DIALOGUE

MASTER ENGLISH SUBTITLE SPOTTING LIST

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FIRST FRAME OF PICTURE: 1:00:00:00

LABORATORY NOTES

SCENE 1:                            1:00:01:18 - 1:00:07:12

SCENE 2:                            1:00:10:13 - 1:00:13:10

SCENE 3:                            1:00:14:13 - 1:00:17:07

SCENE 4:                            1:00:19:08 - 1:00:24:16

SCENE 5:                            1:00:25:18 - 1:00:32:06

SCENE 6:                            1:00:33:04 - 1:00:38:04

SCENE 7:                            1:00:39:05 - 1:00:44:22

SCENE 8:                            1:00:46:05 - 1:00:49:16

SCENE 9:                            1:00:51:14 - 1:00:56:18

SCENE 10:                          1:00:56:19 - 1:01:50:08

SCENE 11:                          1:01:50:11 - 1:02:17:08

SCENE 12:                          1:02:17:13 - 1:03:02:02

SCENE 13:                          1:03:02:05 - 1:04:44:03

SCENE 14:                          1:04:44:03 - 1:05:29:05

SCENE 15:                          1:05:29:05 - 1:05:35:13

SCENE 16:                          1:05:35:16 - 1:05:45:13

SCENE 17:                          1:05:45:13 - 1:07:22:15

SCENE 18:                          1:07:22:16 - 1:07:42:05

SCENE 19:                          1:07:42:05 - 1:09:05:20

SCENE 20:                          1:09:05:23 - 1:09:16:04

SCENE 21:                          1:09:16:04 - 1:09:44:03

SCENE 22:                          1:09:44:07 - 1:09:52:02

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SCENE 24:                          1:10:51:18 - 1:13:38:04

