thing that they
should be going for. They should be, instead of |
01 25 19 01 |
393 |
3.15 |
zoom
out to ms pan right with LINA carrying drink |
trying to get in their pants, take em out and show
em a bit of Australia. |
01 25 29 08 |
394 |
4.05 |
LA
TILT mcu LINA WITH ms jamie at bar |
LINA «ENGLISH SUBTITLE» Of course, let’s go hunting. |
01 25 32 23 |
395 |
3.19 |
LA
TILT ms STEPHIE and man in glasses at bar |
JAMIE «ENGLISH SUBTITLE» … and catch some yabbies, or go out and hunt a
kangaroo down, or a goat. |
01 25 37 03 |
396 |
7.11 |
LA
TILT mcu with ms jamie at bar |
LINA Yeah, let’s do that. JAMIE And show you a bit of the outback. LINA Let’s do that. JAMIE Hopefully we’ll come across a snake or two. |
01 25 40 22 |
397 |
2.04 |
LA
TILT m2s DAVE and ANTHONY at bar |
|
01 25 48 08 |
398 |
7.08 |
m2s
man in glasses next to STEPHIE at bar |
MAN IN GLASSES «ENGLISH SUBTITLE» She’s gorgeous. Look at that. |
01 25 50 12 |
399 |
18.17 |
LA
TILT m2s man in glasses and STEPHIE at bar |
MAN IN GLASSES The costs of gold mining nowadays, there’s a lot of,
lot of energy involved. Like whether it’s electricity, or paying wages, and
having gay people, oh no sorry, not gay people, but um, soft cocks. |
01 25 57 20 |
400 |
2.21 |
LA
TILT mcu LINA serving ANTHONY at bar |
MAN IN GLASSES (OOS) Like, have a fuckin’ go, you know like |
01 26 16 12 |
401 |
8.04 |
LA
TILT m2s man in glasses and STEPHIE at bar |
living in a shit hole. All those blokes living in
Sydney or Melbourne, and we’re up here doin’ it fuckin’ hard, |
01 26 19 08 |
402 |
9.09 |
ms
anthony SHIRT drinking beer at bar |
livin’ in a fuckin’ caravan. ANTHONY So when do you get a break? Tomorrow? LINA (OOS) Tomorrow. ANTHONY Tomorrow night? |
01 26 27 12 |
403 |
4.06 |
ws
pub exterior at twilight |
ANTHONY This’ll make you feel happy. If you’re in
Coolgardie, |
01 26 36 21 |
404 |
2.03 |
ms
LINA and anthony sitting on lounge chairs then tilt down to drink he is
pouring SUPER: anthony |
this will become your best friend. |
01 26 41 02 |
405 |
4.22 |
ms
PROFILE STEPHIE |
ANTHONY «ENGLISH SUBTITLE» Just give it a month. |
01 26 43 05 |
406 |
19.08 |
wms
anthony in lounge chair with PROFILE LINA in fg then anthony holds up four
fingers |
LINA How many years did you study? Four? ANTHONY I did honours. LINA Four years to become a Bachelor? ANTHONY I did an honours year. LINA Four years? ANTHONY Honours! LINA I became a Master in… five… ANTHON Yeah, this is in Finland. LINA Five and a half years yeah, but… ANTHONY Finland, Finland, Finland. LINA No, just because I’m |
01 26 48 02 |
407 |
3.04 |
ms
PROFILE STEPHIE sitting in lounge chair |
I’m so clever. ANTHONY (OOS) Australia, Australia. Look at that Stephanie. |
01 27 07 10 |
408 |
8.13 |
ms
anthony in lounge chair then swing right to STEPHIE laughing |
ANTHONY She’s fuckin beautiful. Stephanie, oh. She’s so
attractive. Yeah. And |
01 27 10 14 |
409 |
1.06 |
ms
anthony in lounge chair |
|
01 27 19 02 |
410 |
4.10 |
mcu
PROFILE LINA |
LINA What’s my name? ANTHONY (OOS) Mrs Economics. LINA I’m not Mrs Economics. What’s |
01 27 20 08 |
411 |
4.24 |
ms
anthony lies back in lounge chair |
my real name? ANTHONY Lani? Lena… |
01 27 24 18 |
412 |
1.19 |
ms
i sitting on lounge |
|
01 27 29 17 |
413 |
1.16 |
ms
STEPHIE laughing |
|
01 27 31 11 |
414 |
5.02 |
wms
anthony with ms PROFILE STEPHIE in fg |
ANTHONY «ENGLISH SUBTITLE» I used to be pretty ripped, if you want to know. |
01 27 33 02 |
415 |
3.09 |
ms
LINA lying back on lounge |
ANTHONY (OOS)
«ENGLISH SUBTITLE» Do you know what 100 kilos is? ANTHONY (OOS) Well, |
01 27 38 04 |
416 |
7.19 |
wms
anthony lying back in lounge chair |
ANTHONY «ENGLISH SUBTITLE» You probably weigh fifty, you’d probably weigh
fifty. ANTHONY «ENGLISH SUBTITLES» I could fuckin bench the both of you. |
01 27 41 13 |
417 |
2.23 |
ms
LINA with hand over face laughing |
ANTHONY «ENGLISH SUBTITLE» A hundred kilos! |
01 27 49 07 |
418 |
3.20 |
wms
anthony lying back in lounge chair miming weight lifting |
|
01 27 52 05 |
419 |
2.15 |
ms
STEPHIE laughing |
ANTHONY «ENGLISH SUBTITLE» You’re gonna be here for three months… |
01 27 56 00 |
420 |
3.02 |
HA
TILT ws LINA, ANTHONY and STEPHIE in lounges around table |
LINA Yeah. ANTHONY «ENGLISH SUBTITLE» Who you gonna have sex with? |
01 27 58 15 |
421 |
2.11 |
mcu
PROFILE STEPHIE looks down laughing |
|
01 28 01 17 |
422 |
2.10 |
ms
LINA lying back laughing in lounge |
|
01 28 04 03 |
423 |
13.07 |
HA TILT ws LINA, ANTHONY
and STEPHIE in lounges around table |
ANTHONY You don’t want to just sleep together and have a
massive gang bang, and… STEPHIE «ENGLISH SUBTITLE» Thank you for the offer, but no thankyou. ANTHONY No? |
01 28 06 13 |
424 |
2.07 |
swing
to ms LINA laughing |
ANTHONY (OOS) You’re going to be very lonely then. |
01 28 19 20 |
425 |
3.13 |
LA
TILT wms ANTHONY in lounge with PROFILE STEPHIE i fg |
ANTHONY Why the fuck not? I’ll have a shave, |
01 28 22 02 |
426 |
1.22 |
wms
LINA shaking her head on lounge |
LINA No. ANTHONY (OOS) No? |
01 28 25 15 |
427 |
2.22 |
wms
anthony lying back in lounge chair |
ANTHONY You can go and get fucked. I don’t really care. |
01 28 27 12 |
428 |
2.11 |
ms
STEPHIE laughing |
ANTHONY «ENGLISH SUBTITLE» You girls do not know what you’re missing. |
01 28 30 09 |
429 |
2.07 |
cu
LINA |
LINA Mmhm. ANTHONY (OOS) Yeah. |
01 28 32 20 |
430 |
10.08 |
wms
anthony lying back in lounge chair with LINA in fg then pan right to STEPHIE |
ANTHONY «ENGLISH SUBTITLE» You are somewhat very attractive. And so is Steph. |
01 28 35 02 |
431 |
2.06 |
HA
TILT ws red dog standing on dirt driveway |
|
01 28 45 10 |
432 |
2.09 |
la
wms black dog lying in dirt |
|
01 28 47 16 |
433 |
6.11 |
track
with REAR VIEW ms cam walking to deliver biscuits to door |
CANMAN «ENGLISH SUBTITLE» Two packets of biscuits. |
01 28 50 00 |
434 |
5.16 |
mcu
CANMAN looking at watch |
CANMAN I thought she would have been up, but no hurry. I’ve
got all day. |
01 28 56 11 |
435 |
8.15 |
ms
STEPHIE then pan left to wms LINA in chair on ipad |
LINA We’re getting gifts all the time from all the people
here, and it’s weird. We’re not used to getting presents all the time
everyday. |
01 29 02 02 |
436 |
6.21 |
track
with mcu CANMAN then tilt down to bottles in hand |
LINA «ENGLISH SUBTITLE» Canman is bringing us something almost every day. LINA «ENGLISH SUBTITLES» He brings us alcohol. |
01 29 10 17 |
437 |
3.21 |
wms
LINA on lounge on ipad then pan right to STEPHIE holding up bracelets |
LINA We’ve got how many bottles? Four bottles. STEPHIE «ENGLISH SUBTITLE» Bracelets. LINA (OOS) Bracelets. |
01 29 17 13 |
438 |
1.23 |
la
ms placing shampoo bottle on table |
LINA (OOS) Shampoo. STEPHIE (OOS) Chocolate. |
01 29 21 09 |
439 |
2.11 |
LA
TILT ms STEPHIE holds banana smoothie bottle |
STEPHIE «ENGLISH SUBTITLE» Banana smoothie. LINA «ENGLISH SUBTITLE» Biscuits. |
01 29 23 07 |
440 |
4.04 |
LA
TILT ms STEPHIE pulls bottle out of freezer |
STEPHIE «ENGLISH SUBTITLE» But he likes cowgirl and cowboy. |
01 29 25 18 |
441 |
4.10 |
la
ms CANMAN lying in van with dog |
STEPHIE «ENGLISH SUBTITLE» I think if my Dad saw Canman he’d… |
01 29 29 22 |
442 |
3.14 |
LA
TILT mcu STEPHIE behind bar |
probably buy a ticket back home for me. |
01 29 34 07 |
443 |
10.14 |
ms
LINA walks along bar towards camera |
LINA Yeah. Anthony came here to pay for his Jacks bottle.
ANTHONY Yeah, I’ve been |
01 29 37 21 |
444 |
6.19 |
ms
ANTHONY on main street |
to the pub to apologise to Nina for my crude
behaviour last night when I was very much pissed. |
01 29 48 10 |
445 |
4.16 |
ms
LINA behind bar |
LINA Yeah, he was a bit embarrassed for yesterday. |
01 29 55 04 |
446 |
3.01 |
LA
TILT ms pan left with ANTHONY crossing road |
ANTHONY Propositioning her. LINA He |
01 29 59 20 |
447 |
3.02 |
LA
TILT mcu LINA |
still couldn’t remember my name. |
01 30 02 21 |
448 |
8.18 |
mcu
ANTHONY |
ANTHONY I know what I will do. I’m not going anywhere near
Jack Daniels for at least a week. I don’t want to ruin it for myself. I don’t
want to make it harder. |
01 30 05 23 |
449 |
2.24 |
LA
TILT ms REAR VIEW ANTHONY turns towards camera |
ANTHONY «ENGLISH SUBTITLE» Be nice to bag a Finnish girl though. |
01 30 14 16 |
450 |
3.06 |
LA
TILT ws exterior side wall of pub |
CANMAN «ENGLISH SUBTITLE» You wanna come for a drive? |
01 30 17 15 |
451 |
4.04 |
ms
CANMAN talking to PROFILE STEPHIE at bar |
CANMAN «ENGLISH SUBTITLE» Something for you to do. STEPHIE Yeah I know. |
01 30 20 21 |
452 |
3.20 |
m2s
CANMAN with STEPHIE at bar |
PETE Hey? PETE «ENGLISH SUBTITLE» C’mon… I’ll go and buy you a small cake. |
01 30 25 00 |
453 |
4.06 |
ms
CANMAN talking to PROFILE STEPHIE at bar |
PETE Hey? We won’t be long. STEPHIE Where? CANMAN Kalgoorlie. |
01 30 28 20 |
454 |
10.00 |
m2s
PETE talking to STEPHIE at bar |
PETE «ENGLISH SUBTITLE» I’ve got to buy you something. STEPHIE «ENGLISH SUBTITLE» No you don’t have to. PETE I do. STEPHIE No. PETE Yes. STEPHIE No. PETE «ENGLISH SUBTITLE» I’ve gotta look after you barmaids. |
01 30 33 01 |
455 |
6.05 |
swing
to mws LINA serving customer at bar |
STEPHIE «ENGLISH SUBTITLE» Lina, come and save me. STEPHIE «ENGLISH SUBTITLES» He’s trying to force me to go to Kalgoorlie with
him. |
01 30 43 01 |
456 |
3.02 |
mcu
LINA With coffee at bar |
CANMAN «ENGLISH SUBTITLE» Be better than sitting here. CANMAN (OOS) Huh? |
01 30 49 06 |
457 |
6.09 |
ms
CANMAN next to mcu STEPHIE |
STEPHIE «ENGLISH SUBTITLE» I want to relax. STEPHIE I don’t want to. CANMAN «ENGLISH SUBTITLE» It’s alright. If you don’t want to come it’s
alright. |
01 30 52 08 |
458 |
2.05 |
mcu
PROFILE LINA |
CANMAN «ENGLISH SUBTITLE» No problem. |
01 30 58 17 |
459 |
2.19 |
mws
man walks through exterior bar doors |
|
01 31 00 22 |
460 |
3.01 |
LA
TILT ms men chatting at bar |
MAN IN BLUE SHIRT Yeah, |
01 31 03 16 |
461 |
4.24 |
wms
PROFILE man in blue shirt at bar served by STEPHIE |
I want to go to Cape York, and I want to go driving
all the way to the tip. STEPHIE Yeah. |
01 31 06 17 |
462 |
16.09 |
mws
LINA playing pool with jamie |
JAMIE «ENGLISH SUBTITLE» Yeah no, if you go to Sydney don’t work in The
Cross. MUSIC BEGINS… 54
SEC JAMIE Try and find a small pub or something, away from the
shit. You can make a lot of money in tips, but you also got the danger factor
as well. Like getting stabbed in the eye. Getting stabbed in the shoulder.
That was in The Cross. |
01 31 11 16 01 31 12 05 |
463 |
3.00 |
la
ms jamie taking pool shot FRONT VIEW |
LINA (OOS) How many times did you |
01 31 28 00 |
464 |
8.07 |
la
wms PROFILE JANET taking pool shot then left pan over table to LINA |
get stabbed? JAMIE Twice. But the bloke who got me in the eye, he got
his |
01 31 31 00 |
465 |
5.13 |
mws
LINA and jamie at either end of pool table |
knife back. Straight into the knee cap. |
01 31 39 07 |
466 |
2.05 |
wms
LINA hits pool ball in |
|
01 31 44 20 |
467 |
2.20 |
mcu
jamie laughing |
|
01 31 47 00 |
468 |
4.00 |
wms
LINA shakes jamie’s hand over pool table |
JAMIE Rematch? LINA No. JAMIE Come on. |
01 31 49 20 |
469 |
2.04 |
ms
PROFILE jamie wiping nose |
LINA (OOS) I need to eat. |
01 31 53 20 |
470 |
3.08 |
wms
LINA and jamie either side of pool table |
JAMIE OK go and eat then. |
01 31 55 24 |
471 |
4.00 |
LA
TILT ms lina hands drink to jamie as she walks past |
JAMIE I can’t let a girl starve. Thank you. LINA (OOS) No you can’t. |
01 31 59 07 |
472 |
4.17 |
LA
TILT mcu jamie takes drink |
JAMIE See ya. TONY So you liking the job so far? MUSIC ENDS |
01 32 03 07 01 32 06 21 |
473 |
4.08 |
LA
TILT ms TONY and LEONIE behind then pan left to LINA and STEPHIE at bar |
LINA (OOS) Yeah. TONY (OOS) That’s good. LINA It’s really nice. A lot of really nice people.
