The Last Race | Journeyman Pictures

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Film: The Last Race

http://www.journeyman.tv/film/7556

Transcript

The Last Race

CCSL (Combined Continuity and Spotting List)

English - V1

June 12, 2018

CCSL (COMBINED CONTINUITY AND SPOTTING LIST)

DIALOGUE	MASTER ENGLISH SUBTITLE SPOTTING LIST
DIALOGUE	Title #	Start	End	Dur	Title

FIRST FRAME OF PICTURE: 1:00:00:00		LABORATORY NOTES SCENE 1: 1:00:01:18 - 1:00:07:12 SCENE 2: 1:00:10:13 - 1:00:13:10 SCENE 3: 1:00:14:13 - 1:00:17:07 SCENE 4: 1:00:19:08 - 1:00:24:16 SCENE 5: 1:00:25:18 - 1:00:32:06 SCENE 6: 1:00:33:04 - 1:00:38:04 SCENE 7: 1:00:39:05 - 1:00:44:22 SCENE 8: 1:00:46:05 - 1:00:49:16 SCENE 9: 1:00:51:14 - 1:00:56:18 SCENE 10: 1:00:56:19 - 1:01:50:08 SCENE 11: 1:01:50:11 - 1:02:17:08 SCENE 12: 1:02:17:13 - 1:03:02:02 SCENE 13: 1:03:02:05 - 1:04:44:03 SCENE 14: 1:04:44:03 - 1:05:29:05 SCENE 15: 1:05:29:05 - 1:05:35:13 SCENE 16: 1:05:35:16 - 1:05:45:13 SCENE 17: 1:05:45:13 - 1:07:22:15 SCENE 18: 1:07:22:16 - 1:07:42:05 SCENE 19: 1:07:42:05 - 1:09:05:20 SCENE 20: 1:09:05:23 - 1:09:16:04 SCENE 21: 1:09:16:04 - 1:09:44:03 SCENE 22: 1:09:44:07 - 1:09:52:02 SCENE 23: 1:09:52:07 - 1:10:51:15 SCENE 24: 1:10:51:18 - 1:13:38:04 SCENE 25: 1:13:38:06 - 1:14:35:18 SCENE 26: 1:14:35:20 - 1:14:40:19 SCENE 27: 1:14:40:22 - 1:15:08:06 SCENE 28: 1:15:08:07 - 1:15:14:21 SCENE 29: 1:15:14:22 - 1:15:21:14 SCENE 30: 1:15:21:14 - 1:15:38:01 SCENE 31: 1:15:38:02 - 1:17:25:03 SCENE 32: 1:17:25:03 - 1:17:55:10 SCENE 33: 1:17:55:10 - 1:19:09:02 SCENE 34: 1:19:09:02 - 1:19:48:13 SCENE 35: 1:19:48:13 - 1:20:07:11 SCENE 36: 1:20:07:13 - 1:20:38:05 SCENE 37: 1:20:38:06 - 1:20:42:20 SCENE 38: 1:20:42:22 - 1:20:54:11 SCENE 39: 1:20:54:13 - 1:21:03:01 SCENE 40: 1:21:03:03 - 1:22:09:10 SCENE 41: 1:22:09:11 - 1:22:21:01 SCENE 42: 1:22:21:03 - 1:22:35:08 SCENE 43: 1:22:35:08 - 1:22:47:16 SCENE 44: 1:22:47:18 - 1:22:55:11 SCENE 45: 1:22:55:11 - 1:25:16:09 SCENE 46: 1:25:16:09 - 1:25:58:23 SCENE 47: 1:25:58:23 - 1:26:20:21 SCENE 48: 1:26:20:22 - 1:27:03:06 SCENE 49: 1:27:03:08 - 1:27:31:05 SCENE 50: 1:27:31:08 - 1:28:29:13 SCENE 51: 1:28:29:14 - 1:28:41:03 SCENE 52: 1:28:41:04 - 1:29:09:02 SCENE 53: 1:29:09:06 - 1:29:21:07 SCENE 54: 1:29:21:07 - 1:29:34:11 SCENE 55: 1:29:34:11 - 1:29:55:11 SCENE 56: 1:29:55:13 - 1:30:02:02 SCENE 57: 1:30:02:04 - 1:30:15:03 SCENE 58: 1:30:15:05 - 1:30:40:10 SCENE 59: 1:30:40:11 - 1:30:59:11 SCENE 60: 1:30:59:13 - 1:31:10:22 SCENE 61: 1:31:10:23 - 1:31:24:05 SCENE 62: 1:31:24:05 - 1:31:35:06 SCENE 63: 1:31:35:08 - 1:31:52:08 SCENE 64: 1:31:52:11 - 1:32:02:23 SCENE 65: 1:32:03:00 - 1:32:06:11 SCENE 66: 1:32:06:13 - 1:32:40:05 SCENE 67: 1:32:40:07 - 1:33:07:22 SCENE 68: 1:33:07:23 - 1:33:16:05 SCENE 69: 1:33:16:06 - 1:33:35:09 SCENE 70: 1:33:35:10 - 1:33:47:05 SCENE 71: 1:33:47:06 - 1:33:54:06 SCENE 72: 1:33:54:07 - 1:34:00:09 SCENE 73: 1:34:00:10 - 1:34:10:10 SCENE 74: 1:34:10:11 - 1:34:22:05 SCENE 75: 1:34:22:08 - 1:34:55:17 SCENE 76: 1:34:55:17 - 1:35:10:00 SCENE 77: 1:35:10:02 - 1:35:33:23 SCENE 78: 1:35:33:23 - 1:35:43:09 SCENE 79: 1:35:43:12 - 1:35:57:20 SCENE 80: 1:35:57:22 - 1:36:01:22 SCENE 81: 1:36:04:23 - 1:36:28:04 SCENE 82: 1:36:28:06 - 1:37:36:06 SCENE 83: 1:37:36:06 - 1:38:24:06 SCENE 84: 1:38:24:06 - 1:39:07:15 SCENE 85: 1:39:07:15 - 1:39:11:03 SCENE 86: 1:39:11:03 - 1:39:34:10 SCENE 87: 1:39:34:13 - 1:40:05:18 SCENE 88: 1:40:05:18 - 1:40:15:18 SCENE 89: 1:40:15:19 - 1:40:25:15 SCENE 90: 1:40:25:16 - 1:40:35:22 SCENE 91: 1:40:36:01 - 1:41:19:01 SCENE 92: 1:41:19:03 - 1:41:45:08 SCENE 93: 1:41:45:09 - 1:42:40:13 SCENE 94: 1:42:40:15 - 1:43:18:08 SCENE 95: 1:43:18:08 - 1:43:40:06 SCENE 96: 1:43:40:07 - 1:43:43:12 SCENE 97: 1:43:43:14 - 1:44:31:08 SCENE 98: 1:44:31:09 - 1:44:41:02 SCENE 99: 1:44:41:05 - 1:45:42:14 SCENE 100: 1:45:42:15 - 1:45:52:19 SCENE 101: 1:45:52:22 - 1:46:02:01 SCENE 102: 1:46:02:03 - 1:47:03:15 SCENE 103: 1:47:03:16 - 1:47:18:12 SCENE 104: 1:47:18:13 - 1:47:42:16 SCENE 105: 1:47:42:19 - 1:48:02:04 SCENE 106: 1:48:02:05 - 1:48:53:04 SCENE 107: 1:48:53:05 - 1:49:38:17 SCENE 108: 1:49:38:19 - 1:49:47:12 SCENE 109: 1:49:47:14 - 1:50:58:08 SCENE 110: 1:50:58:10 - 1:51:50:00 SCENE 111: 1:51:50:02 - 1:52:23:19 SCENE 112: 1:52:23:23 - 1:52:34:17 SCENE 113: 1:52:34:21 - 1:53:03:04 SCENE 114: 1:53:03:07 - 1:55:48:00 SCENE 115: 1:55:48:08 - 1:56:15:06 SCENE 116: 1:56:15:07 - 1:57:05:07 SCENE 117: 1:57:05:08 - 1:58:36:03 SCENE 118: 1:58:36:06 - 1:58:57:19 SCENE 119: 1:58:57:21 - 1:59:21:09 SCENE 120: 1:59:21:10 - 1:59:39:13 SCENE 121: 1:59:39:14 - 2:01:23:20 SCENE 122: 2:01:23:21 - 2:01:51:23 SCENE 123: 2:01:52:02 - 2:02:33:04 SCENE 124: 2:02:33:05 - 2:02:41:19 SCENE 125: 2:02:42:00 - 2:03:00:12 SCENE 126: 2:03:00:14 - 2:03:29:15 SCENE 127: 2:03:29:23 - 2:03:50:00 SCENE 128: 2:03:50:01 - 2:04:14:21 SCENE 129: 2:04:14:21 - 2:05:02:21 SCENE 130: 2:05:02:21 - 2:05:10:17 SCENE 131: 2:05:10:21 - 2:05:31:12 SCENE 132: 2:05:31:15 - 2:08:30:08 SCENE 133: 2:08:30:09 - 2:08:38:17 SCENE 134: 2:08:40:10 - 2:08:46:03 SCENE 135: 2:08:48:02 - 2:08:53:16 SCENE 136: 2:08:56:15 - 2:15:00:19
SCENE 1: 1:00:01:18 - 1:00:07:12 CREDIT #1 FADES IN/OUT OVER BG: MAGNOLIA PICTURES
CREDIT	1.	1:00:10:13	1:00:13:10	2:21	BLUNDERBUST PRODUCTIONS PRESENTS
SCENE 2: 1:00:10:13 - 1:00:13:10 CREDIT #2 BLUNDERBUST PRODUCTIONS PRESENTS
CREDIT	2.	1:00:14:12	1:00:17:06	2:18	A FILM BY MICHAEL DWECK
SCENE 3: 1:00:14:13 - 1:00:17:07 CREDIT #3 A FILM BY MICHAEL DWECK (distant rumbling)
GRAPHIC	3.	1:00:19:07	1:00:24:16	5:09	STOCK CAR RACING WAS BORN IN 1927 ON LONG ISLAND, NEW YORK
SCENE 4: 1:00:19:08 - 1:00:24:16 GRAPHIC #1: STOCK CAR RACING WAS BORN IN 1927 ON LONG ISLAND, NEW YORK
GRAPHIC	4.	1:00:25:18	1:00:32:05	6:11	THAT SAME YEAR, CHARLES LINDBERGH MADE THE FIRST TRANS-ATLANTIC FLIGHT FROM A NEARBY AIRSTRIP
SCENE 5: 1:00:25:18 - 1:00:32:06 GRAPHIC #2: THAT SAME YEAR, CHARLES LINDBERGH MADE THE FIRST TRANS-ATLANTIC FLIGHT FROM A NEARBY AIRSTRIP (rumbling gets louder, birds cawing)
GRAPHIC	5.	1:00:33:04	1:00:38:04	5:00	IN 1956, THAT AIRSTRIP BECAME AMERICA'S FIRST SHOPPING MALL
SCENE 6: 1:00:33:04 - 1:00:38:04 GRAPHIC #3: IN 1956, THAT AIRSTRIP BECAME AMERICA'S FIRST SHOPPING MALL
GRAPHIC	6.	1:00:39:04	1:00:44:22	5:18	BY THEN, THERE HAD BEEN 40 RACETRACKS ON LONG ISLAND
SCENE 7: 1:00:39:05 - 1:00:44:22 GRAPHIC #4: BY THEN, THERE HAD BEEN 40 RACETRACKS ON LONG ISLAND
SCENE 8: 1:00:46:05 - 1:00:49:16 GRAPHIC #5: TODAY, ONLY ONE REMAINS (birds cawing, twittering)
GRAPHIC	7.	1:00:46:05	1:00:49:15	3:10	TODAY, ONLY ONE REMAINS
MAIN TITLE	8.	1:00:51:13	1:00:56:18	5:05	THE LAST RACE
SCENE 9: 1:00:51:14 - 1:00:56:18 MT: THE LAST RACE
SCENE 10: 1:00:56:19 - 1:01:50:08 EXT. WOODED CLEARING- DAY. WS BLUE CAR SLAMMING INTO TWO BROKEN DOWN CARS.
SCENE 11: 1:01:50:11 - 1:02:17:08 EXT. RIVERHEAD RACEWAY- DAY. MS MAN DRIVING TRACK SCRUBBER. GRANDSTANDS CROWD IN BG.
SCENE 12: 1:02:17:13 - 1:03:02:02 EXT. RIVERHEAD PARKING LOT- DAY. LS TWO MEN LEANING INTO WINDOWS OF RACE CAR "22."
SCENE 13: 1:03:02:05 - 1:04:44:03 EXT. RIVERHEAD RACEWAY PITS- DAY. LONG TAKE OF LINED UP CARS DRIVING INTO TRACK. (orchestral string music playing)
PRINCIPAL PHOTOGRAPHY	9.	1:04:06:10	1:04:07:10	1:00	USA
SCENE 14: 1:04:44:03 - 1:05:29:05 CU OF CARS RACING AND SWERVING DOWN RACE TRACK. (string music continues)
SCENE 15: 1:05:29:05 - 1:05:35:13 LS OF CARS RACING DOWN TRACK.
SCENE 16: 1:05:35:16 - 1:05:45:13 CU RED AND WHITE CAR NOSING IN ON CAMERA. PAN TO LOOSE TIRE TUMBLING DOWN TRACK.
SCENE 17: 1:05:45:13 - 1:07:22:15 VARIOUS SHOTS OF RACE CARS VYING FOR LEAD. (string music ending)
SCENE 18: 1:07:22:16 - 1:07:42:05 EXT. ENTRANCE TO RIVERHEAD RACEWAY- EVENING. SEATED CHILD IN FG. GIANT STATUE OF NATIVE AMERICAN MAN TO THE SIDE.
SCENE 19: 1:07:42:05 - 1:09:05:20 EXT. PARKING LOT- DAY. MS JIMMY AND TIM SITTING ON BLUE RACE CAR, TALKING.
JIMMY WHITE JR. There’s a lot of cars here tonight.	10.	1:07:42:09	1:07:43:08	0:23	JIMMY WHITE JR.) There’s a lot of cars here tonight.
JIMMY WHITE JR. We’re gonna have a full field.	11.	1:07:44:00	1:07:44:19	0:19	JIMMY WHITE JR.) We’re gonna have a full field.
TIM MULQUEEN Cool.	12.	1:07:44:21	1:07:45:07	0:10	TIM MULQUEEN) Cool.
JIMMY WHITE JR. And both, uh-- who? Brian and Jessica are here.	13.	1:07:45:20	1:07:48:05	2:09	JIMMY WHITE JR.) And both, uh-- who? Brian and Jessica are here.
TIM MULQUEEN Cohen and Smith.	14.	1:07:48:13	1:07:49:08	0:19	TIM MULQUEEN) Cohen and Smith.
TIM MULQUEEN Jessica’s gonna race?	15.	1:07:49:11	1:07:50:08	0:21	TIM MULQUEEN) Jessica’s gonna race?
JIMMY WHITE JR. Her car’s here.	16.	1:07:50:19	1:07:51:09	0:14	JIMMY WHITE JR.) Her car’s here.
TIM MULQUEEN Oh, come on, dude. Don't tell me that.	17.	1:07:51:12	1:07:52:22	1:10	TIM MULQUEEN) Oh, come on, dude. Don't tell me that.
JIMMY WHITE JR. (laughing) You didn’t see it in practice?	18.	1:07:52:19	1:07:54:16	1:21	JIMMY WHITE JR.) You didn’t see it in practice?
TIM MULQUEEN No.	19.	1:07:54:18	1:07:55:15	0:21	TIM MULQUEEN) No.
JIMMY WHITE JR. You didn’t see the blue number 8?	20.	1:07:56:03	1:07:57:14	1:11	JIMMY WHITE JR.) You didn’t see the blue number 8?
TIM MULQUEEN No.	21.	1:07:57:19	1:07:58:04	0:09	TIM MULQUEEN) No.
JIMMY WHITE JR. It’s here.	22.	1:07:58:04	1:07:58:17	0:13	JIMMY WHITE JR.) It’s here.
TIM MULQUEEN No.	23.	1:07:58:20	1:07:59:06	0:10	TIM MULQUEEN) No.
JIMMY WHITE JR. Yep.	24.	1:07:59:14	1:07:59:23	0:09	JIMMY WHITE JR.) Yep.
JIMMY WHITE JR. And the flat black 84.	25.	1:08:01:03	1:08:02:17	1:14	JIMMY WHITE JR.) And the flat black 84.
TIM MULQUEEN I know the 84’s here, but he’s not so--	26.	1:08:02:19	1:08:04:18	1:23	TIM MULQUEEN) I know the 84’s here, but he’s not so--
TIM MULQUEEN yeah, he’s bad, but he’s not--oh.	27.	1:08:05:05	1:08:06:22	1:17	TIM MULQUEEN) yeah, he’s bad, but he’s not--oh.
JIMMY WHITE JR. He gets out of the way.	28.	1:08:07:04	1:08:08:01	0:21	JIMMY WHITE JR.) He gets out of the way.
TIM MULQUEEN He gets out of the way.	29.	1:08:08:02	1:08:08:20	0:18	TIM MULQUEEN) He gets out of the way.
TIM MULQUEEN She thinks she’s a race car driver,	30.	1:08:09:03	1:08:10:12	1:09	TIM MULQUEEN) She thinks she’s a race car driver,
TIM MULQUEEN and she’s gonna race you.	31.	1:08:10:15	1:08:11:11	0:20	TIM MULQUEEN) and she’s gonna race you.
JIMMY WHITE JR. She’s all right. She doesn’t bother me.	32.	1:08:12:07	1:08:13:11	1:04	JIMMY WHITE JR.) She’s all right. She doesn’t bother me.
TIM MULQUEEN Me and her have a special bond.	33.	1:08:16:10	1:08:17:23	1:13	TIM MULQUEEN) Me and her have a special bond.
JIMMY WHITE JR. I-- I know.	34.	1:08:18:08	1:08:19:01	0:17	JIMMY WHITE JR.) I-- I know.
TIM MULQUEEN (laughs) Okay?	35.	1:08:19:07	1:08:19:16	0:09	TIM MULQUEEN) Okay?
JIMMY WHITE JR. I’ve seen.	36.	1:08:19:22	1:08:20:11	0:13	JIMMY WHITE JR.) I’ve seen.
TIM MULQUEEN (laughs)	37.	1:08:19:23	1:08:22:04	2:05	TIM MULQUEEN)
JIMMY WHITE JR. (laughs) I-- I’ve given you a Sawzall to cut your fender off your front tire.	38.	1:08:21:05	1:08:24:01	2:20	JIMMY WHITE JR.) I-- I’ve given you a Sawzall to cut your fender off your front tire.
JIMMY WHITE JR. I know.	39.	1:08:24:07	1:08:24:21	0:14	JIMMY WHITE JR.) I know.
TIM MULQUEEN I had to use all my restraint	40.	1:08:27:16	1:08:29:20	2:04	TIM MULQUEEN) I had to use all my restraint
TIM MULQUEEN not to fucking wreck her in that last race.	41.	1:08:30:13	1:08:33:23	3:10	TIM MULQUEEN) not to fucking wreck her in that last race.
JIMMY WHITE JR. (laughs)	42.	1:08:32:18	1:08:33:16	0:22	JIMMY WHITE JR.)
JIMMY WHITE JR. Oh, I’m sure.	43.	1:08:34:06	1:08:35:02	0:20	JIMMY WHITE JR.) Oh, I’m sure.
TIM MULQUEEN So, instead, I lapped her four times.	44.	1:08:35:04	1:08:36:17	1:13	TIM MULQUEEN) So, instead, I lapped her four times.
JIMMY WHITE JR. Look. He’s setting up the car.	45.	1:08:36:03	1:08:37:23	1:20	JIMMY WHITE JR.) Look. He’s setting up the car.
JIMMY WHITE JR. Let’s see if we can give him some advice.	46.	1:08:38:09	1:08:39:07	0:22	JIMMY WHITE JR.) Let’s see if we can give him some advice.
JIMMY WHITE JR. That guy has got a phenomenal car.	47.	1:08:39:22	1:08:42:02	2:04	JIMMY WHITE JR.) That guy has got a phenomenal car.
TIM MULQUEEN What, that Monte?	48.	1:08:42:17	1:08:43:09	0:16	TIM MULQUEEN) What, that Monte?
JIMMY WHITE JR. Yep, that's-- no, that 39.	49.	1:08:43:11	1:08:45:04	1:17	JIMMY WHITE JR.) Yep, that's-- no, that 39.
JIMMY WHITE JR. Bob Muller with the red--	50.	1:08:45:11	1:08:46:15	1:04	JIMMY WHITE JR.) Bob Muller with the red--
TIM MULQUEEN Oh, yeah.	51.	1:08:46:07	1:08:46:23	0:16	TIM MULQUEEN) Oh, yeah.
JIMMY WHITE JR. That’s a fucking-- that thing is-- you ever seen underneath the hood of that thing?	52.	1:08:47:01	1:08:50:06	3:05	JIMMY WHITE JR.) That’s a fucking-- that thing is-- you ever seen underneath the hood of that thing?
TIM MULQUEEN Yeah, I know.	53.	1:08:50:06	1:08:51:09	1:03	TIM MULQUEEN) Yeah, I know.
JIMMY WHITE JR. It’s immaculate.	54.	1:08:50:08	1:08:51:03	0:19	JIMMY WHITE JR.) It’s immaculate.
JIMMY WHITE JR. You could eat off of it.	55.	1:08:51:09	1:08:52:02	0:17	JIMMY WHITE JR.) You could eat off of it.
TIM MULQUEEN I know.	56.	1:08:52:04	1:08:52:14	0:10	TIM MULQUEEN) I know.
TIM MULQUEEN If he don’t win Best Looking Car,	57.	1:08:52:21	1:08:54:15	1:18	TIM MULQUEEN) If he don’t win Best Looking Car,
TIM MULQUEEN then there’s something wrong with this track.	58.	1:08:55:13	1:08:56:16	1:03	TIM MULQUEEN) then there’s something wrong with this track.
JIMMY WHITE JR. Yeah, no, absolutely. It’s not me.	59.	1:08:57:04	1:08:58:21	1:17	JIMMY WHITE JR.) Yeah, no, absolutely. It’s not me.
TIM MULQUEEN Yeah.	60.	1:08:58:04	1:08:58:15	0:11	TIM MULQUEEN) Yeah.
TIM MULQUEEN (laughing) You think?	61.	1:09:00:12	1:09:03:06	2:18	TIM MULQUEEN) You think?
JIMMY WHITE JR. We don’t look good. We're just-- We like to go fast.	62.	1:09:03:16	1:09:05:19	2:03	JIMMY WHITE JR.) We don’t look good. We're just-- We like to go fast.