SCENE 25:                          1:13:38:06 - 1:14:35:18

SCENE 26:                          1:14:35:20 - 1:14:40:19

SCENE 27:                          1:14:40:22 - 1:15:08:06

SCENE 28:                          1:15:08:07 - 1:15:14:21

SCENE 29:                          1:15:14:22 - 1:15:21:14

SCENE 30:                          1:15:21:14 - 1:15:38:01

SCENE 31:                          1:15:38:02 - 1:17:25:03

SCENE 32:                          1:17:25:03 - 1:17:55:10

SCENE 33:                          1:17:55:10 - 1:19:09:02

SCENE 34:                          1:19:09:02 - 1:19:48:13

SCENE 35:                          1:19:48:13 - 1:20:07:11

SCENE 36:                          1:20:07:13 - 1:20:38:05

SCENE 37:                          1:20:38:06 - 1:20:42:20

SCENE 38:                          1:20:42:22 - 1:20:54:11

SCENE 39:                          1:20:54:13 - 1:21:03:01

SCENE 40:                          1:21:03:03 - 1:22:09:10

SCENE 41:                          1:22:09:11 - 1:22:21:01

SCENE 42:                          1:22:21:03 - 1:22:35:08

SCENE 43:                          1:22:35:08 - 1:22:47:16

SCENE 44:                          1:22:47:18 - 1:22:55:11

SCENE 45:                          1:22:55:11 - 1:25:16:09

SCENE 46:                          1:25:16:09 - 1:25:58:23

SCENE 47:                          1:25:58:23 - 1:26:20:21

SCENE 48:                          1:26:20:22 - 1:27:03:06

SCENE 49:                          1:27:03:08 - 1:27:31:05

SCENE 50:                          1:27:31:08 - 1:28:29:13

SCENE 51:                          1:28:29:14 - 1:28:41:03

SCENE 52:                          1:28:41:04 - 1:29:09:02

SCENE 53:                          1:29:09:06 - 1:29:21:07

SCENE 54:                          1:29:21:07 - 1:29:34:11

SCENE 55:                          1:29:34:11 - 1:29:55:11

SCENE 56:                          1:29:55:13 - 1:30:02:02

SCENE 57:                          1:30:02:04 - 1:30:15:03

SCENE 58:                          1:30:15:05 - 1:30:40:10

SCENE 59:                          1:30:40:11 - 1:30:59:11

SCENE 60:                          1:30:59:13 - 1:31:10:22

SCENE 61:                          1:31:10:23 - 1:31:24:05

SCENE 62:                          1:31:24:05 - 1:31:35:06

SCENE 63:                          1:31:35:08 - 1:31:52:08

SCENE 64:                          1:31:52:11 - 1:32:02:23

SCENE 65:                          1:32:03:00 - 1:32:06:11

SCENE 66:                          1:32:06:13 - 1:32:40:05

SCENE 67:                          1:32:40:07 - 1:33:07:22

SCENE 68:                          1:33:07:23 - 1:33:16:05

SCENE 69:                          1:33:16:06 - 1:33:35:09

SCENE 70:                          1:33:35:10 - 1:33:47:05

SCENE 71:                          1:33:47:06 - 1:33:54:06

SCENE 72:                          1:33:54:07 - 1:34:00:09

SCENE 73:                          1:34:00:10 - 1:34:10:10

SCENE 74:                          1:34:10:11 - 1:34:22:05

SCENE 75:                          1:34:22:08 - 1:34:55:17

SCENE 76:                          1:34:55:17 - 1:35:10:00

SCENE 77:                          1:35:10:02 - 1:35:33:23

SCENE 78:                          1:35:33:23 - 1:35:43:09

SCENE 79:                          1:35:43:12 - 1:35:57:20

SCENE 80:                          1:35:57:22 - 1:36:01:22

SCENE 81:                          1:36:04:23 - 1:36:28:04

SCENE 82:                          1:36:28:06 - 1:37:36:06

SCENE 83:                          1:37:36:06 - 1:38:24:06

SCENE 84:                          1:38:24:06 - 1:39:07:15

SCENE 85:                          1:39:07:15 - 1:39:11:03

SCENE 86:                          1:39:11:03 - 1:39:34:10

SCENE 87:                          1:39:34:13 - 1:40:05:18

SCENE 88:                          1:40:05:18 - 1:40:15:18

SCENE 89:                          1:40:15:19 - 1:40:25:15

SCENE 90:                          1:40:25:16 - 1:40:35:22

SCENE 91:                          1:40:36:01 - 1:41:19:01

SCENE 92:                          1:41:19:03 - 1:41:45:08

SCENE 93:                          1:41:45:09 - 1:42:40:13

SCENE 94:                          1:42:40:15 - 1:43:18:08

SCENE 95:                          1:43:18:08 - 1:43:40:06

SCENE 96:                          1:43:40:07 - 1:43:43:12

SCENE 97:                          1:43:43:14 - 1:44:31:08

SCENE 98:                          1:44:31:09 - 1:44:41:02

SCENE 99:                          1:44:41:05 - 1:45:42:14

SCENE 100:                        1:45:42:15 - 1:45:52:19

SCENE 101:                        1:45:52:22 - 1:46:02:01

SCENE 102:                        1:46:02:03 - 1:47:03:15

SCENE 103:                        1:47:03:16 - 1:47:18:12

SCENE 104:                        1:47:18:13 - 1:47:42:16

SCENE 105:                        1:47:42:19 - 1:48:02:04

SCENE 106:                        1:48:02:05 - 1:48:53:04

SCENE 107:                        1:48:53:05 - 1:49:38:17

SCENE 108:                        1:49:38:19 - 1:49:47:12

SCENE 109:                        1:49:47:14 - 1:50:58:08

SCENE 110:                        1:50:58:10 - 1:51:50:00

SCENE 111:                        1:51:50:02 - 1:52:23:19

SCENE 112:                        1:52:23:23 - 1:52:34:17

SCENE 113:                        1:52:34:21 - 1:53:03:04

SCENE 114:                        1:53:03:07 - 1:55:48:00

SCENE 115:                        1:55:48:08 - 1:56:15:06

SCENE 116:                        1:56:15:07 - 1:57:05:07

SCENE 117:                        1:57:05:08 - 1:58:36:03

SCENE 118:                        1:58:36:06 - 1:58:57:19

SCENE 119:                        1:58:57:21 - 1:59:21:09

SCENE 120:                        1:59:21:10 - 1:59:39:13

SCENE 121:                        1:59:39:14 - 2:01:23:20

SCENE 122:                        2:01:23:21 - 2:01:51:23

SCENE 123:                        2:01:52:02 - 2:02:33:04

SCENE 124:                        2:02:33:05 - 2:02:41:19

SCENE 125:                        2:02:42:00 - 2:03:00:12

SCENE 126:                        2:03:00:14 - 2:03:29:15

SCENE 127:                        2:03:29:23 - 2:03:50:00

SCENE 128:                        2:03:50:01 - 2:04:14:21

SCENE 129:                        2:04:14:21 - 2:05:02:21

SCENE 130:                        2:05:02:21 - 2:05:10:17

SCENE 131:                        2:05:10:21 - 2:05:31:12

SCENE 132:                        2:05:31:15 - 2:08:30:08

SCENE 133:                        2:08:30:09 - 2:08:38:17

SCENE 134:                        2:08:40:10 - 2:08:46:03

SCENE 135:                        2:08:48:02 - 2:08:53:16

SCENE 136:                        2:08:56:15 - 2:15:00:19

SCENE 1:                            1:00:01:18 - 1:00:07:12

CREDIT #1 FADES IN/OUT OVER BG:

MAGNOLIA PICTURES

CREDIT

1.

1:00:10:13

1:00:13:10

2:21

BLUNDERBUST PRODUCTIONS PRESENTS

SCENE 2:                            1:00:10:13 - 1:00:13:10

CREDIT #2 BLUNDERBUST PRODUCTIONS PRESENTS

CREDIT

2.

1:00:14:12

1:00:17:06

2:18

A FILM BY MICHAEL DWECK

SCENE 3:                            1:00:14:13 - 1:00:17:07

CREDIT #3 A FILM BY MICHAEL DWECK

(distant rumbling)

GRAPHIC

3.

1:00:19:07

1:00:24:16

5:09

STOCK CAR RACING WAS BORN IN 1927 ON LONG ISLAND, NEW YORK

SCENE 4:                            1:00:19:08 - 1:00:24:16

GRAPHIC #1:

STOCK CAR RACING WAS BORN IN 1927 ON LONG ISLAND, NEW YORK

GRAPHIC

4.

1:00:25:18

1:00:32:05

6:11

THAT SAME YEAR, CHARLES LINDBERGH MADE THE FIRST TRANS-ATLANTIC FLIGHT FROM A NEARBY AIRSTRIP

SCENE 5:                            1:00:25:18 - 1:00:32:06

GRAPHIC #2:

THAT SAME YEAR, CHARLES LINDBERGH MADE THE FIRST TRANS-ATLANTIC FLIGHT FROM A NEARBY AIRSTRIP

(rumbling gets louder, birds cawing)

GRAPHIC

5.

1:00:33:04

1:00:38:04

5:00

IN 1956, THAT AIRSTRIP BECAME AMERICA'S FIRST SHOPPING MALL

SCENE 6:                            1:00:33:04 - 1:00:38:04

GRAPHIC #3:

IN 1956, THAT AIRSTRIP BECAME AMERICA'S FIRST SHOPPING MALL

GRAPHIC

6.

1:00:39:04

1:00:44:22

5:18

BY THEN, THERE HAD BEEN 40 RACETRACKS ON LONG ISLAND

SCENE 7:                            1:00:39:05 - 1:00:44:22

GRAPHIC #4:

BY THEN, THERE HAD BEEN 40 RACETRACKS ON LONG ISLAND

SCENE 8:                            1:00:46:05 - 1:00:49:16

GRAPHIC #5:

TODAY, ONLY ONE REMAINS

(birds cawing, twittering)

GRAPHIC

7.

1:00:46:05

1:00:49:15

3:10

TODAY, ONLY ONE REMAINS

MAIN TITLE

8.

1:00:51:13

1:00:56:18

5:05

THE LAST RACE

SCENE 9:                            1:00:51:14 - 1:00:56:18

MT:

THE LAST RACE

SCENE 10:                          1:00:56:19 - 1:01:50:08

EXT. WOODED CLEARING- DAY.

WS BLUE CAR SLAMMING INTO TWO BROKEN DOWN CARS.

SCENE 11:                          1:01:50:11 - 1:02:17:08

EXT. RIVERHEAD RACEWAY- DAY.

MS MAN DRIVING TRACK SCRUBBER. GRANDSTANDS CROWD IN BG.

SCENE 12:                          1:02:17:13 - 1:03:02:02

EXT. RIVERHEAD PARKING LOT- DAY.

LS TWO MEN LEANING INTO WINDOWS OF RACE CAR "22."

SCENE 13:                          1:03:02:05 - 1:04:44:03

EXT. RIVERHEAD RACEWAY PITS- DAY.

LONG TAKE OF LINED UP CARS DRIVING INTO TRACK.

(orchestral string music playing)

PRINCIPAL PHOTOGRAPHY

9.

1:04:06:10

1:04:07:10

1:00

USA

SCENE 14:                          1:04:44:03 - 1:05:29:05

CU OF CARS RACING AND SWERVING DOWN RACE TRACK.

(string music continues)

SCENE 15:                          1:05:29:05 - 1:05:35:13

LS OF CARS RACING DOWN TRACK.

SCENE 16:                          1:05:35:16 - 1:05:45:13

CU RED AND WHITE CAR NOSING IN ON CAMERA.

PAN TO LOOSE TIRE TUMBLING DOWN TRACK.

SCENE 17:                          1:05:45:13 - 1:07:22:15

VARIOUS SHOTS OF RACE CARS VYING FOR LEAD.

(string music ending)

SCENE 18:                          1:07:22:16 - 1:07:42:05

EXT. ENTRANCE TO RIVERHEAD RACEWAY- EVENING.

SEATED CHILD IN FG. GIANT STATUE OF NATIVE AMERICAN MAN TO THE SIDE.

SCENE 19:                          1:07:42:05 - 1:09:05:20

EXT. PARKING LOT- DAY.

MS JIMMY AND TIM SITTING ON BLUE RACE CAR, TALKING.

JIMMY WHITE JR.

There’s a lot of cars here tonight.

10.

1:07:42:09

1:07:43:08

0:23

JIMMY WHITE JR.)

There’s a lot of cars here tonight.

JIMMY WHITE JR.

We’re gonna have a full field.

11.

1:07:44:00

1:07:44:19

0:19

JIMMY WHITE JR.)

We’re gonna have a full field.

TIM MULQUEEN

Cool.

12.

1:07:44:21

1:07:45:07

0:10

TIM MULQUEEN)

Cool.

JIMMY WHITE JR.

And both, uh-- who?

Brian and Jessica are here.

13.

1:07:45:20

1:07:48:05

2:09

JIMMY WHITE JR.)

And both, uh-- who?

Brian and Jessica are here.