Friendly |
01 32 07 24 |
474 |
4.04 |
LA
TILT ms TONY and LEONIE behind bar |
people. TONY Most people are very friendly. LINA Yeah. LINA (OOS) Yeah, really friendly. |
01 32 12 07 |
475 |
3.17 |
mcu
PROFILE LINA and STEPHIE |
LINA «ENGLISH SUBTITLE» You’re here now for a week? LEONIE «ENGLISH SUBTITLE» Yes, we go on Wednesday. |
01 32 16 11 |
476 |
1.24 |
LA
TILT ms LEONIE |
LEONIE «ENGLISH SUBTITLE» When we leave Peter comes back. |
01 32 20 03 |
477 |
1.19 |
LA
TILT ms TONY |
TONY Just work hard. |
01 32 22 02 |
478 |
2.00 |
LA
TILT ms woman in red behind bar laughing with mcu LINA in fg |
|
01 32 23 21 |
479 |
2.12 |
mws
exterior bar doors |
CANMAN Every body around here |
01 32 25 21 |
480 |
5.11 |
ms
CANMAN at bar |
knows me sometimes calls me the Canman. Not John or
Jason or anything like… Canman. |
01 32 28 08 |
481 |
3.04 |
ms
pikey drinking can at bar |
CANMAN I walk in and some of the |
01 32 33 19 |
482 |
1.13 |
mcu
PROFILE CANMAN at bar |
staff knows me, |
01 32 36 23 |
483 |
2.01 |
ms
LINA leaning on bar |
knows what I want.
|
01 32 38 11 |
484 |
4.24 |
ms
LEONIE and TONY then pan left to LINA reading paper |
TONY «ENGLISH SUBTITLE» Chop chop. |
01 32 40 12 |
485 |
3.03 |
ms
pikey at bar yawns |
|
01 32 45 11 |
486 |
5.04 |
LA
TILT ms LINA pouring wine |
pikey «ENGLISH SUBTITLE» Get yourself one too Lina. PIKEY «ENGLISH SUBTITLES» You can have one behind the bar. |
01 32 48 14 |
487 |
3.23 |
ms
pikey then swing left to LINA |
pikey No-one’ll see it. pikey «ENGLISH SUBTITLE» What, did you leave your balls in your purse? |
01 32 53 18 |
488 |
2.18 |
ms
pikey |
LINA (OOS) Hmm? pikey What? I love you dear. |
01 32 57 16 |
489 |
3.00 |
zoom
to mcu LINA at register |
pikey (OOS) Let’s get pissed. |
01 33 00 09 |
490 |
7.06 |
mcu
pikey throws beer back drinking SUPER: pikey |
|
01 33 03 09 |
491 |
3.18 |
wms
LINA behind bar the tilt down to photo album as TONY opens it |
MUSIC BEGINS… 53
SEC TONY This is worth its weight in gold. |
01 33 10 15 01 33 10 17 |
492 |
1.16 |
ms
REAR VIEW LINA joins pikey to look at album on bar |
PIKEY «ENGLISH SUBTITLE» Fuckin oath it is. LINA Oh my god. |
01 33 14 08 |
493 |
2.20 |
HA
TILT mcu photo album with STILL IMAGE of naked barmaid |
PIKEY «ENGLISH SUBTITLE» This is what it was like, Lina. |
01 33 15 24 |
494 |
1.13 |
cu
STILL IMAGE of naked barmaid in album |
LINA (OOS) Really? |
01 33 18 19 |
495 |
4.05 |
mcu
LINA then pan right to TONY |
LINA To have naked girls in the bar? TONY What’s wrong with that? |
01 33 20 07 |
496 |
1.22 |
cu
PHOTO of naked barmaid in album |
TONY (OOS) What’s wrong with that? |
01 33 24 12 |
497 |
0.24 |
mcu
LINA and pikey looking at album |
LINA Oh my god. |
01 33 26 09 |
498 |
4.01 |
MONTAGE
EDITS of photos of naked barmaids in album |
PIKEY (OOS) Oh hello. There we go. Look at it. TONY Have a look at that. |
01 33 27 08 |
499 |
1.08 |
mcu
LINA covering face |
TONY That’s pretty heavy. PIKEY (OOS) Tickle tickle tickle. |
01 33 31 09 |
500 |
1.05 |
m3s
pikey, LINA and TONY AT BAR |
LINA I don’t want to see it. |
01 33 32 17 |
501 |
1.04 |
cu
photo of naked barmaids in album |
PIKEY (OOS) That’s everything, look. |
01 33 33 22 |
502 |
1.23 |
mcu
LINA |
PIKEY (OOS) Oh look at this. PIKEY «ENGLISH SUBTITLE» Look at the fuckin mush on them. |
01 33 35 01 |
503 |
3.02 |
MONTAGE
EDITS of photos of naked barmaids in album |
TONY (OOS) Come here, come here. Have a look. Look. |
01 33 36 24 |
504 |
1.15 |
mcu
photo album then tilt up to LINA |
LINA Is that you? |
01 33 40 01 |
505 |
4.01 |
mcu
LINA and TONY |
TONY Yeah. LINA It is. TONY (OOS) Not here. I had a pub |
01 33 41 16 |
506 |
1.14 |
cu
photo of TONY AS A YOUNG MAN |
in Perth. This has got |
01 33 45 17 |
507 |
1.14 |
ms
TONY |
nothing to do with Coolgardie. |
01 33 47 06 |
508 |
3.06 |
cu
pan over photos of naked barmaids in album |
LINA (OOS) Thank you for showing me the pictures. |
01 33 48 20 |
509 |
11.14 |
wms
LINA at bar looking at album with pikey, CANMAN and TONY |
PATRON (OOS) Where’s the barmaids gone? LINA Thank you. PIKEY Sorry. LINA What are you hugging and touching? PIKEY You. LINA Yeah. MUSIC ENDS |
01 33 52 01 01 34 03 14 |
510 |
6.21 |
ms
LINA then pan right to TONY and LEONIE |
LINA How long have you been together? TONY (OOS) Too long. LEONIE Twenty sixth of March it was thirty five years. |
01 34 03 15 |
511 |
2.17 |
mcu
LINA leaning on bar |
TONY (OOS) You’ve never been married? LINA No. |
01 34 10 11 |
512 |
2.07 |
mcu
PROFILE TONY AND LEONIE |
LINA (OOS) I haven’t found the right person. |
01 34 13 03 |
513 |
3.08 |
mcu
LINA leaning on bar |
TONY (OOS) Oh it’s what you make of it you know? A lot of
people try. |
01 34 15 10 |
514 |
2.09 |
mcu
TONY AND LEONIE |
PIKEY (OOS) Yeah me too. |
01 34 18 18 |
515 |
0.20 |
mcu
LINA smiling |
|
01 34 21 02 |
516 |
2.00 |
ms
pikey at bar |
PIKEY Bitches just don’t like me. |
01 34 21 22 |
517 |
1.06 |
mcu
PROFILE LINa turns head |
|
01 34 23 22 |
518 |
7.07 |
mcu
PROFILE TONY AND LEONIE THEN PAN LEFT TO PIKEY |
PIKEY I got two fuckin’ chicks pregnant and they had
abortions. TONY (OOS) Hey? PIKEY How do you think that made me feel? TONY (OOS) Is that right? |
01 34 25 03 |
519 |
12.18 |
cu
pikey |
PIKEY It’s alright. TONY Well, what can you do? Nothing you can do about it
is there? PIKEY Kill em. |
01 34 32 10 |
520 |
2.22 |
ms
LINA behind bar with CANMAN in bg |
|
01 34 45 03 |
521 |
9.09 |
LA
TILT mcu pikey throwing back beer |
|
01 34 48 00 |
522 |
4.11 |
ms
LINA leans against bar |
PIKEY Tell you the truth, like here right now, it’s like
everyone else, like they can |
01 34 57 09 |
523 |
13.17 |
mcu
pikey at bar |
pick up like fuckin’ women, but I can’t because I
don’t know how to actually talk to them properly. Like other cunts can. |
01 35 01 20 |
524 |
2.24 |
ms
LEONIE at bar with REAR VIEW pikey in fg |
PIKEY But other people like they can actually |
01 35 15 12 |
525 |
7.14 |
mcu
pikey at bar |
talk to em.
And know what to say and fucking, next minute they’re going home with
them, and |
01 35 18 11 |
526 |
3.21 |
LA
TILT ms LINA behind bar raises eyebrows |
like I don’t know how other people fuckin’ do it. TONY «ENGLISH SUBTITLE» If you tried, what would you say? |
01 35 26 00 |
527 |
7.21 |
mcu
pikey at bar |
PIKEY Probably some fuckin’ lovely shit, I don’t know. I
don’t know. |
01 35 29 21 |
528 |
3.11 |
mcu
PROFILE LINA smiles |
PIKEY (OOS) I’ve just told them what I fuckin’ want to do with
them. Let’s go back to my house |
01 35 37 17 |
529 |
1.14 |
LA
TILT ms leaning on register with CANMAN in bg |
and fuck like rabbits. |
01 35 41 03 |
530 |
2.19 |
mcu
LINA turns and walks off |
|
01 35 42 17 |
531 |
4.15 |
mcu
pikey at bar |
PIKEY «ENGLISH SUBTITLE» I get slapped in the face and told to fuck off PIKEY «ENGLISH SUBTITLES» then the boyfriends come over PIKEY «ENGLISH SUBTITLES» and I have to belt the fuck out of em. |
01 35 45 11 |
532 |
2.16 |
mcu
PROFILE TONY and LEONIE nodding |
PIKEY No seriously I used to, |
01 35 50 01 |
533 |
4.04 |
mcu
pikey |
I’ve had violence I my life… TONY (OOS) No what I’m saying… PIKEY … all the fuckin time since I was fuckin’ spat out
into this world |
01 35 52 17 |
534 |
4.15 |
ms
LINA pouring beer |
but I hold it all the time when I come here. I mean
I could just snap and just go |
01 35 56 21 |
535 |
8.04 |
mcu
pikey at bar |
fucking ballistic and just belt every cunt right
now. It wouldn’t matter. I could just want away, have a cigarette, and not
care in the world. |
01 36 01 11 |
536 |
1.21 |
mcu
PROFILE TONY AND LEONIE |
|
01 36 09 15 |
537 |
9.18 |
mcu
pikey at bar |
PIKEY Maybe a chick just doesn’t want to fuckin’, I don’t
know, fuckin’, a thing like me. With no |
01 36 11 11 |
538 |
3.05 |
LA
TILT ms LINA eating |
licence, no car, fuckin’ nothin’ going for him. |
01 36 21 04 |
539 |
3.04 |
mcu
pikey |
PIKEY Well just think if I asked fuckin Lina out for a
date, |
01 36 24 09 |
540 |
6.10 |
mcu
LINA |
I asked her to tea, how do you think I’m gonna
fuckin’ take her out? |
01 36 27 13 |
541 |
6.08 |
mcu
pikey at bar |
PIKEY Fuckin’ taxi. That’s not going to fuckin’ look good
on me is it? |
01 36 33 23 |
542 |
14.08 |
ms
LINA behind bar |
LINA Why would a taxi be a problem? PIKEY «ENGLISH SUBTITLE» Because I don’t have a licence.. PIKEY (OOS) I can’t… LINA So? PICKY «ENGLISH SUBTITLE» Because I would like to drive you there! LINA So if you take me in a taxi there and pay for the
taxis. What’s the problem? |
01 36 40 06 |
543 |
2.03 |
mcu
pikey shrugs |
|
01 36 54 14 |
544 |
4.24 |
ms
LINA leaning on register |
LINA «ENGLISH SUBTITLE» There’s no problem. TONY (OOS) Oh you bitch. |
01 36 56 17 |
545 |
6.24 |
mcu
pikey at bar |
PIKEY Oh well, when aren’t you working then and we’ll do
it? |
01 37 01 16 |
546 |
4.09 |
ms
pikey then swing to LINA working |
PIKEY «ENGLISH SUBTITLE» Now she’s laughing see, she just thinks it’s a joke. |
01 37 08 15 |
547 |
4.02 |
mcu
pikey at bar |
PIKEY See, look at her now. She’s just |
01 37 12 24 |
548 |
2.13 |
track
with mcu LINA working |
disgusted, like you prick. |
01 37 17 01 |
549 |
3.05 |
mcu
pikey laughing at bar then tilt down to cu LEONIE |
|
01 37 19 14 |
550 |
2.19 |
ms
pan left with lina serving drink |
LINA There you go. CANMAN Thank you. |
01 37 22 19 |
551 |
2.18 |
MS
PIKEY at bar |
PIKEY Shits and giggles, shits and giggles. |
01 37 25 13 |
552 |
1.18 |
ms
TONY at register |
|
01 37 28 06 |
553 |
6.02 |
LA
TILT ms pan right with LINA walking to door to lock up |
|
01 37 29 24 |
554 |
4.08 |
LA
TILT wms exterior denver city motel signage at night then FADE TO BLACK |
|
01 37 36 01 |
555 |
4.17 |
fade
up to super on black background THE FADE TO BLACK SUPER: week three |
|
01 37 40 09 |
556 |
5.19 |
fade
up to SILHOUETTE of bar then lights up mws PROFILE TONY behind bar AND LA
LEONIE IN FG |
|
01 37 45 01 |
557 |
10.01 |
MONTAGE
EDITS of CANMAN cleaning up cans |
CANMAN «ENGLISH SUBTITLE» I’ve got to take my trailer to the tip |
01 37 50 20 |
558 |
4.00 |
LA
TILT ms dog on back seat and CANMAN in bg through back window |
then load my can bales on. |
01 38 00 21 |
559 |
9.05 |
LA
TILT m2s CANMAN and man at bar |
CANMAN «ENGLISH SUBTITLE» And take the barmaids with me. Two of them. |
01 38 04 21 |
560 |
10.02 |
track
along ws road from windscreen pov then pan right to CANMAN driving |
MUSIC BEGINS… 20
SEC STEPHIE «ENGLISH SUBTITLE» Bec and Clio said his car is dirty and his dogs live
in the car. |
01 38 14 01 01 38 15 12 |
561 |
14.20 |
ws
CANMAN drives car then pan left to STEPHIE and LINA getting in |
STEPHIE «ENGLISH SUBTITLE» She said something that, that we shouldn’t go with
him. MUSIC ENDS |
01 38 24 03 01 38 35 00 |
562 |
3.00 |
la
mcu dog food in bowl then tilt up to dog |
CANMAN Hey Noopy. LINA (OOS) Good morning Canman. |
01 38 38 23 |
563 |
1.09 |
mcu
CANMAN and LINA in car from passenger side |
|
01 38 41 23 |
564 |
1.23 |
mcu
CANMAN and LINA in car from drivers side |
LINA How are you? CANMAN Alright. MUSIC BEGINS… 47
SEC |
01 38 43 07 01 38 45 00 |
565 |
3.20 |
wms
CANMAN drives car and full trailer past camera |
STEPHIE (OOS) Oh my god. |
01 38 45 05 |
566 |
4.22 |
ms
CANMAN, STEPHIE and LINA in car |
STEPHIE «ENGLISH SUBTITLE» I don’t want to inhale. |
01 38 49 00 |
567 |
3.22 |
track
along ws road from windscreen pov |
STEPHIE «ENGLISH SUBTITLE» You should feel lucky to have a blocked nose. |
01 38 53 22 |
568 |
3.19 |
ws
CANMAN drives car towards camera then pan left as it drives past |
STEPHIE «ENGLISH SUBTITLE» I’m just breathing through my mouth. |
01 38 57 19 |
569 |
1.09 |
wms
STEPHIE and LINA getting out of car |
|
01 39 01 13 |
570 |
8.14 |
track
with wms REAR VIEW LINA and STEPHIE walking to mine then camera tilts down
hole |
CANMAN «ENGLISH SUBTITLE» Bit hole innit? LINA It is. |
01 39 02 22 |
571 |
4.12 |
LA
TILT mcu PROFILE LINA and STEPHIE looking at mine |
|
01 39 11 11 |
572 |
2.16 |
HA
TILT ws mining hole |
CANMAN «ENGLISH SUBTITLE» A big hole. |
01 39 15 23 |
573 |
3.03 |
mws
REAR VIEW silhouette CANMAN, STEPHIE and LINA against mine |
|
01 39 18 14 |
574 |
7.06 |
LA
TILT ws STEPHIE, LINA and CANMAN walk l to r past mining equipment |
CANMAN «ENGLISH SUBTITLE» I had a daughter… I never heard from her for twenty five