SCENE 20: 1:09:05:23 - 1:09:16:04 INT. RIVERHEAD OFFICE- DAY. MS OF BLACK TELEVISION SET WITH FOOTAGE OF A RACE CAR CIRCLING A TRACK PLAYING. (phone rings in BG)
SCENE 21: 1:09:16:04 - 1:09:44:03 MS OF BARBARA AND DOG SEATED. JIM'S ARM VISIBLE IN FG.
JIM CROMARTY Riverhead Raceway.	63.	1:09:18:09	1:09:19:08	0:23	JIM CROMARTY) Riverhead Raceway.
JIM CROMARTY Everything starts at six o' clock.	64.	1:09:26:06	1:09:27:17	1:11	JIM CROMARTY) Everything starts at six o' clock.
JIM CROMARTY Right. We finish up about 9:00, 9:30.	65.	1:09:29:10	1:09:31:08	1:22	JIM CROMARTY) Right. We finish up about 9:00, 9:30.
JIM CROMARTY It's-- Yes, it’s thirty for adults, five dollars for children. Six to 12 is a child, and five and under are free.	66.	1:09:34:05	1:09:40:07	6:02	JIM CROMARTY) It's-- Yes, it’s thirty for adults, five dollars for children. Six to 12 is a child, and five and under are free.
JIM CROMARTY Okay, see you later.	67.	1:09:42:09	1:09:43:10	1:01	JIM CROMARTY) Okay, see you later.
SCENE 22: 1:09:44:07 - 1:09:52:02 OS CU JIM SITTING BEHIND DESK. BARBARA AND DOG IN BG.
JIM CROMARTY Ah, it’s always nice to have a first-time guy come with five kids.	68.	1:09:45:21	1:09:49:05	3:08	JIM CROMARTY) Ah, it’s always nice to have a first-time guy come with five kids.
PRINCIPAL PHOTOGRAPHY	69.	1:09:47:00	1:09:48:00	1:00	NASCAR OFFICIAL
PRINCIPAL PHOTOGRAPHY	70.	1:09:52:07	1:09:57:14	5:07	CLUB CAR
SCENE 23: 1:09:52:07 - 1:10:51:15 EXT. RIVERHEAD PARKING LOT- DAY. LS BARBARA AND JIM IN GREEN GOLF CART. PRINCIPAL PHOTOGRAPHY TEXT: CLUB CAR (Barbara and Jim over PA)
BARBARA CROMARTY (VO) (over PA) Ladies first, thank you. [laughs]	71. ITAL	1:09:57:14	1:09:59:16	2:02	BARBARA CROMARTY) Ladies first, thank you. [laughs]
BARBARA CROMARTY (VO) Um, once again, we welcome you back. It's, uh, 37 years for us, so it's 37 years of "welcome back."	72. ITAL	1:10:00:01	1:10:06:22	6:21	BARBARA CROMARTY) Um, once again, we welcome you back. It's, uh, 37 years for us, so it's 37 years of "welcome back."
BARBARA CROMARTY (VO) Never gets tired of-- of saying it. Never get tired of being here and seeing you all.	73. ITAL	1:10:07:05	1:10:12:00	4:19	BARBARA CROMARTY) Never gets tired of-- of saying it. Never get tired of being here and seeing you all.
BARBARA CROMARTY (VO) I-- I mean, the cars look absolutely gorgeous, all of them, I-- We know the hard work that goes into them, and we thank you for it.	74. ITAL	1:10:12:11	1:10:18:16	6:05	BARBARA CROMARTY) I-- I mean, the cars look absolutely gorgeous, all of them, I-- We know the hard work that goes into them, and we thank you for it.
BARBARA CROMARTY (VO) And we’re gonna have a great year this year, I just know it. So best of luck to everybody.	75. ITAL	1:10:18:23	1:10:23:18	4:19	BARBARA CROMARTY) And we’re gonna have a great year this year, I just know it. So best of luck to everybody.
JIM CROMARTY (VO) (over PA) Well, I’ll ditto all of that,	76. ITAL	1:10:25:03	1:10:26:16	1:13	JIM CROMARTY) Well, I’ll ditto all of that,
JIM CROMARTY (VO) and, uh, let’s hope that this day's weather is what we're gonna get as a prelude for the rest of the season.	77. ITAL	1:10:26:20	1:10:33:15	6:19	JIM CROMARTY) and, uh, let’s hope that this day's weather is what we're gonna get as a prelude for the rest of the season.
JIM CROMARTY (VO) Give a special hello from-- from our daughter Robin.	78. ITAL	1:10:33:21	1:10:37:04	3:07	JIM CROMARTY) Give a special hello from-- from our daughter Robin.
JIM CROMARTY (VO) Uh, we just want everyone to know that she’s had some problems, and she loves everybody here at the track,	79. ITAL	1:10:37:18	1:10:43:20	6:02	JIM CROMARTY) Uh, we just want everyone to know that she’s had some problems, and she loves everybody here at the track,
JIM CROMARTY (VO) and, uh...	80. ITAL	1:10:44:10	1:10:45:06	0:20	JIM CROMARTY) and, uh...
JIM CROMARTY (VO) And I think that’s about it for me,	81. ITAL	1:10:46:15	1:10:48:06	1:15	JIM CROMARTY) And I think that’s about it for me,
JIM CROMARTY (VO) so thanks a lot, and good racing.	82. ITAL	1:10:49:07	1:10:51:07	2:00	JIM CROMARTY) so thanks a lot, and good racing.
TRACK OFFICIAL (over PA) We are going racing, guys.	83.	1:10:51:15	1:10:53:10	1:19	TRACK OFFICIAL) We are going racing, guys.
SCENE 24: 1:10:51:18 - 1:13:38:04 INT. ANNOUNCER'S BOOTH- EVENING. MS BOB LOOKING DOWN ON RACETRACK BELOW. RACE CARS DRIVING DOWN TRACK IN BG THROUGH THE WINDOW.
TRACK OFFICIAL (VO) Be awake.	84. ITAL	1:10:54:04	1:10:54:22	0:18	TRACK OFFICIAL) Be awake.
BOB FINAN (through microphone) Bill Wegmann Jr., second generation driver, and the "Pistol" Paul Parisi.	85.	1:10:59:11	1:11:04:03	4:16	BOB FINAN) Bill Wegmann Jr., second generation driver, and the "Pistol" Paul Parisi.
BOB FINAN Getting ready to rumble.	86.	1:11:08:22	1:11:10:00	1:02	BOB FINAN) Getting ready to rumble.
BOB FINAN 20 laps, blunderbust style.	87.	1:11:11:18	1:11:13:18	2:00	BOB FINAN) 20 laps, blunderbust style.
BOB FINAN Usually this division provides us with some great race finishes on the last lap.	88.	1:11:15:01	1:11:19:07	4:06	BOB FINAN) Usually this division provides us with some great race finishes on the last lap.
BOB FINAN Wegmann, Parisi. Green flag flies. Dueling green flags from Mike Rickert.	89.	1:11:20:17	1:11:26:04	5:11	BOB FINAN) Wegmann, Parisi. Green flag flies. Dueling green flags from Mike Rickert.
BOB FINAN It’s a drag race to turn number one,	90.	1:11:27:03	1:11:29:11	2:08	BOB FINAN) It’s a drag race to turn number one,
BOB FINAN with 8,400 pounds of blunderbust leading the way,	91.	1:11:30:13	1:11:33:05	2:16	BOB FINAN) with 8,400 pounds of blunderbust leading the way,
BOB FINAN and it’s Bill Wegmann, Jr.	92.	1:11:33:23	1:11:35:13	1:14	BOB FINAN) and it’s Bill Wegmann, Jr.
BOB FINAN to put the Crackerjack Auto Stores number 76 out in front.	93.	1:11:36:01	1:11:39:17	3:16	BOB FINAN) to put the Crackerjack Auto Stores number 76 out in front.
BOB FINAN The "Pistol" Paul Parisi...	94.	1:11:40:07	1:11:41:22	1:15	BOB FINAN) The "Pistol" Paul Parisi...
BOB FINAN tries to settle into second, but here comes "The Jack Attack" Jack Handley, Jr.	95.	1:11:42:18	1:11:47:21	5:03	BOB FINAN) tries to settle into second, but here comes "The Jack Attack" Jack Handley, Jr.
BOB FINAN He and Tom Pucci go side-by-side.	96.	1:11:49:00	1:11:51:07	2:07	BOB FINAN) He and Tom Pucci go side-by-side.
BOB FINAN Pucci to the inside in the Ferrandino & Sons Construction, number 51.	97.	1:11:51:11	1:11:56:17	5:06	BOB FINAN) Pucci to the inside in the Ferrandino & Sons Construction, number 51.
BOB FINAN Handley will take third away riding the outside groove,	98.	1:11:58:04	1:12:01:20	3:16	BOB FINAN) Handley will take third away riding the outside groove,
BOB FINAN in his Liccardi Builders Chevrolet.	99.	1:12:03:05	1:12:06:11	3:06	BOB FINAN) in his Liccardi Builders Chevrolet.
BOB FINAN Bill Wegmann Jr. continues to hold the lead.	100.	1:12:08:22	1:12:11:20	2:22	BOB FINAN) Bill Wegmann Jr. continues to hold the lead.
BOB FINAN Three of 20 in the books.	101.	1:12:13:12	1:12:15:08	1:20	BOB FINAN) Three of 20 in the books.
BOB FINAN The "Pistol" Paul Parisi second, but the car to keep your eyes on is 17-year-old lead foot,	102.	1:12:16:14	1:12:22:23	6:09	BOB FINAN) The "Pistol" Paul Parisi second, but the car to keep your eyes on is 17-year-old lead foot,
BOB FINAN Jack Handley Jr., who will return to Patchogue-Medford High School in a few weeks, to continue his high school studies.	103.	1:12:24:03	1:12:30:10	6:07	BOB FINAN) Jack Handley Jr., who will return to Patchogue-Medford High School in a few weeks, to continue his high school studies.
BOB FINAN He’s underneath Parisi going into 1 and 2.	104.	1:12:30:11	1:12:34:00	3:13	BOB FINAN) He’s underneath Parisi going into 1 and 2.
BOB FINAN And Jack Handley Jr. will bring the number 49 to position number two.	105.	1:12:34:15	1:12:39:22	5:07	BOB FINAN) And Jack Handley Jr. will bring the number 49 to position number two.
BOB FINAN Parisi settles to third in the Tidewater Dock Builders,	106.	1:12:41:13	1:12:44:22	3:09	BOB FINAN) Parisi settles to third in the Tidewater Dock Builders,
BOB FINAN number 69.	107.	1:12:45:12	1:12:46:15	1:03	BOB FINAN) number 69.
BOB FINAN Jimmy "The Kid" White Jr. brings the Busy Bee Pest Control number 32 to fourth.	108.	1:12:50:00	1:12:53:22	3:22	BOB FINAN) Jimmy "The Kid" White Jr. brings the Busy Bee Pest Control number 32 to fourth.
BOB FINAN Meanwhile, back up front, Jack Handley Jr. is closing in, and in a hurry, on your race leader Bill Wegmann Jr.	109.	1:12:54:05	1:13:02:16	8:11	BOB FINAN) Meanwhile, back up front, Jack Handley Jr. is closing in, and in a hurry, on your race leader Bill Wegmann Jr.
BOB FINAN The driver of the Crackerjack Auto Stores number 76 is about to feel the heat big time Saturday night	110.	1:13:03:05	1:13:11:11	8:06	BOB FINAN) The driver of the Crackerjack Auto Stores number 76 is about to feel the heat big time Saturday night
BOB FINAN from Jack Handley Jr.	111.	1:13:12:20	1:13:14:12	1:16	BOB FINAN) from Jack Handley Jr.
BOB FINAN Parisi remains third, White fourth, Langdon fifth.	112.	1:13:16:04	1:13:19:01	2:21	BOB FINAN) Parisi remains third, White fourth, Langdon fifth.
BOB FINAN The "Wild Child" Tommy Walkowiak has raced his way to sixth	113.	1:13:19:03	1:13:23:18	4:15	BOB FINAN) The "Wild Child" Tommy Walkowiak has raced his way to sixth
BOB FINAN and brought the defending champion, "Slick Pick" Tom Pickerell to seventh.	114.	1:13:24:02	1:13:28:15	4:13	BOB FINAN) and brought the defending champion, "Slick Pick" Tom Pickerell to seventh.
BOB FINAN Oh, baby... we’re getting set up for one of those classic blunderbust finishes.	115.	1:13:30:09	1:13:35:21	5:12	BOB FINAN) Oh, baby... we’re getting set up for one of those classic blunderbust finishes.
SCENE 25: 1:13:38:06 - 1:14:35:18 EXT. MARTY'S GARAGE- DAY. MS MARTY STANDING IN FRONT OF GARAGE. BLACK AND WHITE PHOTOGRAPHS IN HAND.
MARTY HIMES Okay, this photo that we’re looking at here was taken at Freeport Stadium	116.	1:13:39:01	1:13:42:19	3:18	MARTY HIMES) Okay, this photo that we’re looking at here was taken at Freeport Stadium
MARTY HIMES uh, either 1963 or '64,	117.	1:13:43:03	1:13:45:13	2:10	MARTY HIMES) uh, either 1963 or '64,
MARTY HIMES coming down the main straightaway following car number 393, Red Reynor,	118.	1:13:45:19	1:13:49:16	3:21	MARTY HIMES) coming down the main straightaway following car number 393, Red Reynor,
MARTY HIMES and ahead of us a couple of car lengths was Bruno Brackey in the black and white car,	119.	1:13:49:23	1:13:54:02	4:03	MARTY HIMES) and ahead of us a couple of car lengths was Bruno Brackey in the black and white car,
MARTY HIMES and he spun out, and he blocked most of the track, but Red Reynor kept going.	120.	1:13:54:11	1:13:58:20	4:09	MARTY HIMES) and he spun out, and he blocked most of the track, but Red Reynor kept going.
MARTY HIMES So I said, "Well, if Red Reynor’s keeping going, that mean-- that mean he figures he can get through."	121.	1:13:58:20	1:14:03:00	4:04	MARTY HIMES) So I said, "Well, if Red Reynor’s keeping going, that mean-- that mean he figures he can get through."
MARTY HIMES But he didn’t get through. He locked up on the back of Bruno Brackey’s car and stopped short, and I went right up over top of his car.	122.	1:14:03:12	1:14:09:11	5:23	MARTY HIMES) But he didn’t get through. He locked up on the back of Bruno Brackey’s car and stopped short, and I went right up over top of his car.
MARTY HIMES If you look in the photo, I’m flying through the air. My four wheels are off the ground.	123.	1:14:09:14	1:14:13:01	3:11	MARTY HIMES) If you look in the photo, I’m flying through the air. My four wheels are off the ground.
MARTY HIMES Went another 15 feet or so and took down a telephone pole.	124.	1:14:13:05	1:14:16:23	3:18	MARTY HIMES) Went another 15 feet or so and took down a telephone pole.
MARTY HIMES And then...	125.	1:14:17:08	1:14:18:01	0:17	MARTY HIMES) And then...
MARTY HIMES Here’s the picture of the after, after the car was wrecked, before they towed it away.	126.	1:14:19:05	1:14:23:23	4:18	MARTY HIMES) Here’s the picture of the after, after the car was wrecked, before they towed it away.
MARTY HIMES Um, it actually took the carburetors, took the radiator apart, took the carburetors right off the intake manifold,	127.	1:14:24:06	1:14:29:21	5:15	MARTY HIMES) Um, it actually took the carburetors, took the radiator apart, took the carburetors right off the intake manifold,
MARTY HIMES and all I got out of it was a few bruises and a lot of broken glass,	128.	1:14:30:06	1:14:33:14	3:08	MARTY HIMES) and all I got out of it was a few bruises and a lot of broken glass,
MARTY HIMES but it was a memorable night, that’s for sure.	129.	1:14:34:01	1:14:35:18	1:17	MARTY HIMES) but it was a memorable night, that’s for sure.
SCENE 26: 1:14:35:20 - 1:14:40:19 INT. MARTY'S GARAGE- DAY. LS MARTY PUTTING A BLUE HELMET ON.
MARTY HIMES How’s that?	130.	1:14:37:22	1:14:38:11	0:13	MARTY HIMES) How’s that?
MARTY HIMES Freeport Stadium. Harnett Raceway. Holmes Airport. Jackson Heights. Island Gardens in Hempstead. Islip Speedway.	131.	1:14:39:04	1:14:45:15	6:11	MARTY HIMES) Freeport Stadium. Harnett Raceway. Holmes Airport. Jackson Heights. Island Gardens in Hempstead. Islip Speedway.
SCENE 27: 1:14:40:22 - 1:15:08:06 CUT TO MS MARTY SITTING ON A SOFA CHAIR, READING FROM A BOOK.
MARTY HIMES Juniper Valley Park, Queens. Long Island Motor Parkway. Montauk Point on the street. Madison Square Garden Bowl in Queens.	132.	1:14:46:00	1:14:52:21	6:21	MARTY HIMES) Juniper Valley Park, Queens. Long Island Motor Parkway. Montauk Point on the street. Madison Square Garden Bowl in Queens.
MARTY HIMES Maspeth Fairgrounds. Mineola Fairgrounds. Nassau Coliseum. National Speedway.	133.	1:14:53:06	1:14:57:16	4:10	MARTY HIMES) Maspeth Fairgrounds. Mineola Fairgrounds. Nassau Coliseum. National Speedway.
MARTY HIMES Oakwood Park. Riverhead Street. Riverhead Fairgrounds.	134.	1:14:58:04	1:15:01:11	3:07	MARTY HIMES) Oakwood Park. Riverhead Street. Riverhead Fairgrounds.
MARTY HIMES Riverhead Raceway, paved.	135.	1:15:01:17	1:15:03:07	1:14	MARTY HIMES) Riverhead Raceway, paved.
MARTY HIMES Uh, Ridgewood Oval. Roosevelt Raceway.	136.	1:15:04:00	1:15:05:23	1:23	MARTY HIMES) Uh, Ridgewood Oval. Roosevelt Raceway.
MARTY HIMES Roosevelt Raceway half-mile dirt.	137.	1:15:06:05	1:15:07:22	1:17	MARTY HIMES) Roosevelt Raceway half-mile dirt.
SCENE 28: 1:15:08:07 - 1:15:14:21 CUT TO EXT. EMPTY RURAL STREET- DAY. LS RED HOUSE IN BG. (Marty dialogue continues)
MARTY HIMES (VO) Sports Arena in Brooklyn. Suffolk County Air Base.	138. ITAL	1:15:08:10	1:15:11:03	2:17	MARTY HIMES) Sports Arena in Brooklyn. Suffolk County Air Base.
MARTY HIMES (VO) Speonk Raceway. Sheepshead Bay, Springfield to Babylon.	139. ITAL	1:15:11:19	1:15:15:04	3:09	MARTY HIMES) Speonk Raceway. Sheepshead Bay, Springfield to Babylon.
PRINCIPAL PHOTOGRAPHY	140.	1:15:14:21	1:15:21:13	6:16	FLYING SERVICE FREEPORT STADIUM
SCENE 29: 1:15:14:22 - 1:15:21:14 EXT. MARTY' S GARAGE- DAY. LS MARTY STANDING IN FRONT OF GARAGE. PRINCIPAL PHOTOGRAPHY SIGNAGE: FLYING SERVICE FREEPORT STADIUM
MARTY HIMES (VO) With all those tracks, 'course 99 percent of them are now defunct, they’re gone.	141. ITAL	1:15:15:15	1:15:20:22	5:07	MARTY HIMES) With all those tracks, 'course 99 percent of them are now defunct, they’re gone.
SCENE 30: 1:15:21:14 - 1:15:38:01 CUT BACK TO INT. MARTY'S GARAGE. MS MARTY SITTING ON SOFA CHAIR.
MARTY HIMES Riverhead is here.	142.	1:15:21:15	1:15:22:15	1:00	MARTY HIMES) Riverhead is here.
MARTY HIMES A square piece of property.	143.	1:15:23:09	1:15:24:15	1:06	MARTY HIMES) A square piece of property.
MARTY HIMES There’s business coming in this way, business coming in this way, this way and this way, and it’s gonna squeeze 'em out eventually.	144.	1:15:25:18	1:15:33:00	7:06	MARTY HIMES) There’s business coming in this way, business coming in this way, this way and this way, and it’s gonna squeeze 'em out eventually.
MARTY HIMES When Riverhead goes,	145.	1:15:33:16	1:15:34:18	1:02	MARTY HIMES) When Riverhead goes,
MARTY HIMES that will be the end of racing on Long Island.	146.	1:15:35:14	1:15:37:23	2:09	MARTY HIMES) that will be the end of racing on Long Island.
SCENE 31: 1:15:38:02 - 1:17:25:03 INT. RACE CAR- DAY. CU OF JIMMY INSIDE CAR, PUTTING HELMET ON AND CROSSING HIMSELF. (operatic music plays)
SCENE 32: 1:17:25:03 - 1:17:55:10 EXT. RACE TRACK- DAY. CU OF VARIOUS RACE CARS DRIVING DOWN PIT ROAD. (operatic music continues)
SCENE 33: 1:17:55:10 - 1:19:09:02 INT. RACE CAR- DAY. OS CU JIMMY DRIVING CAR DOWN TRACK. (operatic music plays) JIMMY IN VARIOUS COLLISIONS.
SCENE 34: 1:19:09:02 - 1:19:48:13 CUT TO CU JIMMY COLLIDING WITH STOPPED CAR. CAR FLIPPING OVER. (loud crash) (music stops) SHOTS OF BLUE SKY ABOVE. (wind whistling)
SCENE 35: 1:19:48:13 - 1:20:07:11 EXT. RIVERHEAD RACETRACK- DAY. WS EMPTY TRACK.
SCENE 36: 1:20:07:13 - 1:20:38:05 EXT. EMPTY FIELD- DAY. LS MILLIE STANDING WITH RACE TRACK IN BG.
MILLIE THOMAS Hi, my name is Millie Thomas. I’m the broker/owner of Landmark Realty in Wading River.	147.	1:20:07:16	1:20:12:15	4:23	MILLIE THOMAS) Hi, my name is Millie Thomas. I’m the broker/owner of Landmark Realty in Wading River.
MILLIE THOMAS It’s just about eight miles west of Riverhead Raceway where we are today.	148.	1:20:13:00	1:20:16:18	3:18	MILLIE THOMAS) It’s just about eight miles west of Riverhead Raceway where we are today.
MILLIE THOMAS I’ve been a realtor for about 20 years.	149.	1:20:17:02	1:20:19:00	1:22	MILLIE THOMAS) I’ve been a realtor for about 20 years.
MILLIE THOMAS The area has seen considerable growth.	150.	1:20:19:15	1:20:21:19	2:04	MILLIE THOMAS) The area has seen considerable growth.
MILLIE THOMAS I started coming out to Riverhead when I was a little girl.	151.	1:20:22:04	1:20:24:14	2:10	MILLIE THOMAS) I started coming out to Riverhead when I was a little girl.