TIM MULQUEEN

Cohen and Smith.

14.

1:07:48:13

1:07:49:08

0:19

TIM MULQUEEN)

Cohen and Smith.

TIM MULQUEEN

Jessica’s gonna race?

15.

1:07:49:11

1:07:50:08

0:21

TIM MULQUEEN)

Jessica’s gonna race?

JIMMY WHITE JR.

Her car’s here.

16.

1:07:50:19

1:07:51:09

0:14

JIMMY WHITE JR.)

Her car’s here.

TIM MULQUEEN

Oh, come on, dude. Don't tell me that.

17.

1:07:51:12

1:07:52:22

1:10

TIM MULQUEEN)

Oh, come on, dude. Don't tell me that.

JIMMY WHITE JR.

(laughing) You didn’t see it in practice?

18.

1:07:52:19

1:07:54:16

1:21

JIMMY WHITE JR.)

You didn’t see it in practice?

TIM MULQUEEN

No.

19.

1:07:54:18

1:07:55:15

0:21

TIM MULQUEEN)

No.

JIMMY WHITE JR.

You didn’t see the blue number 8?

20.

1:07:56:03

1:07:57:14

1:11

JIMMY WHITE JR.)

You didn’t see the blue number 8?

TIM MULQUEEN

No.

21.

1:07:57:19

1:07:58:04

0:09

TIM MULQUEEN)

No.

JIMMY WHITE JR.

It’s here.

22.

1:07:58:04

1:07:58:17

0:13

JIMMY WHITE JR.)

It’s here.

TIM MULQUEEN

No.

23.

1:07:58:20

1:07:59:06

0:10

TIM MULQUEEN)

No.

JIMMY WHITE JR.

Yep.

24.

1:07:59:14

1:07:59:23

0:09

JIMMY WHITE JR.)

Yep.

JIMMY WHITE JR.

And the flat black 84.

25.

1:08:01:03

1:08:02:17

1:14

JIMMY WHITE JR.)

And the flat black 84.

TIM MULQUEEN

I know the 84’s here, but he’s not so--

26.

1:08:02:19

1:08:04:18

1:23

TIM MULQUEEN)

I know the 84’s here, but he’s not so--

TIM MULQUEEN

yeah, he’s bad, but he’s not--oh.

27.

1:08:05:05

1:08:06:22

1:17

TIM MULQUEEN)

yeah, he’s bad, but he’s not--oh.

JIMMY WHITE JR.

He gets out of the way.

28.

1:08:07:04

1:08:08:01

0:21

JIMMY WHITE JR.)

He gets out of the way.

TIM MULQUEEN

He gets out of the way.

29.

1:08:08:02

1:08:08:20

0:18

TIM MULQUEEN)

He gets out of the way.

TIM MULQUEEN

She thinks she’s a race car driver,

30.

1:08:09:03

1:08:10:12

1:09

TIM MULQUEEN)

She thinks she’s a race car driver,

TIM MULQUEEN

and she’s gonna race you.

31.

1:08:10:15

1:08:11:11

0:20

TIM MULQUEEN)

and she’s gonna race you.

JIMMY WHITE JR.

She’s all right. She doesn’t bother me.

32.

1:08:12:07

1:08:13:11

1:04

JIMMY WHITE JR.)

She’s all right. She doesn’t bother me.

TIM MULQUEEN

Me and her have a special bond.

33.

1:08:16:10

1:08:17:23

1:13

TIM MULQUEEN)

Me and her have a special bond.

JIMMY WHITE JR.

I-- I know.

34.

1:08:18:08

1:08:19:01

0:17

JIMMY WHITE JR.)

I-- I know.

TIM MULQUEEN

(laughs) Okay?

35.

1:08:19:07

1:08:19:16

0:09

TIM MULQUEEN)

Okay?

JIMMY WHITE JR.

I’ve seen.

36.

1:08:19:22

1:08:20:11

0:13

JIMMY WHITE JR.)

I’ve seen.

TIM MULQUEEN

(laughs)

37.

1:08:19:23

1:08:22:04

2:05

TIM MULQUEEN)

JIMMY WHITE JR.

(laughs) I-- I’ve given you a Sawzall to cut your fender off your front tire.

38.

1:08:21:05

1:08:24:01

2:20

JIMMY WHITE JR.)

I-- I’ve given you a Sawzall to cut your fender off your front tire.

JIMMY WHITE JR.

I know.

39.

1:08:24:07

1:08:24:21

0:14

JIMMY WHITE JR.)

I know.

TIM MULQUEEN

I had to use all my restraint

40.

1:08:27:16

1:08:29:20

2:04

TIM MULQUEEN)

I had to use all my restraint

TIM MULQUEEN

not to fucking wreck her in that last race.

41.

1:08:30:13

1:08:33:23

3:10

TIM MULQUEEN)

not to fucking wreck her in that last race.

JIMMY WHITE JR.

(laughs)

42.

1:08:32:18

1:08:33:16

0:22

JIMMY WHITE JR.)

JIMMY WHITE JR.

Oh, I’m sure.

43.

1:08:34:06

1:08:35:02

0:20

JIMMY WHITE JR.)

Oh, I’m sure.

TIM MULQUEEN

So, instead, I lapped her four times.

44.

1:08:35:04

1:08:36:17

1:13

TIM MULQUEEN)

So, instead, I lapped her four times.

JIMMY WHITE JR.

Look. He’s setting up the car.

45.

1:08:36:03

1:08:37:23

1:20

JIMMY WHITE JR.)

Look. He’s setting up the car.

JIMMY WHITE JR.

Let’s see if we can give him some advice.

46.

1:08:38:09

1:08:39:07

0:22

JIMMY WHITE JR.)

Let’s see if we can give him some advice.

JIMMY WHITE JR.

That guy has got

a phenomenal car.

47.

1:08:39:22

1:08:42:02

2:04

JIMMY WHITE JR.)

That guy has got

a phenomenal car.

TIM MULQUEEN

What, that Monte?

48.

1:08:42:17

1:08:43:09

0:16

TIM MULQUEEN)

What, that Monte?

JIMMY WHITE JR.

Yep, that's-- no, that 39.

49.

1:08:43:11

1:08:45:04

1:17

JIMMY WHITE JR.)

Yep, that's-- no, that 39.

JIMMY WHITE JR.

Bob Muller with the red--

50.

1:08:45:11

1:08:46:15

1:04

JIMMY WHITE JR.)

Bob Muller with the red--

TIM MULQUEEN

Oh, yeah.

51.

1:08:46:07

1:08:46:23

0:16

TIM MULQUEEN)

Oh, yeah.

JIMMY WHITE JR.

That’s a fucking-- that thing is-- you ever seen underneath the hood of that thing?

52.

1:08:47:01

1:08:50:06

3:05

JIMMY WHITE JR.)

That’s a fucking-- that thing is-- you ever seen underneath the hood of that thing?

TIM MULQUEEN

Yeah, I know.

53.

1:08:50:06

1:08:51:09

1:03

TIM MULQUEEN)

Yeah, I know.

JIMMY WHITE JR.

It’s immaculate.

54.

1:08:50:08

1:08:51:03

0:19

JIMMY WHITE JR.)

It’s immaculate.

JIMMY WHITE JR.

You could eat off of it.

55.

1:08:51:09

1:08:52:02

0:17

JIMMY WHITE JR.)

You could eat off of it.

TIM MULQUEEN

I know.

56.

1:08:52:04

1:08:52:14

0:10

TIM MULQUEEN)

I know.