years… |
01 39 21 17 |
575 |
19.06 |
ws
REAR VIEW CANMAN walking with LINA and STEPHIE |
CANMAN And she wrote me a letter, I was married. Wanted to
know if I was the natural father. I said yes. MUSIC ENDS MUSIC BEGINS… 1 MIN
4 SEC CANMAN Do you want to keep in contact with me? I said yes.
Then my wife couldn’t get on with her so she went back to South Australia. I
haven’t heard from me daughter for about two years or more. I think of her
all the time you know. Wonder where the hell she is. |
01 39 28 23 01 39 32 00 01 39 35 00 |
576 |
4.17 |
MONTAGE
EDITS of CANMAN unloading bags of cans |
|
01 39 48 04 |
577 |
2.09 |
LA
TILT mcu LINA waiting |
|
01 39 52 21 |
578 |
5.16 |
LA
TILT ms CANMAN walks to LINA with paper |
CANMAN «ENGLISH SUBTITLE» Eighty-eight dollars. CANMAN Hey? LINA Eighty-eight dollars. |
01 39 55 05 |
579 |
3.05 |
LA
TILT ws crane picking up garbage |
CANMAN «ENGLISH SUBTITLE» Bit of beer money. |
01 40 00 21 |
580 |
5.09 |
ms
CANMAN gets into car |
CANMAN «ENGLISH SUBTITLE» I reckon if I won the lotto and my daughter heard
about it… CANMAN «ENGLISH SUBTITLES» she’d be down here like a shot. |
01 40 04 01 |
581 |
2.20 |
LA
TILT ms crane claw moving |
CANMAN «ENGLISH SUBTITLE» She’d say ‘Beauty Dad”. CANMAN «ENGLISH SUBTITLES» I’d say “Sorry, can’t help ya”. |
01 40 09 10 |
582 |
5.02 |
ms
STEPHIE in back of car |
CANMAN «ENGLISH SUBTITLE» I’d say you’re no longer my daughter. |
01 40 12 05 |
583 |
3.08 |
LA
TILT mcu CANMAN starts car |
|
01 40 17 07 |
584 |
5.22 |
MONTAGE
EDITS of CANMAN, STEPHIE and LINA driving |
STEPHIE «ENGLISH SUBTITLE» I’m seriously about to throw up. |
01 40 20 15 |
585 |
2.19 |
LA
TILT mcu CANMAN and LINA in front with STEPHIE dry RETCHING in back |
|
01 40 26 12 |
586 |
3.17 |
LA
TILT ws REAR VIEW car with back door open |
|
01 40 29 06 |
587 |
6.00 |
LA
TILT mcu CANMAN and LINA in front of car |
|
01 40 32 23 |
588 |
2.05 |
ws
CANMAN’s car pulls up |
STEPHIE (OOS) Thank you. MUSIC ENDS LINA (OOS) Thank you. |
01 40 38 23 01 40 39 00 |
589 |
4.15 |
LA
TILT ms pan right STEPHIE and LINA
walk away from car |
CANMAN «ENGLISH SUBTITLE» See you tonight! |
01 40 41 03 |
590 |
2.14 |
LA
TILT mws STEPHIE and LINA climb up stairs |
|
01 40 45 18 |
591 |
3.13 |
LA
TILT ms SATELLITE dish on exterior of pub |
LINA «ENGLISH SUBTITLE» Did you get my postcard? |
01 40 48 07 |
592 |
2.07 |
mcu
LINA looking at ipad |
LINA’S MOTHER «ENGLISH SUBTITLE» That was so much fun! |
01 40 51 20 |
593 |
2.20 |
ms
PROFILE LINA leaning back on lounge looking at ipad |
LINA «ENGLISH SUBTITLE» On Tuesday we’re going looking for gold… |
01 40 54 02 |
594 |
3.19 |
mcu
LINA’s hand holding ipad |
and the following week we’re going with Kangaroo
Rob… |
01 40 56 22 |
595 |
3.21 |
ms
PROFILE LINA leaning back on lounge looking at ipad |
to look for kangaroo babies. LINA’S MOTHER «ENGLISH SUBTITLE» Are you never coming home? |
01 41 00 16 |
596 |
5.04 |
la
mcu LINA’s hands on ipad |
LINA «ENGLISH SUBTITLE» No I want to stay and save some money LINA «ENGLISH SUBTITLES» to buy a car and travel around Australia. |
01 41 04 12 |
597 |
3.18 |
mcu
LINA looking at ipad |
LINA’S MOTHER «ENGLISH SUBTITLE» You don’t want to come home? LINA «ENGLISH SUBTITLE» Nope. |
01 41 09 16 |
598 |
1.23 |
HA
TILT wms LINA in lounge chair looking at ipad |
LINA’S MOTHER «ENGLISH SUBTITLE» Have you checked your blood sugar? |
01 41 13 09 |
599 |
2.04 |
mcu
LINA looking at IPAD |
LINA Yeah. |
01 41 15 07 |
600 |
3.00 |
HA
TILT wms LINA in lounge chair looking at ipad emotional |
|
01 41 17 11 |
601 |
1.18 |
mcu
LINA wiping tears |
|
01 41 20 11 |
602 |
5.15 |
ws
pub exterior SILHOUETTE at sunset SIDE VIEW |
|
01 41 22 04 |
603 |
5.06 |
mcu
LINA then tilt down to birthday cake and man lighting candles |
LINA (OOS) It’s beautiful. LINA (SINGING) Happy |
01 41 27 19 |
604 |
7.07 |
track
with mcu REAR VIEW LINA carrying cake into bar |
birthday to you, happy birthday to you, happy |
01 41 33 00 |
605 |
3.19 |
mcu
REAR VIEW LINA puts cake on bar for ms STEPHIE |
birthday dear Stephanie. |
01 41 40 07 |
606 |
2.21 |
mcu
STEPHIE cutting cake |
LINA Wait, wait, wait. I have to take a picture. |
01 41 44 01 |
607 |
3.08 |
mcu
LINA eating cake next to jamie at bar |
MAN (OOS) Where is this fuckin’ girl, |
01 41 46 22 |
608 |
4.15 |
ms
CANMAN eating cake at bar then lina carries plates past |
serving or what’s she doing? LINA Is it good? CANMAN Yep. |
01 41 50 05 |
609 |
4.11 |
LA
TILT ms STEPHIE turns lights out |
STEPHIE See you tomorrow. LINA Good night. See you. |
01 41 54 20 |
610 |
4.19 |
swing
from JAMIE at bar to LINA and STEPHIE behind bar |
LINA «ENGLISH SUBTITLE» So who is going upstairs? STEPHIE «ENGLISH SUBTITLE» I don’t know. STEPHIE «ENGLISH SUBTITLES» I haven’t invited anyone but he’s on his way. |
01 41 59 06 |
611 |
0.24 |
LA
TILT ms STEPHIE behind bar |
|
01 42 04 00 |
612 |
2.06 |
LA
TILT ms REAR VIEW man in blue shirt leaning over bar |
MAN IN BLUE SHIRT «ENGLISH SUBTITLE» Eight cans, takeaway. LINA (OOS) Eight cans? |
01 42 04 24 |
613 |
7.03 |
ms
pov walking up stairs to ms JAMIE and LINA at fridge |
MAN IN BLUE SHIRT (OOS) Yep. LINA Well, this is where we live. MUSIC BEGINS… 1 MIN
19 SEC |
01 42 07 05 01 42 13 00 |
614 |
1.09 |
wms
STEPHIE lying back on lounge chair |
MAN IN BLUE SHIRT (OOS) Here we are girls. |
01 42 14 08 |
615 |
1.17 |
LA
TILT mcu man in blue shirt at door |
MAN IN BLUE SHIRT Open the door. Open the |
01 42 15 17 |
616 |
5.05 |
MONTAGE
EDITS of la mcu carrying spider inside |
door up. Here ladies. STEPHIE (OOS) No, no no, no, |
01 42 17 09 |
617 |
3.10 |
la
ms man in blue shirt with spider on arm and JAMIE in bg |
I don’t like spiders. JAMIE «ENGLISH SUBTITLE» They don’t want him inside, JAMIE mate. LINA (OOS) No, |
01 42 22 14 |
618 |
1.14 |
swing
to wms STEPHIE by fridge |
no. LINA (OOS) No |
01 42 25 24 |
619 |
1.21 |
mcu
STEPHIE |
where’s the spider? JAMIE (OOS) Come here, come here. |
01 42 27 13 |
620 |
2.13 |
la
ms JAMIE walks to LINA |
JAMIE Don’t worry about it, don’t worry about it. |
01 42 29 09 |
621 |
1.11 |
LA
TILT ms man in blue shirt walks out to VERANDA |
LINA (OOS) Stop it, stop it, |
01 42 31 22 |
622 |
3.08 |
m2s
LINA and JAMIE |
LINA No, no, no go away, it’s a fucking spider. |
01 42 33 08 |
623 |
2.24 |
wms
LINA runs around behind STEPHIE on lounge |
JAMIE (OOS) I’ll catch it for ya. MAN IN BLUE SHIRT «ENGLISH SUBTITLE» Happy birthday to Miss Stephanie. |
01 42 36 16 |
624 |
2.07 |
swing
left to LA TILT m2s man in blue shirt and JAMIE |
|
01 42 39 15 |
625 |
2.22 |
wms
STEPHIE leaning back in lounge |
JAMIE «ENGLISH SUBTITLE» Don’t be shy. |
01 42 41 22 |
626 |
1.09 |
mws
LINA on lounge with REAR VIEW mcu JAMIE in fg |
LINA Stephie. STEPHIE (OOS) Hmm. |
01 42 44 19 |
627 |
3.12 |
mws
through doorway man in blue shirt on balcony |
LINA (OOS) You should look after your friend. STEPHIE (OOS) My friend? |
01 42 46 03 |
628 |
8.14 |
mws
LINA on lounge with REAR VIEW mcu JAMIE in fg then pan left to PROFILE
STEPHIE |
LINA Well, it wasn’t me that invited him. STEPHIE «ENGLISH SUBTITLE» He invited himself. JAMIE (OOS) I invited myself. LINA (OOS) Yeah I know. |
01 42 49 15 |
629 |
2.21 |
ms
STEPHIE on lounge |
LINA «ENGLISH SUBTITLE» Is this your best birthday ever? |
01 42 58 04 |
630 |
11.05 |
mcu
STEPHIE |
STEPHIE «ENGLISH SUBTITLE» My last birthday, I was in Bali… STEPHIE on a housewarming party, barbeque, pool party, at my
friend’s place. |
01 43 01 00 |
631 |
1.11 |
LA
TILT m2s man in blue shirt and j aon lounge |
LINA «ENGLISH SUBTITLE» Was it nicer than today? |
01 43 12 05 |
632 |
2.04 |
ms
STEPHIE laughing on lounge |
STEPHIE Yep. LINA But |
01 43 13 16 |
633 |
2.11 |
wms
LINA and JAMIE on lounges |
Stephie this is almost like Bali. |
01 43 15 20 |
634 |
1.00 |
la
mcu opening can |
JAMIE You’re pretty |
01 43 18 06 |
635 |
1.14 |
mcu
JAMIE |
sober for a birthday girl. |
01 43 19 06 |
636 |
1.13 |
mcu
man in blue shirt throws back drink |
STEPHIE (OOS) Yeah. |
01 43 20 20 |
637 |
1.21 |
pan
left to ms JAMIE sitting on floor |
JAMIE «ENGLISH SUBTITLE» Come on, skull up. |
01 43 22 08 |
638 |
1.07 |
wms
STEPHIE on lounge shakes head |
|
01 43 24 04 |
639 |
2.20 |
mcu
JAMIE nods his head |
JAMIE Go on. STEPHIE (OOS) No. |
01 43 25 11 |
640 |
2.19 |
wms
STEPHIE in lounge laughing |
JAMIE «ENGLISH SUBTITLE» You should be pissed. |
01 43 28 06 |
641 |
7.04 |
ws
truck drives past with pub balcony in fg then FADE TO BLACK |
MUSIC ENDS |
01 43 31 00 01 43 32 00 |
642 |
6.24 |
FADE
up to super on black background then FADE TO BLACK SUPER: Stephie accepts an offer from Jamie to take her to Kalgoorlie. |
|
01 43 38 04 |
643 |
3.05 |
ws
REAR VIEW JAMIE at ute parked outside pub |
|
01 43 45 03 |
644 |
1.11 |
LA
TILT ms STEPHIE on lounge |
STEPHIE What? |
01 43 48 08 |
645 |
1.10 |
LA
TILT ms LINA walking |
LINA He’s here. |
01 43 49 19 |
646 |
2.04 |
ms
STEPHIE on lounge |
STEPHIE «ENGLISH SUBTITLE» I don’t want to go to Kalgoorlie. |
01 43 51 04 |
647 |
2.00 |
LA
TILT ms LINA laughing on lounge |
|
01 43 53 08 |
648 |
2.17 |
mcu
STEPHIE |
STEPHIE «ENGLISH SUBTITLE» Yeah fuck you Lina. |
01 43 55 08 |
649 |
2.15 |
LA
TILT ms JAMIE standing at ute door |
STEPHIE «ENGLISH SUBTITLE» I’m trying to be polite. |
01 43 58 00 |
650 |
3.16 |
wms
STEPHIE walks out pub door then pan right as she walks |
STEPHIE «ENGLISH SUBTITLE» I don’t think I have any choices. MUSIC BEGINS… 2 MIN
45 SEC |
01 44 00 15 01 44 03 05 |
651 |
2.22 |
ms
JAMIE waiting at ute as REAR VIEW STEPHIE walks towards him |
STEPHIE Morning. |
01 44 04 06 |
652 |
1.21 |
mcu
STEPHIE gets into ute next ot JAMIE |
|
01 44 07 03 |
653 |
24.23 |
LA
TILT m2s JAMIE and STEPHIE driving in ute |
|
01 44 08 24 |
654 |
3.05 |
ws
ute drives past camera r to l |
|
01 44 33 22 |
655 |
2.19 |
mws
kalgoorlie road sign |
JAMIE «ENGLISH SUBTITLE» So what sort of food do you like? |
01 44 37 02 |
656 |
26.06 |
LA
TILT m2s JAMIE and STEPHIE in ute |
STEPHIE «ENGLISH SUBTITLE» A little bit of everything. JAMIE «ENGLISH SUBTITLE» OK, that helps. STEPHIE Huh? JAMIE That helps. STEPHIE «ENGLISH SUBTITLE» What food do you like? JAMIE «ENGLISH SUBTITLE» A little bit of everything. STEPHIE See. |
01 44 39 21 |
657 |
5.06 |
la
mcu STEPHIE cutting food then pan right to JAMIE’s hands |
|
01 45 06 02 |
658 |
5.14 |
LA
TILT ms STEPHIE and JAMIE at table eating |
|
01 45 11 08 |
659 |
4.22 |
tilt
up to cu PROFILE STEPHIE chewing |
|
01 45 16 22 |
660 |
4.15 |
cu
JAMIE chewing |
|
01 45 21 19 |
661 |
4.07 |
LA
TILT ws ute drives past camera l to r |
JAMIE «ENGLISH SUBTITLE» I made a lot of money building industrial sheds. |
01 45 26 09 |
662 |
33.05 |
LA
TILT m2s JAMIE and STEPHIE driving in ute |
STEPHIE Yeah. JAMIE «ENGLISH SUBTITLE» And then me ex took it all. STEPHIE Huh? JAMIE Then me ex girlfriend took it all. STEPHIE Oh yeah. JAMIE Took the lot. Car, everything. STEPHIE Huh? JAMIE «ENGLISH SUBTITLE» She took the car, the house, the lot. STEPHIE Why? JAMIE «ENGLISH SUBTITLE» Why? Cos she’s a bitch. STEPHIE «ENGLISH SUBTITLE» Oh right. I see. |
01 45 30 16 |
663 |
4.11 |
ws ute pulls up on red dirt |
|
01 46 03 21 |
664 |
6.06 |
ws
REAR VIEW JAMIE and STEPHIE walking to edge of water |
JAMIE (OOS) Nice and peaceful out here. STEPHIE (OOS) Yeah. |
01 46 08 07 |
665 |
3.09 |
LA
TILT ms PROFILE STEPHIE with arms folded |
JAMIE (OOS) This is what I like doin’, just comin’ out and just
chillin’ out. |
01 46 14 13 |
666 |
2.22 |
LA
TILT mcu JAMIE |
STEPHIE (OOS) Sounds good. |
01 46 17 22 |
667 |
3.06 |
ws
water surrounded by red dirt and bush |
JAMIE (OOS) Yeah I wouldn’t go swimming in there but. |
01 46 20 19 |
668 |
4.23 |
LA
TILT ws REAR VIEW STEPHIE and JAMIE walk up hill to ute |
STEPHIE (OOS) No, its pretty dirty. JAMIE (OOS) Yeah, it’s just all mud. |