MILLIE THOMAS On the weekends, my parents had a summer house here, and we would shop Downtown Riverhead.	152.	1:20:25:05	1:20:29:23	4:18	MILLIE THOMAS) On the weekends, my parents had a summer house here, and we would shop Downtown Riverhead.
MILLIE THOMAS It was a Main Street area only.	153.	1:20:30:07	1:20:32:02	1:19	MILLIE THOMAS) It was a Main Street area only.
MILLIE THOMAS A couple of shops as well as a supermarket, and that’s pretty much what Riverhead used to be.	154.	1:20:33:01	1:20:38:01	5:00	MILLIE THOMAS) A couple of shops as well as a supermarket, and that’s pretty much what Riverhead used to be.
SCENE 37: 1:20:38:06 - 1:20:42:20 CUT TO EXT. DOWNTOWN RIVERHEAD- DAY. LS EMPTY ROAD IN COMMERCIAL AREA. STRIP MALL IN BG. (Millie dialogue continues) PRINCIPAL PHOTOGRAPHY SIGNAGE: DICK'S FIVE BELOW
MILLIE THOMAS (VO) It’s a commercial area that has grown and continuing to grow,	155. ITAL	1:20:38:17	1:20:42:14	3:21	MILLIE THOMAS) It’s a commercial area that has grown and continuing to grow,
MILLIE THOMAS and this piece of property is worth millions of dollars.	156.	1:20:42:22	1:20:45:17	2:19	MILLIE THOMAS) and this piece of property is worth millions of dollars.
SCENE 38: 1:20:42:22 - 1:20:54:11 CUT BACK TO MILLIE STANDING WITH RACETRACK IN BG.
MILLIE THOMAS Whether or not the family wants to sell it, that’s another story, but...	157.	1:20:46:01	1:20:49:16	3:15	MILLIE THOMAS) Whether or not the family wants to sell it, that’s another story, but...
MILLIE THOMAS it’s sitting in the middle of complete growth in the Riverhead area.	158.	1:20:50:09	1:20:54:07	3:22	MILLIE THOMAS) it’s sitting in the middle of complete growth in the Riverhead area.
SCENE 39: 1:20:54:13 - 1:21:03:01 EXT. EMPTY GRASSY LOT- DAY. LS REAL ESTATE SIGN STAKED IN GROUND. PRINCIPAL PHOTOGRAPHY SIGNAGE: COMING SOON RETAIL SPACE WITH BASEMENT CONTACT: 718-886-2222 FOR AVAILABILITY & DETAILS
PRINCIPAL PHOTOGRAPHY	159.	1:20:54:14	1:20:57:18	3:04	COMING SOON RETAIL SPACE WITH BASEMENT CONTACT : 718-886-2222 FOR AVAILABILITY & DETAILS
SCENE 40: 1:21:03:03 - 1:22:09:10 INT. RIVERHEAD RACEWAY OFFICE- DAY. LS BARBARA AND JIM SITTING BEHIND DESK.
BARBARA CROMARTY I mean, to see it bulldozed over for another shopping center is really not what-- what we personally would like to see, if we can avoid it.	160.	1:21:03:15	1:21:12:03	8:12	BARBARA CROMARTY) I mean, to see it bulldozed over for another shopping center is really not what-- what we personally would like to see, if we can avoid it.
BARBARA CROMARTY And so we keep our fingers crossed.	161.	1:21:13:05	1:21:15:11	2:06	BARBARA CROMARTY) And so we keep our fingers crossed.
BARBARA CROMARTY As far as selling it,	162.	1:21:16:04	1:21:17:06	1:02	BARBARA CROMARTY) As far as selling it,
BARBARA CROMARTY (laughs) like when we feel days like today, when you don’t feel so good,	163.	1:21:18:11	1:21:21:04	2:17	BARBARA CROMARTY) like when we feel days like today, when you don’t feel so good,
BARBARA CROMARTY and it would be nice to be home	164.	1:21:21:20	1:21:23:11	1:15	BARBARA CROMARTY) and it would be nice to be home
BARBARA CROMARTY relaxing, and not worrying, and not have all the stress and the problems that we know will--	165.	1:21:24:09	1:21:29:15	5:06	BARBARA CROMARTY) relaxing, and not worrying, and not have all the stress and the problems that we know will--
BARBARA CROMARTY You know, there will be problems tonight, that’s just the way it goes,	166.	1:21:30:01	1:21:32:18	2:17	BARBARA CROMARTY) You know, there will be problems tonight, that’s just the way it goes,
BARBARA CROMARTY and, um-- right?	167.	1:21:33:13	1:21:35:06	1:17	BARBARA CROMARTY) and, um-- right?
BARBARA CROMARTY So some days we say what we could do without it,	168.	1:21:35:17	1:21:37:22	2:05	BARBARA CROMARTY) So some days we say what we could do without it,
BARBARA CROMARTY but, uh... But the other thing is much more overriding.	169.	1:21:38:22	1:21:42:05	3:07	BARBARA CROMARTY) but, uh... But the other thing is much more overriding.
BARBARA CROMARTY What was the other question?	170.	1:21:45:13	1:21:46:15	1:02	BARBARA CROMARTY) What was the other question?
JIM CROMARTY (stuttering) Yeah, even when Barbara was in the rehab hospital, that’s all she really wanted to know was, uh--	171.	1:21:46:21	1:21:52:06	5:09	JIM CROMARTY) Yeah, even when Barbara was in the rehab hospital, that’s all she really wanted to know was, uh--
JIM CROMARTY Thank God for telephones, and...	172.	1:21:52:16	1:21:54:06	1:14	JIM CROMARTY) Thank God for telephones, and...
JIM CROMARTY and I kept her up to date on everything.	173.	1:21:55:04	1:21:56:22	1:18	JIM CROMARTY) and I kept her up to date on everything.
JIM CROMARTY And it was easy for me because she set up such great patterns here, so...	174.	1:21:57:08	1:22:00:21	3:13	JIM CROMARTY) And it was easy for me because she set up such great patterns here, so...
JIM CROMARTY uh, it, uh...	175.	1:22:01:09	1:22:04:01	2:16	JIM CROMARTY) uh, it, uh...
JIM CROMARTY But it wasn’t the same with her not being here, so I-- I can tell you that.	176.	1:22:05:11	1:22:09:00	3:13	JIM CROMARTY) But it wasn’t the same with her not being here, so I-- I can tell you that.
SCENE 41: 1:22:09:11 - 1:22:21:01 EXT. RIVERHEAD RACEWAY- DAY. LS WHITE MAIN OFFICE BUILDING. (marching band playing national anthem in BG)
SCENE 42: 1:22:21:03 - 1:22:35:08 EXT. RIVERHEAD RACETRACK- DAY. LS MARCHING BAND PLAYING AND SINGING NATIONAL ANTHEM.
MARCHING BAND (singing national anthem)	177.	1:22:21:03	1:22:35:00	13:21	MARCHING BAND)
ANNOUNCER (talking over PA)	178.	1:22:35:00	1:22:39:21	4:21	ANNOUNCER)
MARCHING BAND (playing national anthem)	179.	1:22:35:01	1:22:55:01	20:00	MARCHING BAND)
SCENE 43: 1:22:35:08 - 1:22:47:16 CUT TO MS BAND MARCHING DOWN TRACK. CROWD IN BG. (national anthem playing)
SCENE 44: 1:22:47:18 - 1:22:55:11 MS POLISH TOWN QUEEN AND MAN DRIVING BUGGY DOWN TRACK.
SCENE 45: 1:22:55:11 - 1:25:16:09 INT. RACE CAR- DAY. CU ED DRIVING DOWN TRACK. OFFSCREEN CAR COLLIDING WITH ED.
ED MISTRETTA God.	180.	1:23:36:14	1:23:37:03	0:13	ED MISTRETTA) God.
ED MISTRETTA What the fuck is that all about?	181.	1:23:39:11	1:23:40:17	1:06	ED MISTRETTA) What the fuck is that all about?
RACE DRIVER You just hit me.	182.	1:23:40:19	1:23:41:14	0:19	RACE DRIVER) You just hit me.
ED MISTRETTA No, fuck-- You just dove down in front of me.	183.	1:23:41:18	1:23:43:20	2:02	ED MISTRETTA) No, fuck-- You just dove down in front of me.
ED MISTRETTA You know what, get the fuck out of your car.	184.	1:23:44:05	1:23:45:22	1:17	ED MISTRETTA) You know what, get the fuck out of your car.
ED MISTRETTA I’m gonna fuck you up.	185.	1:23:46:12	1:23:47:20	1:08	ED MISTRETTA) I’m gonna fuck you up.
ED MISTRETTA What, you got a fucking problem?	186.	1:23:49:08	1:23:50:14	1:06	ED MISTRETTA) What, you got a fucking problem?
ED MISTRETTA Get out of your fucking car right now. Get out.	187.	1:23:51:02	1:23:53:21	2:19	ED MISTRETTA) Get out of your fucking car right now. Get out.
RACE DRIVER (inaudible)	188.	1:23:53:20	1:23:55:16	1:20	RACE DRIVER)
ED MISTRETTA I'm gonna fuck you up.	189.	1:23:55:01	1:23:56:09	1:08	ED MISTRETTA) I'm gonna fuck you up.
RACE DRIVER I didn't run at your car.	190.	1:23:56:17	1:23:57:17	1:00	RACE DRIVER) I didn't run at your car.
ED MISTRETTA Yeah?	191.	1:23:57:13	1:23:57:23	0:10	ED MISTRETTA) Yeah?
ED MISTRETTA Come here. Come here.	192.	1:24:20:10	1:24:21:09	0:23	ED MISTRETTA) Come here. Come here.
ED MISTRETTA This fucking asshole in the 71 just smashed into me after caution's done.	193.	1:24:23:13	1:24:28:08	4:19	ED MISTRETTA) This fucking asshole in the 71 just smashed into me after caution's done.
ED MISTRETTA And he just told me he's going to come kick my ass.	194.	1:24:28:14	1:24:30:15	2:01	ED MISTRETTA) And he just told me he's going to come kick my ass.
ED MISTRETTA Fucking guy’s an asshole.	195.	1:24:31:22	1:24:32:23	1:01	ED MISTRETTA) Fucking guy’s an asshole.
ED MISTRETTA The 71 dove down and says, "Why’d you hit me?"	196.	1:24:33:21	1:24:36:07	2:10	ED MISTRETTA) The 71 dove down and says, "Why’d you hit me?"
ED MISTRETTA Yo, I’m fucking running second place or third place. I mean-- So you know what he just said?	197.	1:24:36:17	1:24:41:08	4:15	ED MISTRETTA) Yo, I’m fucking running second place or third place. I mean-- So you know what he just said?
ED MISTRETTA "I’m gonna come and kick your ass, you fucker."	198.	1:24:41:15	1:24:43:06	1:15	ED MISTRETTA) "I’m gonna come and kick your ass, you fucker."
ED MISTRETTA And that’s when he smashed into me again, sitting still. I mean, come on.	199.	1:24:43:13	1:24:46:12	2:23	ED MISTRETTA) And that’s when he smashed into me again, sitting still. I mean, come on.
ED MISTRETTA They better throw his ass out or I'm gonna ride-- I’m gonna fuck him up if you don't.	200.	1:24:46:23	1:24:50:10	3:11	ED MISTRETTA) They better throw his ass out or I'm gonna ride-- I’m gonna fuck him up if you don't.
ED MISTRETTA The fucking asshole in the 71.	201.	1:24:51:02	1:24:52:11	1:09	ED MISTRETTA) The fucking asshole in the 71.
ED MISTRETTA So then he fucking says, he goes to me "You fucking..."	202.	1:24:53:05	1:24:55:18	2:13	ED MISTRETTA) So then he fucking says, he goes to me "You fucking..."
ED MISTRETTA [indistinct]	203.	1:24:56:07	1:25:00:12	4:05	ED MISTRETTA) [indistinct]
SCENE 46: 1:25:16:09 - 1:25:58:23 EXT. RIVERHEAD PARKING LOT- DAY. LS MAN RUNNING INTO CROWD. PAN TO FIGHT BREAKING OUT. (string music playing)
SCENE 47: 1:25:58:23 - 1:26:20:21 CUT TO LS TWO MEN RUNNING DOWN LOT. (string music continues)
SCENE 48: 1:26:20:22 - 1:27:03:06 INT. ED'S HOUSE- DAY. MS ARCHIVE FOOTAGE PLAYING ON TV.
INTERVIEWER (in archive footage) Gettin' out of the car now. Let’s make some noise for "Krazy" Ed Mistretta!	204.	1:26:20:23	1:26:26:06	5:07	INTERVIEWER) Gettin' out of the car now. Let’s make some noise for "Krazy" Ed Mistretta!
INTERVIEWER (VO) And Shrek took the ride with him. Shrek over here inside the car.	205. ITAL	1:26:29:15	1:26:32:22	3:07	INTERVIEWER) And Shrek took the ride with him. Shrek over here inside the car.
INTERVIEWER Well, Eddie, on behalf of Buzz Chew Chevrolet and Cadillac,	206.	1:26:33:14	1:26:36:19	3:05	INTERVIEWER) Well, Eddie, on behalf of Buzz Chew Chevrolet and Cadillac,
INTERVIEWER it was supposed to be their night at the races last week.	207.	1:26:36:21	1:26:38:17	1:20	INTERVIEWER) it was supposed to be their night at the races last week.
INTERVIEWER That’s been rescheduled for August 12th, but since you guys have the night off, you get the, uh--	208.	1:26:39:06	1:26:42:17	3:11	INTERVIEWER) That’s been rescheduled for August 12th, but since you guys have the night off, you get the, uh--
INTERVIEWER the Buzz Chew trophy here tonight. Congratulations. A great run. You’re back.	209.	1:26:43:09	1:26:47:11	4:02	INTERVIEWER) the Buzz Chew trophy here tonight. Congratulations. A great run. You’re back.
ED MISTRETTA (in archive footage) Thank you.	210.	1:26:47:20	1:26:48:10	0:14	ED MISTRETTA) Thank you.
ED MISTRETTA I can’t even talk.	211.	1:26:49:17	1:26:50:10	0:17	ED MISTRETTA) I can’t even talk.
INTERVIEWER It’s got to be- no, let’s talk about it. It’s been a hot day.	212.	1:26:51:04	1:26:53:12	2:08	INTERVIEWER) It’s got to be- no, let’s talk about it. It’s been a hot day.
INTERVIEWER How hot was it getting inside this car?	213.	1:26:53:16	1:26:55:11	1:19	INTERVIEWER) How hot was it getting inside this car?
ED MISTRETTA Very hot. I'm, like, out of breath.	214.	1:26:56:04	1:26:58:00	1:20	ED MISTRETTA) Very hot. I'm, like, out of breath.
ED MISTRETTA This win was for my father, who passed away.	215.	1:26:59:20	1:27:02:16	2:20	ED MISTRETTA) This win was for my father, who passed away.
ARCHIVE FOOTAGE (interview continues in background)	216.	1:27:03:07	1:27:20:21	17:14	ARCHIVE FOOTAGE)
ED MISTRETTA Yeah, and that was dedicated to my dad.	217.	1:27:03:07	1:27:04:22	1:15	ED MISTRETTA) Yeah, and that was dedicated to my dad.
SCENE 49: 1:27:03:08 - 1:27:31:05 INT. ED'S LIVING ROOM- DAY. LS ED STANDING IN FRONT OF TV. VARIOUS TROPHIES IN FG. (archive footage playing in BG)
ED MISTRETTA My dad died on the 29th of July	218.	1:27:06:08	1:27:08:18	2:10	ED MISTRETTA) My dad died on the 29th of July
ED MISTRETTA so this was the win for my dad, so that’s why I wanted to show you the video.	219.	1:27:09:12	1:27:12:17	3:05	ED MISTRETTA) so this was the win for my dad, so that’s why I wanted to show you the video.
ED MISTRETTA So it felt good to pull it off,	220.	1:27:14:19	1:27:16:03	1:08	ED MISTRETTA) So it felt good to pull it off,
ED MISTRETTA and now we’ll just keep winning after that as much as we can.	221.	1:27:17:01	1:27:19:18	2:17	ED MISTRETTA) and now we’ll just keep winning after that as much as we can.
ED MISTRETTA (in archive footage) Next thing you know I bought the car. I just bought a new truck last week.	222.	1:27:20:21	1:27:24:00	3:03	ED MISTRETTA) Next thing you know I bought the car. I just bought a new truck last week.
ED MISTRETTA Oh, yeah, I had just bought a new truck too.	223.	1:27:24:05	1:27:25:17	1:12	ED MISTRETTA) Oh, yeah, I had just bought a new truck too.
ED MISTRETTA So what’d you think of the video, pretty good?	224.	1:27:27:10	1:27:28:23	1:13	ED MISTRETTA) So what’d you think of the video, pretty good?
ED'S GIRLFRIEND We spoke about when we met each other that you're gonna...	225.	1:27:31:07	1:27:33:20	2:13	ED'S GIRLFRIEND) We spoke about when we met each other that you're gonna...
SCENE 50: 1:27:31:08 - 1:28:29:13 INT. ED'S LIVING ROOM- DAY. LS ED AND GIRLFRIEND SITTING. VARIOUS TROPHIES IN BG.
ED'S GIRLFRIEND back up on that.	226.	1:27:34:20	1:27:35:14	0:18	ED'S GIRLFRIEND) back up on that.
ED'S GIRLFRIEND Now they are pushing you to go back racing	227.	1:27:36:12	1:27:39:06	2:18	ED'S GIRLFRIEND) Now they are pushing you to go back racing
ED'S GIRLFRIEND because you agreed that you probably were not gonna do it.	228.	1:27:39:23	1:27:42:22	2:23	ED'S GIRLFRIEND) because you agreed that you probably were not gonna do it.
ED'S GIRLFRIEND They are pushing you so much, calling you so much, that you decided to do it...	229.	1:27:43:07	1:27:46:21	3:14	ED'S GIRLFRIEND) They are pushing you so much, calling you so much, that you decided to do it...
ED'S GIRLFRIEND and you have to remember you were planning to get married, having a house together.	230.	1:27:48:19	1:27:52:11	3:16	ED'S GIRLFRIEND) and you have to remember you were planning to get married, having a house together.
ED'S GIRLFRIEND That’s a lot of expenses involved...	231.	1:27:52:23	1:27:54:23	2:00	ED'S GIRLFRIEND) That’s a lot of expenses involved...
ED'S GIRLFRIEND and all that.	232.	1:27:56:12	1:27:57:03	0:15	ED'S GIRLFRIEND) and all that.
ED MISTRETTA Well, I was hoping you’re rich so you could cover that.	233.	1:27:57:15	1:27:59:14	1:23	ED MISTRETTA) Well, I was hoping you’re rich so you could cover that.
ED'S GIRLFRIEND But I am not.	234.	1:27:59:15	1:28:00:12	0:21	ED'S GIRLFRIEND) But I am not.
ED MISTRETTA (laughing) I'm only kidding.	235.	1:28:00:11	1:28:02:12	2:01	ED MISTRETTA) I'm only kidding.
ED'S GIRLFRIEND But I am not, and I--	236.	1:28:03:08	1:28:04:05	0:21	ED'S GIRLFRIEND) But I am not, and I--
ED MISTRETTA No, I understand that. I understand that. Like you said.	237.	1:28:04:04	1:28:06:22	2:18	ED MISTRETTA) No, I understand that. I understand that. Like you said.
ED MISTRETTA I guess it’s in the blood. I followed my father’s footsteps.	238.	1:28:07:22	1:28:11:01	3:03	ED MISTRETTA) I guess it’s in the blood. I followed my father’s footsteps.
ED MISTRETTA Been around the track since I was born.	239.	1:28:12:02	1:28:14:03	2:01	ED MISTRETTA) Been around the track since I was born.
ED MISTRETTA Uh...	240.	1:28:15:02	1:28:15:14	0:12	ED MISTRETTA) Uh...
ED MISTRETTA Last time I saw my dad, I took a win for him in New Jersey.	241.	1:28:17:12	1:28:21:07	3:19	ED MISTRETTA) Last time I saw my dad, I took a win for him in New Jersey.
ED MISTRETTA I know my father had tears in his eyes. He always says to me,	242.	1:28:22:16	1:28:25:12	2:20	ED MISTRETTA) I know my father had tears in his eyes. He always says to me,
ED MISTRETTA "You go do it," he says, "I know you’ll be good at it."	243.	1:28:26:11	1:28:29:02	2:15	ED MISTRETTA) "You go do it," he says, "I know you’ll be good at it."
SCENE 51: 1:28:29:14 - 1:28:41:03 CUT TO CU FRAMED PICTURE OF ED HOLDING CHECKERED FLAG. RED MODEL TOY CARS IN FG.
ED MISTRETTA And when he saw me win he goes, "Now I know you’re gonna be better than me,"	244.	1:28:29:16	1:28:33:03	3:11	ED MISTRETTA) And when he saw me win he goes, "Now I know you’re gonna be better than me,"
ED MISTRETTA he says, "So don’t ever give up on it."	245.	1:28:33:21	1:28:35:12	1:15	ED MISTRETTA) he says, "So don’t ever give up on it."
ED MISTRETTA He says, "And if you love what you’re doing, don’t stop till you can’t do it no more."	246.	1:28:36:13	1:28:40:14	4:01	ED MISTRETTA) He says, "And if you love what you’re doing, don’t stop till you can’t do it no more."
SCENE 52: 1:28:41:04 - 1:29:09:02 CUT BACK TO LS ED AND GIRLFRIEND SITTING DOWN.
ED'S GIRLFRIEND You have breathing problems. You having... sinus problem. You have the high cholesterol. You have all your heart attacks and stents, and...	247.	1:28:41:17	1:28:51:20	10:03	ED'S GIRLFRIEND) You have breathing problems. You having... sinus problem. You have the high cholesterol. You have all your heart attacks and stents, and...
ED'S GIRLFRIEND you have to--	248.	1:28:52:12	1:28:53:09	0:21	ED'S GIRLFRIEND) you have to--
ED'S GIRLFRIEND I think you forget a little bit about that and worry about the racing more than your health.	249.	1:28:54:22	1:29:00:00	5:02	ED'S GIRLFRIEND) I think you forget a little bit about that and worry about the racing more than your health.
ED MISTRETTA Well, it’s funny to say, but when you get in a race car,	250.	1:29:01:22	1:29:04:10	2:12	ED MISTRETTA) Well, it’s funny to say, but when you get in a race car,
ED MISTRETTA you could have pain in your arm,	251.	1:29:05:05	1:29:06:11	1:06	ED MISTRETTA) you could have pain in your arm,
ED MISTRETTA soon as you get on that racetrack, you don’t have pain in your arm.	252.	1:29:06:20	1:29:09:01	2:05	ED MISTRETTA) soon as you get on that racetrack, you don’t have pain in your arm.