TIM MULQUEEN

If he don’t win Best Looking Car,

57.

1:08:52:21

1:08:54:15

1:18

TIM MULQUEEN)

If he don’t win Best Looking Car,

TIM MULQUEEN

then there’s something wrong with this track.

58.

1:08:55:13

1:08:56:16

1:03

TIM MULQUEEN)

then there’s something wrong with this track.

JIMMY WHITE JR.

Yeah, no, absolutely.

It’s not me.

59.

1:08:57:04

1:08:58:21

1:17

JIMMY WHITE JR.)

Yeah, no, absolutely.

It’s not me.

TIM MULQUEEN

Yeah.

60.

1:08:58:04

1:08:58:15

0:11

TIM MULQUEEN)

Yeah.

TIM MULQUEEN

(laughing) You think?

61.

1:09:00:12

1:09:03:06

2:18

TIM MULQUEEN)

You think?

JIMMY WHITE JR.

We don’t look good. We're just-- We like to go fast.

62.

1:09:03:16

1:09:05:19

2:03

JIMMY WHITE JR.)

We don’t look good. We're just-- We like to go fast.

SCENE 20:                          1:09:05:23 - 1:09:16:04

INT. RIVERHEAD OFFICE- DAY.

MS OF BLACK TELEVISION SET WITH FOOTAGE OF A RACE CAR CIRCLING A TRACK PLAYING.

(phone rings in BG)

SCENE 21:                          1:09:16:04 - 1:09:44:03

MS OF BARBARA AND DOG SEATED. JIM'S ARM VISIBLE IN FG.

JIM CROMARTY

Riverhead Raceway.

63.

1:09:18:09

1:09:19:08

0:23

JIM CROMARTY)

Riverhead Raceway.

JIM CROMARTY

Everything starts at six o' clock.

64.

1:09:26:06

1:09:27:17

1:11

JIM CROMARTY)

Everything starts at six o' clock.

JIM CROMARTY

Right. We finish up about 9:00, 9:30.

65.

1:09:29:10

1:09:31:08

1:22

JIM CROMARTY)

Right. We finish up about 9:00, 9:30.

JIM CROMARTY

It's-- Yes, it’s thirty for adults, five dollars for children. Six to 12 is a child, and five and under are free.

66.

1:09:34:05

1:09:40:07

6:02

JIM CROMARTY)

It's-- Yes, it’s thirty for adults, five dollars for children. Six to 12 is a child, and five and under are free.

JIM CROMARTY

Okay, see you later.

67.

1:09:42:09

1:09:43:10

1:01

JIM CROMARTY)

Okay, see you later.

SCENE 22:                          1:09:44:07 - 1:09:52:02

OS CU JIM SITTING BEHIND DESK. BARBARA AND DOG IN BG.

JIM CROMARTY

Ah, it’s always nice to have a first-time guy come with five kids.

68.

1:09:45:21

1:09:49:05

3:08

JIM CROMARTY)

Ah, it’s always nice to have a first-time guy come with five kids.

PRINCIPAL PHOTOGRAPHY

69.

1:09:47:00

1:09:48:00

1:00

NASCAR

OFFICIAL

PRINCIPAL PHOTOGRAPHY

70.

1:09:52:07

1:09:57:14

5:07

CLUB CAR

SCENE 23:                          1:09:52:07 - 1:10:51:15

EXT. RIVERHEAD PARKING LOT- DAY.

LS BARBARA AND JIM IN GREEN GOLF CART.

PRINCIPAL PHOTOGRAPHY TEXT:

CLUB CAR

(Barbara and Jim over PA)

BARBARA CROMARTY (VO)

(over PA) Ladies first, thank you. [laughs]

71.

ITAL

1:09:57:14

1:09:59:16

2:02

BARBARA CROMARTY)

Ladies first, thank you. [laughs]

BARBARA CROMARTY (VO)

Um, once again, we welcome you back. It's, uh, 37 years for us, so it's 37 years of "welcome back."

72.

ITAL

1:10:00:01

1:10:06:22

6:21

BARBARA CROMARTY)

Um, once again, we welcome you back. It's, uh, 37 years for us, so it's 37 years of "welcome back."

BARBARA CROMARTY (VO)

Never gets tired of-- of saying it.

Never get tired of being here and seeing you all.

73.

ITAL

1:10:07:05

1:10:12:00

4:19

BARBARA CROMARTY)

Never gets tired of-- of saying it.

Never get tired of being here and seeing you all.

BARBARA CROMARTY (VO)

I-- I mean, the cars look absolutely gorgeous, all of them, I-- We know the hard work that goes into them, and we thank you for it.

74.

ITAL

1:10:12:11

1:10:18:16

6:05

BARBARA CROMARTY)

I-- I mean, the cars look absolutely gorgeous, all of them, I-- We know the hard work that goes into them, and we thank you for it.

BARBARA CROMARTY (VO)

And we’re gonna have a great year this year, I just know it. So best of luck to everybody.

75.

ITAL

1:10:18:23

1:10:23:18

4:19

BARBARA CROMARTY)

And we’re gonna have a great year this year, I just know it. So best of luck to everybody.

JIM CROMARTY (VO)

(over PA) Well, I’ll ditto all of that,

76.

ITAL

1:10:25:03

1:10:26:16

1:13

JIM CROMARTY)

Well, I’ll ditto all of that,

JIM CROMARTY (VO)

and, uh, let’s hope that this day's weather is what we're gonna get as a prelude for the rest of the season.

77.

ITAL

1:10:26:20

1:10:33:15

6:19

JIM CROMARTY)

and, uh, let’s hope that this day's weather is what we're gonna get as a prelude for the rest of the season.

JIM CROMARTY (VO)

Give a special hello from-- from our daughter Robin.

78.

ITAL

1:10:33:21

1:10:37:04

3:07

JIM CROMARTY)

Give a special hello from-- from our daughter Robin.

JIM CROMARTY (VO)

Uh, we just want everyone to know that she’s had some problems, and she loves everybody here at the track,

79.

ITAL

1:10:37:18

1:10:43:20

6:02

JIM CROMARTY)

Uh, we just want everyone to know that she’s had some problems, and she loves everybody here at the track,

JIM CROMARTY (VO)

and, uh...

80.

ITAL

1:10:44:10

1:10:45:06

0:20

JIM CROMARTY)

and, uh...

JIM CROMARTY (VO)

And I think that’s about it for me,

81.

ITAL

1:10:46:15

1:10:48:06

1:15

JIM CROMARTY)

And I think that’s about it for me,

JIM CROMARTY (VO)

so thanks a lot,

and good racing.

82.

ITAL

1:10:49:07

1:10:51:07

2:00

JIM CROMARTY)

so thanks a lot,

and good racing.

TRACK OFFICIAL

(over PA) We are going racing, guys.

83.

1:10:51:15

1:10:53:10

1:19

TRACK OFFICIAL)

We are going racing, guys.

SCENE 24:                          1:10:51:18 - 1:13:38:04

INT. ANNOUNCER'S BOOTH- EVENING.

MS BOB LOOKING DOWN ON RACETRACK BELOW.

RACE CARS DRIVING DOWN TRACK IN BG THROUGH THE WINDOW.

TRACK OFFICIAL (VO)

Be awake.

84.

ITAL

1:10:54:04

1:10:54:22

0:18

TRACK OFFICIAL)

Be awake.

BOB FINAN

(through microphone) Bill Wegmann Jr., second generation driver, and the "Pistol" Paul Parisi.