01 46 24 00 |
669 |
6.01 |
mws
pan left with ute driving past and turning corner |
JAMIE (OOS) Well there you go mate. |
01 46 28 23 |
670 |
5.07 |
LA
TILT m2s JAMIE and STEPHIE in ute |
STEPHIE Thank you. JAMIE Thank you. I enjoyed today. STEPHIE Thank you for taking me and |
01 46 34 24 |
671 |
2.08 |
LA
TILT ws STEPHIE gets out of ute parked in front of pub |
showing me these places. |
01 46 40 06 |
672 |
2.04 |
track
forward to wms JAMIE following STEPHIE through exterior pub doors |
|
01 46 42 14 |
673 |
1.16 |
LA
TILT mcu STEPHIE |
STEPHIE See you. |
01 46 44 18 |
674 |
2.14 |
mcu
LINA then STEPHIE walks past |
JAMIE (OOS) See ya. STEPHIE Thank you. JAMIE No MUSIC ENDS |
01 46 46 09 01 46 48 00 |
675 |
1.19 |
mcu
PROFILE JAMIE at bar |
JAMIE worries. |
01 46 48 23 |
676 |
8.01 |
wms
JAMIE at bar with LINA behind |
JAMIE «ENGLISH SUBTITLE» Bored her shitless mate. JAMIE (OOS) They’re |
01 46 50 17 |
677 |
4.15 |
mcu
JAMIE at bar drinking |
backpackers mate. They get cracked onto by every man
under the sun, so they’re probably thinking oh yeah, that’s just someone else
cracking on to em. |
01 46 58 18 |
678 |
7.05 |
mcu
JAMIE outside pub |
JAMIE But it’s just to get em out of the pub and doin’
something. Seeing, seeing a bit of around here. |
01 47 03 08 |
679 |
6.14 |
mws
REAR VIEW STEPHIE sitting on lounge on balcony |
JAMIE (OOS) Oh yeah, it’d be good if something developed, but
I’m not looking for it. Company’s good enough. |
01 47 10 13 |
680 |
3.19 |
la
wms STEPHIE on lounge on balcony |
|
01 47 17 02 |
681 |
5.22 |
LA
TILT ms shirtless man clapping and dancing |
|
01 47 20 21 |
682 |
2.04 |
m2s
two men throw drinks back |
|
01 47 26 18 |
683 |
3.06 |
LA
TILT mcu STEPHIE |
MALE PATRON «ENGLISH SUBTITLE» Must have made an impression, I see your boyfriend’s
in again tonight. |
01 47 28 22 |
684 |
4.15 |
LA
TILT ms PROFILE JAMIE throwing can back at bar |
|
01 47 32 03 |
685 |
4.09 |
pan
right with STEPHIE carrying drink to men at bar |
MAN IN BLUE SHIRT What’s your name? STEPHIE Stephanie. MAN IN BLUE SHIRT Stephanie. |
01 47 36 18 |
686 |
15.13 |
mcu
JAMIE and LINA at bar |
JAMIE Go on, get shitfaced. I wanna see you drunk. LINA Yeah, but it takes a long, long time. JAMIE Alright, we’ll see. LINA It does. JAMIE That sounds like a drinking challenge. |
01 47 41 02 |
687 |
1.19 |
LA
TILT mcu JAMIE and LINA at bar SIDE VIEW |
JAMIE My record’s |
01 47 56 15 |
688 |
3.06 |
mcu
JAMIE and LINA at bar |
eighty six cans in one night. |
01 47 58 09 |
689 |
2.12 |
wms
STEPHIE walks towards camera behind bar |
LINA (OOS) It’s really empty today. |
01 48 01 15 |
690 |
5.13 |
mcu
JAMIE and LINA at bar |
JAMIE Yeah. So’s my can. LINA Scream |
01 48 04 02 |
691 |
2.22 |
la
ms STEPHIE pouring beer |
to her. JAMIE No. LINA Yeah. JAMIE Barmaids aren’t dogs. |
01 48 09 15 |
692 |
4.15 |
mcu
JAMIE and LINA at bar |
LINA Yeah I know, but people think that. JAMIE Yeah, nah, well they’re not. |
01 48 12 12 |
693 |
2.22 |
mcu
STEPHIE hands change over bar |
STEPHIE There you go. |
01 48 17 02 |
694 |
31.10 |
mcu
JAMIE and LINA at bar |
JAMIE My ex um, slept with a lot of my friends, and a
couple of my bosses. We broke up. We tried to get back together, I just
couldn’t trust her. And a relationship’s nothing without trust. So we went
our ways, and she remarried and, oh she got married, and yeah. Every time I
try to see me daughter she disappears. Been six years now since I seen me
daughter. |
01 48 19 24 |
695 |
3.02 |
LA
TILT mcu STEPHIE behind bar with patrons in bg |
LINA «ENGLISH SUBTITLE» You have a child? JAMIE «ENGLISH SUBTITLE» Yeah. LINA (OOS) Oh. |
01 48 51 09 |
696 |
1.15 |
mcu
JAMIE |
JAMIE «ENGLISH SUBTITLE» There’s not a day goes by |
01 48 54 11 |
697 |
2.10 |
LA
TILT cu PROFILE LINA nods |
I don’t wake up in the morning and think about my
daughter. |
01 48 56 01 |
698 |
4.02 |
tight
ms JAMIE and LINA at bar |
LINA «ENGLISH SUBTITLE» Really? |
01 48 58 11 |
699 |
3.12 |
ews
JAMIE and LINA standing outside pub |
JAMIE Yeah when she was born she was about thirty two
centimetres. |
01 49 02 13 |
700 |
3.11 |
ws
REAR VIEW JAMIE standing with LINA outside pub |
JAMIE Layin’ on this hospital bed, covered in all this
equipment. They tried |
01 49 06 00 |
701 |
3.14 |
LA
TILT mcu LINA facing JAMIE |
to get her stable enough so they could put her in
the helicopter. |
01 49 09 11 |
702 |
5.07 |
tight
mcu LINA wiping away tears with JAMIE in fg |
JAMIE And they’re saying that if she dies on the way, she
dies, she’s meant to die. |
01 49 13 00 |
703 |
6.05 |
m2s
LINA and JAMIE facing each other outside pub |
JAMIE I knew that they’d, they were gonna turn the
machines off, and I went up there thinking I was going to say my goodbyes. |
01 49 18 07 |
704 |
5.04 |
mcu
JAMIE with LINA in fg |
JAMIE Yeah they said, we don’t know what’s going on, but
your daughter’s there breathing for herself. |
01 49 24 12 |
705 |
7.18 |
LA
TILT mcu LINA and JAMIE outside pub |
JAMIE But that’s what made me realise no matter what
happens in your life mate, don’t give up. |
01 49 29 16 |
706 |
13.17 |
ms
LINA fanning face with JAMIE outside pub then they hug |
LINA I have to stop crying, and I’m really happy that
you’re daughter’s still alive, and I… She’s coming back and you’re gonna find
her. JAMIE It’s all good mate. |
01 49 37 09 |
707 |
5.16 |
LA
TILT mcu JAMIE opens door for LINA |
LINA I have to stop crying. JAMIE I probably had to go through all that shit |
01 49 51 01 |
708 |
4.15 |
mcu
JAMIE and LINA at bar |
so I could help other people out. |
01 49 56 17 |
709 |
6.01 |
mcu
LINA |
JAMIE (OOS) Since I’ve straightened me life out, I’ve built
Ministry Centres for me sister’s church, I’ve cooked for the homeless. |
01 50 01 07 |
710 |
5.03 |
mcu
JAMIE and LINA at bar |
JAMIE Um, I’ve helped hundreds of people |
01 50 07 08 |
711 |
8.18 |
mcu
LINA listening |
through drugs, just talking to em and you know
showing em that there is a future after drugs. LINA That’s really amazing. |
01 50 12 11 |
712 |
6.09 |
mcu
JAMIE then pan right to LINA then dissolve to |
|
01 50 21 04 |
713 |
4.12 |
HA
TILT ws JAMIE and LINA at bar |
JAMIE I don’t fight, but that New Year’s I did. |
01 50 27 13 |
714 |
4.21 |
mcu
JAMIE and LINA at bar with bottles and register in fg |
JAMIE Knocked three blokes out, and left one bloke out
cold on the railway line. |
01 50 32 00 |
715 |
10.24 |
mcu
JAMIE and LINA at bar with bottle pourer in fg |
JAMIE Punched one bloke over a picnic table, another
bloke, he got one punch in the gut, and collapsed. |
01 50 36 21 |
716 |
4.08 |
mcu
JAMIE and LINA at bar then STEPHIE walks past camera |
JAMIE «ENGLISH SUBTITLE» Bam. Yeah I fucking king-hit him. MUSIC
BEGINS… 52 SEC |
01 50 47 20 01 50 52 00 |
717 |
2.18 |
mls
DAVE in back bar |
|
01 50 52 03 |
718 |
4.23 |
LA
TILT mcu JAMIE and LINA at bar SIDE VIEW |
|
01 50 54 21 |
719 |
2.16 |
mls
DAVE in back bar |
|
01 50 59 19 |
720 |
3.20 |
ms
DAVE at bar with JAMIE and LINA either side |
DAVE Anthony and I have been planning the wedding. LINA Ahuh. |
01 51 02 10 |
721 |
3.11 |
LA
TILT ms REAR VIEW STEPHIE behind bar with DAVE, LINA and JAMIE on other side |
DAVE Constant sexual satisfaction is our aim. |
01 51 06 05 |
722 |
1.22 |
mcu
ANTHONY |
DAVE Because there’s two of us and both of us… |
01 51 09 16 |
723 |
6.00 |
LA
TILT ms PROFILE STEPHIE behind bar with DAVE and ANTHONY on other side with
JAMIE and LINA in bg |
DAVE Yeah, like this, strong. ANTHONY Extra pleasure. |
01 51 11 13 |
724 |
1.19 |
LA
TILT ms ANTHONY at bar |
|
01 51 17 13 |
725 |
1.20 |
LA
TILT ms JAMIE throwing can back |
|
01 51 19 07 |
726 |
3.04 |
mcu
ANTHONY in fg with ws LINA packing up then pan left to ms JAMIE |
JAMIE I’ll catch youse later eh? |
01 51 21 02 |
727 |
10.01 |
MONTAGE
EDITS of jamie and other patrons leaving pub with ANTHONY at door |
LINA (OOS) Goodnight. ANTHONY See ya bro. JAMIE (OOS) See ya. |
01 51 24 06 |
728 |
4.04 |
MONTAGE
EDITS of ANTHONY climbing stairs |
|
01 51 34 07 |
729 |
4.10 |
cu
beer bottles on table |
LINA He hasn’t seen his daughter |
01 51 38 11 |
730 |
2.17 |
LA
TILT cu LINA |
in, what was it, six years? ANTHONY (OOS) Yeah. MUSIC ENDS |
01 51 42 21 01 51 44 24 |
731 |
2.02 |
mcu
ANTHONY sitting back in lounge |
LINA He hopes that someday, she will come and |
01 51 45 13 |
732 |
2.08 |
mcu
LINA |
and find her dad. ANTHONY «ENGLISH SUBTITLE» That’s pretty rough. LINA It |
01 51 47 15 |
733 |
7.19 |
ms
ANTHONY lying back in lounge |
costs twenty thousand dollars to get a private
investigator to try to find her. ANTHONY «ENGLISH SUBTITLE» Yeah… poor bloke. |
01 51 49 23 |
734 |
4.09 |
LA
TILT cu LINA then tilt down to bracelet |
LINA Did you see what we got today? ANTHONY (OOS) Plastic bracelets from Canman. |
01 51 57 17 |
735 |
1.16 |
cu
ANTHONY lying back in lounge |
STEPHIE (OOS) There’s something wrong with these |
01 52 02 01 |
736 |
1.15 |
LA
TILT cu LINA |
people. LINA And now we have to wear them. |
01 52 03 178 |
737 |
1.21 |
LA
TILT cu ANTHONY laughing |
LINA If he sees |
01 52 05 07 |
738 |
3.23 |
LA
TILT cu LINA |
that we’re wearing them, it probably makes him
really happy. |
01 52 07 03 |
739 |
4.01 |
ms
STEPHIE then pan right to ANTHONY |
ANTHONY But he won’t even remember. LINA Yeah he does. ANTHONY Nah. |
01 52 11 01 |
740 |
2.08 |
cu
ANTHONY lying back on lounge |
ANTHONY I’m going to go to sleep. LINA (OOS) Don’t fall asleep. |
01 52 15 02 |
741 |
4.05 |
ms
ANTHONY lying back in lounge |
ANTHONY «ENGLISH SUBTITLE» It’s not your problem if I sleep on the couch. LINA (OOS) You’re not sleeping on the couch. |
01 52 17 10 |
742 |
2.17 |
ms
LINA |
ANTHONY (OOS) Let’s go to bed. LINA No you are going home. ANTHONY I don’t |
01 52 21 15 |
743 |
3.19 |
ms
ANTHONY lying back in lounge |
have fucking keys. I lost my keys... Dave took them. LINA (OOS) I don’t fucking care. |
01 52 24 07 |
744 |
14.16 |
ms
LINA then pan left to ANTHONY |
ANTHONY (OOS) Don’t be so harsh. LINA You’re not sleeping here. ANTHONY (OOS) I’m not sleeping anywhere near you, I’m sleeping on
the couch. LINA You’re not sleeping here. You’re going home. ANTHONY What are you gonna do about it? |
01 52 28 1 |
745 |
3.04 |
ms
LINA |
LINA Goodnight. Out. |
01 52 42 17 |
746 |
5.01 |
LA
TILT mcu ANTHONY stepping out door then pan left to LINA |
ANTHONY Cheerio. Au revoir. LINA Goodnight. Go. |
01 52 45 21 |
747 |
3.01 |
track
in darkness past faint lights as ANTHONY walks down stairs then FADE TO BLACK
|
|
01 52 50 22 |
748 |
6.07 |
fade
up to super on black background then FADE TO BLACK SUPER: week four |
|
01 52 53 23 |
749 |
3.17 |
LA
TILT ws clouds at sun set with silhouette trees |
|
01 53 00 05 |
750 |
3.00 |
ws
person riding bike through scrub l to r |
|
01 53 03 22 |
751 |
6.21 |
ms
REAR VIEW LINA looking out from pub balcony |
LINA What’s that sad music? |
01 53 06 22 |
752 |
8.01 |
ws
ice cream van driving through streets |
|
01 53 13 18 |
753 |
5.22 |
ms
LINA looking out from pub balcony |
LINA I want to cry. |
01 53 21 19 |
754 |
13.02 |
cu
PROFILE LINA |
LINA Yeah I think that this town has a bit of sadness to
it. I mean, people are, I don’t know if they’re depressed, but they’re sad. |
01 53 27 16 |
755 |
2.22 |
ws
customer walking away from ice cream van |
LINA No-one |
01 53 40 18 |
756 |
7.00 |
mcu
LINA |
wants to sit there and look at them when they feel
sorry for themselves. |
01 53 43 15 |
757 |
5.13 |
HA
TILT ws pan right with truck driving past at night |
LINA There’s a lot of traffic today. No-one |
01 53 50 15 |
758 |
7.13 |
mcu
LINA looking out from balcony |
stays here, but no wonder. Who wants to stay here? |
01 53 56 03 |
759 |
1.04 |
ws
men playing pool |
WOMAN IN BLUE TOP
(OOS) I think |
01 54 03 16 |
760 |