SCENE 53: 1:29:09:06 - 1:29:21:07 EXT. RESIDENTIAL STREET. LS HOUSE WITH BLUE CAR PARKED OUTSIDE. CARS DRIVING BY IN FG.
SCENE 54: 1:29:21:07 - 1:29:34:11 CU JIMMY WORKING ON CAR ENGINE. (engine sputtering)
SCENE 55: 1:29:34:11 - 1:29:55:11 CUT TO CU EXPOSED CAR ENGINE, FLAME IGNITING.
SCENE 56: 1:29:55:13 - 1:30:02:02 EXT. FRONT PORCH- DAY. MS TODDLER STANDING IN FRONT OF DOOR SCREEN.
SCENE 57: 1:30:02:04 - 1:30:15:03 EXT. RESIDENTIAL DRIVEWAY- DAY. LS GATE OPENING TO LET VAN THROUGH.
SCENE 58: 1:30:15:05 - 1:30:40:10 LS JIMMY AND DALTON EXITING VAN.
JIMMY WHITE JR. Dalton, we can go this way.	253.	1:30:17:23	1:30:18:18	0:19	JIMMY WHITE JR.) Dalton, we can go this way.
JIMMY WHITE JR. There’s one in the front and one in the back.	254.	1:30:36:15	1:30:37:20	1:05	JIMMY WHITE JR.) There’s one in the front and one in the back.
SCENE 59: 1:30:40:11 - 1:30:59:11 INT. WHITE SHED- DAY. LS JIMMY AND DALTON SETTING UP A LADDER.
JIMMY WHITE JR. (whispering) They’re German hornets. Do not slam that ladder on there.	255.	1:30:44:01	1:30:46:23	2:22	JIMMY WHITE JR.) They’re German hornets. Do not slam that ladder on there.
JIMMY WHITE JR. It’ll be one of the worst mistakes you ever make.	256.	1:30:49:07	1:30:51:01	1:18	JIMMY WHITE JR.) It’ll be one of the worst mistakes you ever make.
DALTON Take this.	257.	1:30:52:09	1:30:52:18	0:09	DALTON) Take this.
JIMMY WHITE JR. You will get torn the fuck up.	258.	1:30:52:15	1:30:54:00	1:09	JIMMY WHITE JR.) You will get torn the fuck up.
SCENE 60: 1:30:59:13 - 1:31:10:22 CU HORNET NEST HANGING FROM WOODEN BEAMS.
SCENE 61: 1:31:10:23 - 1:31:24:05 MS JIMMY SPRAYING DOWN NEST.
SCENE 62: 1:31:24:05 - 1:31:35:06 CU NEST BEING TORN DOWN WITH SPADE.
SCENE 63: 1:31:35:08 - 1:31:52:08 CU HORNET TUMBLING ON GRAVEL.
SCENE 64: 1:31:52:11 - 1:32:02:23 EXT. FRONT PORCH- DAY. LS JIMMY LOCKING FRONT DOOR.
SCENE 65: 1:32:03:00 - 1:32:06:11 CU PAPER TAG HANGING FROM DOORKNOB. PRINCIPAL PHOTOGRAPHY TEXT: JIM'S BUSY BEE 9-19-13 WASP OR BEE CONTROL
PRINCIPAL PHOTOGRAPHY	259.	1:32:04:16	1:32:05:23	1:07	JIM'S BUSY BEE 9-19-13 WASP OR BEE CONTROL
SCENE 66: 1:32:06:13 - 1:32:40:05 INT. KITCHEN- DAY. MS PICKERELLS STANDING IN KITCHEN.
RON PICKERELL SR. What are you gonna have?	260.	1:32:06:21	1:32:07:12	0:15	RON PICKERELL SR.) What are you gonna have?
TOM PICKERELL Eggs.	261.	1:32:08:05	1:32:08:13	0:08	TOM PICKERELL) Eggs.
RON PICKERELL SR. Eggs?	262.	1:32:10:04	1:32:10:12	0:08	RON PICKERELL SR.) Eggs?
"BUG" PICKERELL All-righty.	263.	1:32:11:20	1:32:12:02	0:06	"BUG" PICKERELL) All-righty.
RON PICKERELL SR. Bugsy, you make it. I'm-- I--	264.	1:32:12:04	1:32:13:08	1:04	RON PICKERELL SR.) Bugsy, you make it. I'm-- I--
"BUG" PICKERELL You guy-- You guys set the table. I’ll make the breakfast, all right?	265.	1:32:12:22	1:32:15:12	2:14	"BUG" PICKERELL) You guy-- You guys set the table. I’ll make the breakfast, all right?
RON PICKERELL SR. You get the eggs from down there already?	266.	1:32:15:04	1:32:16:13	1:09	RON PICKERELL SR.) You get the eggs from down there already?
RON PICKERELL SR. Yeah.	267.	1:32:17:07	1:32:17:19	0:12	RON PICKERELL SR.) Yeah.
"BUG" PICKERELL Yeah, I got 'em this morning.	268.	1:32:17:10	1:32:18:13	1:03	"BUG" PICKERELL) Yeah, I got 'em this morning.
RON PICKERELL SR. Okay.	269.	1:32:19:05	1:32:19:15	0:10	RON PICKERELL SR.) Okay.
"BUG" PICKERELL Somebody’s got to wake the chickens up.	270.	1:32:19:23	1:32:21:14	1:15	"BUG" PICKERELL) Somebody’s got to wake the chickens up.
RON PICKERELL SR. Had to wake the goddamn chickens up, and we wait-- sit around here for three hours before you get here.	271.	1:32:22:20	1:32:26:10	3:14	RON PICKERELL SR.) Had to wake the goddamn chickens up, and we wait-- sit around here for three hours before you get here.
RON PICKERELL SR. Am I gonna need my, uh, calm-me-down pills today or not?	272.	1:32:29:22	1:32:32:19	2:21	RON PICKERELL SR.) Am I gonna need my, uh, calm-me-down pills today or not?
TOM PICKERELL I'll make a roll.	273.	1:32:30:07	1:32:31:02	0:19	TOM PICKERELL) I'll make a roll.
"BUG" PICKERELL What?	274.	1:32:33:03	1:32:33:12	0:09	"BUG" PICKERELL) What?
TOM PICKERELL I’ll make a roll, I guess. Right?	275.	1:32:33:15	1:32:35:04	1:13	TOM PICKERELL) I’ll make a roll, I guess. Right?
"BUG" PICKERELL You don’t want eggs?	276.	1:32:35:10	1:32:36:04	0:18	"BUG" PICKERELL) You don’t want eggs?
TOM PICKERELL No, you can make me eggs, but I’ll eat a roll in the meantime.	277.	1:32:36:02	1:32:38:02	2:00	TOM PICKERELL) No, you can make me eggs, but I’ll eat a roll in the meantime.
"BUG" PICKERELL All right.	278.	1:32:38:04	1:32:38:16	0:12	"BUG" PICKERELL) All right.
TOM PICKERELL I see rolls there.	279.	1:32:39:11	1:32:40:04	0:17	TOM PICKERELL) I see rolls there.
SCENE 67: 1:32:40:07 - 1:33:07:22 INT. DINING ROOM- DAY. MS RON AND TOM HAVING BREAKFAST ON TABLE.
RON PICKERELL SR. But I could-- even last week.	280.	1:32:43:06	1:32:44:20	1:14	RON PICKERELL SR.) But I could-- even last week.
RON PICKERELL SR. It cost you, what, two wheels, two tires,	281.	1:32:45:11	1:32:48:06	2:19	RON PICKERELL SR.) It cost you, what, two wheels, two tires,
RON PICKERELL SR. and a week’s worth of work.	282.	1:32:49:11	1:32:50:10	0:23	RON PICKERELL SR.) and a week’s worth of work.
RON PICKERELL SR. Now--	283.	1:32:51:20	1:32:52:05	0:09	RON PICKERELL SR.) Now--
"BUG" PICKERELL Rims, tie rod.	284.	1:32:52:08	1:32:53:20	1:12	"BUG" PICKERELL) Rims, tie rod.
RON PICKERELL SR. New tie rod ends just from his anger management problem.	285.	1:32:54:02	1:32:57:12	3:10	RON PICKERELL SR.) New tie rod ends just from his anger management problem.
RON PICKERELL SR. But--	286.	1:33:01:09	1:33:01:15	0:06	RON PICKERELL SR.) But--
"BUG" PICKERELL Yeah, we need a win to pay for it now.	287.	1:33:01:13	1:33:03:07	1:18	"BUG" PICKERELL) Yeah, we need a win to pay for it now.
RON PICKERELL SR. What goes around comes around. He bring it on himself.	288.	1:33:03:11	1:33:05:15	2:04	RON PICKERELL SR.) What goes around comes around. He bring it on himself.
SCENE 68: 1:33:07:23 - 1:33:16:05 CU CHIMING WALL CLOCK RINGING AT HOUR. (music box tune playing)
SCENE 69: 1:33:16:06 - 1:33:35:09 INT. SHELLFISH PROCESSING PLANT WORKROOM- DAY. LS TOM EMPTYING SHELLFISH BAGS ON TRAY.
SCENE 70: 1:33:35:10 - 1:33:47:05 CU SHELLFISH PASSING THROUGH GRADING MACHINE.
SCENE 71: 1:33:47:06 - 1:33:54:06 LS SHELLFISH BEING SORTED INTO RED BAGS.
SCENE 72: 1:33:54:07 - 1:34:00:09 LS PHOTOGRAPH OF RACERS HANGING FROM WALL. PRINCIPAL PHOTOGRAPHY TEXT (PHOTOGRAPH): KAUNEONGA SPEEDWAY 1998 PRINCIPAL PHOTOGRAPHY TEXT (SIGNAGE): WASH HANDS BEFORE HANDLING SHELLFISH.
PRINCIPAL PHOTOGRAPHY	289.	1:33:54:13	1:33:55:13	1:00	WASH HANDS BEFORE HANDLING SHELLFISH
PRINCIPAL PHOTOGRAPHY	290.	1:33:56:00	1:33:57:00	1:00	KAUNEONGA SPEEDWAY 1998
SCENE 73: 1:34:00:10 - 1:34:10:10 MS RON STANDING IN FRONT OF DOOR.
SCENE 74: 1:34:10:11 - 1:34:22:05 EXT. RIVERHEAD RACEWAY- DAY. CU WHITE AND RED SIGN BEHIND FENCE. PRINCIPAL PHOTOGRAPHY TEXT (SIGNAGE): RACING EVERY SATURDAY 6 PM
PRINCIPAL PHOTOGRAPHY	291.	1:34:10:19	1:34:12:12	1:17	RACING EVERY SATURDAY 6 PM
SCENE 75: 1:34:22:08 - 1:34:55:17 INT. RIVERHEAD OFFICE- DAY. LS BARBARA AND JIM SITTING.
SCENE 76: 1:34:55:17 - 1:35:10:00 EXT. RACETRACK- DUSK. LS RED RACE CAR DRIVING. GRANDSTANDS IN BG. (announcer on PA in BG)
SCENE 77: 1:35:10:02 - 1:35:33:23 MS RICK AND BOB SITTING ON STEPS OF VIEWING PLATFORM.
"CAPTAIN VIDEO" RICK TODD So now you got, like, a few seconds now.	292.	1:35:11:07	1:35:13:08	2:01	"CAPTAIN VIDEO" RICK TODD) So now you got, like, a few seconds now.
PETER MILANO Okay, ready? All right.	293.	1:35:13:12	1:35:14:14	1:02	PETER MILANO) Okay, ready? All right.
PETER MILANO Just tell me about yourself.	294.	1:35:16:05	1:35:17:08	1:03	PETER MILANO) Just tell me about yourself.
PETER MILANO Tell me what you do and where you're from and what you do here.	295.	1:35:17:17	1:35:20:06	2:13	PETER MILANO) Tell me what you do and where you're from and what you do here.
"CAPTAIN VIDEO" RICK TODD Well, I, um--	296.	1:35:20:08	1:35:21:16	1:08	"CAPTAIN VIDEO" RICK TODD) Well, I, um--
"CAPTAIN VIDEO" RICK TODD Oh, okay, sure.	297.	1:35:23:00	1:35:23:22	0:22	"CAPTAIN VIDEO" RICK TODD) Oh, okay, sure.
"CAPTAIN VIDEO" RICK TODD Hi, everybody. I just want to let you know that I'm-- I've been-- We been doing this filming here	298.	1:35:24:15	1:35:30:10	5:19	"CAPTAIN VIDEO" RICK TODD) Hi, everybody. I just want to let you know that I'm-- I've been-- We been doing this filming here
"CAPTAIN VIDEO" RICK TODD at Riverhead Raceway for 25 years,	299.	1:35:30:20	1:35:33:16	2:20	"CAPTAIN VIDEO" RICK TODD) at Riverhead Raceway for 25 years,
SCENE 78: 1:35:33:23 - 1:35:43:09 CUT TO EXT. RACETRACK- DUSK. LS RICK TAPING RACE. GRANDSTANDS IN BG. (Rick dialogue continues)
"CAPTAIN VIDEO" RICK TODD (VO) and starting last week,	300. ITAL	1:35:34:01	1:35:35:16	1:15	"CAPTAIN VIDEO" RICK TODD) and starting last week,
"CAPTAIN VIDEO" RICK TODD (VO) we taped the whole show	301. ITAL	1:35:36:07	1:35:38:03	1:20	"CAPTAIN VIDEO" RICK TODD) we taped the whole show
"CAPTAIN VIDEO" RICK TODD (VO) from start to finish here at Riverhead Raceway,	302. ITAL	1:35:38:17	1:35:41:12	2:19	"CAPTAIN VIDEO" RICK TODD) from start to finish here at Riverhead Raceway,
"CAPTAIN VIDEO" RICK TODD (VO) and then, um...	303. ITAL	1:35:41:20	1:35:42:21	1:01	"CAPTAIN VIDEO" RICK TODD) and then, um...
"CAPTAIN VIDEO" RICK TODD (stammers) I had fun taking the tapes home at night, and replaying 'em, and making copies for all the winners out here at Riverhead Raceway.	304.	1:35:43:06	1:35:51:22	8:16	"CAPTAIN VIDEO" RICK TODD) I had fun taking the tapes home at night, and replaying 'em, and making copies for all the winners out here at Riverhead Raceway.
SCENE 79: 1:35:43:12 - 1:35:57:20 CUT BACK TO RICK AND BOB SITTING ON STEPS. (announcer on PA in background)
"CAPTAIN VIDEO" RICK TODD Right, Bob?	305.	1:35:55:16	1:35:56:07	0:15	"CAPTAIN VIDEO" RICK TODD) Right, Bob?
BOB That’s right.	306.	1:35:56:13	1:35:57:02	0:13	BOB) That’s right.
SCENE 80: 1:35:57:22 - 1:36:01:22 MS RICK TAPING SHOW FROM PLATFORM.
"CAPTAIN VIDEO" RICK TODD (VO) Oh, the-- Oh, the house?	307. ITAL	1:36:02:01	1:36:03:06	1:05	"CAPTAIN VIDEO" RICK TODD) Oh, the-- Oh, the house?
"CAPTAIN VIDEO" RICK TODD Uh, that-- that came with the years of experience at my request.	308.	1:36:03:18	1:36:07:21	4:03	"CAPTAIN VIDEO" RICK TODD) Uh, that-- that came with the years of experience at my request.
SCENE 81: 1:36:04:23 - 1:36:28:04 MS RICK AND BOB SITTING ON STEPS. (announcer on PA in BG)
"CAPTAIN VIDEO" RICK TODD (stammers) I--I-- We started down on the ground 25 years ago, and it was just getting too crowded. People would walk in front of the camera all the time,	309.	1:36:08:10	1:36:16:16	8:06	"CAPTAIN VIDEO" RICK TODD) I--I-- We started down on the ground 25 years ago, and it was just getting too crowded. People would walk in front of the camera all the time,
"CAPTAIN VIDEO" RICK TODD so I moved up here for--	310.	1:36:17:01	1:36:18:06	1:05	"CAPTAIN VIDEO" RICK TODD) so I moved up here for--
ANNOUNCER Good evening, ladies and gentlemen. It's officially time...	311.	1:36:18:00	1:36:20:03	2:03	ANNOUNCER) Good evening, ladies and gentlemen. It's officially time...
"CAPTAIN VIDEO" RICK TODD So I’ll-- I'll see you later. We’re getting ready to go for the show.	312.	1:36:19:15	1:36:22:19	3:04	"CAPTAIN VIDEO" RICK TODD) So I’ll-- I'll see you later. We’re getting ready to go for the show.
"CAPTAIN VIDEO" RICK TODD So thanks a lot, everybody, and we’ll talk to you later. Thank you.	313.	1:36:23:02	1:36:26:19	3:17	"CAPTAIN VIDEO" RICK TODD) So thanks a lot, everybody, and we’ll talk to you later. Thank you.
ANNOUNCER (VO) Tonight, it--	314. ITAL	1:36:27:05	1:36:28:05	1:00	ANNOUNCER) Tonight, it--
SCENE 82: 1:36:28:06 - 1:37:36:06 EXT. RACETRACK- DUSK. WS CARS RACING AROUND TRACK.
SCENE 83: 1:37:36:06 - 1:38:24:06 EXT. RACETRACK- NIGHT. FOOTAGE OF RACE CAR EXPLODING. PAN TO JIMMY ON FIRE.
TRACK WORKER Whoa!	315.	1:37:37:14	1:37:38:03	0:13	TRACK WORKER) Whoa!
TRACK WORKER Oh, God.	316.	1:37:40:05	1:37:40:21	0:16	TRACK WORKER) Oh, God.
TRACK WORKER Oh!	317.	1:37:42:02	1:37:42:11	0:09	TRACK WORKER) Oh!
WOMAN ON TRACK Is he out?	318.	1:37:43:04	1:37:43:20	0:16	WOMAN ON TRACK) Is he out?
TRACK WORKER No.	319.	1:37:44:11	1:37:44:20	0:09	TRACK WORKER) No.
TRACK WORKER Oh, God!	320.	1:37:47:01	1:37:47:18	0:17	TRACK WORKER) Oh, God!
PETER MILANO (VO) Now, did you breathe in?	321. ITAL	1:37:58:16	1:37:59:16	1:00	PETER MILANO) Now, did you breathe in?
JIMMY WHITE JR. (VO) Nope, I held my breath the whole time.	322. ITAL	1:38:00:03	1:38:01:08	1:05	JIMMY WHITE JR.) Nope, I held my breath the whole time.
PETER MILANO (VO) The whole entire time?	323. ITAL	1:38:01:03	1:38:02:00	0:21	PETER MILANO) The whole entire time?
JIMMY WHITE JR. (VO) Yeah, that’s ultimately what they told me saved my life. Like-	324. ITAL	1:38:01:18	1:38:04:22	3:04	JIMMY WHITE JR.) Yeah, that’s ultimately what they told me saved my life. Like-
PETER MILANO (VO) I mean, do you remember it at all, besides--	325. ITAL	1:38:04:18	1:38:06:17	1:23	PETER MILANO) I mean, do you remember it at all, besides--
JIMMY WHITE JR. (VO) I remember it from beginning to end. To the helicopter, to begging the guy for more morphine, to almost wrecking the helicopter.	326. ITAL	1:38:06:02	1:38:12:13	6:11	JIMMY WHITE JR.) I remember it from beginning to end. To the helicopter, to begging the guy for more morphine, to almost wrecking the helicopter.
JIMMY WHITE JR. (VO) Going into the hospital, getting put into an ice tank to cool my body off.	327. ITAL	1:38:12:22	1:38:16:14	3:16	JIMMY WHITE JR.) Going into the hospital, getting put into an ice tank to cool my body off.
JIMMY WHITE JR. (VO) I remember the scrub downs. I remember every shower. It was miserable.	328. ITAL	1:38:17:05	1:38:19:17	2:12	JIMMY WHITE JR.) I remember the scrub downs. I remember every shower. It was miserable.
JIMMY WHITE JR. (VO) That was the worst part.	329. ITAL	1:38:20:00	1:38:20:20	0:20	JIMMY WHITE JR.) That was the worst part.
JIMMY WHITE JR. (VO) The ambulance wouldn’t come onto the track till the car fire went out.	330. ITAL	1:38:21:10	1:38:24:06	2:20	JIMMY WHITE JR.) The ambulance wouldn’t come onto the track till the car fire went out.
SCENE 84: 1:38:24:06 - 1:39:07:15 CUT TO EXT. RACETRACK- DAY. WORKERS SWEEPING TRACK.
JIMMY WHITE JR. (VO) I had to sit there and wait a good four or five minutes,	331. ITAL	1:38:24:14	1:38:26:23	2:09	JIMMY WHITE JR.) I had to sit there and wait a good four or five minutes,
JIMMY WHITE JR. (VO) and I was just talking to my sister the whole time, just trying to talk to her 'cause I looked down, I saw my shinbone. That’s how bad my right leg was.	332. ITAL	1:38:27:08	1:38:34:06	6:22	JIMMY WHITE JR.) and I was just talking to my sister the whole time, just trying to talk to her 'cause I looked down, I saw my shinbone. That’s how bad my right leg was.
SCENE 85: 1:39:07:15 - 1:39:11:03 EXT. GRASSY BACKYARD- DAY. LS TOMMY SHOOTING AT CAR WITH RIFLE.
SCENE 86: 1:39:11:03 - 1:39:34:10 EXT. WOODED CLEARING- DAY. LS TOMMY HITTING CAR WITH GOLF CLUB.
MAN Hit the window. Hit the window.	333.	1:39:17:21	1:39:19:09	1:12	MAN) Hit the window. Hit the window.
MAN Come on, you gotta get the window.	334.	1:39:20:18	1:39:21:19	1:01	MAN) Come on, you gotta get the window.
MAN That’s the money shot.	335.	1:39:23:00	1:39:23:21	0:21	MAN) That’s the money shot.
MAN 2 Is that it?	336.	1:39:24:02	1:39:24:13	0:11	MAN 2) Is that it?
MAN That back window is the money shot.	337.	1:39:25:13	1:39:27:04	1:15	MAN) That back window is the money shot.
TOMMY WALKOWIAK My wrist is killing me.	338.	1:39:27:00	1:39:28:00	1:00	TOMMY WALKOWIAK) My wrist is killing me.
MAN That back shot's the w-- Oh, come on.	339.	1:39:28:12	1:39:30:04	1:16	MAN) That back shot's the w-- Oh, come on.
TOMMY WALKOWIAK I’m not hitting the window.	340.	1:39:30:15	1:39:31:15	1:00	TOMMY WALKOWIAK) I’m not hitting the window.
MAN Come on.	341.	1:39:31:22	1:39:32:04	0:06	MAN) Come on.
TOMMY WALKOWIAK I got to clean up the glass then, dude. I’m not cleaning up glass.	342.	1:39:32:02	1:39:34:01	1:23	TOMMY WALKOWIAK) I got to clean up the glass then, dude. I’m not cleaning up glass.