85.

1:10:59:11

1:11:04:03

4:16

BOB FINAN)

Bill Wegmann Jr., second generation driver, and the "Pistol" Paul Parisi.

BOB FINAN

Getting ready to rumble.

86.

1:11:08:22

1:11:10:00

1:02

BOB FINAN)

Getting ready to rumble.

BOB FINAN

20 laps, blunderbust style.

87.

1:11:11:18

1:11:13:18

2:00

BOB FINAN)

20 laps, blunderbust style.

BOB FINAN

Usually this division provides us with some great race finishes on the last lap.

88.

1:11:15:01

1:11:19:07

4:06

BOB FINAN)

Usually this division provides us with some great race finishes on the last lap.

BOB FINAN

Wegmann, Parisi. Green flag flies.

Dueling green flags from Mike Rickert.

89.

1:11:20:17

1:11:26:04

5:11

BOB FINAN)

Wegmann, Parisi. Green flag flies.

Dueling green flags from Mike Rickert.

BOB FINAN

It’s a drag race to turn number one,

90.

1:11:27:03

1:11:29:11

2:08

BOB FINAN)

It’s a drag race to turn number one,

BOB FINAN

with 8,400 pounds

of blunderbust leading the way,

91.

1:11:30:13

1:11:33:05

2:16

BOB FINAN)

with 8,400 pounds

of blunderbust leading the way,

BOB FINAN

and it’s Bill Wegmann, Jr.

92.

1:11:33:23

1:11:35:13

1:14

BOB FINAN)

and it’s Bill Wegmann, Jr.

BOB FINAN

to put the Crackerjack

Auto Stores number 76

out in front.

93.

1:11:36:01

1:11:39:17

3:16

BOB FINAN)

to put the Crackerjack

Auto Stores number 76

out in front.

BOB FINAN

The "Pistol" Paul Parisi...

94.

1:11:40:07

1:11:41:22

1:15

BOB FINAN)

The "Pistol" Paul Parisi...

BOB FINAN

tries to settle into second, but here comes "The Jack Attack" Jack Handley, Jr.

95.

1:11:42:18

1:11:47:21

5:03

BOB FINAN)

tries to settle into second, but here comes "The Jack Attack" Jack Handley, Jr.

BOB FINAN

He and Tom Pucci go side-by-side.

96.

1:11:49:00

1:11:51:07

2:07

BOB FINAN)

He and Tom Pucci go side-by-side.

BOB FINAN

Pucci to the inside in the Ferrandino & Sons Construction, number 51.

97.

1:11:51:11

1:11:56:17

5:06

BOB FINAN)

Pucci to the inside in the Ferrandino & Sons Construction, number 51.

BOB FINAN

Handley will take third away riding the outside groove,

98.

1:11:58:04

1:12:01:20

3:16

BOB FINAN)

Handley will take third away riding the outside groove,

BOB FINAN

in his Liccardi Builders Chevrolet.

99.

1:12:03:05

1:12:06:11

3:06

BOB FINAN)

in his Liccardi Builders Chevrolet.

BOB FINAN

Bill Wegmann Jr. continues to hold the lead.

100.

1:12:08:22

1:12:11:20

2:22

BOB FINAN)

Bill Wegmann Jr. continues to hold the lead.

BOB FINAN

Three of 20 in the books.

101.

1:12:13:12

1:12:15:08

1:20

BOB FINAN)

Three of 20 in the books.

BOB FINAN

The "Pistol" Paul Parisi second, but the car to keep your eyes on is 17-year-old lead foot,

102.

1:12:16:14

1:12:22:23

6:09

BOB FINAN)

The "Pistol" Paul Parisi second, but the car to keep your eyes on is 17-year-old lead foot,

BOB FINAN

Jack Handley Jr., who will return to Patchogue-Medford High School

in a few weeks, to continue his high school studies.

103.

1:12:24:03

1:12:30:10

6:07

BOB FINAN)

Jack Handley Jr., who will return to Patchogue-Medford High School

in a few weeks, to continue his high school studies.

BOB FINAN

He’s underneath Parisi going into 1 and 2.

104.

1:12:30:11

1:12:34:00

3:13

BOB FINAN)

He’s underneath Parisi going into 1 and 2.

BOB FINAN

And Jack Handley Jr. will bring the number 49 to position number two.

105.

1:12:34:15

1:12:39:22

5:07

BOB FINAN)

And Jack Handley Jr. will bring the number 49 to position number two.

BOB FINAN

Parisi settles to third in the Tidewater Dock Builders,

106.

1:12:41:13

1:12:44:22

3:09

BOB FINAN)

Parisi settles to third in the Tidewater Dock Builders,

BOB FINAN

number 69.

107.

1:12:45:12

1:12:46:15

1:03

BOB FINAN)

number 69.

BOB FINAN

Jimmy "The Kid" White Jr. brings the Busy Bee Pest Control number 32 to fourth.

108.

1:12:50:00

1:12:53:22

3:22

BOB FINAN)

Jimmy "The Kid" White Jr. brings the Busy Bee Pest Control number 32 to fourth.

BOB FINAN

Meanwhile, back up front, Jack Handley Jr. is closing in, and in a hurry,

on your race leader Bill Wegmann Jr.

109.

1:12:54:05

1:13:02:16

8:11

BOB FINAN)

Meanwhile, back up front, Jack Handley Jr. is closing in, and in a hurry,

on your race leader Bill Wegmann Jr.

BOB FINAN

The driver of the Crackerjack Auto Stores number 76

is about to feel the heat big time Saturday night

110.

1:13:03:05

1:13:11:11

8:06

BOB FINAN)

The driver of the Crackerjack Auto Stores number 76

is about to feel the heat big time Saturday night

BOB FINAN

from Jack Handley Jr.

111.

1:13:12:20

1:13:14:12

1:16

BOB FINAN)

from Jack Handley Jr.

BOB FINAN

Parisi remains third, White fourth, Langdon fifth.

112.

1:13:16:04

1:13:19:01

2:21

BOB FINAN)

Parisi remains third, White fourth, Langdon fifth.

BOB FINAN

The "Wild Child" Tommy Walkowiak has raced his way to sixth

113.

1:13:19:03

1:13:23:18

4:15

BOB FINAN)

The "Wild Child" Tommy Walkowiak has raced his way to sixth

BOB FINAN

and brought the defending champion, "Slick Pick" Tom Pickerell to seventh.

114.

1:13:24:02

1:13:28:15

4:13

BOB FINAN)

and brought the defending champion, "Slick Pick" Tom Pickerell to seventh.

BOB FINAN

Oh, baby... we’re getting set up for one of those classic blunderbust finishes.

115.

1:13:30:09

1:13:35:21

5:12

BOB FINAN)

Oh, baby... we’re getting set up for one of those classic blunderbust finishes.

SCENE 25:                          1:13:38:06 - 1:14:35:18

EXT. MARTY'S GARAGE- DAY.

MS MARTY STANDING IN FRONT OF GARAGE.

BLACK AND WHITE PHOTOGRAPHS IN HAND.

MARTY HIMES

Okay, this photo that we’re looking at here was taken at Freeport Stadium

116.

1:13:39:01

1:13:42:19

3:18

MARTY HIMES)

Okay, this photo that we’re looking at here was taken at Freeport Stadium

MARTY HIMES

uh, either 1963 or '64,

117.

1:13:43:03

1:13:45:13

2:10

MARTY HIMES)

uh, either 1963 or '64,

MARTY HIMES

coming down the main straightaway following car number 393, Red Reynor,

118.