2.01 |
wms
REAR VIEW lina working behind bar |
you should make it. MAN IN BLACK TOP «ENGLISH SUBTITLE» She’s got no arse! |
01 54 04 20 |
761 |
6.22 |
tight
m2s woman and in black and woman in BLUE TOP at bar |
WOMAN IN BLACK «ENGLISH SUBTITLE» Who’d want to root that? WOMAN IN BLUE TOP
I think you should make a documentary from, I think
you should make a documentary… WOMAN IN BLACK «ENGLISH SUBTITLE» You need something to hang on to! |
01 54 06 21 |
762 |
2.01 |
tight
m2s woman in black and BLUE
TOP at bar |
WOMAN IN BLACK Can I have four Sambucas please? |
01 54 13 18 |
763 |
1.23 |
tight
m2s woman in black and woman in green at bar |
WOMAN IN BLACK She’s gotta have meat on her bones. WOMAN IN GREEN They’re Lina |
01 54 15 19 |
764 |
1.06 |
swing
to ms REAR VIEW STEPHIE looking in ice box |
and Steph. WOMAN IN BLUE TOP (OOS) No. |
01 54 17 17 |
765 |
1.05 |
tight
m2s woman in black and woman in BLUE
TOP at bar |
WOMAN IN BLACK I don’t give a fuck. |
01 54 18 23 |
766 |
1.24 |
ms
REAR VIEW STEPHIE looking in ice chest |
WOMAN IN BLACK (OOS) They’re fuckin’ new ones. |
01 54 20 03 |
767 |
3.17 |
tight
m2s woman in black and woman in BLUE
TOP at bar |
WOMAN IN BLACK «ENGLISH SUBTITLE» We all know they’re slack tarts, they can’t fuckin’
serve a beer. |
01 54 22 02 |
768 |
3.19 |
ms
REAR VIEW STEPHIE then swing left to CANMAN walking past with LINA |
WOMAN IN BLUE TOP
(OOS) Poor little things. WOMAN IN BLACK (OOS) Oh not that old cockhead. |
01 54 25 19 |
769 |
2.03 |
tight
m2s woman in black and woman in BLUE
TOP at bar |
WOMAN IN BLACK Fuckin’ cunt of a thing. |
01 54 29 13 |
770 |
1.19 |
LA
TILT ms woman in black throws back drink as woman in BLUE TOP cheers |
|
01 54 31 16 |
771 |
1.05 |
m2s
woman in black and woman in BLUE
TOP at bar |
WOMAN IN BLACK Get fucked. |
01 54 33 10 |
772 |
0.00 |
MONTAGE
EDITS of woman in black and woman in BLUE TOP at bar then dancing |
|
01 54 34 15 |
773 |
3.08 |
ms
woman in black puts glass on bar then chucks drink on ground with patrons
laughing behind |
WOMAN IN BLACK You haven’t put ice in it. MUSIC BEGINS… 13
SEC |
01 54 34 15 01 54 36 24 |
774 |
2.07 |
ms
PROFILE woman in black sexy dancing with man at bar |
|
01 54 37 23 |
775 |
4.16 |
ms
woman in black sexy dancing with man and woman in BLUE behind |
WOMAN IN BLUE TOP «ENGLISH SUBTITLE» You are really out of control! WOMAN IN BLACK «ENGLISH SUBTITLE» Well I’ve gotta root something. |
01 54 40 05 |
776 |
1.19 |
ms
LINA eating at bar |
|
01 54 44 21 |
777 |
2.12 |
wms
woman in black slaps woman in blue’s butt |
WOMAN IN BLUE Fuck off. |
01 54 46 15 |
778 |
1.23 |
ms
STEPHIE t bar serving ANTHONY then zoom out to back bar |
MUSIC ENDS |
01 54 49 02 01 54 49 21 |
779 |
6.02 |
ms
woman in black drags man out of pub with other patrons watching |
MUSIC BEGINS… 17
SEC WOMAN IN BLUE (OOS) Fuckin Robin’s got him under control. PATRON (OOS) Oh yes. PATRON 2 (OOS) Look out! WOMAN IN BLUE (OOS) See you don’t |
01 54 51 00 01 54 51 19 |
780 |
1.24 |
ms
jukebox |
need a bouncer at the Denver City. |
01 54 57 02 |
781 |
4.18 |
ms
through pub door to woman in black pushing man around then woman in blue
walks out |
|
01 54 59 01 |
782 |
5.07 |
swing
left to ms LINA behind bar biting nails |
MUSIC ENDS |
01 55 03 19 01 55 08 04 |
783 |
4.14 |
ms
REAR VIEW men in orange shirts putting women in 4wd |
|
01 55 09 01 |
784 |
10.14 |
wms
man in orange shirt putting woman in 4wd then woman in blue puts down car
window |
WOMAN IN BLACK Fuck you. Fuck ya. WOMAN IN BLUE TOP We’re alright. Tell out mothers, we’re alright. WOMAN IN BLACK No, I can walk home. Fuck you. WOMAN IN BLUE TOP We’re going up bush. We’re going’. MAN IN ORANGE SHIRT Hey, hey, hey, hey. WOMAN IN BLUE TOP Hey Sambuca |
01 55 13 15 |
785 |
2.13 |
ms
woman in blue top walks back to pub door followed y man in orange shirt |
time. Oh no. We’re back. |
01 55 24 04 |
786 |
4.15 |
ms
woman in black and woman in blue top dancing and singing |
MUSIC BEGINS… 13
SEC |
01 55 26 17 01 55 27 02 |
787 |
2.09 |
ms
STEPHIE leaning over ice box |
|
01 55 31 07 |
788 |
5.17 |
ms
woman in black and woman in blue top dancing and singing |
|
01 55 33 16 |
789 |
3.06 |
wms
woman with glasses sitting at bar |
ANTHONY (OOS) That’s what I was going to say, MUSIC ENDS |
01 55 39 08 01 55 40 00 |
790 |
2.03 |
mc
PROFILE LINA at bar |
ANTHONY (OOS) you know how you have Good Friday off? |
01 55 42 14 |
791 |
1.15 |
LA
TILT mcu ANTHONY at bar |
ANTHONY Do you want to do something? |
01 55 44 17 |
792 |
1.02 |
mcu
PROFILE LINA at bar |
LINA What? |
01 55 46 07 |
793 |
2.11 |
mcu
PROFILE ANTHONY at bar |
ANTHONY You, me, Dave, and Steph, |
01 55 47 09 |
794 |
4.13 |
mcu
PROFILE LINA at bar |
camping. LINA Camping? ANTHONY (OOS) Yeah, it’s like seventy K’s from here. |
01 55 49 20 |
795 |
10.18 |
mcu
ANTHONY then pan right to PROFILE STEPHIE |
ANTHONY It’s like the water there, and you got barbecue,
bathrooms, and you have fires and
stuff. Drink, play cards, marshmallows. |
01 55 54 08 |
796 |
6.16 |
mcu
ANTHONY and cu LINA in fg |
ANTHONY It’s Easter. We can only get Easter eggs. It’ll be
funny. MAN IN BROWN CAP (OOS) Who you going with? |
01 56 05 01 |
797 |
2.24 |
LA
TILT mcu PROFILE man in brown cap and man in green cap at bar |
STEPHIE (OOS) I don’t know… MAN IN BROWN CAP You going camping? STEPHIE No, we’re going with Anthony, |
01 56 11 17 |
798 |
6.16 |
ms
STEPHIE pouring beer |
and Dave who works at the motel. CANMAN «ENGLISH SUBTITLE» Spiders and Snakes. Who with? |
01 56 14 16 |
799 |
4.12 |
mcu
PROFILE CANMAN at bar then pan left to LINA |
LINA The boys from the motel, and then our friend is coming
to visit us. |
01 56 21 07 |
800 |
1.22 |
ms
LINA behind bar |
LINA «ENGLISH SUBTITLE» Yeah. Can you ring James? |
01 56 25 19 |
801 |
4.05 |
mcu
LINA behind bar with STEPHIE in fg |
LINA «ENGLISH SUBTITLE» Say to get the train because we’re going camping. |
01 56 27 16 |
802 |
4.01 |
mcu
STEPHIE leaning on bar |
LINA «ENGLISH SUBTITLE» James is our friend. He’s living in Perth. We
travelled with him for a month, |
01 56 31 21 |
803 |
3.14 |
mcu
LINA behind bar with PROFILE STEPHIE in fg |
and now he’s coming to visit us. STEPHIE We text you |
01 56 35 22 |
804 |
1.18 |
mcu
STEPHIE on phone |
the name, where you |
01 56 39 11 |
805 |
4.10 |
mcu
LINA eating |
can get out the train. Yeah. See you tomorrow. LINA Probably have to go |
01 56 41 04 |
806 |
2.15 |
mcu
STEPHIE on phone |
camping even if James isn’t coming with us, |
01 56 45 14 |
807 |
3.13 |
mcu
LINA |
because the boys are talking about it all the time. STEPHIE It’s like |
01 56 48 04 |
808 |
6.24 |
mcu
STEPHIE |
to be on a double date if it’s just like these two
guys, and me and Lina. LINA So it’s good |
01 56 51 17 |
809 |
4.18 |
mcu
LINA eating |
if James is coming because if we have to sleep in a
tent, he’s going to sleep in the middle. |
01 56 58 16 |
810 |
1.21 |
mcu
STEPHIE laughing |
LINA I mean the guys are |
01 57 03 09 |
811 |
13.24 |
mcu
LINA |
really stupid if they think that a camping trip
means like gang bangs and, whatever, I don’t know what they’re thinking, but
they’re really stupid if they think that a camping trip means that. |
01 57 05 05 |
812 |
3.04 |
ws
exterior pub at night |
DAVE Meet us tomorrow |
01 57 19 4 |
813 |
2.04 |
m3s
dave, LINA and ANTHONY at bar |
morning at half past five. LINA But it’s after twelve anyway, |
01 57 22 08 |
814 |
3.17 |
mcu
PETE |
so… DAVE Yeah. ANTHONY We’ll be right. Nah fuck that. |
01 57 24 12 |
815 |
3.02 |
ms
STEPHIE hands drink over bar wo ANTHONY |
I need to get a good night’s sleep. DAVE Every night, like we finish at seven. |
01 57 28 04 |
816 |
2.04 |
ls
bar of patrons with PETE at end and ms STEPHIE in fg |
PETE They’re going out in the middle of the bush. |
01 57 31 06 |
817 |
7.09 |
ms
PETE talking to LINA with patron at bar |
PETE «ENGLISH SUBTITLE» How you getting out there? LINA With Dave from the Motel. PETE Jamie. LINA Dave with… PETE Oh yeah, okay. |
01 57 33 10 |
818 |
4.01 |
mcu
PETE |
PETE Steph. Come and talk to me. |
01 57 40 19 |
819 |
15.07 |
ms
PETE and patron ta bar with PROFILE STEPHIE in fg |
PETE You want a bit of rope? STEPHIE Yeah. PETE Tie around? And you can tie the knot, so nobody
knows how to undo it? STEPHIE What are we gonna do with the rope? PETE Tie your legs together. STEPHIE Why? PETE You’re going out with |
01 57 44 20 |
820 |
3.21 |
m3s
dave, ANTHONY and LINA at bar |
these deviants mate. STEPHIE (OOS) We’ll fucking tie them up. |
01 58 00 02 |
821 |
8.14 |
ms
PETE and PATRON at bar then STEPHIE walks out of fg then pan left to STEPHIE
shaking head |
PETE He’s getting in between your legs mate. That’s what
I’m saying. I’ll give you some rope, so you can tie em together. Hey? STEPHIE No. |
01 58 03 23 |
822 |
8.20 |
ms
PETE and patron at bar pan
left to STEPHIE pan
right to PETE at bar |
STEPHIE No. All good. PETE It’s all good? STEPHIE All good. PETE I’m only trying to look after you mate. I don’t want
you to go home to fuckin’ Finland with any babies. MUSIC BEGINS… 1 MIN
47 SEC |
01 58 12 12 01 58 21 01 |
823 |
8.14 |
MONTAGE
EDITS ANTHONY and pete pack car |
|
01 58 21 07 |
824 |
2.05 |
m2s
DAVE hold up game for ANTHONY at car |
DAVE Drinking games. |
01 58 29 21 |
825 |
4.18 |
track
with wms JAMes walking in door |
|
01 58 32 01 |
826 |
2.23 |
ms
REAR VIEW PETE opens door for james |
PETE Straight up the stairs mate. JAMES Sweet. |
01 58 36 19 |
827 |
2.05 |
LA
TILT ms JAMES climbs stairs |
|
01 58 39 17 |
828 |
4.07 |
ms
REAR VIEW james walks in door and hugs STEPHIE |
STEPHIE Hey! JAMES Hello. STEPHIE Hi. |
01 58 41 22 |
829 |
3.04 |
ms
LINA hugs JAMES |
LINA Oh. |
01 58 46 04 |
830 |
2.19 |
mcu
STEPHIE and LINA with ms JAMES |
LINA I was sure that you’re not going to get that train. |
01 58 49 08 |
831 |
1.13 |
ms
james |
JAMES This is it? |
01 58 52 02 |
832 |
2.00 |
mws
LINA & STEPHIE’s room |
LINA (OOS) This is it. JAMES «ENGLISH SUBTITLE» Not a lot is there? |
01 58 53 15 |
833 |
1.14 |
LA
TILT ms JAMES |
JAMES «ENGLISH SUBTITLE» But it’s alright. |
01 58 55 15 |
834 |
1.09 |
ms
STEPHIE |
LINA «ENGLISH SUBTITLE» There’s a petrol station. |
01 58 57 04 |
835 |
2.01 |
mcu
JAMES |
|
01 58 58 13 |
836 |
4.19 |
mws
LINA leaning over balcony and JAMES on phone in bg |
LINA It’s not open today. No. Tomorrow. |
01 59 00 14 |
837 |
3.06 |
LA TILT wms STEPHIE opens fridge for JAMES
with LINA in |
STEPHIE James, James, James, a surprise for you. |
01 59 05 08 |
838 |
2.12 |
LA
TILT mws LINA watches STEPHIE hand james pink bottle |
JAMES What is it? LINA You’re welcome. |
01 59 08 14 |
839 |
3.18 |
LA
TILT ms LINA hands JAMES yellow bottle |
LINA And that as well. You’re welcome. |
01 59 11 01 |
840 |
1.20 |
ws
ANTHONY closes door on station wagon |
|
01 59 14 19 |
841 |
4.04 |
track
behind ms an and LINA walking onto balcony to JAMES |
LINA And Anthony, James. ANTHONY James, how are you man? JAMES You alright? ANTHONY Yeah good. |
01 59 16 14 |
842 |
4.08 |
ms
JAMES and ANTHONY |
JAMES «ENGLISH SUBTITLE» The girls told me all about you. You work down there
don’t you? ANTHONY «ENGLISH SUBTITLE» At the motel. JAMES Yeah. ANTHONY Yeah. |
01 59 20 18 |
843 |
1.22 |
mcu
JAMES |
JAMES «ENGLISH SUBTITLE» We off soon then are we? |
01 59 25 01 |
844 |
1.09 |
ms
ute pulls up |
|
01 59 26 23 |
845 |
3.05 |
mws
LINA and STEPHIE hand bags to dave with ANTHONY in bg |
ANTHONY «ENGLISH SUBTITLE» Let’s get out there, I want a drink. |
01 59 28 07 |
846 |
2.23 |
ms
STEPHIE follows ws ANTHONY to car |
ANTHONY «ENGLISH SUBTITLE» Get in the shaggin’ wagon! |
01 59 31 12 |
847 |
1.20 |
mcu
ANTHONY in car with STEPHIE and LINA in back |
|
01 59 34 10 |
848 |
5.11 |
MONTAGE
EDITS of red station wagon driving on roads |
|
01 59 36 05 |