MAN Ah, stop.	343.	1:39:33:07	1:39:34:00	0:17	MAN) Ah, stop.
SCENE 87: 1:39:34:13 - 1:40:05:18 EXT. GRASSY BACKYARD- DAY. LS TOMMY WELDING CAR.
TOMMY WALKOWIAK Got bolts in there.	344.	1:39:53:09	1:39:54:04	0:19	TOMMY WALKOWIAK) Got bolts in there.
TOMMY WALKOWIAK Just don't drop them bolts.	345.	1:40:02:17	1:40:03:17	1:00	TOMMY WALKOWIAK) Just don't drop them bolts.
SCENE 88: 1:40:05:18 - 1:40:15:18 LS TOMMY AND MAN TAKING CAR BODY APART.
SCENE 89: 1:40:15:19 - 1:40:25:15 LS TOMMY WELDING CAR BODY.
SCENE 90: 1:40:25:16 - 1:40:35:22 LS TOMMY AND SON PUSHING CAR BODY OUT OF GARAGE.
MAN This thing's heavier and heavier.	346.	1:40:28:01	1:40:29:09	1:08	MAN) This thing's heavier and heavier.
TOMMY WALKOWIAK It never got lighter.	347.	1:40:29:19	1:40:30:19	1:00	TOMMY WALKOWIAK) It never got lighter.
MAN The heaviest car to push...	348.	1:40:32:02	1:40:33:15	1:13	MAN) The heaviest car to push...
TOMMY WALKOWIAK Good.	349.	1:40:34:00	1:40:34:10	0:10	TOMMY WALKOWIAK) Good.
TOMMY WALKOWIAK That's it.	350.	1:40:34:20	1:40:35:04	0:08	TOMMY WALKOWIAK) That's it.
SCENE 91: 1:40:36:01 - 1:41:19:01 LS BLAISE ASSEMBLING CAR BODY WITH TOMMY.
TOMMY WALKOWIAK Flip it around.	351.	1:40:38:16	1:40:39:06	0:14	TOMMY WALKOWIAK) Flip it around.
BLAISE WALKOWIAK Is it on the wrong way?	352.	1:40:43:11	1:40:44:10	0:23	BLAISE WALKOWIAK) Is it on the wrong way?
BLAISE WALKOWIAK It’s the wrong way, right?	353.	1:40:45:11	1:40:46:11	1:00	BLAISE WALKOWIAK) It’s the wrong way, right?
TOMMY WALKOWIAK Just put it down. There you go.	354.	1:40:48:19	1:40:50:02	1:07	TOMMY WALKOWIAK) Just put it down. There you go.
BLAISE WALKOWIAK It’s not flush.	355.	1:40:59:13	1:41:00:05	0:16	BLAISE WALKOWIAK) It’s not flush.
TOMMY WALKOWIAK Just let go.	356.	1:41:00:09	1:41:00:22	0:13	TOMMY WALKOWIAK) Just let go.
TOMMY WALKOWIAK I got to get this side first.	357.	1:41:02:18	1:41:03:21	1:03	TOMMY WALKOWIAK) I got to get this side first.
BLAISE WALKOWIAK It’s not good.	358.	1:41:04:17	1:41:05:11	0:18	BLAISE WALKOWIAK) It’s not good.
TOMMY WALKOWIAK It is good.	359.	1:41:05:23	1:41:06:13	0:14	TOMMY WALKOWIAK) It is good.
BLAISE WALKOWIAK The bolt right here isn’t lined up.	360.	1:41:07:19	1:41:09:10	1:15	BLAISE WALKOWIAK) The bolt right here isn’t lined up.
TOMMY WALKOWIAK It will line up.	361.	1:41:09:12	1:41:10:08	0:20	TOMMY WALKOWIAK) It will line up.
BLAISE WALKOWIAK Right here.	362.	1:41:13:09	1:41:13:20	0:11	BLAISE WALKOWIAK) Right here.
BLAISE WALKOWIAK This one, Dad.	363.	1:41:16:18	1:41:17:14	0:20	BLAISE WALKOWIAK) This one, Dad.
SCENE 92: 1:41:19:03 - 1:41:45:08 LS BLAISE ATTACHING BUMPER TO CAR.
SCENE 93: 1:41:45:09 - 1:42:40:13 EXT. FRONT YARD- DAY. LS JACK HANDLEY JR. MOWING LAWN. (VO announcer in BG)
ANNOUNCER (VO) Seventeen year old Jack Handley Jr. out of Medford.	364. ITAL	1:41:57:23	1:42:02:11	4:12	ANNOUNCER) Seventeen year old Jack Handley Jr. out of Medford.
ANNOUNCER (VO) Last week he won the race,	365. ITAL	1:42:04:02	1:42:05:19	1:17	ANNOUNCER) Last week he won the race,
ANNOUNCER (VO) but post-race tech was found with an unapproved camshaft. Oversized.	366. ITAL	1:42:06:15	1:42:11:17	5:02	ANNOUNCER) but post-race tech was found with an unapproved camshaft. Oversized.
ANNOUNCER (VO) The team, Dennis Krupski and the Liccardi Builders 49 team went to work.	367. ITAL	1:42:12:13	1:42:17:20	5:07	ANNOUNCER) The team, Dennis Krupski and the Liccardi Builders 49 team went to work.
ANNOUNCER (VO) Lots of hours in the shop.	368. ITAL	1:42:18:09	1:42:20:09	2:00	ANNOUNCER) Lots of hours in the shop.
ANNOUNCER (VO) Another motor, another camshaft in the car,	369. ITAL	1:42:20:12	1:42:23:13	3:01	ANNOUNCER) Another motor, another camshaft in the car,
ANNOUNCER (VO) and it did not matter.	370. ITAL	1:42:23:23	1:42:26:00	2:01	ANNOUNCER) and it did not matter.
ANNOUNCER (VO) Jack Handley Jr. is a winner here tonight	371. ITAL	1:42:26:07	1:42:30:00	3:17	ANNOUNCER) Jack Handley Jr. is a winner here tonight
ANNOUNCER (VO) at Riverhead Raceway, and if there was ever a way to atone for the DQ last week,	372. ITAL	1:42:30:08	1:42:35:01	4:17	ANNOUNCER) at Riverhead Raceway, and if there was ever a way to atone for the DQ last week,
ANNOUNCER (VO) this young Patchogue-Medford High School student showed you how it’s done.	373. ITAL	1:42:35:17	1:42:39:17	4:00	ANNOUNCER) this young Patchogue-Medford High School student showed you how it’s done.
SCENE 94: 1:42:40:15 - 1:43:18:08 EXT. BACKYARD- DAY. LS TIM PULLING OUT CAR PARTS FROM SHED.
TIM MULQUEEN (groans)	374.	1:42:48:12	1:42:49:04	0:16	TIM MULQUEEN)
TIM MULQUEEN (grunts) That’s my son’s trunk lid.	375.	1:42:50:07	1:42:51:23	1:16	TIM MULQUEEN) That’s my son’s trunk lid.
TIM MULQUEEN You know, he bought this car and started driving it around, and I says, "You know, that’s just like my race car."	376.	1:42:53:21	1:42:57:23	4:02	TIM MULQUEEN) You know, he bought this car and started driving it around, and I says, "You know, that’s just like my race car."
TIM MULQUEEN I says, "I’m gonna get that car one day for parts."	377.	1:42:58:15	1:43:00:21	2:06	TIM MULQUEEN) I says, "I’m gonna get that car one day for parts."
TIM MULQUEEN He said, "No way."	378.	1:43:01:13	1:43:02:09	0:20	TIM MULQUEEN) He said, "No way."
TIM MULQUEEN Well, he ended up blowing the motor in the car,	379.	1:43:03:20	1:43:05:19	1:23	TIM MULQUEEN) Well, he ended up blowing the motor in the car,
TIM MULQUEEN bought a new one, and here it is.	380.	1:43:06:16	1:43:07:23	1:07	TIM MULQUEEN) bought a new one, and here it is.
TIM MULQUEEN I got his whole car back here.	381.	1:43:08:15	1:43:11:04	2:13	TIM MULQUEEN) I got his whole car back here.
TIM MULQUEEN Doors, fenders, hoods. I can’t carry them all out,	382.	1:43:11:21	1:43:14:15	2:18	TIM MULQUEEN) Doors, fenders, hoods. I can’t carry them all out,
TIM MULQUEEN but there’s a story behind each piece.	383.	1:43:15:09	1:43:17:21	2:12	TIM MULQUEEN) but there’s a story behind each piece.
SCENE 95: 1:43:18:08 - 1:43:40:06 LS TIM STANDING BESIDE SPARE PARTS.
TIM MULQUEEN These are all my spare parts for anybody that wants to get rough with me,	384.	1:43:18:09	1:43:21:08	2:23	TIM MULQUEEN) These are all my spare parts for anybody that wants to get rough with me,
TIM MULQUEEN go for it because I got-- I got it covered.	385.	1:43:21:22	1:43:24:05	2:07	TIM MULQUEEN) go for it because I got-- I got it covered.
TIM MULQUEEN That’s why I’m not afraid to hit none of you guys out there.	386.	1:43:25:07	1:43:27:11	2:04	TIM MULQUEEN) That’s why I’m not afraid to hit none of you guys out there.
TIM MULQUEEN That’s why you’re all mad at me all the time.	387.	1:43:28:08	1:43:29:15	1:07	TIM MULQUEEN) That’s why you’re all mad at me all the time.
TIM MULQUEEN But anyway, on my spare time when I’m not working on my race car,	388.	1:43:30:09	1:43:34:02	3:17	TIM MULQUEEN) But anyway, on my spare time when I’m not working on my race car,
TIM MULQUEEN I actually...	389.	1:43:35:08	1:43:36:03	0:19	TIM MULQUEEN) I actually...
TIM MULQUEEN have a soft side of me	390.	1:43:37:08	1:43:38:22	1:14	TIM MULQUEEN) have a soft side of me
TIM MULQUEEN that likes to garden.	391.	1:43:39:09	1:43:40:10	1:01	TIM MULQUEEN) that likes to garden.
SCENE 96: 1:43:40:07 - 1:43:43:12 CU GREEN TOMATO PLANT.
TIM MULQUEEN He-- Right here we got my tomato plants,	392.	1:43:41:02	1:43:42:18	1:16	TIM MULQUEEN) He-- Right here we got my tomato plants,
SCENE 97: 1:43:43:14 - 1:44:31:08 LS TIM STANDING BY PLANTS IN GARDEN.
TIM MULQUEEN which are always the best. I make tomato sauce.	393.	1:43:43:16	1:43:45:18	2:02	TIM MULQUEEN) which are always the best. I make tomato sauce.
TIM MULQUEEN The best.	394.	1:43:46:18	1:43:47:06	0:12	TIM MULQUEEN) The best.
TIM MULQUEEN And then I have my flowers. The reason for the flowers and the tomatoes next to each other is 'cause the bumble bees like the flowers,	395.	1:43:48:05	1:43:54:11	6:06	TIM MULQUEEN) And then I have my flowers. The reason for the flowers and the tomatoes next to each other is 'cause the bumble bees like the flowers,
TIM MULQUEEN and they pollinate the tomatoes,	396.	1:43:55:08	1:43:56:18	1:10	TIM MULQUEEN) and they pollinate the tomatoes,
TIM MULQUEEN if anybody knows anything about that.	397.	1:43:57:18	1:43:59:05	1:11	TIM MULQUEEN) if anybody knows anything about that.
TIM MULQUEEN I have blueberries.	398.	1:44:00:06	1:44:01:02	0:20	TIM MULQUEEN) I have blueberries.
TIM MULQUEEN Blueberries every spring. Beautiful. No problem.	399.	1:44:02:16	1:44:05:07	2:15	TIM MULQUEEN) Blueberries every spring. Beautiful. No problem.
TIM MULQUEEN My morning glories. You come out here in the morning, this whole bush is lit up.	400.	1:44:06:12	1:44:09:10	2:22	TIM MULQUEEN) My morning glories. You come out here in the morning, this whole bush is lit up.
TIM MULQUEEN And we end up over here	401.	1:44:11:03	1:44:13:12	2:09	TIM MULQUEEN) And we end up over here
TIM MULQUEEN by the raspberries that you can see are full of bees.	402.	1:44:14:11	1:44:16:18	2:07	TIM MULQUEEN) by the raspberries that you can see are full of bees.
TIM MULQUEEN That’s why they’re here too 'cause the raspberries-- Actually, the bees love the raspberry smell,	403.	1:44:17:05	1:44:22:12	5:07	TIM MULQUEEN) That’s why they’re here too 'cause the raspberries-- Actually, the bees love the raspberry smell,
TIM MULQUEEN and the bees pollinate everything else.	404.	1:44:23:18	1:44:25:07	1:13	TIM MULQUEEN) and the bees pollinate everything else.
TIM MULQUEEN You have to have bees.	405.	1:44:25:12	1:44:26:10	0:22	TIM MULQUEEN) You have to have bees.
TIM MULQUEEN You don’t have any bees, you don’t have any garden.	406.	1:44:26:23	1:44:28:09	1:10	TIM MULQUEEN) You don’t have any bees, you don’t have any garden.
TIM MULQUEEN Plain and simple. It’s the way it works.	407.	1:44:29:05	1:44:30:23	1:18	TIM MULQUEEN) Plain and simple. It’s the way it works.
SCENE 98: 1:44:31:09 - 1:44:41:02 EXT. FRONT YARD- DAY. LS WHITE HOUSE WITH SPRINKLERS RUNNING.
SCENE 99: 1:44:41:05 - 1:45:42:14 EXT. CONSTRUCTION SITE- DAY. LS REALTOR STANDING IN FG, THREE CRANES BEHIND HIM.
REALTOR All right, can you-- you can hear me?	408.	1:44:41:14	1:44:42:21	1:07	REALTOR) All right, can you-- you can hear me?
REALTOR Okay, great.	409.	1:44:44:02	1:44:44:18	0:16	REALTOR) Okay, great.
REALTOR (clears throat) So...	410.	1:44:45:03	1:44:45:23	0:20	REALTOR) So...
REALTOR (stutters) I’m standing across the street from the, uh, Riverhead Raceway,	411.	1:44:46:05	1:44:50:05	4:00	REALTOR) I’m standing across the street from the, uh, Riverhead Raceway,
REALTOR right in front of Route 58, which is now a four-lane road	412.	1:44:51:04	1:44:54:04	3:00	REALTOR) right in front of Route 58, which is now a four-lane road
REALTOR (stammers) with about 26,000 cars going by a day.	413.	1:44:54:19	1:44:58:16	3:21	REALTOR) with about 26,000 cars going by a day.
REALTOR The property that I’m standing on right now used to be all woods, about 40 acres,	414.	1:44:59:06	1:45:03:12	4:06	REALTOR) The property that I’m standing on right now used to be all woods, about 40 acres,
REALTOR and it was cleared in a matter of days.	415.	1:45:03:22	1:45:06:05	2:07	REALTOR) and it was cleared in a matter of days.
REALTOR Uh, it’s the future home of a large shopping center with Costco and about--	416.	1:45:06:16	1:45:11:05	4:13	REALTOR) Uh, it’s the future home of a large shopping center with Costco and about--
REALTOR The first phase is about 270,000 square feet,	417.	1:45:11:09	1:45:14:10	3:01	REALTOR) The first phase is about 270,000 square feet,
REALTOR and the next phase is probably another 200,000 square feet.	418.	1:45:14:22	1:45:18:13	3:15	REALTOR) and the next phase is probably another 200,000 square feet.
REALTOR So this is really ground zero for development around the Riverhead Raceway.	419.	1:45:18:20	1:45:23:17	4:21	REALTOR) So this is really ground zero for development around the Riverhead Raceway.
REALTOR Across the street,	420.	1:45:24:06	1:45:25:02	0:20	REALTOR) Across the street,
REALTOR you have a 13-acre piece of property that used to be all wooded.	421.	1:45:26:00	1:45:28:19	2:19	REALTOR) you have a 13-acre piece of property that used to be all wooded.
REALTOR That was cleared in a matter of days.	422.	1:45:29:07	1:45:31:10	2:03	REALTOR) That was cleared in a matter of days.
REALTOR The buildings are up.	423.	1:45:31:18	1:45:32:15	0:21	REALTOR) The buildings are up.
REALTOR Probably will open fairly soon.	424.	1:45:33:01	1:45:35:02	2:01	REALTOR) Probably will open fairly soon.
REALTOR It’s gonna be a supermarket, a sporting goods store, and another array of restaurants.	425.	1:45:35:09	1:45:40:17	5:08	REALTOR) It’s gonna be a supermarket, a sporting goods store, and another array of restaurants.
REALTOR And to our west, slightly,	426.	1:45:40:19	1:45:42:22	2:03	REALTOR) And to our west, slightly,
SCENE 100: 1:45:42:15 - 1:45:52:19 CUT TO EXT. BACKYARD- DAY. LS GREEN YARD WITH CONSTRUCTION SITE IN BG. (realtor dialogue continues)
REALTOR is where a new Super Walmart is gonna go up.	427.	1:45:43:08	1:45:46:05	2:21	REALTOR) is where a new Super Walmart is gonna go up.
REALTOR Uh, that was another piece that was all woods,	428.	1:45:46:18	1:45:49:05	2:11	REALTOR) Uh, that was another piece that was all woods,
REALTOR cleared, about 17 acres.	429.	1:45:49:20	1:45:52:20	3:00	REALTOR) cleared, about 17 acres.
SCENE 101: 1:45:52:22 - 1:46:02:01 CUT BACK TO EXT. CONSTRUCTION SITE- DAY. LS REALTOR STANDING IN FRONT OF CRANES.
REALTOR Walmart is actually down the street in a smaller store, and they wanted a bigger store, and they want it to be right here, again, right by the Raceway.	430.	1:45:53:02	1:46:02:01	8:23	REALTOR) Walmart is actually down the street in a smaller store, and they wanted a bigger store, and they want it to be right here, again, right by the Raceway.
SCENE 102: 1:46:02:03 - 1:47:03:15 EXT. RIVERHEAD RACEWAY- DUSK. LS WHITE MAIN OFFICE. RACE CAR PULLS UP IN FG. (announcer on PA in BG)
ANNOUNCER (VO) Wave these cars off...	431. ITAL	1:46:02:03	1:46:03:10	1:07	ANNOUNCER) Wave these cars off...
ANNOUNCER (VO) [indistinct]	432. ITAL	1:46:03:12	1:46:06:08	2:20	ANNOUNCER) [indistinct]
ANNOUNCER (VO) Ladies and gentlemen... [indistinct]	433. ITAL	1:46:10:23	1:46:13:00	2:01	ANNOUNCER) Ladies and gentlemen... [indistinct]
ANNOUNCER (VO) That's more excitement with these cars.	434. ITAL	1:46:14:22	1:46:17:20	2:22	ANNOUNCER) That's more excitement with these cars.
ANNOUNCER (VO) Bill Wegmann Jr.	435. ITAL	1:46:18:01	1:46:19:11	1:10	ANNOUNCER) Bill Wegmann Jr.
ANNOUNCER (VO) The "Pistol" Paul Parisi.	436. ITAL	1:46:19:15	1:46:22:07	2:16	ANNOUNCER) The "Pistol" Paul Parisi.
ANNOUNCER (VO) Oh, I tell you what.	437. ITAL	1:46:23:12	1:46:24:13	1:01	ANNOUNCER) Oh, I tell you what.
ANNOUNCER (VO) 16-year-old Jack Handley Jr. The "Jack attack"...	438. ITAL	1:46:25:02	1:46:28:16	3:14	ANNOUNCER) 16-year-old Jack Handley Jr. The "Jack attack"...
ANNOUNCER (VO) One of the most popular drivers in the mix.	439. ITAL	1:46:29:04	1:46:31:12	2:08	ANNOUNCER) One of the most popular drivers in the mix.
ANNOUNCER (VO) Good, young man...	440. ITAL	1:46:31:12	1:46:32:15	1:03	ANNOUNCER) Good, young man...
ANNOUNCER (VO) He's just instinctive with this kind of situation.	441. ITAL	1:46:33:03	1:46:36:17	3:14	ANNOUNCER) He's just instinctive with this kind of situation.
ANNOUNCER [indistinct] ...of Jack Handley Jr.	442.	1:46:37:12	1:46:46:04	8:16	ANNOUNCER) [indistinct] ...of Jack Handley Jr.
ANNOUNCER (continues indistinctly)	443.	1:46:46:06	1:47:03:14	17:08	ANNOUNCER)
SCENE 103: 1:47:03:16 - 1:47:18:12 MS BARBARA AND JIM WITH WALKERS. (announcer on PA in BG)
TRACK WORKER 2 That’s it. That's the way to do it.	444.	1:47:18:11	1:47:19:22	1:11	TRACK WORKER 2) That’s it. That's the way to do it.
SCENE 104: 1:47:18:13 - 1:47:42:16 MS BARBARA AND JIM CLIMBING STAIRS.
ANNOUNCER (VO) "Jack Attack", Jack Handley Jr.	445. ITAL	1:47:22:01	1:47:24:03	2:02	ANNOUNCER) "Jack Attack", Jack Handley Jr.
ANNOUNCER (VO) On the outside...	446. ITAL	1:47:26:03	1:47:27:12	1:09	ANNOUNCER) On the outside...
TRACK WORKER 2 Strong hand.	447.	1:47:28:05	1:47:28:22	0:17	TRACK WORKER 2) Strong hand.
BARBARA CROMARTY You want me to...	448.	1:47:32:07	1:47:32:22	0:15	BARBARA CROMARTY) You want me to...
TRACK WORKER 2 [indistinct] I got the...	449.	1:47:33:18	1:47:36:01	2:07	TRACK WORKER 2) [indistinct] I got the...
SCENE 105: 1:47:42:19 - 1:48:02:04 MS VARIOUS RACE CARS EXITING PARKING LOT.
SCENE 106: 1:48:02:05 - 1:48:53:04 MS BLAISE INSIDE RACE CAR AND TOMMY CHAINING CAR DOORS TOGETHER.
TOMMY WALKOWIAK What's that?	450.	1:48:21:11	1:48:21:22	0:11	TOMMY WALKOWIAK) What's that?
BLAISE WALKOWIAK Rubber bands?	451.	1:48:33:04	1:48:33:21	0:17	BLAISE WALKOWIAK) Rubber bands?
WOMAN Be careful.	452.	1:48:43:08	1:48:43:21	0:13	WOMAN) Be careful.
WOMAN Don't take anything personal.	453.	1:48:46:05	1:48:47:10	1:05	WOMAN) Don't take anything personal.
WOMAN Okay?	454.	1:48:49:22	1:48:50:08	0:10	WOMAN) Okay?
SCENE 107: 1:48:53:05 - 1:49:38:17 LS VARIOUS RACE CARS EXITING PARKING LOT.