1:13:45:19

1:13:49:16

3:21

MARTY HIMES)

coming down the main straightaway following car number 393, Red Reynor,

MARTY HIMES

and ahead of us a couple of car lengths was Bruno Brackey in the black and white car,

119.

1:13:49:23

1:13:54:02

4:03

MARTY HIMES)

and ahead of us a couple of car lengths was Bruno Brackey in the black and white car,

MARTY HIMES

and he spun out, and he blocked most of the track,

but Red Reynor kept going.

120.

1:13:54:11

1:13:58:20

4:09

MARTY HIMES)

and he spun out, and he blocked most of the track,

but Red Reynor kept going.

MARTY HIMES

So I said, "Well, if Red Reynor’s keeping going, that mean--

that mean he figures he can get through."

121.

1:13:58:20

1:14:03:00

4:04

MARTY HIMES)

So I said, "Well, if Red Reynor’s keeping going, that mean--

that mean he figures he can get through."

MARTY HIMES

But he didn’t get through. He locked up on the back of Bruno Brackey’s car

and stopped short, and I went right up over top of his car.

122.

1:14:03:12

1:14:09:11

5:23

MARTY HIMES)

But he didn’t get through. He locked up on the back of Bruno Brackey’s car

and stopped short, and I went right up over top of his car.

MARTY HIMES

If you look in the photo, I’m flying through the air.

My four wheels are off the ground.

123.

1:14:09:14

1:14:13:01

3:11

MARTY HIMES)

If you look in the photo, I’m flying through the air.

My four wheels are off the ground.

MARTY HIMES

Went another 15 feet or so and took down a telephone pole.

124.

1:14:13:05

1:14:16:23

3:18

MARTY HIMES)

Went another 15 feet or so and took down a telephone pole.

MARTY HIMES

And then...

125.

1:14:17:08

1:14:18:01

0:17

MARTY HIMES)

And then...

MARTY HIMES

Here’s the picture of the after, after the car was wrecked, before they towed it away.

126.

1:14:19:05

1:14:23:23

4:18

MARTY HIMES)

Here’s the picture of the after, after the car was wrecked, before they towed it away.

MARTY HIMES

Um, it actually took the carburetors, took the radiator apart, took the carburetors right off the intake manifold,

127.

1:14:24:06

1:14:29:21

5:15

MARTY HIMES)

Um, it actually took the carburetors, took the radiator apart, took the carburetors right off the intake manifold,

MARTY HIMES

and all I got out of it was a few bruises and a lot of broken glass,

128.

1:14:30:06

1:14:33:14

3:08

MARTY HIMES)

and all I got out of it was a few bruises and a lot of broken glass,

MARTY HIMES

but it was a memorable night, that’s for sure.

129.

1:14:34:01

1:14:35:18

1:17

MARTY HIMES)

but it was a memorable night, that’s for sure.

SCENE 26:                          1:14:35:20 - 1:14:40:19

INT. MARTY'S GARAGE- DAY.

LS MARTY PUTTING A BLUE HELMET ON.

MARTY HIMES

How’s that?

130.

1:14:37:22

1:14:38:11

0:13

MARTY HIMES)

How’s that?

MARTY HIMES

Freeport Stadium. Harnett Raceway.

Holmes Airport. Jackson Heights.

Island Gardens in Hempstead. Islip Speedway.

131.

1:14:39:04

1:14:45:15

6:11

MARTY HIMES)

Freeport Stadium. Harnett Raceway.

Holmes Airport. Jackson Heights.

Island Gardens in Hempstead. Islip Speedway.

SCENE 27:                          1:14:40:22 - 1:15:08:06

CUT TO MS MARTY SITTING ON A SOFA CHAIR, READING FROM A BOOK.

MARTY HIMES

Juniper Valley Park, Queens. Long Island Motor Parkway.

Montauk Point on the street. Madison Square Garden Bowl in Queens.

132.

1:14:46:00

1:14:52:21

6:21

MARTY HIMES)

Juniper Valley Park, Queens. Long Island Motor Parkway.

Montauk Point on the street. Madison Square Garden Bowl in Queens.

MARTY HIMES

Maspeth Fairgrounds. Mineola Fairgrounds.

Nassau Coliseum. National Speedway.

133.

1:14:53:06

1:14:57:16

4:10

MARTY HIMES)

Maspeth Fairgrounds. Mineola Fairgrounds.

Nassau Coliseum. National Speedway.

MARTY HIMES

Oakwood Park. Riverhead Street. Riverhead Fairgrounds.

134.

1:14:58:04

1:15:01:11

3:07

MARTY HIMES)

Oakwood Park. Riverhead Street. Riverhead Fairgrounds.

MARTY HIMES

Riverhead Raceway, paved.

135.

1:15:01:17

1:15:03:07

1:14

MARTY HIMES)

Riverhead Raceway, paved.

MARTY HIMES

Uh, Ridgewood Oval. Roosevelt Raceway.

136.

1:15:04:00

1:15:05:23

1:23

MARTY HIMES)

Uh, Ridgewood Oval. Roosevelt Raceway.

MARTY HIMES

Roosevelt Raceway half-mile dirt.

137.

1:15:06:05

1:15:07:22

1:17

MARTY HIMES)

Roosevelt Raceway half-mile dirt.

SCENE 28:                          1:15:08:07 - 1:15:14:21

CUT TO EXT. EMPTY RURAL STREET- DAY.

LS RED HOUSE IN BG.

(Marty dialogue continues)

MARTY HIMES (VO)

Sports Arena in Brooklyn.

Suffolk County Air Base.

138.

ITAL

1:15:08:10

1:15:11:03

2:17

MARTY HIMES)

Sports Arena in Brooklyn.

Suffolk County Air Base.

MARTY HIMES (VO)

Speonk Raceway. Sheepshead Bay, Springfield to Babylon.

139.

ITAL

1:15:11:19

1:15:15:04

3:09

MARTY HIMES)

Speonk Raceway. Sheepshead Bay, Springfield to Babylon.

PRINCIPAL PHOTOGRAPHY

140.

1:15:14:21

1:15:21:13

6:16

FLYING SERVICE

FREEPORT STADIUM

SCENE 29:                          1:15:14:22 - 1:15:21:14

EXT. MARTY' S GARAGE- DAY.

LS MARTY STANDING IN FRONT OF GARAGE.

PRINCIPAL PHOTOGRAPHY SIGNAGE:

FLYING SERVICE

FREEPORT STADIUM

MARTY HIMES (VO)

With all those tracks, 'course 99 percent of them are now defunct, they’re gone.

141.

ITAL

1:15:15:15

1:15:20:22

5:07

MARTY HIMES)

With all those tracks, 'course 99 percent of them are now defunct, they’re gone.

SCENE 30:                          1:15:21:14 - 1:15:38:01

CUT BACK TO INT. MARTY'S GARAGE.

MS MARTY SITTING ON SOFA CHAIR.

MARTY HIMES

Riverhead is here.

142.

1:15:21:15

1:15:22:15

1:00

MARTY HIMES)

Riverhead is here.

MARTY HIMES

A square piece of property.

143.

1:15:23:09

1:15:24:15

1:06

MARTY HIMES)

A square piece of property.

MARTY HIMES

There’s business coming in this way,

business coming in this way, this way and this way,

and it’s gonna squeeze 'em out eventually.

144.