849 |
3.01 |
ms
ANTHONY takes swig of beer in car with JAMES, and LINA and STEPHIE in back |
|
01 59 41 16 |
850 |
3.22 |
ws
station wagon drives towards camera on red dirt road |
ANTHONY «ENGLISH SUBTITLE» I did lose my license for six months for drink
driving. |
01 59 44 17 |
851 |
2.13 |
ms
ANTHONY driving car with JAMES and STEPHIE and LINA in back |
ANTHONY But I haven’t now. I just |
01 59 48 14 |
852 |
2.03 |
ws
track along red dirt road from windscreen pov |
got it back. |
01 59 51 02 |
853 |
6.18 |
ms
ANTHONY driving car with JAMES and STEPHIE and LINA in back hen car goes over
bump |
STEPHIE Ah! ANTHONY Fuck me dead. |
01 59 53 05 |
854 |
9.11 |
MONTAGE
EDITS of car and ute driving then pulled up in bush |
MUSIC ENDS |
01 59 59 23 02 00 08 10 |
855 |
1.16 |
ms
STEPHIE and LINA in back of car |
|
02 00 09 09 |
856 |
3.14 |
ws
bushy plain |
LINA (OOS) Well what the fuck are we doing here? |
02 00 11 00 |
857 |
4.08 |
ms
JAMES, STEPHIE and LINA in car |
STEPHIE I thought it was a nice place. ANTHONY So we’re going to smash some vodka Red Bulls. |
02 00 14 14 |
858 |
5.10 |
ws
LINA walks to STEPHIE |
STEPHIE «ENGLISH SUBTITLE» What a wonderful camping experience. LINA «ENGLISH SUBTITLE» In the middle of a field. |
02 00 18 22 |
859 |
7.02 |
MONTAGE
EDITS of JAMES and ANTHONY putting up tent |
LINA (OOS) Fucking one day off with Stephie. STEPHIE (OOS) This is just what we were dreaming of. |
02 00 24 07 |
860 |
2.15 |
LA
TILT m2s LINA and STEPHIE |
|
02 00 31 09 |
861 |
4.12 |
ms
DAVE setting up stereo |
LINA (OOS) I’ve had enough of all the drunken people, now I
want to get drunk. |
02 00 33 24 |
862 |
2.03 |
ms
REAR VIEW JAMES AND STEPHIE at table WITH LINA and DAVE |
ANTHONY «ENGLISH SUBTITLE» Cleaning pools, hey? |
02 00 38 11 |
863 |
3.04 |
mcu
STEPHIE, JAMES and ANTHONY |
ANTHONY «ENGLISH SUBTITLE» My mate did that around the Northern Beaches for a
while… ANTHONY And he used to |
02 00 40 14 |
864 |
5.03 |
mcu
STEPHIE and LINA at table |
get these hot chicks hey. Old MILFs that are just
like toey as. |
02 00 43 18 |
865 |
9.20 |
ms
STEPHIE at table with mcu REAR VIEW LINA |
ANTHONY (OOS) He was banging this chick for ages, she’d still pay
him. DAVE (OOS) So he’d never did the pool? He’d just come round and
rooted her? ANTHONY (OOS) Oh, and maybe clean the filter out. Then he’d just
smash her for like three hours. |
02 00 48 21 |
866 |
2.01 |
LA
TILT ms ANTHONY gets up from table |
DAVE (OOS) Good work if you can get it. |
02 00 58 16 |
867 |
4.06 |
LA
TILT ms ANTHONY pouring drink |
ANTHONY Whoop. LINA (OOS) Whoop? ANTHONY Whoop. |
02 01 00 17 |
868 |
5.15 |
LA
TILT ms STEPHIE, j and ANTHONY at table |
ANTHONY That’s the King… DAVE (OOS) You have to bet whether it will be in between the
five and the King. STEPHIE Oh yeah. JAMES Oh yeah. DAVE And you can bet drinks |
02 01 04 23 |
869 |
2.16 |
LA
TILT ms LINA and DAVE at table with STEPHIE in fg |
you know. So she’s got three drinks to choose who
drinks them. ANTHONY So, |
02 01 10 13 |
870 |
4.19 |
LA
TILT m3s STEPHIE, JAMES and ANTHONY at table |
you just skull it like four times. JAMES What if you start by saying a card each, black or
red. |
02 01 13 04 |
871 |
3.04 |
LA
TILT m2s DAVE and LINA at table |
DAVE This is the one where you take your top off. |
02 01 17 23 |
872 |
4.18 |
LA
TILT ms PROFILE STEPHIE, JAMES and ANTHONY |
LINA (OOS) Girls don’t have to take clothes off. DAVE (OOS) I’m not playing. |
02 01 21 02 |
873 |
1.19 |
LA
TILT m2s DAVE and LINA at table |
DAVE How do you play your game? ANTHONY (OOS) Just fuckin’ do it. |
02 01 25 20 |
874 |
1.22 |
HA
TILT ms STEPHIE, JAMES, ANTHONY and LINA around table as DAVE drinks |
DAVE Me? LINA Drink. |
02 01 27 14 |
875 |
1.12 |
ms
STEPHIE, JAMES, ANTHONY, DAVE and LINA stand and sit at table |
|
02 01 29 11 |
876 |
1.13 |
mcu
STEPHIE and JAMES |
STEPHIE Drink. |
02 01 30 23 |
877 |
4.00 |
m2s
STEPHIE and JAMES at table with LINA in fg |
LINA Drink! JAMES Oh I didn’t do it did I? |
02 01 32 11 |
878 |
1.16 |
HA
TILT ms ANTHONY and DAVE point at STEPHIE at table |
ANTHONY Oh! DAVE Oh! |
02 01 36 11 |
879 |
1.12 |
mcu
ANTHONY drinking with STEPHIE in bg |
MUSIC BEGINS… 7 SEC
|
02 01 38 02 02 01 39 08 |
880 |
5.11 |
ms
DAVE playing guitar and singing |
|
02 01 39 14 |
881 |
3.05 |
la
mcu sausages cooking on fire |
LINA (OOS) When he’s sitting down in the bar, MUSIC ENDS |
02 01 45 00 02 01 46 17 |
882 |
2.11 |
ms
LINA and JAMES at table with other campers in bg |
LINA he always screaming to you like, what the fuck, |
02 01 48 05 |
883 |
2.06 |
ms
DAVE playing guitar with REAR VIEW ANTHONY |
fucking idiot. You’re fucking useless. |
02 01 50 16 |
884 |
1.15 |
ms
LINA and JAMES at table with other campers in bg |
LINA I hate him so much. |
02 01 52 22 |
885 |
3.01 |
mws
station wagon at camp at twilight |
LINA (OOS) And Pikey, he’s blaming he’s still single |
02 01 54 12 |
886 |
1.16 |
mcu
LINA and STEPHIE |
because he doesn’t have a car, |
02 01 57 13 |
887 |
1.20 |
ms
STEPHIE sitting with ANTHONY standing at table |
and that’s not the fucking reason. |
02 01 59 04 |
888 |
1.12 |
mcu
LINA and STEPHIE |
LINA He’s like ‘hey bitch’, |
02 02 00 24 |
889 |
4.02 |
mc
STEPHIE and ANTHONY PROFILE |
staring at my arse in the bar. ANTHONY You haven’t even got an arse. Stephanie’s got an
arse. |
02 02 02 11 |
890 |
2.15 |
swing
to mcu JAMES and DAVE |
JAMES (OOS) You haven’t got an arse. DAVE You have no junk in the trunk. |
02 02 06 13 |
891 |
1.15 |
mcu
LINA and STEPHIE laughing |
ANTHONY «ENGLISH SUBTITLE» You’ve got some tits, that’s about it. |
02 02 09 03 |
892 |
4.11 |
ms
LINA, STEPHIE, ANTHONY and DAVE around table |
DAVE Do you girls have boyfriends? LINA Yeah we have a lot of boyfriends. STEPHIE Yeah. |
02 02 10 18 |
893 |
3.06 |
ms
LINA, STEPHIE, ANTHONY and DAVE around table |
JAMES So I’m your Welsh boyfriend then? LINA No you’re not. STEPHIE You’re just a friend. |
02 02 15 04 |
894 |
2.12 |
mcu
PROFILE LINA, STEPHIE ad ANTHONY |
JAMES (OOS) I should just go home now. LINA When you |
02 02 18 10 |
895 |
4.10 |
m2s
LINA and STEPHIE |
walk away from them, they’re like whistling, and
they are like, screaming their, |
02 02 20 22 |
896 |
1.23 |
mcu
DAVE and JAMES |
I don’t know, disgusting things. |
02 02 25 07 |
897 |
2.10 |
mcu
ANTHONY has a drink of beer |
DAVE (OOS) What do you think of Australian guys that you’ve
met? LINA When they’re |
02 02 27 05 |
898 |
4.02 |
ms
LINA, STEPHIE, ANTHONY and DAVE around table |
not standing behind the bar doing this, oh, oh, oh! |
02 02 29 15 |
899 |
7.15 |
mcu
PROFILE JAMES and DAVE |
ANTHONY (OOS) It’s just when you live in a town where… JAMES Especially when it’s so full of miners. Then it is. ANTHONY Everyone is, yeah full of miners. DAVE That’s the thing, you’re here in Coolgardie. |
02 02 33 17 |
900 |
3.06 |
mcu
LINA and ms STEPHIE |
JAMES (OOS) Everyone we spoke to before you left, told you how
it was going to be. LINA And we |
02 02 41 07 |
901 |
14.06 |
mcu
ANTHONY and JAMES at table then slow pan left to STEPHIE and LINA |
have to live with all the people that has alcohol
problems, drinking until they’re drunk enough so that we cut them of. And
we’re sending them home, and they’re like ‘well fuck off. You’re a fucking
bitch.’ ANTHONY Have you cut me off? STEPHIE Yeah. LINA Yeah I have. |
02 02 44 13 |
902 |
8.01 |
mcu
LINA and STEPHIE |
STEPHIE I don’t stress about it, just let it go. Don’t
listen to them, and yeah, here’s the drink. Give me the fucking money. MUSIC BEGINS… 1 MIN
35 SEC |
02 02 58 19 02 03 04 01 |
903 |
2.11 |
ms
fire burning |
|
02 03 06 20 |
904 |
22.02 |
MONTAGE
EDITS of LINA, STEPHIE, JAMES, DAVE and ANTHONY around table and fire then
dissolve to |
|
02 03 09 06 |
905 |
9.00 |
TIME-LAPSE
LINA, STEPHIE, ANTHONY and DAVE around table around the table and fire |
|
02 03 31 08 |
906 |
41.22 |
MONTAGE
EDITS of ms LINA, STEPHIE, ANTHONY and DAVE around table, then ANTHONY and
LINA stagger out exit left |
|
02 03 40 08 |
907 |
3.12 |
ms
LINA’s hair peaking out from behind station wagon door |
|
02 04 22 05 |
908 |
2.20 |
ms
ANTHONY behind station wagon door |
|
02 04 25 17 |
909 |
3.23 |
mcu
PROFILE JAMES |
|
02 04 28 12 |
910 |
2.23 |
ms
PROFILE STEPHIE at table |
|
02 04 32 10 |
911 |
5.12 |
ms
ANTHONY’s back through station wagon door then LINA’s lag wraps around him
then FADE TO BLACK |
MUSIC ENDS |
02 04 35 08 02 04 39 00 |
912 |
5.01 |
cu
cask and bottles on table |
ANTHONY (OOS) Oh. |
02 04 40 20 |
913 |
4.11 |
LA
TILT ms JAMES siting outside tent with LINA inside |
DAVE Good morning ladies. |
02 04 45 21 |
914 |
5.15 |
LA
TILT ms ANTHONY, DAVE and james around tent then ANTHONY lets down fly |
DAVE You feeling good? LINA (OOS) No. DAVE Well you’re probably gonna start feeling worse now. |
02 04 50 07 |
915 |
3.09 |
mws
STEPHIE gets out of tent surrounded by boys |
ANTHONY Wakey wakey. DAVE How are you Stephie? |
02 04 55 22 |
916 |
3.13 |
HA
TILT ms LINA sitting surrounded by tent on ground |
STEPHIE (OOS) My head. |
02 04 59 06 |
917 |
7.11 |
ws
ANTHONY leans over LINA crouched in grass |
|
02 05 02 19 |
918 |
1.17 |
ms
LINA in car |
|
02 05 10 05 |
919 |
7.03 |
ms
JAMES turned to LINA with STEPHIE in back of car |
LINA «ENGLISH SUBTITLE» I’m not going camping ever again. I got really bad
blisters. LINA (OOS) Bad blisters. |
02 05 11 22 |
920 |
6.23 |
ms
ANTHONY driving JAMES, STEPHIE, and LINA sleeping in car then FADE TO BLACK |
|
02 05 19 00 |
921 |
4.21 |
fade
up to ws park with warning sign |
|
02 05 25 23 |
922 |
6.05 |
ms
PROFILE LINA crying |
LINA «ENGLISH SUBTITLE» You say something Stephie. |
02 05 30 19 |
923 |
8.01 |
LA
TILT ms PROFILE STEPHIE sitting on grass then pan left to LINA |
LINA «ENGLISH SUBTITLE» I don’t want to talk because of morkkis. STEPHIE You know when you have done |
02 05 36 24 |
924 |
11.22 |
ms
STEPHIE sitting on grass |
something when you are drunk, and you wake up the
next morning. You just feel like you want to dig a hole to yourself. |
02 05 45 00 |
925 |
10.00 |
ms
PROFILE LINA |
LINA «ENGLISH SUBTITLE» That’s called “morkkis” in Finland, and I can’t talk
about my morkkis yet. |
02 05 56 22 |
926 |
7.23 |
LA
TILT ms STEPHIE |
LINA «ENGLISH SUBTITLE» But I don’t remember it. LINA And I was so drunk so that I couldn’t understand
anything. |
02 06 06 22 |
927 |
10.04 |
LA
TILT m2s LINA and STEPHIE sitting on grass |
LINA And I said that they’re really stupid if they think
that something’s going to happen. |
02 06 14 20 |
928 |
8.14 |
LA
TILT mcu PROFILE LINA then pan right to STEPHIE laughing |
LINA Seven, eight, nine weeks left. This guy said that we
have to stay here for three months, and that’s like the deal. |
02 06 24 24 |
929 |
1.23 |
LA
TILT ms PROFILE LINA |
LINA But no longer. STEPHIE We have |
02 06 33 13 |
930 |
5.01 |
LA
TILT m2s LINA and STEPHIE sitting on grass |
to save money. That’s why we are here. |
02 06 35 11 |
931 |
2.19 |
LA
TILT ms PROFILE LINA |
|
02 06 40 12 |
932 |
4.23 |
LA
TILT ws exterior of pub |
MUSIC BEGINS… 43
SEC |
02 06 43 06 02 06 47 10 |
933 |
1.16 |
LA
TILT wms STEPHIE opens blind |
|
02 06 48 04 |
934 |
4.12 |
ms
pan left as STEPHIE and PETE walk past camera |
PETE Okay, righto. So you’ve been here for four weeks, |
02 06 49 20 |
935 |
1.14 |
ms
PETE with REAR VIEW STEPHIE in fg |
you should have noticed that in there. STEPHIE Okay. |
02 06 54 07 |
936 |
3.11 |
ms
REAR VIEW STEPHIE behind bar |
PETE (OOS) When you’re doin’ fuckin’ nothin’ all day, you
should be learning how to do this shit. |
02 06 55 21 |
937 |
2.13 |
ws
PETE at bar with patrons |
LADY WITH GLASSES That’s it, now move. Bring it to me. |
02 06 59 07 |
938 |
3.01 |
swing
to ms woman with glasses at bar and REAR VIEW STEPHIE passing her drink |