SCENE 108: 1:49:38:19 - 1:49:47:12 MS RICK WALKING ACROSS LOT. (announcer on PA in BG)
SCENE 109: 1:49:47:14 - 1:50:58:08 EXT. RACE CAR TRAILER LOT- DAY. VARIOUS SHOTS OF RICK TALKING TO RACERS.
"CAPTAIN VIDEO" RICK TODD Hey, come here. I got that-- I got that tape you were looking for.	455.	1:49:47:15	1:49:50:15	3:00	"CAPTAIN VIDEO" RICK TODD) Hey, come here. I got that-- I got that tape you were looking for.
EDDIE BRUNNHOEZLZ III Yeah?	456.	1:49:51:00	1:49:51:09	0:09	EDDIE BRUNNHOEZLZ III) Yeah?
"CAPTAIN VIDEO" RICK TODD Yeah.	457.	1:49:51:15	1:49:52:01	0:10	"CAPTAIN VIDEO" RICK TODD) Yeah.
"CAPTAIN VIDEO" RICK TODD Come on-- Come on over. Just come on over here. Don't even see the cameras are there. Nice to see you.	458.	1:49:55:09	1:50:00:05	4:20	"CAPTAIN VIDEO" RICK TODD) Come on-- Come on over. Just come on over here. Don't even see the cameras are there. Nice to see you.
"CAPTAIN VIDEO" RICK TODD And here’s that tape I promised you from last week.	459.	1:50:00:12	1:50:02:18	2:06	"CAPTAIN VIDEO" RICK TODD) And here’s that tape I promised you from last week.
"CAPTAIN VIDEO" RICK TODD When the camera goes off, give them back for...	460.	1:50:03:20	1:50:06:13	2:17	"CAPTAIN VIDEO" RICK TODD) When the camera goes off, give them back for...
EDDIE BRUNNHOEZLZ III Yeah, yeah.	461.	1:50:06:16	1:50:07:09	0:17	EDDIE BRUNNHOEZLZ III) Yeah, yeah.
"CAPTAIN VIDEO" RICK TODD (stammers) So how you doing?	462.	1:50:07:10	1:50:08:19	1:09	"CAPTAIN VIDEO" RICK TODD) So how you doing?
EDDIE BRUNNHOEZLZ III Good, good.	463.	1:50:08:19	1:50:09:16	0:21	EDDIE BRUNNHOEZLZ III) Good, good.
"CAPTAIN VIDEO" RICK TODD Good luck tonight. Good luck tonight, and I'll see you-- you know, where I want to see you.	464.	1:50:09:04	1:50:12:12	3:08	"CAPTAIN VIDEO" RICK TODD) Good luck tonight. Good luck tonight, and I'll see you-- you know, where I want to see you.
EDDIE BRUNNHOEZLZ III Thank you. Yeah.	465.	1:50:09:23	1:50:11:06	1:07	EDDIE BRUNNHOEZLZ III) Thank you. Yeah.
EDDIE BRUNNHOEZLZ III Yeah, in the lead.	466.	1:50:12:14	1:50:13:19	1:05	EDDIE BRUNNHOEZLZ III) Yeah, in the lead.
"CAPTAIN VIDEO" RICK TODD Okay. Yeah, there you go.	467.	1:50:12:22	1:50:14:10	1:12	"CAPTAIN VIDEO" RICK TODD) Okay. Yeah, there you go.
"CAPTAIN VIDEO" RICK TODD All right, good luck.	468.	1:50:14:15	1:50:15:11	0:20	"CAPTAIN VIDEO" RICK TODD) All right, good luck.
EDDIE BRUNNHOEZLZ III Good to see you, Cap.	469.	1:50:15:15	1:50:16:07	0:16	EDDIE BRUNNHOEZLZ III) Good to see you, Cap.
"CAPTAIN VIDEO" RICK TODD Thank you very much.	470.	1:50:16:09	1:50:17:03	0:18	"CAPTAIN VIDEO" RICK TODD) Thank you very much.
"CAPTAIN VIDEO" RICK TODD Is Jack here?	471.	1:50:21:17	1:50:22:08	0:15	"CAPTAIN VIDEO" RICK TODD) Is Jack here?
"CAPTAIN VIDEO" RICK TODD Come here, Jackie. Oops.	472.	1:50:23:07	1:50:24:23	1:16	"CAPTAIN VIDEO" RICK TODD) Come here, Jackie. Oops.
"CAPTAIN VIDEO" RICK TODD Hey, Jack. Hi, Jack, how are you?	473.	1:50:32:04	1:50:34:02	1:22	"CAPTAIN VIDEO" RICK TODD) Hey, Jack. Hi, Jack, how are you?
"CAPTAIN VIDEO" RICK TODD How you doing today?	474.	1:50:34:03	1:50:34:18	0:15	"CAPTAIN VIDEO" RICK TODD) How you doing today?
JACK Good.	475.	1:50:35:03	1:50:35:09	0:06	JACK) Good.
"CAPTAIN VIDEO" RICK TODD Here’s that tape I promised for you, okay?	476.	1:50:35:19	1:50:38:02	2:07	"CAPTAIN VIDEO" RICK TODD) Here’s that tape I promised for you, okay?
JACK Thank you.	477.	1:50:38:11	1:50:38:18	0:07	JACK) Thank you.
"CAPTAIN VIDEO" RICK TODD And, uh...	478.	1:50:38:20	1:50:39:10	0:14	"CAPTAIN VIDEO" RICK TODD) And, uh...
"CAPTAIN VIDEO" RICK TODD And good luck tonight.	479.	1:50:40:14	1:50:41:18	1:04	"CAPTAIN VIDEO" RICK TODD) And good luck tonight.
JACK Thanks.	480.	1:50:42:03	1:50:42:10	0:07	JACK) Thanks.
"CAPTAIN VIDEO" RICK TODD Huh?	481.	1:50:42:14	1:50:42:20	0:06	"CAPTAIN VIDEO" RICK TODD) Huh?
JACK You gonna be videoing?	482.	1:50:42:16	1:50:43:13	0:21	JACK) You gonna be videoing?
"CAPTAIN VIDEO" RICK TODD (stammers) Yeah, we’ll be there, won't we?	483.	1:50:43:18	1:50:45:10	1:16	"CAPTAIN VIDEO" RICK TODD) Yeah, we’ll be there, won't we?
JACK (laughs) All right, sounds good.	484.	1:50:45:08	1:50:46:11	1:03	JACK) All right, sounds good.
"CAPTAIN VIDEO" RICK TODD All right, so we’ll talk to you later, okay? Thanks-- Thanks very much.	485.	1:50:46:09	1:50:49:05	2:20	"CAPTAIN VIDEO" RICK TODD) All right, so we’ll talk to you later, okay? Thanks-- Thanks very much.
JACK All right.	486.	1:50:48:01	1:50:48:12	0:11	JACK) All right.
"CAPTAIN VIDEO" RICK TODD Here you go. Thank you.	487.	1:50:50:16	1:50:52:03	1:11	"CAPTAIN VIDEO" RICK TODD) Here you go. Thank you.
SCENE 110: 1:50:58:10 - 1:51:50:00 INT. RIVERHEAD OFFICE- DAY. BARBARA AND JIM SITTING DOWN. CUT TO CU OLD PHOTOGRAPHS OF JIM AND BARBARA.
BARBARA CROMARTY You know, we go to Florida in the winter and our friends there, you know, the big topic of conversation when you’re retired is...	488.	1:51:00:02	1:51:06:18	6:16	BARBARA CROMARTY) You know, we go to Florida in the winter and our friends there, you know, the big topic of conversation when you’re retired is...
BARBARA CROMARTY uh, what-- what bridge game you’re gonna play, or where you’re gonna have dinner, and that kind of...	489.	1:51:07:09	1:51:10:21	3:12	BARBARA CROMARTY) uh, what-- what bridge game you’re gonna play, or where you’re gonna have dinner, and that kind of...
BARBARA CROMARTY I mean, we always had this other life.	490.	1:51:11:08	1:51:14:12	3:04	BARBARA CROMARTY) I mean, we always had this other life.
BARBARA CROMARTY Life is-- we’re still part of life...	491.	1:51:15:07	1:51:17:12	2:05	BARBARA CROMARTY) Life is-- we’re still part of life...
BARBARA CROMARTY and youth, in our own way,	492.	1:51:19:02	1:51:21:04	2:02	BARBARA CROMARTY) and youth, in our own way,
BARBARA CROMARTY and it’s a good feeling.	493.	1:51:21:10	1:51:22:20	1:10	BARBARA CROMARTY) and it’s a good feeling.
BARBARA CROMARTY So, you know, you just don’t toss that away so readily.	494.	1:51:23:23	1:51:27:01	3:02	BARBARA CROMARTY) So, you know, you just don’t toss that away so readily.
BARBARA CROMARTY When work is all you’ve known all your life,	495.	1:51:32:00	1:51:34:02	2:02	BARBARA CROMARTY) When work is all you’ve known all your life,
BARBARA CROMARTY to give it up,	496.	1:51:35:16	1:51:36:06	0:14	BARBARA CROMARTY) to give it up,
BARBARA CROMARTY it’s a tremendous decision.	497.	1:51:37:03	1:51:38:14	1:11	BARBARA CROMARTY) it’s a tremendous decision.
BARBARA CROMARTY And a lot of people just die when they do it because they get so depressed, and, um...	498.	1:51:38:23	1:51:44:00	5:01	BARBARA CROMARTY) And a lot of people just die when they do it because they get so depressed, and, um...
BARBARA CROMARTY most people are not happy when they-- when they retire.	499.	1:51:46:05	1:51:49:13	3:08	BARBARA CROMARTY) most people are not happy when they-- when they retire.
SCENE 111: 1:51:50:02 - 1:52:23:19 EXT. RIVERHEAD LOT- NIGHT. LS BARBARA AND JIM DRIVING GOLF CART DOWN PIT ROAD. (ambient music plays)
SCENE 112: 1:52:23:23 - 1:52:34:17 CU STATUE OF NATIVE AMERICAN MAN. SETTING SUN IN BG.
SCENE 113: 1:52:34:21 - 1:53:03:04 EXT. EMPTY RIVERHEAD LOT- DUSK. REAR LS TWO MEN WORKING ON CAR "31." (music continues)
SCENE 114: 1:53:03:07 - 1:55:48:00 EXT. RACETRACK- DAY. LONG TAKE OF CARS CIRCLING DOWN TRACK. GRANDSTANDS IN BG. (music ending)
SCENE 115: 1:55:48:08 - 1:56:15:06 LONG TAKE OF TRACK IN A CLOUD OF DUST.
SCENE 116: 1:56:15:07 - 1:57:05:07 EXT. RIVERHEAD LOT- DUSK. REAR LS GROUP OF PEOPLE WALKING DOWN LOT.
MAN IN BLUE JEANS He’s a fucking piece of shit. He runs everybody like a fucking asshole.	500.	1:56:20:20	1:56:23:22	3:02	MAN IN BLUE JEANS) He’s a fucking piece of shit. He runs everybody like a fucking asshole.
MAN IN BLUE JEANS If he comes fucking near me again...	501.	1:56:27:21	1:56:29:02	1:05	MAN IN BLUE JEANS) If he comes fucking near me again...
MAN IN BLUE JEANS And I'm telling you something, you fucking ever touch me again, I’ll fucking knock you the fuck out.	502.	1:56:35:14	1:56:38:22	3:08	MAN IN BLUE JEANS) And I'm telling you something, you fucking ever touch me again, I’ll fucking knock you the fuck out.
MAN IN GRAY SHORTS You come up to my driver, I'm gonna knock you out. All right?	503.	1:56:39:00	1:56:41:20	2:20	MAN IN GRAY SHORTS) You come up to my driver, I'm gonna knock you out. All right?
MAN IN BLUE JEANS Fuck you, I didn’t touch him. I fucking was talking to him. You touch me again, I’ll knock you the fuck out.	504.	1:56:40:12	1:56:45:08	4:20	MAN IN BLUE JEANS) Fuck you, I didn’t touch him. I fucking was talking to him. You touch me again, I’ll knock you the fuck out.
MAN IN GRAY SHORTS No, you had your hand in the car to the driver.	505.	1:56:44:16	1:56:46:16	2:00	MAN IN GRAY SHORTS) No, you had your hand in the car to the driver.
MAN IN BLUE JEANS Now, you see my son going over to your driver like a fucking man?	506.	1:56:53:09	1:56:57:10	4:01	MAN IN BLUE JEANS) Now, you see my son going over to your driver like a fucking man?
MAN IN GRAY SHORTS That’s fine.	507.	1:56:58:10	1:56:59:00	0:14	MAN IN GRAY SHORTS) That’s fine.
MAN IN GRAY SHORTS Let the drivers deal with it. Why the troops?	508.	1:57:00:07	1:57:02:06	1:23	MAN IN GRAY SHORTS) Let the drivers deal with it. Why the troops?
MAN IN BLUE JEANS Go fuck yourself.	509.	1:57:03:01	1:57:04:00	0:23	MAN IN BLUE JEANS) Go fuck yourself.
SCENE 117: 1:57:05:08 - 1:58:36:03 INT. BARBARA'S HOME. CU BARBARA IN PROFILE.
BARBARA CROMARTY (stammers) I’ve never driven in a race. I mean, I’ve driven a race car. I had fun	510.	1:57:05:12	1:57:10:12	5:00	BARBARA CROMARTY) I’ve never driven in a race. I mean, I’ve driven a race car. I had fun
BARBARA CROMARTY (sniffs) uh, going in, um...	511.	1:57:11:08	1:57:13:20	2:12	BARBARA CROMARTY) uh, going in, um...
BARBARA CROMARTY the car and driving it around,	512.	1:57:15:01	1:57:16:10	1:09	BARBARA CROMARTY) the car and driving it around,
BARBARA CROMARTY (stutters) but, I mean, I just can’t imagine the com-- you know, the adrenaline that gets going when you strap yourself into a race car,	513.	1:57:16:21	1:57:24:03	7:06	BARBARA CROMARTY) but, I mean, I just can’t imagine the com-- you know, the adrenaline that gets going when you strap yourself into a race car,
BARBARA CROMARTY and... the feeling that you must have,	514.	1:57:24:20	1:57:27:22	3:02	BARBARA CROMARTY) and... the feeling that you must have,
BARBARA CROMARTY and, um...	515.	1:57:28:20	1:57:29:15	0:19	BARBARA CROMARTY) and, um...
BARBARA CROMARTY and then it goes on afterwards,	516.	1:57:31:16	1:57:33:01	1:09	BARBARA CROMARTY) and then it goes on afterwards,
BARBARA CROMARTY (sniffs) you know, the discussions and... "what did we do wrong?"	517.	1:57:33:10	1:57:37:01	3:15	BARBARA CROMARTY) you know, the discussions and... "what did we do wrong?"
BARBARA CROMARTY "What did we do right?" "How can we fix it?" "How can we make it better?" And, I don’t know.	518.	1:57:37:04	1:57:42:04	5:00	BARBARA CROMARTY) "What did we do right?" "How can we fix it?" "How can we make it better?" And, I don’t know.
BARBARA CROMARTY And then you-- you know, the kids-- the little kids in the pits, and they...	519.	1:57:42:08	1:57:45:18	3:10	BARBARA CROMARTY) And then you-- you know, the kids-- the little kids in the pits, and they...
BARBARA CROMARTY they look up to these drivers.	520.	1:57:46:03	1:57:48:02	1:23	BARBARA CROMARTY) they look up to these drivers.
BARBARA CROMARTY I mean, this guy that, what does he do?	521.	1:57:48:18	1:57:51:19	3:01	BARBARA CROMARTY) I mean, this guy that, what does he do?
BARBARA CROMARTY Maybe he’s got a plumbing store, he’s got a shoe store, he’s got the-- he’s a regular guy, but he comes to the racetrack, and he’s a hero.	522.	1:57:51:20	1:57:59:01	7:05	BARBARA CROMARTY) Maybe he’s got a plumbing store, he’s got a shoe store, he’s got the-- he’s a regular guy, but he comes to the racetrack, and he’s a hero.
BARBARA CROMARTY And the kids look at them with such adulation, and they get their autographs, and, uh...	523.	1:58:00:21	1:58:06:11	5:14	BARBARA CROMARTY) And the kids look at them with such adulation, and they get their autographs, and, uh...
BARBARA CROMARTY Um...	524.	1:58:08:06	1:58:08:16	0:10	BARBARA CROMARTY) Um...
BARBARA CROMARTY I don’t know where you get that anywhere else.	525.	1:58:10:06	1:58:11:16	1:10	BARBARA CROMARTY) I don’t know where you get that anywhere else.
BARBARA CROMARTY The, um...	526.	1:58:13:11	1:58:13:23	0:12	BARBARA CROMARTY) The, um...
BARBARA CROMARTY The love.	527.	1:58:16:21	1:58:17:14	0:17	BARBARA CROMARTY) The love.
BARBARA CROMARTY (voice wavers) I get very emotional. Why am I so emotional?	528.	1:58:18:22	1:58:21:02	2:04	BARBARA CROMARTY) I get very emotional. Why am I so emotional?
BARBARA CROMARTY (clears throat) (sniffs)	529.	1:58:21:16	1:58:22:13	0:21	BARBARA CROMARTY)
BARBARA CROMARTY Anyway, it touches lives in a very strong way.	530.	1:58:24:19	1:58:29:02	4:07	BARBARA CROMARTY) Anyway, it touches lives in a very strong way.
BARBARA CROMARTY A way that you don’t get-- you just-- you just don’t get anywhere else.	531.	1:58:31:10	1:58:35:08	3:22	BARBARA CROMARTY) A way that you don’t get-- you just-- you just don’t get anywhere else.
SCENE 118: 1:58:36:06 - 1:58:57:19 MS PAINTING HANGING FROM WALL. CUT BACK TO CU BARBARA IN PROFILE.
BARBARA CROMARTY This is really what it’s all about.	532.	1:58:41:01	1:58:42:17	1:16	BARBARA CROMARTY) This is really what it’s all about.
BARBARA CROMARTY This-- This, uh...	533.	1:58:43:12	1:58:44:15	1:03	BARBARA CROMARTY) This-- This, uh...
BARBARA CROMARTY Intimate,	534.	1:58:47:01	1:58:47:17	0:16	BARBARA CROMARTY) Intimate,
BARBARA CROMARTY emotional...	535.	1:58:48:10	1:58:49:08	0:22	BARBARA CROMARTY) emotional...
BARBARA CROMARTY interplay that goes on between human beings.	536.	1:58:52:03	1:58:55:19	3:16	BARBARA CROMARTY) interplay that goes on between human beings.
BARBARA CROMARTY (sniffs) Uh...	537.	1:58:56:04	1:58:56:22	0:18	BARBARA CROMARTY) Uh...
SCENE 119: 1:58:57:21 - 1:59:21:09 REAR MS BARBARA SITTING AND PAINTING.
BARBARA CROMARTY Hm.	538.	1:59:01:16	1:59:02:00	0:08	BARBARA CROMARTY) Hm.
BARBARA CROMARTY No, we’ll-- we'll hang in there and, you know what?	539.	1:59:07:03	1:59:10:18	3:15	BARBARA CROMARTY) No, we’ll-- we'll hang in there and, you know what?
BARBARA CROMARTY God works in mysterious ways. You never know what’s gonna happen.	540.	1:59:14:23	1:59:18:07	3:08	BARBARA CROMARTY) God works in mysterious ways. You never know what’s gonna happen.
SCENE 120: 1:59:21:10 - 1:59:39:13 EXT. WOODED CLEARING- DAY. LS PINK CAR. WHITE TRAILER IN BG. PRINCIPAL PHOTOGRAPHY TEXT: ANDERSON
PRINCIPAL PHOTOGRAPHY	541.	1:59:24:22	1:59:25:22	1:00	ANDERSON
SCENE 121: 1:59:39:14 - 2:01:23:20 INT. CHAPEL WS CONGREGANTS SITTING. PASTOR SCOTT KRANIAK IN BG.
PASTOR SCOTT KRANIAK The next flag I want to talk about is the caution flag.	542.	1:59:39:21	1:59:43:10	3:13	PASTOR SCOTT KRANIAK) The next flag I want to talk about is the caution flag.
PASTOR SCOTT KRANIAK This flag, God’s been waving at our lives	543.	1:59:44:02	1:59:47:08	3:06	PASTOR SCOTT KRANIAK) This flag, God’s been waving at our lives
PASTOR SCOTT KRANIAK since we were teenagers, okay?	544.	1:59:47:22	1:59:50:18	2:20	PASTOR SCOTT KRANIAK) since we were teenagers, okay?
CHURCH CONGREGATION (laughing)	545.	1:59:49:19	1:59:52:01	2:06	CHURCH CONGREGATION)
PASTOR SCOTT KRANIAK At the racetrack, you know, the drivers hate it 'cause they just get driving, like last night at the track,	546.	1:59:52:00	1:59:57:03	5:03	PASTOR SCOTT KRANIAK) At the racetrack, you know, the drivers hate it 'cause they just get driving, like last night at the track,
PASTOR SCOTT KRANIAK you know, this-- there-- we're half a lap and there’s a caution flag.	547.	1:59:57:05	2:00:00:06	3:01	PASTOR SCOTT KRANIAK) you know, this-- there-- we're half a lap and there’s a caution flag.
PASTOR SCOTT KRANIAK Half a lap, there’s a caution flag, and you never get to race.	548.	2:00:00:12	2:00:03:06	2:18	PASTOR SCOTT KRANIAK) Half a lap, there’s a caution flag, and you never get to race.
PASTOR SCOTT KRANIAK They’re like, "Oh, man, another caution flag."	549.	2:00:03:06	2:00:05:10	2:04	PASTOR SCOTT KRANIAK) They’re like, "Oh, man, another caution flag."
PASTOR SCOTT KRANIAK Because racers, and like us, do we want to be pulled off to the side	550.	2:00:05:22	2:00:10:00	4:02	PASTOR SCOTT KRANIAK) Because racers, and like us, do we want to be pulled off to the side
PASTOR SCOTT KRANIAK and have to be dealt with or have something-- We just want to keep on racing!	551.	2:00:10:17	2:00:14:03	3:10	PASTOR SCOTT KRANIAK) and have to be dealt with or have something-- We just want to keep on racing!
PASTOR SCOTT KRANIAK But God is telling us like he tells the racers,	552.	2:00:14:17	2:00:17:03	2:10	PASTOR SCOTT KRANIAK) But God is telling us like he tells the racers,
PASTOR SCOTT KRANIAK "Your tire’s falling off. Your car is on fire." "No, I’m okay. I can keep going.	553.	2:00:17:07	2:00:22:05	4:22	PASTOR SCOTT KRANIAK) "Your tire’s falling off. Your car is on fire." "No, I’m okay. I can keep going.