1:15:25:18

1:15:33:00

7:06

MARTY HIMES)

There’s business coming in this way,

business coming in this way, this way and this way,

and it’s gonna squeeze 'em out eventually.

MARTY HIMES

When Riverhead goes,

145.

1:15:33:16

1:15:34:18

1:02

MARTY HIMES)

When Riverhead goes,

MARTY HIMES

that will be the end of racing on Long Island.

146.

1:15:35:14

1:15:37:23

2:09

MARTY HIMES)

that will be the end of racing on Long Island.

SCENE 31:                          1:15:38:02 - 1:17:25:03

INT. RACE CAR- DAY.

CU OF JIMMY INSIDE CAR, PUTTING HELMET ON AND CROSSING HIMSELF.

(operatic music plays)

SCENE 32:                          1:17:25:03 - 1:17:55:10

EXT. RACE TRACK- DAY.

CU OF VARIOUS RACE CARS DRIVING DOWN PIT ROAD.

(operatic music continues)

SCENE 33:                          1:17:55:10 - 1:19:09:02

INT. RACE CAR- DAY.

OS CU JIMMY DRIVING CAR DOWN TRACK.

(operatic music plays)

JIMMY IN VARIOUS COLLISIONS.

SCENE 34:                          1:19:09:02 - 1:19:48:13

CUT TO CU JIMMY COLLIDING WITH STOPPED CAR.

CAR FLIPPING OVER.

(loud crash)

(music stops)

SHOTS OF BLUE SKY ABOVE.

(wind whistling)

SCENE 35:                          1:19:48:13 - 1:20:07:11

EXT. RIVERHEAD RACETRACK- DAY.

WS EMPTY TRACK.

SCENE 36:                          1:20:07:13 - 1:20:38:05

EXT. EMPTY FIELD- DAY.

LS MILLIE STANDING WITH RACE TRACK IN BG.

MILLIE THOMAS

Hi, my name is Millie Thomas.

I’m the broker/owner of Landmark Realty in Wading River.

147.

1:20:07:16

1:20:12:15

4:23

MILLIE THOMAS)

Hi, my name is Millie Thomas.

I’m the broker/owner of Landmark Realty in Wading River.

MILLIE THOMAS

It’s just about eight miles west of Riverhead Raceway where we are today.

148.

1:20:13:00

1:20:16:18

3:18

MILLIE THOMAS)

It’s just about eight miles west of Riverhead Raceway where we are today.

MILLIE THOMAS

I’ve been a realtor for about 20 years.

149.

1:20:17:02

1:20:19:00

1:22

MILLIE THOMAS)

I’ve been a realtor for about 20 years.

MILLIE THOMAS

The area has seen considerable growth.

150.

1:20:19:15

1:20:21:19

2:04

MILLIE THOMAS)

The area has seen considerable growth.

MILLIE THOMAS

I started coming out to Riverhead when I was a little girl.

151.

1:20:22:04

1:20:24:14

2:10

MILLIE THOMAS)

I started coming out to Riverhead when I was a little girl.

MILLIE THOMAS

On the weekends, my parents had a summer house here,

and we would shop Downtown Riverhead.

152.

1:20:25:05

1:20:29:23

4:18

MILLIE THOMAS)

On the weekends, my parents had a summer house here,

and we would shop Downtown Riverhead.

MILLIE THOMAS

It was a Main Street area only.

153.

1:20:30:07

1:20:32:02

1:19

MILLIE THOMAS)

It was a Main Street area only.

MILLIE THOMAS

A couple of shops as well as a supermarket, and that’s pretty much what Riverhead used to be.

154.

1:20:33:01

1:20:38:01

5:00

MILLIE THOMAS)

A couple of shops as well as a supermarket, and that’s pretty much what Riverhead used to be.

SCENE 37:                          1:20:38:06 - 1:20:42:20

CUT TO EXT. DOWNTOWN RIVERHEAD- DAY.

LS EMPTY ROAD IN COMMERCIAL AREA. STRIP MALL IN BG.

(Millie dialogue continues)

PRINCIPAL PHOTOGRAPHY SIGNAGE:

DICK'S

FIVE BELOW

MILLIE THOMAS (VO)

It’s a commercial area that has grown and continuing to grow,

155.

ITAL

1:20:38:17

1:20:42:14

3:21

MILLIE THOMAS)

It’s a commercial area that has grown and continuing to grow,

MILLIE THOMAS

and this piece of property is worth millions of dollars.

156.

1:20:42:22

1:20:45:17

2:19

MILLIE THOMAS)

and this piece of property is worth millions of dollars.

SCENE 38:                          1:20:42:22 - 1:20:54:11

CUT BACK TO MILLIE STANDING WITH RACETRACK IN BG.

MILLIE THOMAS

Whether or not the family wants to sell it, that’s another story, but...

157.

1:20:46:01

1:20:49:16

3:15

MILLIE THOMAS)

Whether or not the family wants to sell it, that’s another story, but...

MILLIE THOMAS

it’s sitting in the middle of complete growth in the Riverhead area.

158.

1:20:50:09

1:20:54:07

3:22

MILLIE THOMAS)

it’s sitting in the middle of complete growth in the Riverhead area.

SCENE 39:                          1:20:54:13 - 1:21:03:01

EXT. EMPTY GRASSY LOT- DAY.

LS REAL ESTATE SIGN STAKED IN GROUND.

PRINCIPAL PHOTOGRAPHY SIGNAGE:

COMING SOON RETAIL SPACE WITH BASEMENT

CONTACT: 718-886-2222

FOR AVAILABILITY & DETAILS

PRINCIPAL PHOTOGRAPHY

159.

1:20:54:14

1:20:57:18

3:04

COMING SOON RETAIL SPACE WITH BASEMENT

CONTACT : 718-886-2222

FOR AVAILABILITY & DETAILS

SCENE 40:                          1:21:03:03 - 1:22:09:10

INT. RIVERHEAD RACEWAY OFFICE- DAY.

LS BARBARA AND JIM SITTING BEHIND DESK.

BARBARA CROMARTY

I mean, to see it bulldozed over for another shopping center is really not what--

what we personally would like to see, if we can avoid it.

160.

1:21:03:15

1:21:12:03

8:12

BARBARA CROMARTY)

I mean, to see it bulldozed over for another shopping center is really not what--

what we personally would like to see, if we can avoid it.

BARBARA CROMARTY

And so we keep our fingers crossed.

161.

1:21:13:05

1:21:15:11

2:06

BARBARA CROMARTY)

And so we keep our fingers crossed.

BARBARA CROMARTY

As far as selling it,

162.

1:21:16:04

1:21:17:06

1:02

BARBARA CROMARTY)

As far as selling it,

BARBARA CROMARTY

(laughs) like when we feel days like today, when you don’t feel so good,

163.

1:21:18:11

1:21:21:04

2:17

BARBARA CROMARTY)

like when we feel days like today, when you don’t feel so good,

BARBARA CROMARTY

and it would be nice to be home

164.

1:21:21:20

1:21:23:11

1:15

BARBARA CROMARTY)

and it would be nice to be home

BARBARA CROMARTY

relaxing, and not worrying, and not have all the stress

and the problems that we know will--

165.

1:21:24:09

1:21:29:15

5:06

BARBARA CROMARTY)

relaxing, and not worrying, and not have all the stress

and the problems that we know will--

BARBARA CROMARTY

You know, there will be problems tonight, that’s just the way it goes,

166.

1:21:30:01

1:21:32:18

2:17

BARBARA CROMARTY)

You know, there will be problems tonight, that’s just the way it goes,

BARBARA CROMARTY

and, um-- right?