LADY WITH GLASSES That’s it. PETE (OOS) That’s it. |
02 07 01 20 |
939 |
2.11 |
mcu
STEPHIE turns |
WELLSY «ENGLISH SUBTITLE» Steph said last night, you know this place is a
shithole. |
02 07 04 21 |
940 |
2.11 |
mcu
wellsy behind bar |
WELLSY They’re only here for one reason, cause they need
the money. |
02 07 07 07 |
941 |
2.13 |
ms
REAR VIEW LINA behind bar with PETE then swing to pikey walking in door |
PATRON Yeah Piko! |
02 07 09 18 |
942 |
2.14 |
HA
TILT ws PETE sitting at bar with patrons and STEPHIE working |
PETE These bastards have been here for four fuckin weeks
mate. |
02 07 12 06 |
943 |
2.05 |
ms
pan right with reaching underneath bar |
PETE (OOS) They stand around all day doing fuck all. |
02 07 14 20 |
944 |
2.04 |
mcu
wellsy behind bar |
WELLSY «ENGLISH SUBTITLE» They haven’t got the personality. They’re not
prepared to |
02 07 17 00 |
945 |
3.05 |
ms
JAMie drinking at bar |
even talk to the locals, and that, let alone
anything else. |
02 07 19 04 |
946 |
3.18 |
ms
PROFILE STEPHIE pouring beer |
WELLSY (OOS) They just don’t seem to want to be involved with
anybody, |
02 07 22 09 |
947 |
2.05 |
mcu
wellsy |
apart from the Canman. PETE (OOS) Well fuck them |
02 07 26 02 |
948 |
2.02 |
ms
STEPHIE behind bar with PROFILE JAmie in fg |
mate. I give them a fuckin’ chance. |
02 07 28 07 |
949 |
3.12 |
la
mcu REAR VIEW LINA in fridge |
MUSIC ENDS |
02 07 30 09 02 07 30 20 |
950 |
4.11 |
ms
LINA on couch taking table and drinking from bottle |
|
02 07 33 21 |
951 |
5.20 |
super
on black background then FADE TO BLACK SUPER: Since the camping trip, Lina has developed a fever and has started
vomiting. |
STEPHIE We went camping, and |
02 07 38 07 |
952 |
3.06 |
LA
TILT ws TONY and woman with glasses at door and STEPHIE on lounge |
she got like big blisters on her toes. |
02 07 44 02 |
953 |
4.21 |
ms
STEPHIE sitting on lounge |
STEPHIE «ENGLISH SUBTITLE» She don’t really have feelings in her feet, because
she got diabetes. |
02 07 47 08 |
954 |
3.12 |
LA
TILT ws TONY and woman with glasses at door and STEPHIE on lounge |
STEPHIE So after that, she got like, really high fever, |
02 07 52 04 |
955 |
10.23 |
la
ms PROFILE lina on lounge then zoom to cu blackened toes |
LINA They’re really nice. I have to go to the bar later. |
02 07 55 16 |
956 |
8.09 |
mcu
LINA |
LINA For an hour. So Stephie can eat. Then I’m going back
to bed. |
02 08 06 14 |
957 |
8.10 |
LA
TILT ms CANMAN knocking at door then track right |
CANMAN Good evening. How you going madam? Very sick. Do you
want anything to eat? LINA (OOS) Yeah, |
02 08 14 23 |
958 |
17.15 |
LA
TILT ms PROFILE CANMAN at door then
CANMAN walks away laughing |
I have to eat, so, yeah. CANMAN Okay. LINA I’m coming down. CANMAN That’s a yes. LINA Yes. CANMAN Okay. No worries. LINA (OOS) Thank you. CANMAN Alright? You’re very sick. And not enough
chocolates. |
02 08 23 08 |
959 |
7.06 |
HA
TILT wms CANMAN walking down stairs then FADE TO BLACK |
|
02 08 40 23 |
960 |
4.17 |
fade
up to STEPHIE in doorway then swing right |
STEPHIE Who is that? |
02 08 48 04 |
961 |
17.09 |
zoom
in to ms LINA in doorway then tilt down to pikey face down in lounge |
LINA «ENGLISH SUBTITLE» What is he doing here? |
02 08 52 21 |
962 |
3.11 |
la
wms pikey sleeping on couch with LINA standing next to him |
|
02 09 10 05 |
963 |
3.10 |
ms
LINA bent to microwave |
LINA People can’t just come up here. |
02 09 13 16 |
964 |
5.21 |
la
wms pikey asleep face down in lounge |
|
02 09 17 01 |
965 |
3.06 |
LA
TILT ms LINA |
|
02 09 22 22 |
966 |
3.14 |
wms
LINA standing next to pikey asleep on lounge |
|
02 09 26 03 |
967 |
4.13 |
mcu
LINA eating then whistles |
LINA Hey! |
02 09 29 17 |
968 |
4.18 |
la
ms LINA prodding pikey |
LINA «ENGLISH SUBTITLE» Why are you sleeping here? PIKEY Hm. |
02 09 34 05 |
969 |
2.24 |
mcu
pikey asleep on lounge with beer in fg |
LINA (OOS) Hm? |
02 09 38 23 |
970 |
5.13 |
LA
TILT mcu LINA eating |
PIKEY (OOS) ‘Cause I can. |
02 09 41 22 |
971 |
4.12 |
ws
LINA eating on lounge with pikEy |
PIKEY «ENGLISH SUBTITLE» What, do you want me to go now? |
02 09 47 10 |
972 |
3.16 |
LA
TILT mcu LINA |
LINA We don’t usually have our customers on our couch. |
02 09 51 22 |
973 |
9.23 |
wms
LINA and pikey on lounge s |
LINA «ENGLISH SUBTITLE» Are you going back to the bar? PIKEY «ENGLISH SUBTITLE» No. |
02 09 55 13 |
974 |
12.09 |
ms
pikey gets up from lounge then sits back down |
LINA (OOS)
«ENGLISH SUBTITLE» You’re sitting on your sunglasses. |
02 10 05 11 |
975 |
6.18 |
mcu
LINA then swing right to pikey |
|
02 10 17 20 |
976 |
4.08 |
ms
REAR VIEW LINA coughing with pikey on lounge next ot her |
|
02 10 24 13 |
977 |
18.20 |
ms
pikey drinks beer |
PIKEY «ENGLISH SUBTITLE» Bit warm, but I’ll drink it. |
02 10 28 21 |
978 |
3.05 |
ms
LINA lying back on lounge |
PIKEY «ENGLISH SUBTITLE» Actually I was probably coming to see what you were
like… |
02 10 47 16 |
979 |
143.22 |
LA
TILT ms pikey then slow pan left to m2s with LINA sitting on lounge next to
him LINA
stands and walks towards door PIKEY
stands and follows LINA LINA
walks down hall then pan right as pikey turns and walks out door |
… but you were probably asleep so that’s why I
crashed out. To see if you were alright. But you might have been asleep. I
came to see you were alright. LINA «ENGLISH SUBTITLE» Thank you for that. PIKEY «ENGLISH SUBTITLE» I care about ya. PIKEY I do. LINA That’s nice. PIKEY «ENGLISH SUBTITLE» More than you fucking know. LINA Hm? PIKEY «ENGLISH SUBTITLE» I said more than you know. Oh well, shit happens. LINA «ENGLISH SUBTITLE» I think I should go back to bed. PIKEY «ENGLISH SUBTITLE» If you want. PIKEY «ENGLISH SUBTITLE» I’ll come join you. LINA Are you staying here? PIKEY «ENGLISH SUBTITLE» I was gonna come join you. LINA No. No. PIKEY «ENGLISH SUBTITLE» Why not? LINA No. PIKEY «ENGLISH SUBTITLE» No fucking… or nothing, just laying there. LINA «ENGLISH SUBTITLE» I need my personal space. PIKEY «ENGLISH SUBTITLE» I don’t give you that? PIKEY Oh god damn it. PIKEY «ENGLISH SUBTITLE» I give you fucking heaps. Hey? LINA What? PIKEY «ENGLISH SUBTITLE» I give you fucking heaps. Jesus. All right then. LINA «ENGLISH SUBTITLE» Goodnight. PIKEY «ENGLISH SUBTITLE» I’ll give you fuckin space and shit! LINA Huh? What? PIKEY «ENGLISH SUBTITLE» Look at the old Nana. LINA «ENGLISH SUBTITLE» What? Go back to the bar. Good night. Hey, hey, hey,
my toes! Good night. See you. PIKEY «ENGLISH SUBTITLE» If you’re lucky. Have a look at her. |
|
980 |
6.16 |
ms
REAR VIEW pikey walks out of door then FADE TO BLACK |
|
02 13 14 18 |
981 |
7.18 |
la
ms LINA sits down in chair on balcony |
LINA I went to the medical centre this morning to get
some antibiotics, and I have to go |
02 13 21 09 |
982 |
3.18 |
mcu
LINA |
back to the medical centre after a couple of hours. |
02 13 29 02 |
983 |
6.17 |
LA
TILT ms STEPHIE at register with TONY and lady with glasses at bar |
LINA Hopefully getting better soon, because I can’t work. MUSIC BEGINS… 23
SEC |
02 13 32 20 02 13 33 08 |
984 |
7.03 |
track
behind ms LINA walking outside pub and in door |
LINA I have an infection, not in my lungs, but around my
lungs or something. |
02 13 39 12 |
985 |
5.08 |
track
behind ms LINA walking past wellsy to bar |
LINA Hi. WELLSY Stay away from me. |
02 13 46 15 |
986 |
3.09 |
ms
PROFILE LINA crying at bar |
WELLSY «ENGLISH SUBTITLE» What’s wrong? |
02 13 51 23 |
987 |
4.07 |
ms
wellsy |
MAN «ENGLISH SUBTITLE» She has to go to the hospital. MUSIC ENDS WELLSY «ENGLISH SUBTITLE» Up here? MAN «ENGLISH SUBTITLE» In Kalgoorlie. |
02 13 55 07 02 13 56 00 |
988 |
1.08 |
ms
PROFILE LINA at bar |
LINA «ENGLISH SUBTITLE» I’m at 38.5 degrees… |
02 13 59 14 |
989 |
1.15 |
ms
STEPHIE behind bar |
and my toes are fucked up. |
02 14 00 22 |
990 |
3.06 |
ms
LINA leaning on bar |
|
02 14 02 12 |
991 |
3.19 |
MONTAGE
EDITS LINA packing bags |
|
02 14 05 18 |
992 |
12.03 |
ms
LINA and wellsy in storeroom |
LINA They’re sending me to the hospital now but I don’t
know when I’m getting back. WELLSY You don’t know which? LINA When I’m getting back. WELLSY Oh well, we’ll sort that out. You gotta get better
first. That’s the main thing. |
02 14 09 12 |
993 |
1.12 |
mws
REAR VIEW LINA walks out door |
|
02 14 21 15 |
994 |
1.21 |
LA TILT ws ambulance |
|
02 14 23 02 |
995 |
2.16 |
mws
ambulance office helping lina into back of ambulance |
AMBULANCE OFFICER (OOS) Gina. LINA (OOS) Lina. |
02 14 24 23 |
996 |
3.09 |
ws
REAR VIEW ambulance driving away |
|
02 14 27 14 |
997 |
2.22 |
mws
STEPHIE serving beer to CANMAN sitting with patron and wellsy at bar |
|
02 14 30 23 |
998 |
2.12 |
ms
STEPHIE behind bar |
CANMAN «ENGLISH SUBTITLE» I reckon you could still go, and get in. |
02 14 33 20 |
999 |
11.01 |
mcu
PROFILE CANMAN talking to patron t bar |
CANMAN «ENGLISH SUBTITLE» You’ve got a couple of visiting hours. PATRON «ENGLISH SUBTITLE» Yeah, but you’ve got to find out what they are. CANMAN «ENGLISH SUBTITLE» You don’t worry about that, you just walk in and say
CANMAN «ENGLISH SUBTITLES» ‘listen, I’m going to see a bloody friend and that’s
bad luck.’ PATRON «ENGLISH SUBTITLE» You can’t. They’ll arsehole you out. |
02 14 36 07 |
1000 |
3.09 |
ms
STEPHIE behind bar |
CANMAN «ENGLISH SUBTITLE» If you want to go to Kalgoorlie let me know. |
02 14 47 08 |
1001 |
4.13 |
mcu
PROFILE CANMAN at bar with patron |
STEPHIE Lina’s in hospital, and here is a lot of |
02 14 50 17 |
1002 |
3.11 |
ms
STEPHIE behind bar |
people who could take me there, but |
02 14 55 05 |
1003 |
7.00 |
wms
STEPHIE lying back in lounge |
ninety nine percent of them, Lina don’t want to see
right now. |
02 14 58 16 |
1004 |
14.16 |
mcu
STEPHIE |
STEPHIE I know she don’t want to see Pikey, and he offered
the lift. She don’t want to see Anthony, and I know she don’t want to see
Jamie, and yeah. So. |
02 15 05 16 |
1005 |
3.03 |
track
with REAR VIEW ms wellsy climbing stairs |
|
02 15 20 07 |
1006 |
67.14 |
track
behind ms wellsy as he enters door and sits on lounge then track around to
m2s with STEPHIE |
WELLSY Got to talk to you Steph. STEPHIE (OOS) Hi. WELLSY This is going to be your last shift today. I’ve got
the horrible job of telling you this. I don’t know why they asked me, but
Peter, as you know he’s the man. STEPHIE Yeah. WELLSY And he’s not happy with yous. He doesn’t think yous
are suited to the job. STEPHIE Okay. WELLSY I don’t think you want to be here anyway, do you? STEPHIE Yeah. WELLSY Hey? But, like I said, they’ve given me the job to
tell you, which is, I don’t like anyone losing their job, but I don’t think
you’re really suited to it either. You know, you just seem like you’re not
interested. STEPHIE Yeah. WELLSY But ah, so, talk to Tony and Leonie. STEPHIE Yeah. WELLSY Cause they’re going back to Perth next Tuesday. STEPHIE Yeah. WELLSY So whether you want to stay until then, and them
give you a lift back to Perth, or wait and see what happens to Lina. STEPHIE Okay. WELLSY So alright? STEPHIE Yeah. WELLSY Sorry, but that’s… STEPHIE No, what can you do. WELLSY It’s like I say, mainly it’s Peter’s decision, and
he’s the… STEPHIE Yeah. WELLSY He’s the man who pays the bills, so… STEPHIE Okay. WELLSY So I just hope that everything works out alright for
you and Lina. |
02 15 23 10 |
1007 |
14.20 |
mcu
STEPHIE |
WELLSY (OOS) Sorry mate. |
02 16 30 24 |
1008 |
2.11 |
ms
PROFILE STEPHIE on phone |
|
02 16 45 19 |
1009 |
3.17 |
la
ms CANMAN moving things in back of car |
STEPHIE (OOS) Canman. |
02 16 48 05 |
1010 |
1.13 |
mcu
STEPHIE on phone |
|
02 16 51 22 |
1011 |
2.14 |
ms
STEPHIE in car with CANMAN |
CANMAN We’re going to the hospital aren’t we? |
02 16 53 10 |
1012 |
7.15 |
zoom
to mcu CANMAN and STEPHIE in front of car |
STEPHIE Can you put the car on, so I can open the window?