CHURCH CONGREGATION (laughing)	554.	2:00:21:08	2:00:25:09	4:01	CHURCH CONGREGATION)
PASTOR SCOTT KRANIAK I’m doing good.	555.	2:00:22:20	2:00:23:21	1:01	PASTOR SCOTT KRANIAK) I’m doing good.
PASTOR SCOTT KRANIAK I don’t want to stop."	556.	2:00:24:17	2:00:25:17	1:00	PASTOR SCOTT KRANIAK) I don’t want to stop."
PASTOR SCOTT KRANIAK And if you don’t listen to the yellow flag,	557.	2:00:26:19	2:00:30:08	3:13	PASTOR SCOTT KRANIAK) And if you don’t listen to the yellow flag,
PASTOR SCOTT KRANIAK your crew can’t come and fix you, right?	558.	2:00:31:04	2:00:34:08	3:04	PASTOR SCOTT KRANIAK) your crew can’t come and fix you, right?
PASTOR SCOTT KRANIAK And who’s waving the flags? The officials.	559.	2:00:34:12	2:00:36:16	2:04	PASTOR SCOTT KRANIAK) And who’s waving the flags? The officials.
PASTOR SCOTT KRANIAK A lot of times we don’t like the officials, right?	560.	2:00:36:20	2:00:38:22	2:02	PASTOR SCOTT KRANIAK) A lot of times we don’t like the officials, right?
PASTOR SCOTT KRANIAK Sometimes the officials don’t get our love because the officials make the call,	561.	2:00:39:07	2:00:43:22	4:15	PASTOR SCOTT KRANIAK) Sometimes the officials don’t get our love because the officials make the call,
CHURCH CONGREGATION (laughing)	562.	2:00:39:15	2:00:41:08	1:17	CHURCH CONGREGATION)
PASTOR SCOTT KRANIAK and-- and in some ways, the officials, they’re the law. They’re the law,	563.	2:00:43:23	2:00:47:23	4:00	PASTOR SCOTT KRANIAK) and-- and in some ways, the officials, they’re the law. They’re the law,
PASTOR SCOTT KRANIAK and God is the law,	564.	2:00:48:14	2:00:49:20	1:06	PASTOR SCOTT KRANIAK) and God is the law,
PASTOR SCOTT KRANIAK and we’re gonna have to obey God’s law whether we like it or not,	565.	2:00:50:19	2:00:54:15	3:20	PASTOR SCOTT KRANIAK) and we’re gonna have to obey God’s law whether we like it or not,
PASTOR SCOTT KRANIAK but, brethren, I want you to think, is God waving the caution flag in your life?	566.	2:00:54:21	2:00:58:14	3:17	PASTOR SCOTT KRANIAK) but, brethren, I want you to think, is God waving the caution flag in your life?
PASTOR SCOTT KRANIAK Is he saying, "I’m trying to get your attention.	567.	2:00:59:06	2:01:01:17	2:11	PASTOR SCOTT KRANIAK) Is he saying, "I’m trying to get your attention.
PASTOR SCOTT KRANIAK Maybe everything that’s happening in your life or has happened, has simply been me waving the caution flag,	568.	2:01:01:23	2:01:07:20	5:21	PASTOR SCOTT KRANIAK) Maybe everything that’s happening in your life or has happened, has simply been me waving the caution flag,
PASTOR SCOTT KRANIAK and saying 'I’m over here. You can’t do this by yourself.	569.	2:01:08:00	2:01:11:08	3:08	PASTOR SCOTT KRANIAK) and saying 'I’m over here. You can’t do this by yourself.
PASTOR SCOTT KRANIAK You need me.'" "No, I’m fine."	570.	2:01:11:13	2:01:13:19	2:06	PASTOR SCOTT KRANIAK) You need me.'" "No, I’m fine."
PASTOR SCOTT KRANIAK Some people say, "Well, you know, I’m waiting till I’m like 95, and then I’ll pull over." You know?	571.	2:01:16:08	2:01:21:02	4:18	PASTOR SCOTT KRANIAK) Some people say, "Well, you know, I’m waiting till I’m like 95, and then I’ll pull over." You know?
PASTOR SCOTT KRANIAK God says, "They're gonna be-- It could be too late."	572.	2:01:21:07	2:01:23:04	1:21	PASTOR SCOTT KRANIAK) God says, "They're gonna be-- It could be too late."
SCENE 122: 2:01:23:21 - 2:01:51:23 EXT. DRIVEWAY- DAY. MS GEORGE LEANING AGAINST CAR.
GEORGE MUSE Uh, my name is George Muse.	573.	2:01:24:00	2:01:25:14	1:14	GEORGE MUSE) Uh, my name is George Muse.
GEORGE MUSE Uh, I’m the owner-- well, I’m not the owner. I’m... the worldly owner of the Comet here.	574.	2:01:26:03	2:01:33:06	7:03	GEORGE MUSE) Uh, I’m the owner-- well, I’m not the owner. I’m... the worldly owner of the Comet here.
GEORGE MUSE Um, my name is on the registration.	575.	2:01:33:20	2:01:36:01	2:05	GEORGE MUSE) Um, my name is on the registration.
GEORGE MUSE Personally, I believe that God owns all things,	576.	2:01:36:21	2:01:39:10	2:13	GEORGE MUSE) Personally, I believe that God owns all things,
GEORGE MUSE um, and he gave me the privilege of owning this car.	577.	2:01:39:23	2:01:43:06	3:07	GEORGE MUSE) um, and he gave me the privilege of owning this car.
GEORGE MUSE Um, I’ve owned it for about 25 years.	578.	2:01:43:19	2:01:46:23	3:04	GEORGE MUSE) Um, I’ve owned it for about 25 years.
GEORGE MUSE Um, have always been in love with muscle cars since I was a kid.	579.	2:01:47:19	2:01:51:12	3:17	GEORGE MUSE) Um, have always been in love with muscle cars since I was a kid.
SCENE 123: 2:01:52:02 - 2:02:33:04 INT. CHAPEL. VARIOUS CU SHOTS OF CONGREGANTS SINGING. (music playing)
CHURCH CONGREGATION (singing) Shout to the North and the South	580.	2:01:52:08	2:01:56:08	4:00	CHURCH CONGREGATION) Shout to the North and the South
CHURCH CONGREGATION (singing) Sing to the East and the West	581.	2:01:56:22	2:02:00:16	3:18	CHURCH CONGREGATION) Sing to the East and the West
CHURCH CONGREGATION (singing) Jesus is savior to all	582.	2:02:01:05	2:02:04:20	3:15	CHURCH CONGREGATION) Jesus is savior to all
CHURCH CONGREGATION (singing) Lord of heaven and earth	583.	2:02:05:08	2:02:07:22	2:14	CHURCH CONGREGATION) Lord of heaven and earth
CHURCH CONGREGATION (singing) We will shout to the North and the South	584.	2:02:08:21	2:02:12:22	4:01	CHURCH CONGREGATION) We will shout to the North and the South
CHURCH CONGREGATION (singing) And sing to the East and the West	585.	2:02:13:05	2:02:16:20	3:15	CHURCH CONGREGATION) And sing to the East and the West
CHURCH CONGREGATION (singing) Jesus is savior of all	586.	2:02:17:07	2:02:20:19	3:12	CHURCH CONGREGATION) Jesus is savior of all
CHURCH CONGREGATION (singing) Lord of heaven and earth	587.	2:02:21:10	2:02:24:03	2:17	CHURCH CONGREGATION) Lord of heaven and earth
CHURCH CONGREGATION (singing) Lord of heaven and earth	588.	2:02:25:12	2:02:28:10	2:22	CHURCH CONGREGATION) Lord of heaven and earth
CHURCH CONGREGATION (singing) Lord of heaven and earth	589.	2:02:29:05	2:02:32:10	3:05	CHURCH CONGREGATION) Lord of heaven and earth
SCENE 124: 2:02:33:05 - 2:02:41:19 EXT. GOLF COURSE- DAY. LS MAN DRIVING GOLF CART ACROSS COURSE.
MARTY BERGER The racetrack next door is the perfect location.	590.	2:02:39:17	2:02:43:08	3:15	MARTY BERGER) The racetrack next door is the perfect location.
SCENE 125: 2:02:42:00 - 2:03:00:12 LS MARTY PLAYING GOLF.
MARTY BERGER It’s just a question of time before Jim and Barbara give it up,	591.	2:02:43:18	2:02:47:14	3:20	MARTY BERGER) It’s just a question of time before Jim and Barbara give it up,
MARTY BERGER or they pass on and their kids allow us to develop the property and, uh-- and accept a price that makes economic sense for us to develop it.	592.	2:02:48:15	2:02:56:17	8:02	MARTY BERGER) or they pass on and their kids allow us to develop the property and, uh-- and accept a price that makes economic sense for us to develop it.
MARTY BERGER (tuts) Oh, I hate that shot.	593.	2:02:59:03	2:03:00:11	1:08	MARTY BERGER) Oh, I hate that shot.
SCENE 126: 2:03:00:14 - 2:03:29:15 LS GOLF CART DRIVING ACROSS COURSE. CUT TO MARTY SWINGING GOLF CLUB.
MARTY BERGER Some people might say that the development of the racetrack would be a bad thing, and that it would be taking away a piece of, uh, history,	594.	2:03:05:21	2:03:12:14	6:17	MARTY BERGER) Some people might say that the development of the racetrack would be a bad thing, and that it would be taking away a piece of, uh, history,
MARTY BERGER and that might be so for a limited audience that’s interested in racetrack,	595.	2:03:13:06	2:03:17:18	4:12	MARTY BERGER) and that might be so for a limited audience that’s interested in racetrack,
MARTY BERGER but for the masses that are interested in going to movies, and restaurants, and the theater and the like,	596.	2:03:18:08	2:03:23:20	5:12	MARTY BERGER) but for the masses that are interested in going to movies, and restaurants, and the theater and the like,
MARTY BERGER they would probably get a great relief by having the race track go away.	597.	2:03:24:04	2:03:27:13	3:09	MARTY BERGER) they would probably get a great relief by having the race track go away.
MARTY BERGER Wow, what a great putt.	598.	2:03:28:04	2:03:29:03	0:23	MARTY BERGER) Wow, what a great putt.
SCENE 127: 2:03:29:23 - 2:03:50:00 EXT. WOODED CONSTRUCTION SITE- DAY. LS CRANE AT WORK.
SCENE 128: 2:03:50:01 - 2:04:14:21 INT. RIVERHEAD OFFICE- DAY. MS BARBARA AND JIM SITTING. (announcer on PA in BG)
SCENE 129: 2:04:14:21 - 2:05:02:21 EXT. RACETRACK- DAY. LS CARS STOPPED ON TRACK.
BARBARA CROMARTY (VO) We're tired.	599. ITAL	2:04:27:18	2:04:28:12	0:18	BARBARA CROMARTY) We're tired.
BARBARA CROMARTY (VO) It’s just that simple,	600. ITAL	2:04:30:17	2:04:31:20	1:03	BARBARA CROMARTY) It’s just that simple,
BARBARA CROMARTY (VO) and coming out here week after week, and-- I mean, we live out of a suitcase.	601. ITAL	2:04:34:01	2:04:39:18	5:17	BARBARA CROMARTY) and coming out here week after week, and-- I mean, we live out of a suitcase.
BARBARA CROMARTY (VO) Every Friday, I pack a suitcase and we stay Friday and Saturday night,	602. ITAL	2:04:40:14	2:04:44:15	4:01	BARBARA CROMARTY) Every Friday, I pack a suitcase and we stay Friday and Saturday night,
BARBARA CROMARTY (VO) and we go back on Sunday.	603. ITAL	2:04:45:15	2:04:47:03	1:12	BARBARA CROMARTY) and we go back on Sunday.
BARBARA CROMARTY (VO) It's hard.	604. ITAL	2:04:49:10	2:04:50:01	0:15	BARBARA CROMARTY) It's hard.
BARBARA CROMARTY (VO) We decided to sell.	605. ITAL	2:04:54:03	2:04:55:07	1:04	BARBARA CROMARTY) We decided to sell.
JIM CROMARTY (VO) Tomorrow is a double show.	606. ITAL	2:04:58:06	2:04:59:13	1:07	JIM CROMARTY) Tomorrow is a double show.
JIM CROMARTY (VO) The last show.	607. ITAL	2:05:01:04	2:05:02:03	0:23	JIM CROMARTY) The last show.
SCENE 130: 2:05:02:21 - 2:05:10:17 EXT. RIVERHEAD RACETRACK- NIGHT. MS GRANDSTANDS CROWD LOOKING UP. (fireworks in BG)
SCENE 131: 2:05:10:21 - 2:05:31:12 LS FIREWORKS LAUNCHING FROM CENTER OF TRACK.
SCENE 132: 2:05:31:15 - 2:08:30:08 INT. RACE CAR- DAY. CU TOM PICKERELL DRIVING.
TOM PICKERELL Yeah!	608.	2:07:21:06	2:07:21:17	0:11	TOM PICKERELL) Yeah!
TOM PICKERELL That’s why we do this, motherfucker!	609.	2:07:57:21	2:07:59:23	2:02	TOM PICKERELL) That’s why we do this, motherfucker!
MAN ON RACE TRACK You got it!	610.	2:08:00:02	2:08:00:12	0:10	MAN ON RACE TRACK) You got it!
TOM PICKERELL (laughing)	611.	2:08:00:03	2:08:00:15	0:12	TOM PICKERELL)
MAN ON RACE TRACK You got it, motherfucker!	612.	2:08:01:06	2:08:02:23	1:17	MAN ON RACE TRACK) You got it, motherfucker!
MAN ON RACE TRACK Motherfucker!	613.	2:08:03:14	2:08:04:17	1:03	MAN ON RACE TRACK) Motherfucker!
TOM PICKERELL That’s why we do it!	614.	2:08:05:00	2:08:06:04	1:04	TOM PICKERELL) That’s why we do it!
SCENE 133: 2:08:30:09 - 2:08:38:17 CUT TO BLACK GRAPHIC #6: AT THE END OF THE SEASON, BARBARA AND JIM SOLD THE RACETRACK
GRAPHIC	615.	2:08:33:09	2:08:38:16	5:07	AT THE END OF THE SEASON, BARBARA AND JIM SOLD THE RACETRACK
SCENE 134: 2:08:40:10 - 2:08:46:03 GRAPHIC #7: AS OF 2017, THE RACETRACK REMAINS OPEN WITH NEW OWNERSHIP
GRAPHIC	616.	2:08:40:10	2:08:46:03	5:17	AS OF 2017, THE RACETRACK REMAINS OPEN WITH NEW OWNERSHIP
SCENE 135: 2:08:48:02 - 2:08:53:16 GRAPHIC #8: THE LAND THE RACETRACK SITS ON IS NOW WORTH OVER $10,000,000
GRAPHIC	617.	2:08:48:02	2:08:53:15	5:13	THE LAND THE RACETRACK SITS ON IS NOW WORTH OVER $10,000,000
SCENE 136: 2:08:56:15 - 2:15:00:19 [operatic music begins] FINAL CREDITS DIRECTED BY MICHAEL DWECK PRODUCED BY MICHAEL DWECK PRODUCED BY GREGORY KERSHAW DIRECTOR OF PHOTOGRAPHY GREGORY KERSHAW EXECUTIVE PRODUCER MICHAEL L. DWECK CO-EXECUTIVE PRODUCERS HOWARD SCHULTZ AND SHERI SCHULTZ CO-EXECUTIVE PRODUCER CECILIA LUPPI EDITED BY CHARLOTTE MUNCH BENGTSEN SOUND DESIGN BY PETER ALBRECHTSEN, MPSE END CREDIT ROLL STARTS FEATURING MARTY BERGER BARBARA CROMARTY JIM CROMARTY BOB FINAN MARTY HIMES PASTOR SCOTT KRANIAK "CRAZY EDDIE" MISTRETTA "LIGHTNING" TIM MULQUEEN GEORGE MUSE LARRY OXMAN TOM "SLICK PICK" PICKERELL MILLIE THOMAS “CAPTAIN VIDEO” RICK TODD "WILD CHILD" TOMMY WALKOWIAK JAMES "THE KID" WHITE JR. WITH MIKE CAPPIELLO JACK "ATTACK" HANDLEY JR. ROMILDA “NITA” "BUG" PICKERELL RON PICKERELL SR. KEVIN ROMMENEY BLAISE WALKOWIAK MADISON MARIE WHITE BOB WOODFORD CHARLIE ZAKOWSKI CJ ZAKOWSKI VERY SPECIAL THANK YOU JOSHUA OPPENHEIMER PRODUCTION COUNSEL GRAY KRAUSS SANDLER DES ROCHERS LLP JONATHAN GRAY, ESQ. ASSOCIATE PRODUCERS DAVID GREENWALD ALEXANDER J. HUFSCHMID MICHAEL KOSCHE ADDITIONAL CAMERA MICHAEL DWECK ALEXANDER J. HUFSCHMID STEADICAM OPERATOR NICOLAS DOLDINGER ARCHIVAL CINEMATOGRAPHY PETER MILANO RICK TODD ADDITIONAL EDITOR DANIEL JAMES SCOTT ASSISTANT EDITORS BARRY BLASCHKE ANN ROSE ASSISTANT CAMERA JOSEPH DEPASQUALE NADIA FEDCHIN CORY FRAIMAN-LOTT JAMIE HENSON ISAAC HUGHES GREEN ADAM KLEIN ZACH KUPERSTEIN CHRIS MAGGIO ALDEN PETERS YASMIN SAUDI MISHA SPIVACK HUNTER STEINMAN MICHAEL SWAIGEN ALANA WRIGHT JONATHAN ZHANG PRODUCTION ASSISTANTS MAX BATCHELDER JOSH COHEN KATE DOYLE CARTER HULINGS NINA JOHNSON ADAM KLEIN AURORE LANCE NOLAN LINDEKE MIKE MILIZZO CULLIE POSERIA MARGARET REVILLE YASMIN SAUDI LUKE SCOTTON JORGE SOTO TESSA TROZZOLILLO ALANA WRIGHT POST-PRODUCTION SUPERVISOR JOHN TORRANI COLORIST JOHN J. DOWDELL III RE-RECORDING MIXERS PETER ALBRECHTSEN, MPSE LARS HALVORSEN ASSISTANT SOUND DESIGNER MIKKEL NIELSEN SOUND EDITOR LARS HALVORSEN FOLEY ARTIST HEIKKI KOSSI, MPSE FOLEY MIXER KARI VÄHÄKUOPUS FOLEY EDITOR JACQUES PEDERSEN SOUND EFFECTS RECORDISTS COLL ANDERSON MICHAEL DWECK JONATHAN FUHRER MAX LACHMANN PETER NEGROPONTE SOUND MIXERS EMMANUEL GERMOND NICOLAS MAZET MAX MELLMAN DEREK MORSE AUSTIN PLOCHER MARY POMILLA BRENDAN RYAN SAM STEVENSON DIMITRI TISSEYRE FOLEY TRAINEE ARVI TOIVONEN TRANSCRIPTION DANIELLE DWECK DI PRODUCERS DEVAN MAURA SABER JAMES REYES CONFORM & MASTERING CHRISTOPHER SILVERBERG FINISHING ARTIST MATT THOMPSON FINISHING ARTIST JORDAN P.H. STEIN PICTURE FINISHING GOLDCREST POST NEW YORK SOUND FACILITY OFFSCREEN, COPENHAGEN, DENMARK FOLEY STUDIO H5 FILM SOUND, KOKKOLA, FINLAND MIXING FACILITY SDI MEDIA, COPENHAGEN, DENMARK CAMERA EQUIPMENT ADORAMA, NEW YORK EDITING FACILITIES GOOD COMPANY, COPENHAGEN, DENMARK HENSEN & PEDERSEN FILM OG FJERNSYN, COPENHAGEN, DENMARK CO-PRODUCER BEN CORREALE TITLE GRAPHICS DESIGN SIMON MIN-HO KIM ADDITIONAL LEGAL COUNSEL MICHELLE NASH RESEARCHER ROBERTA HELLING SALES REPRESENTATION SUBMARINE ENTERTAINMENT JOSH BRAUN DAN BRAUN BEN BRAUN MATT BURKE INSURANCE TAYLOR & TAYLOR ASSOC. INC. INSURANCE REIFF & ASSOCIATES, LLC. ACCOUNTANT ACCOUNTING CONCEPTS, LTD. MUSIC CLEARANCE RIGHTS WORKSHOP MUSIC SUPERVISOR JONATHAN FINEGOLD FINE GOLD MUSIC CO-PRODUCER MARGARET REVILLE THANK YOU SYDELLE & DAVID DWECK, FOR TAKING US ALL TO THE RACES BARBARA AND JIM CROMARTY TOMMY WALKOWIAK SHERRI ALLEN DORI BEGLEY MAGGIE BEGLEY WILLIAM BEREZAY METTE BERGGREEN BORIS B. BERTRAM ROBERT BIESELIN BRIANNA BOSS EAMONN BOWLES BRIAN BROWN MIKE CAPPIELLO LAUREN CIOFFI ANTHONY COATS JESSICA COHAN JOHN COOPER ROBERT COTRONE DAVID COURIER MATT COWAL HUSSAIN CURRIMBHOY MARSHALL CURRY VICKY CURTIS JAIME CURTIS MEYER FRANK CURTIS SR. PETER DANOWSKI ADOLPH “SONNY” DENSIESKI BRENT DEWAR TOM DICKER DOUG DICKSON SARAH DONELAR PATRICIA DRATI DRESSCODE NEW YORK ROB DUFFUS JR. BRENDA DWECK DANIELLE DWECK JAY DWECK JONATHAN DWECK ROBERT DWECK JOHN ELLWOOD KAYLA ELLWOOD BOBBIE ESRA TERRY FALLON DAVE FOX DEREK FRUENDT SUSAN FRUENDT STEVE ‘MAJOR’ GIAMMARIA JODI A. GIGLIO JENNY GOLDEN JULIE GOLDMAN IDA GRØN TREVOR GROTH STEVE HALPIN CINDI HANDLEY MAX HANDLEY JR. JACK HANDLEY SR. JUAN HEIN ASHLEY HERNANDEZ MIRANDA HILL MARTY HIMES SABINE HOFFMAN BRANDON HUBBARD IFP (INDEPENDENT FILMMAKER PROJECT) TABITHA JACKSON MARTIN JOHNSON DAVID KENNEDY CHRISTOPHER KEOHANE GRANT KNOWLES DENNIS KRUPSKI RONNY LANGDON CHRIS LASPISA JEFF LEVONICK CAROLINE LIBRESCO PATRICIO & JULIANA LUPPI LUPPI FAMILY DEVIN MALISZEWSKI IAN MALISZEWSKI SCOTT MALISZEWSKI STEVE MASTRO WENDY MAXWELL SCOTT MENZIES PETER MILANO ROB MISTRETTA GREG MITCHELS KRYSTIE JO MORTIMER NASCAR MICHELLE NASH WAYNE OKULA WILLIAM ORLANDO MARK ORTON BRITTANY OVERCASH PAUL PARISI PRIDE EQUIPMENT CORP THOMAS PUCCIA NICK QUESTED GIANNI QUILLIAM GLENN REID CHRISTINE RICKERT JOSEPH RIJO DAVID RIKER RIVERHEAD RACEWAY DAMANUEL RICHARDSON JIMMY RUOCCO KATRINE SAHLSTRØM NICOLE SCARANO JOE SEEGER ADAM J. SEGAL CHARLIE SEXTRO GREG SNIDER ADA B. SØBY ANA SOUZA TRENT STALEY TOM "FRED" SULLIVAN MATTHEW SUMMERS SUNDANCE FILM FESTIVAL THE HIMES MUSEUM OF MOTOR RACING NOSTALGIA ALAN TIRSUN STEVE TOLLEN STEVE TOOKER [music ends] HARRY VAUGHN JOHN VON THADEN JUSTIN WAHL AMBER WALKOWIAK GAYLE WALKOWIAK CORRY WALLACE SEAN WALTERS ANDREW WEGMANN WILLIAM WEGMANN JR. WILLIAM "GRANDPA" WEGMANN SR. JOHN WEISS CHRIS WHITE LARRY WOLHANDER ED ZEH CJ ZUKOWSKI MUSIC "OVERVIEW EFFECT MIX 290715 (MC EQ1) WRITTEN BY: ROGER GOULA SARDA PUBLISHER MANNERS MCDADE MUSIC PUBLISHING LTD PERFORMED BY: ROGER GOULA SARDA LABEL: COGNITIVE SHIFT RECORDINGS" "REQUIEM IN D MINOR, K.626 SEQUENCE NO. 5: CONFUTATIS MALEDICTIS WRITTEN BY WOLFGANG AMADEUS MOZART PERFORMED BY SLOVAK PHILHARMONIC ORCHESTRA AND CHORUS COURTESY OF NAXOS BY ARRANGEMENT WITH SOURCE/Q" "REQUIEM IN D MINOR, K.626 SEQUENCE NO. 1: DIES IRAE WRITTEN BY WOLFGANG AMADEUS MOZART PERFORMED BY SLOVAK PHILHARMONIC ORCHESTRA AND CHORUS COURTESY OF NAXOS BY ARRANGEMENT WITH SOURCE/Q" "AWE MIX 111115 (MC EQ1) WRITTEN BY: ROGER GOULA SARDA PUBLISHER MANNERS MCDADE MUSIC PUBLISHING LTD PERFORMED BY: ROGER GOULA SARDA LABEL: COGNITIVE SHIFT RECORDINGS" "COGNITIVE SHIFT MIX 111215 (MC EQ1) WRITTEN BY: ROGER GOULA SARDA PUBLISHER MANNERS MCDADE MUSIC PUBLISHING LTD PERFORMED BY: ROGER GOULA SARDA LABEL: COGNITIVE SHIFT RECORDINGS" "GLORIA PATRI. 24 HYMNS FOR MIXED CHOIR: XVII DOMINUS VOBISCUM WRITTEN BY: URMAS SISASK PERFORMED BY: ANNE-LIIS TREIMANN & THE CHAMBER CHOIR EESTI PROJEKT PUBLISHER: BOOSEY & HAWKES, INC. LABEL: FINLANDIA RECORDS/WARNER MUSIC FINLAND" PRODUCED WITH THE SUPPORT OF SUFFOLK COUNTY FILM COMMISSION LOGOS new-york-state-of-opportunity_432.png dolby-surround-51 ifp suffolk-county "Country of Origin: United States of America Blunderbust Productions, Inc. is the author of this motion picture for the purposes of U.S. copyright law and the Berne Convention, as well as other international laws giving effect thereto. No assumption should be made that any of the persons, companies or products shown or mentioned in the motion picture have endorsed this production. Ownership of this motion picture is protected under the laws of the United States of America and other countries. Any unauthorized duplication, distribution or exhibition of this motion picture or any part thereof (including soundtrack) could result in criminal prosecution as well as civil liability." THE LAST RACE www.thelastracethefilm.com "Copyright © 2017 Blunderbust Productions, Inc. All Rights Reserved."