Canman. |
02 16 55 24 |
1013 |
12.04 |
MONTAGE
EDITS of LINA sitting in hospital bed |
PATIENT (OOS) No Mum! Mum it’s fuckin… |
02 17 03 14 |
1014 |
4.05 |
ws
CANMAN’s car driving past camera |
|
02 17 15 18 |
1015 |
8.07 |
mcu
LINA lying in hospital bed |
LINA «ENGLISH SUBTITLE» Now they have me on antibiotics through a drip… |
02 17 19 23 |
1016 |
4.08 |
ms
PROFILE STEPHIE sitting on bed |
and they’ll reduce the drip later on. |
02 17 28 05 |
1017 |
2.05 |
ms
CANMAN walks through curtain |
|
02 17 32 13 |
1018 |
4.21 |
LA
TILT mcu STEPHIE and CANMAN |
STEPHIE Yeah, it was a pretty, pretty short conversation. |
02 17 34 18 |
1019 |
5.20 |
ms
LINA in hospital bed |
STEPHIE That ... LINA That we’re fired. STEPHIE Yeah. |
02 17 39 14 |
1020 |
9.14 |
LA
TILT m2s CANMAN and STEPHIE then pan
left to LINA laughing |
LINA Really? Okay. |
02 17 45 09 |
1021 |
3.00 |
LA
TILT m2s CANMAN watches STEPHIE shake head |
|
02 17 54 23 |
1022 |
9.19 |
ms
LINA lying back in hospital bed crying |
LINA I don’t even know why I’m sad. CANMAN «ENGLISH SUBTITLE» You should stay here, cos you’re very nice. LINA I’m gonna miss Canman. |
02 17 57 23 |
1023 |
2.02 |
LA
TILT mcu PROFILE CANMAN |
CANMAN You shouldn’t cry you know. |
02 18 07 17 |
1024 |
6.12 |
ms
LINA in hospital bed crying |
LINA And I have never been fired. |
02 18 09 19 |
1025 |
8.04 |
ms
STEPHIE sitting on LINA’s bed with CANMAN standing |
CANMAN «ENGLISH SUBTITLE» I’ll look after you, don’t worry. No more chocolate
biscuits. |
02 18 16 06 |
1026 |
11.13 |
tilt
up to mcu STEPHIE with ms CANMAN behind then pan left to LINA |
STEPHIE «ENGLISH SUBTITLE» As a travel experience… STEPHIE «ENGLISH SUBTITLES» Coolgardie… doesn’t get any stars from me. LINA «ENGLISH SUBTITLE» Not from me either. STEPHIE «ENGLISH SUBTITLE» Canman gets some stars from me. |
02 18 24 10 |
1027 |
14.09 |
LA
TILT mcu STEPHIE with CANMAN in bg then pan left to LINA then FADE TO BLACK |
LINA «ENGLISH SUBTITLE» Canman gets a lot of stars. LINA «ENGLISH SUBTITLES» He’s our friend. LINA «ENGLISH SUBTITLES» I’m gonna cry again. MUSIC BEGINS… 1 MIN
18 SEC |
02 18 35 23 02 18 45 05 |
1028 |
4.10 |
fade
up to super on black background SUPER: Lina will need to stay in hospital for several weeks. |
|
02 18 50 07 |
1029 |
3.08 |
ms
STEPHIE hugs LINA in hospital bed |
STEPHIE SPEAKS IN FINNISH |
02 18 54 17 |
1030 |
5.00 |
fade
up to super on black background then FADE TO BLACK SUPER: Stephie returns to Perth to find alternative work. |
|
02 18 58 00 |
1031 |
7.02 |
ws
track along road from windscreen pov |
CANMAN «ENGLISH SUBTITLE» If I owned a pub I’d employ you. Give you two frees
beers a night, whatever you drink. I would. |
02 19 03 00 |
1032 |
7.03 |
m2s
CANMAN and STEPHIE driving in car |
CANMAN «ENGLISH SUBTITLE» You can send me a birthday card. STEPHIE «ENGLISH SUBTITLE» When is your birthday? |
02 19 10 02 |
1033 |
1.22 |
ws
track along road from windscreen pov |
CANMAN (OOS) Twenty fourth of July. |
02 19 17 05 |
1034 |
3.11 |
ms
CANMAN and STEPHIE driving in car |
|
02 19 19 02 |
1035 |
6.08 |
ms
CANMAN and STEPHIE driving in car |
CANMAN «ENGLISH SUBTITLE» Ah, gonna miss you.
STEPHIE Oh. |
02 19 22 13 |
1036 |
8.13 |
ws
train station then zoom to REAR VIEW STEPHIE and CANMAN walking along
platform |
STEPHIE «ENGLISH SUBTITLE» Will you go see Lina? CANMAN Yeah. STEPHIE «ENGLISH SUBTITLE» Take care of her for me? CANMAN «ENGLISH SUBTITLE» I’ll go see her tomorrow. |
02 19 28 21 |
1037 |
2.22 |
LA
TILT m2s CANMAN and STEPHIE waiting on platform |
|
02 19 37 09 |
1038 |
10.02 |
mcu
STEPHIE hugs CANMAN |
STEPHIE Yeah, it was nice to meet you. CANMAN «ENGLISH SUBTITLE» Yeah, same to you. Have a nice time. STEPHIE «ENGLISH SUBTITLE» … and thank you for taking care of us. CANMAN That’s alright. |
02 19 40 06 |
1039 |
3.22 |
mws
STEPHIE getting on train with other passengers |
KID (OOS) See ya. STEPHIE See ya. CANMAN (OOS) Look after yourself. STEPHIE (OOS) Thank you. |
02 19 50 08 |
1040 |
12.05 |
mws
CANMAN reflected in windows of train as it pulls out revealing bushy
landscape |
MUSIC ENDS PETE And what I need is |
02 19 54 05 02 20 04 08 |
1041 |
6.20 |
mws
REAR VIEW PETE sitting on keg on phone |
two to take their place, probably about twenty five,
twenty six. Have you got anybody there? GIRL 1 (OOS) Hi. |
02 20 06 10 |
1042 |
3.01 |
|
RECRUITMENT WORKER Hello girls, how you going? GIRL 1 Hello, good thank you. RECRUITMENT WORKER Have a seat. |
02 20 13 05 |
1043 |
12.19 |
ms
two girls at desk with REAR VIEW RECRUITMENT
WORKER |
RECRUITMENT WORKER Okay, so I do think you two could be a good fit for
some country pub work. MUSIC BEGINS… 1 MIN
9 SEC RECRUITMENT WORKER Now the one that I would have in mind for the two of
you is actually in Coolgardie, which is in a mining area. As long as you’re up for something |
02 20 16 06 02 20 21 00 |
1044 |
37.00 |
fade
up to super on black background then FADE TO BLACK SUPER: Stephie and Lina spent five weeks
at the pub, each earning around AU$3350. SUPER: Stephie applied for work with a different job agency. She was sent to
another pub 200km west of Coolgardie. SUPER: After three weeks, Lina was transferred to a hospital in Perth. After
another four weeks she was well enough to fly home to Finland. SUPER: Lina’s toe infection had spread around her body and into her spinal
chord. Being extremely vulnerable to bacteria (due to her diabetes), she also
contracted a severe blood infection which led to her losing all sight in one
eye and 30% in the other. |
that’s a bit different. It’s a relatively small
town. It’s got a you know, a petrol station, roadhouse, a couple of shops. So
we’re here in Perth, Kalgoorlie’s here, and then Coolgardie is here. So it’s
not going to be, you know, it’s not Perth. |
02 20 29 00 |
1045 |
7.08 |
fade
up to STILL IMAGE of lina at departures gate on black background then FADE TO
BLACK SUPER: Lina returned to her hometown, where she fell in love and is now
married. She hopes to return one day to experience “the rest of Australia”. |
|
02 21 06 00 |
1046 |
7.12 |
fade
up to SUPER on black background then FADE TO BLACK SUPER: In memory of John Joseph Lowe, aka “The Canman” who passed away not
long after filming. |
|
02 21 13 08 |
1047 |
3.19 |
fade
up to super on black background then FADE TO BLACK SUPER: The Denver City Hotel is now under new management. |
|
02 21 20 20 |
1048 |
6.16 |
fade
up to super on black background then FADE TO BLACK SUPER: The filmmakers gratefully acknowledge the assistance and generosity
of the former management of The Denver City Hotel, it’s staff and patrons,
and the people of Coolgardie. |
MUSIC ENDS/MUSIC
BEGINS… 2 MIN 1 SEC |
02 21 24 14 02 21 30 00 |
1049 |
101.16 |
end
credits roll HOTEL COOLGARDIE A RAW AND COOKED FILM DIRECTED SHOT EDITED BY Pete Gleeson PRODUCED BY Melissa Hayward Kate Neylon ADDITIONAL CAMERA & LOCATION SOUND Melissa Hayward ADDITIONAL EDITING Lawrie Silvestrin, ASE POST PRODUCTION VISION Sandbox POST PRODUCTION SOUND Ric Curtin POST FACILITY PRODUCER Grady Habib COLOURIST Jaemie Manners VISUAL EFFECTS Tony Bannan ONLINE EDITORS Jaemie Manners Tony Bannan TRANSLATIONS Tina Kashfi Anna Sanderson Tom Nilsson Irene Kollanus Martin Lundmark ADDITIONAL EDITING Haig Stewart ADDITIONAL POST PRODUCTION SOUND Richard J. Mahony TRAILER EDITORS John Carozzi Andrei Petrut Lawrie Silvestrin, ASE Trailer post production sound Joshua Hogan Post Production Script Reezy Miller PRODUCTION ACCOUNTS Rose Grandile-Pizzi CO-PRODUCED BY Pete Gleeson WITH THANKS TO Nicolina & Stephanie Peter Coffey Tony & Leonie Pileggi John Wells Former staff and patrons of the Denver City Hotel The people of Coolgardie Michael Tucak The PVI Collective Julia Overton Robert Nugent Richard Sowada Mia Stewart Rosalyne Bauer Skylar K James Grandison Trevor Hope Jeremy Ashton Brendan Roache Shaun Miller Joan Peters Richard Owen Kerryn and Matt Bolte The Hayward Family The Gleeson Family The Neylon/Williams Family Chris Nixon Steve Berrick Screenwest Screen Australia Adam Smith Adam Bishop Lucy Maclaren Ed Bannerman Verity Manchester Danielle Hadley Coolgardie Shire Robert Forsyth Ryan Hodgson Kate Separovich Valerie Tonkin Trans WA Lyndsey Organ Johnny Ma Clive Rocher Soundbyte Studios Ian Hale Nicholas Cheetham Laurent Boyé Julia Krysicak Studio Papa Owen Hughes Ben Young Aaron McCann Nicole Munro Roly Skender John Taylor Lynda Doulas Roslyn Walker Erin Stam Ricki Lea Bestall Cristina Pozzan Kristian Connolly Ingrid van der Berghe Tony Bective Ah Ga Do Do Do Performed by Black Lace Licensed by Marathon Media International Composed by Mia Simillie, Michel Delancray and Francois
Bernheim © 1981 Warner/Chappell Music France S.A.S. By kind permission of Warner/Chappell Music Australia Pty
Ltd Girls Just Want To Have Fun Written by Robert Hazard Published by Sony/ATV Music Publishing Performed by Cassey Doreen Licensed from Glamara Records.- a division of lickin’
records Germany” Bad To The Bone Written by G. Thorogood Del Sound Music Administered by Universal Music Publishing Pty Ltd Performed by George Thorogood & The Destroyers Under Exclusive License from Capitol Records LLC Licensed courtesy of Universal Music Australia Pty Limited Black Betty Performed by Spiderbait Licensed courtesy of Universal Music Australia Pty Limited Love Is All Around Written by R. Presley Universal/Dick James Music Ltd Administered by Universal Music Publishing Pty Ltd Performed by The Troggs Under Exclusive License from Mercury Records Limited To Her Door Written by Paul Kelly Published by Sony/ATV Music Publishing Australia Turn Me Up Chris Bussey/ Craig Bussey / James Brander Published by Audio Network Tumbleweed Composed by Phillip
Dupuy Published by Audio
Network Mitchell’s Peak Chris Norton &
Frank Mizen Published by Audio
Network Dustbowl Mark Johns Published by Audio
Network Bluesy-Ole-Boys John Etheridge Published by Audio
Network Banjo Ditty Chris Norton &
Frank Mizen Published by Audio
Network Railway Ghost Jeremy Sherman Published by Audio
Network Dark Times John OO Fleming Published by Audio
Network Disco Dreams Kobayashee Published by Audio
Network Desert Drift Adam Drake & Neil
Williams Published by Audio
Network Creepy Blue Adam Drake/Neil
Williams/ Alison Pearse Published by Audio
Network Coyote Mark Johns Published by Audio
Network Devil’s Brew Bob Bradley/Steven Dymond/ Frank Mizen/ Daniel Mizen Published by Audio Network Dust Trail Mark Johns Published by Audio
Network Risk Factor Terry Devine-King Published by Audio
Network Lonesome Cowboy Jeremy Sherman Published by Proud
Music Library Want You Richard Lloyd Published by Audio Network Oak And Ash Gavin Courtie and Liz Radford Published by
Shockwave Sound LEGALS Michael Tucak CREATIVE LEGAL LOGO EXECUTIVE PRODUCERS Grady Habib Brad Habib Filmed on location in Western Australia |
02 21 31 05 |
|
1050 |
4.21 |
RAW AND
COOKED LOGO BOARD |
02 23 12 21 |
|
1051 |
4.20 |
SANDBOX
LOGO BOARD |
02 23 17 17 |
|
1052 |
4.21 |
FTI LOGO
BOARD PRODUCED
WITH THE ASSISTANCE OF THE FILM AND TELEVISION INSTITUTE (WESTERN AUSTRALIA)
INC |
02 23 22 12 |
|
1053 |
4.20 |
SCREENWEST
LOGO BOARD MUSIC
ENDS |
02 23 27 08 02 23 31 00 |
|
1054 |
4.18 |
© 2017 Raw and Cooked Media Pty Ltd, Beebs Vision Pty Ltd
and ScreenWest Inc |
02 23 32 03 |
|
1055 |
|
BLACK |
|
02 23 36 21 |