CREDIT	618.	2:08:57:15	2:09:01:15	4:00	DIRECTED BY MICHAEL DWECK
CREDIT	619.	2:09:02:23	2:09:06:03	3:04	PRODUCED BY MICHAEL DWECK
CREDIT	620.	2:09:07:16	2:09:10:15	2:23	PRODUCED BY GREGORY KERSHAW
CREDIT	621.	2:09:11:23	2:09:14:22	2:23	DIRECTOR OF PHOTOGRAPHY GREGORY KERSHAW
CREDIT	622.	2:09:16:10	2:09:19:11	3:01	EXECUTIVE PRODUCER MICHAEL L. DWECK
CREDIT	623.	2:09:20:22	2:09:24:04	3:06	CO-EXECUTIVE PRODUCERS HOWARD SCHULTZ AND SHERI SCHULTZ
CREDIT	624.	2:09:25:12	2:09:28:02	2:14	CO-EXECUTIVE PRODUCER CECILIA LUPPI
CREDIT	625.	2:09:29:21	2:09:32:13	2:16	EDITED BY CHARLOTTE MUNCH BENGTSEN
CREDIT	626.	2:09:33:21	2:09:37:00	3:03	SOUND DESIGN BY PETER ALBRECHTSEN, MPSE
CREDIT	627.	2:09:51:04	2:09:54:05	3:01	FEATURING MARTY BERGER BARBARA CROMARTY JIM CROMARTY BOB FINAN MARTY HIMES PASTOR SCOTT KRANIAK "CRAZY EDDIE" MISTRETTA "LIGHTNING" TIM MULQUEEN
CREDIT	628.	2:09:54:09	2:09:57:11	3:02	GEORGE MUSE LARRY OXMAN TOM "SLICK PICK" PICKERELL MILLIE THOMAS “CAPTAIN VIDEO” RICK TODD "WILD CHILD" TOMMY WALKOWIAK JAMES "THE KID" WHITE JR.
CREDIT	629.	2:09:57:23	2:10:01:01	3:02	WITH MIKE CAPPIELLO JACK "ATTACK" HANDLEY JR. ROMILDA “NITA” "BUG" PICKERELL RON PICKERELL SR. KEVIN ROMMENEY BLAISE WALKOWIAK
CREDIT	630.	2:10:01:09	2:10:04:11	3:02	MADISON MARIE WHITE BOB WOODFORD CHARLIE ZAKOWSKI CJ ZAKOWSKI
CREDIT	631.	2:10:05:12	2:10:13:12	8:00	VERY SPECIAL THANK YOU JOSHUA OPPENHEIMER PRODUCTION COUNSEL GRAY KRAUSS SANDLER DES ROCHERS LLP JONATHAN GRAY, ESQ. ASSOCIATE PRODUCERS DAVID GREENWALD ALEXANDER J. HUFSCHMID MICHAEL KOSCHE
CREDIT	632.	2:10:13:23	2:10:16:06	2:07	ADDITIONAL CAMERA MICHAEL DWECK ALEXANDER J. HUFSCHMID
CREDIT	633.	2:10:16:10	2:10:18:06	1:20	STEADICAM OPERATOR NICOLAS DOLDINGER
CREDIT	634.	2:10:18:22	2:10:21:00	2:02	ARCHIVAL CINEMATOGRAPHY PETER MILANO
CREDIT	635.	2:10:21:09	2:10:23:00	1:15	ADDITIONAL EDITOR DANIEL JAMES SCOTT
CREDIT	636.	2:10:23:04	2:10:24:19	1:15	ASSISTANT EDITORS BARRY BLASCHKE ANN ROSE
CREDIT	637.	2:10:28:02	2:10:34:06	6:04	ASSISTANT CAMERA JOSEPH DEPASQUALE NADIA FEDCHIN CORY FRAIMAN-LOTT JAMIE HENSON ISAAC HUGHES GREEN ADAM KLEIN ZACH KUPERSTEIN CHRIS MAGGIO ALDEN PETERS YASMIN SAUDI MISHA SPIVACK HUNTER STEINMAN MICHAEL SWAIGEN ALANA WRIGHT JONATHAN ZHANG
CREDIT	638.	2:10:36:23	2:10:40:00	3:01	PRODUCTION ASSISTANTS MAX BATCHELDER JOSH COHEN KATE DOYLE CARTER HULINGS NINA JOHNSON ADAM KLEIN
CREDIT	639.	2:10:41:08	2:10:45:23	4:15	AURORE LANCE NOLAN LINDEKE MIKE MILIZZO CULLIE POSERIA MARGARET REVILLE YASMIN SAUDI LUKE SCOTTON JORGE SOTO TESSA TROZZOLILLO ALANA WRIGHT
CREDIT	640.	2:10:48:21	2:10:50:05	1:08	POST-PRODUCTION SUPERVISOR JOHN TORRANI
CREDIT	641.	2:10:50:12	2:10:51:13	1:01	COLORIST JOHN J. DOWDELL III
CREDIT	642.	2:10:51:20	2:10:56:02	4:06	RE-RECORDING MIXERS PETER ALBRECHTSEN, MPSE LARS HALVORSEN
CREDIT	643.	2:10:56:06	2:10:58:14	2:08	ASSISTANT SOUND DESIGNER MIKKEL NIELSEN
CREDIT	644.	2:10:59:01	2:11:00:21	1:20	SOUND EDITOR LARS HALVORSEN
CREDIT	645.	2:11:01:04	2:11:03:02	1:22	FOLEY ARTIST HEIKKI KOSSI, MPSE
CREDIT	646.	2:11:03:08	2:11:05:07	1:23	FOLEY MIXER KARI VÄHÄKUOPUS
CREDIT	647.	2:11:05:18	2:11:07:18	2:00	FOLEY EDITOR JACQUES PEDERSEN
CREDIT	648.	2:11:07:23	2:11:11:15	3:16	SOUND EFFECTS RECORDISTS COLL ANDERSON MICHAEL DWECK JONATHAN FUHRER MAX LACHMANN PETER NEGROPONTE
CREDIT	649.	2:11:11:20	2:11:16:21	5:01	SOUND MIXERS EMMANUEL GERMOND NICOLAS MAZET MAX MELLMAN DEREK MORSE AUSTIN PLOCHER MARY POMILLA BRENDAN RYAN SAM STEVENSON DIMITRI TISSEYRE
CREDIT	650.	2:11:17:05	2:11:19:01	1:20	FOLEY TRAINEE ARVI TOIVONEN
CREDIT	651.	2:11:19:05	2:11:21:11	2:06	TRANSCRIPTION DANIELLE DWECK
CREDIT	652.	2:11:21:17	2:11:24:04	2:11	DI PRODUCERS DEVAN MAURA SABER JAMES REYES
CREDIT	653.	2:11:24:09	2:11:26:16	2:07	CONFORM & MASTERING CHRISTOPHER SILVERBERG
CREDIT	654.	2:11:26:21	2:11:28:20	1:23	FINISHING ARTIST MATT THOMPSON
CREDIT	655.	2:11:28:23	2:11:31:02	2:03	FINISHING ARTIST JORDAN P.H. STEIN
CREDIT	656.	2:11:31:08	2:11:33:02	1:18	PICTURE FINISHING GOLDCREST POST NEW YORK
CREDIT	657.	2:11:33:09	2:11:36:03	2:18	SOUND FACILITY OFFSCREEN, COPENHAGEN, DENMARK
CREDIT	658.	2:11:36:10	2:11:38:12	2:02	FOLEY STUDIO H5 FILM SOUND, KOKKOLA, FINLAND
CREDIT	659.	2:11:38:20	2:11:41:00	2:04	MIXING FACILITY SDI MEDIA, COPENHAGEN, DENMARK
CREDIT	660.	2:11:41:07	2:11:43:11	2:04	CAMERA EQUIPMENT ADORAMA, NEW YORK
CREDIT	661.	2:11:43:19	2:11:46:08	2:13	EDITING FACILITIES GOOD COMPANY, COPENHAGEN, DENMARK HENSEN & PEDERSEN FILM OG FJERNSYN, COPENHAGEN, DENMARK
CREDIT	662.	2:11:46:10	2:11:48:08	1:22	CO-PRODUCER BEN CORREALE
CREDIT	663.	2:11:48:15	2:11:50:13	1:22	TITLE GRAPHICS DESIGN SIMON MIN-HO KIM
CREDIT	664.	2:11:50:17	2:11:53:02	2:09	ADDITIONAL LEGAL COUNSEL MICHELLE NASH
CREDIT	665.	2:11:53:11	2:11:55:07	1:20	RESEARCHER ROBERTA HELLING
CREDIT	666.	2:11:55:14	2:11:59:03	3:13	SALES REPRESENTATION SUBMARINE ENTERTAINMENT JOSH BRAUN DAN BRAUN BEN BRAUN MATT BURKE
CREDIT	667.	2:11:59:12	2:12:02:04	2:16	INSURANCE TAYLOR & TAYLOR ASSOC. INC. INSURANCE REIFF & ASSOCIATES, LLC.
CREDIT	668.	2:12:02:15	2:12:04:20	2:05	ACCOUNTANT ACCOUNTING CONCEPTS, LTD.
CREDIT	669.	2:12:05:02	2:12:06:20	1:18	MUSIC CLEARANCE RIGHTS WORKSHOP
CREDIT	670.	2:12:07:00	2:12:08:05	1:05	CO-PRODUCER MARGARET REVILLE
CREDIT	671.	2:12:08:13	2:12:11:06	2:17	THANK YOU SYDELLE & DAVID DWECK, FOR TAKING US ALL TO THE RACES
CREDIT	672.	2:12:11:15	2:12:12:17	1:02	BARBARA AND JIM CROMARTY
CREDIT	673.	2:12:12:22	2:12:14:02	1:04	TOMMY WALKOWIAK
CREDIT	674.	2:12:14:11	2:12:24:20	10:09	SHERRI ALLEN DORI BEGLEY MAGGIE BEGLEY WILLIAM BEREZAY METTE BERGGREEN BORIS B. BERTRAM ROBERT BIESELIN BRIANNA BOSS EAMONN BOWLES BRIAN BROWN MIKE CAPPIELLO LAUREN CIOFFI ANTHONY COATS JESSICA COHAN JOHN COOPER ROBERT COTRONE DAVID COURIER MATT COWAL HUSSAIN CURRIMBHOY MARSHALL CURRY VICKY CURTIS JAIME CURTIS MEYER FRANK CURTIS SR. PETER DANOWSKI ADOLPH “SONNY” DENSIESKI BRENT DEWAR TOM DICKER DOUG DICKSON SARAH DONELAR PATRICIA DRATI DRESSCODE NEW YORK ROB DUFFUS JR. BRENDA DWECK DANIELLE DWECK JAY DWECK JONATHAN DWECK ROBERT DWECK JOHN ELLWOOD KAYLA ELLWOOD BOBBIE ESRA TERRY FALLON DAVE FOX DEREK FRUENDT SUSAN FRUENDT STEVE ‘MAJOR’ GIAMMARIA JODI A. GIGLIO JENNY GOLDEN JULIE GOLDMAN IDA GRØN TREVOR GROTH STEVE HALPIN CINDI HANDLEY MAX HANDLEY JR. JACK HANDLEY SR. JUAN HEIN ASHLEY HERNANDEZ MIRANDA HILL MARTY HIMES SABINE HOFFMAN BRANDON HUBBARD IFP (INDEPENDENT FILMMAKER PROJECT) TABITHA JACKSON MARTIN JOHNSON DAVID KENNEDY CHRISTOPHER KEOHANE GRANT KNOWLES DENNIS KRUPSKI RONNY LANGDON CHRIS LASPISA JEFF LEVONICK CAROLINE LIBRESCO PATRICIO & JULIANA LUPPI LUPPI FAMILY DEVIN MALISZEWSKI IAN MALISZEWSKI SCOTT MALISZEWSKI STEVE MASTRO WENDY MAXWELL SCOTT MENZIES PETER MILANO ROB MISTRETTA GREG MITCHELS KRYSTIE JO MORTIMER NASCAR MICHELLE NASH WAYNE OKULA WILLIAM ORLANDO MARK ORTON BRITTANY OVERCASH PAUL PARISI PRIDE EQUIPMENT CORP THOMAS PUCCIA NICK QUESTED GIANNI QUILLIAM GLENN REID CHRISTINE RICKERT JOSEPH RIJO DAVID RIKER RIVERHEAD RACEWAY DAMANUEL RICHARDSON JIMMY RUOCCO KATRINE SAHLSTRØM NICOLE SCARANO
CREDIT	675.	2:12:26:06	2:12:39:00	12:18	SHERRI ALLEN DORI BEGLEY MAGGIE BEGLEY WILLIAM BEREZAY METTE BERGGREEN BORIS B. BERTRAM ROBERT BIESELIN BRIANNA BOSS EAMONN BOWLES BRIAN BROWN MIKE CAPPIELLO LAUREN CIOFFI ANTHONY COATS JESSICA COHAN JOHN COOPER ROBERT COTRONE DAVID COURIER MATT COWAL HUSSAIN CURRIMBHOY MARSHALL CURRY VICKY CURTIS JAIME CURTIS MEYER FRANK CURTIS SR. PETER DANOWSKI ADOLPH “SONNY” DENSIESKI BRENT DEWAR TOM DICKER DOUG DICKSON SARAH DONELAR PATRICIA DRATI DRESSCODE NEW YORK ROB DUFFUS JR. BRENDA DWECK DANIELLE DWECK JAY DWECK JONATHAN DWECK ROBERT DWECK JOHN ELLWOOD KAYLA ELLWOOD BOBBIE ESRA TERRY FALLON DAVE FOX DEREK FRUENDT SUSAN FRUENDT STEVE ‘MAJOR’ GIAMMARIA JODI A. GIGLIO JENNY GOLDEN JULIE GOLDMAN IDA GRØN TREVOR GROTH STEVE HALPIN CINDI HANDLEY MAX HANDLEY JR. JACK HANDLEY SR. JUAN HEIN ASHLEY HERNANDEZ MIRANDA HILL MARTY HIMES SABINE HOFFMAN BRANDON HUBBARD IFP (INDEPENDENT FILMMAKER PROJECT) TABITHA JACKSON MARTIN JOHNSON DAVID KENNEDY CHRISTOPHER KEOHANE GRANT KNOWLES DENNIS KRUPSKI RONNY LANGDON CHRIS LASPISA JEFF LEVONICK CAROLINE LIBRESCO PATRICIO & JULIANA LUPPI LUPPI FAMILY DEVIN MALISZEWSKI IAN MALISZEWSKI SCOTT MALISZEWSKI STEVE MASTRO WENDY MAXWELL SCOTT MENZIES PETER MILANO ROB MISTRETTA GREG MITCHELS KRYSTIE JO MORTIMER NASCAR MICHELLE NASH WAYNE OKULA WILLIAM ORLANDO MARK ORTON BRITTANY OVERCASH PAUL PARISI PRIDE EQUIPMENT CORP THOMAS PUCCIA NICK QUESTED GIANNI QUILLIAM GLENN REID CHRISTINE RICKERT JOSEPH RIJO DAVID RIKER RIVERHEAD RACEWAY DAMANUEL RICHARDSON JIMMY RUOCCO KATRINE SAHLSTRØM NICOLE SCARANO JOE SEEGER ADAM J. SEGAL CHARLIE SEXTRO GREG SNIDER ADA B. SØBY ANA SOUZA TRENT STALEY TOM "FRED" SULLIVAN MATTHEW SUMMERS SUNDANCE FILM FESTIVAL THE HIMES MUSEUM OF MOTOR RACING NOSTALGIA ALAN TIRSUN STEVE TOLLEN STEVE TOOKER HARRY VAUGHN JOHN VON THADEN JUSTIN WAHL AMBER WALKOWIAK GAYLE WALKOWIAK CORRY WALLACE SEAN WALTERS ANDREW WEGMANN WILLIAM WEGMANN JR. WILLIAM "GRANDPA" WEGMANN SR. JOHN WEISS CHRIS WHITE LARRY WOLHANDER ED ZEH CJ ZUKOWSKI
CREDIT	676.	2:13:43:17	2:13:47:18	4:01	MUSIC OVERVIEW EFFECT MIX 290715 (MC EQ1) WRITTEN BY: ROGER GOULA SARDA PUBLISHER MANNERS MCDADE MUSIC PUBLISHING LTD PERFORMED BY: ROGER GOULA SARDA LABEL: COGNITIVE SHIFT RECORDINGS
CREDIT	677.	2:13:48:01	2:13:52:00	3:23	REQUIEM IN D MINOR, K.626 SEQUENCE NO. 5: CONFUTATIS MALEDICTIS WRITTEN BY WOLFGANG AMADEUS MOZART PERFORMED BY SLOVAK PHILHARMONIC ORCHESTRA AND CHORUS COURTESY OF NAXOS BY ARRANGEMENT WITH SOURCE/Q
CREDIT	678.	2:13:52:03	2:13:55:16	3:13	REQUIEM IN D MINOR, K.626 SEQUENCE NO. 1: DIES IRAE WRITTEN BY WOLFGANG AMADEUS MOZART PERFORMED BY SLOVAK PHILHARMONIC ORCHESTRA AND CHORUS COURTESY OF NAXOS BY ARRANGEMENT WITH SOURCE/Q
CREDIT	679.	2:13:56:00	2:14:00:07	4:07	AWE MIX 111115 (MC EQ1) WRITTEN BY: ROGER GOULA SARDA PUBLISHER MANNERS MCDADE MUSIC PUBLISHING LTD PERFORMED BY: ROGER GOULA SARDA LABEL: COGNITIVE SHIFT RECORDINGS
CREDIT	680.	2:14:00:13	2:14:05:00	4:11	COGNITIVE SHIFT MIX 111215 (MC EQ1) WRITTEN BY: ROGER GOULA SARDA PUBLISHER MANNERS MCDADE MUSIC PUBLISHING LTD PERFORMED BY: ROGER GOULA SARDA LABEL: COGNITIVE SHIFT RECORDINGS
CREDIT	681.	2:14:05:10	2:14:09:22	4:12	GLORIA PATRI. 24 HYMNS FOR MIXED CHOIR: XVII DOMINUS VOBISCUM WRITTEN BY: URMAS SISASK PERFORMED BY: ANNE-LIIS TREIMANN & THE CHAMBER CHOIR EESTI PROJEKT PUBLISHER: BOOSEY & HAWKES, INC. LABEL: FINLANDIA RECORDS/WARNER MUSIC FINLAND
CREDIT	682.	2:14:10:07	2:14:13:15	3:08	PRODUCED WITH THE SUPPORT OF SUFFOLK COUNTY FILM COMMISSION
CREDIT	683.	2:14:13:22	2:14:14:22	1:00	GOVERNOR'S OFFICE OF MOTION PICTURE & TELEVISION DEVELOPMENT
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