167.

1:21:33:13

1:21:35:06

1:17

BARBARA CROMARTY)

and, um-- right?

BARBARA CROMARTY

So some days we say

what we could do without it,

168.

1:21:35:17

1:21:37:22

2:05

BARBARA CROMARTY)

So some days we say

what we could do without it,

BARBARA CROMARTY

but, uh... But the other thing is much more overriding.

169.

1:21:38:22

1:21:42:05

3:07

BARBARA CROMARTY)

but, uh... But the other thing is much more overriding.

BARBARA CROMARTY

What was the other question?

170.

1:21:45:13

1:21:46:15

1:02

BARBARA CROMARTY)

What was the other question?

JIM CROMARTY

(stuttering) Yeah, even when Barbara was in the rehab hospital, that’s all she really wanted to know was, uh--

171.

1:21:46:21

1:21:52:06

5:09

JIM CROMARTY)

Yeah, even when Barbara was in the rehab hospital, that’s all she really wanted to know was, uh--

JIM CROMARTY

Thank God for telephones, and...

172.

1:21:52:16

1:21:54:06

1:14

JIM CROMARTY)

Thank God for telephones, and...

JIM CROMARTY

and I kept her up to date on everything.

173.

1:21:55:04

1:21:56:22

1:18

JIM CROMARTY)

and I kept her up to date on everything.

JIM CROMARTY

And it was easy for me because she set up such great patterns here, so...

174.

1:21:57:08

1:22:00:21

3:13

JIM CROMARTY)

And it was easy for me because she set up such great patterns here, so...

JIM CROMARTY

uh, it, uh...

175.

1:22:01:09

1:22:04:01

2:16

JIM CROMARTY)

uh, it, uh...

JIM CROMARTY

But it wasn’t the same with her not being here, so I-- I can tell you that.

176.

1:22:05:11

1:22:09:00

3:13

JIM CROMARTY)

But it wasn’t the same with her not being here, so I-- I can tell you that.

SCENE 41:                          1:22:09:11 - 1:22:21:01

EXT. RIVERHEAD RACEWAY- DAY.

LS WHITE MAIN OFFICE BUILDING.

(marching band playing national anthem in BG)

SCENE 42:                          1:22:21:03 - 1:22:35:08

EXT. RIVERHEAD RACETRACK- DAY.

LS MARCHING BAND PLAYING AND SINGING NATIONAL ANTHEM.

MARCHING BAND

(singing national anthem)

177.

1:22:21:03

1:22:35:00

13:21

MARCHING BAND)

ANNOUNCER

(talking over PA)

178.

1:22:35:00

1:22:39:21

4:21

ANNOUNCER)

MARCHING BAND

(playing national anthem)

179.

1:22:35:01

1:22:55:01

20:00

MARCHING BAND)

SCENE 43:                          1:22:35:08 - 1:22:47:16

CUT TO MS BAND MARCHING DOWN TRACK.

CROWD IN BG.

(national anthem playing)

SCENE 44:                          1:22:47:18 - 1:22:55:11

MS POLISH TOWN QUEEN AND MAN DRIVING BUGGY DOWN TRACK.

SCENE 45:                          1:22:55:11 - 1:25:16:09

INT. RACE CAR- DAY.

CU ED DRIVING DOWN TRACK.

OFFSCREEN CAR COLLIDING WITH ED.

ED MISTRETTA

God.

180.

1:23:36:14

1:23:37:03

0:13

ED MISTRETTA)

God.

ED MISTRETTA

What the fuck is that all about?

181.

1:23:39:11

1:23:40:17

1:06

ED MISTRETTA)

What the fuck is that all about?

RACE DRIVER

You just hit me.

182.

1:23:40:19

1:23:41:14

0:19

RACE DRIVER)

You just hit me.

ED MISTRETTA

No, fuck-- You just dove down in front of me.

183.

1:23:41:18

1:23:43:20

2:02

ED MISTRETTA)

No, fuck-- You just dove down in front of me.

ED MISTRETTA

You know what, get the fuck out of your car.

184.

1:23:44:05

1:23:45:22

1:17

ED MISTRETTA)

You know what, get the fuck out of your car.

ED MISTRETTA

I’m gonna fuck you up.

185.

1:23:46:12

1:23:47:20

1:08

ED MISTRETTA)

I’m gonna fuck you up.

ED MISTRETTA

What, you got a fucking problem?

186.

1:23:49:08

1:23:50:14

1:06

ED MISTRETTA)

What, you got a fucking problem?

ED MISTRETTA

Get out of your fucking car right now. Get out.

187.

1:23:51:02

1:23:53:21

2:19

ED MISTRETTA)

Get out of your fucking car right now. Get out.

RACE DRIVER

(inaudible)

188.

1:23:53:20

1:23:55:16

1:20

RACE DRIVER)

ED MISTRETTA

I'm gonna fuck you up.

189.

1:23:55:01

1:23:56:09

1:08

ED MISTRETTA)

I'm gonna fuck you up.

RACE DRIVER

I didn't run at your car.

190.

1:23:56:17

1:23:57:17

1:00

RACE DRIVER)

I didn't run at your car.

ED MISTRETTA

Yeah?

191.

1:23:57:13

1:23:57:23

0:10

ED MISTRETTA)

Yeah?

ED MISTRETTA

Come here. Come here.

192.

1:24:20:10

1:24:21:09

0:23

ED MISTRETTA)

Come here. Come here.

ED MISTRETTA

This fucking asshole in the 71 just smashed into me after caution's done.

193.

1:24:23:13

1:24:28:08

4:19

ED MISTRETTA)

This fucking asshole in the 71 just smashed into me after caution's done.

ED MISTRETTA

And he just told me he's going to come kick my ass.

194.

1:24:28:14

1:24:30:15

2:01

ED MISTRETTA)

And he just told me he's going to come kick my ass.

ED MISTRETTA

Fucking guy’s an asshole.

195.

1:24:31:22

1:24:32:23

1:01

ED MISTRETTA)

Fucking guy’s an asshole.

ED MISTRETTA

The 71 dove down and says, "Why’d you hit me?"

196.

1:24:33:21

1:24:36:07

2:10

ED MISTRETTA)

The 71 dove down and says, "Why’d you hit me?"

ED MISTRETTA

Yo, I’m fucking running second place or third place. I mean-- So you know what he just said?

197.

1:24:36:17

1:24:41:08

4:15

ED MISTRETTA)

Yo, I’m fucking running second place or third place. I mean-- So you know what he just said?

ED MISTRETTA

"I’m gonna come and kick your ass, you fucker."

198.

1:24:41:15

1:24:43:06

1:15

ED MISTRETTA)

"I’m gonna come and kick your ass, you fucker."

ED MISTRETTA

And that’s when he smashed into me again, sitting still. I mean, come on.

199.

1:24:43:13

1:24:46:12

2:23

ED MISTRETTA)

And that’s when he smashed into me again, sitting still. I mean, come on.

ED MISTRETTA

They better throw his ass out or I'm gonna ride-- I’m gonna fuck him up if you don't.

200.

1:24:46:23

1:24:50:10

3:11

ED MISTRETTA)

They better throw his ass out or I'm gonna ride-- I’m gonna fuck him up if you don't.

ED MISTRETTA

The fucking asshole in the 71.

201.

1:24:51:02

1:24:52:11

1:09

ED MISTRETTA)

The fucking asshole in the 71.

ED MISTRETTA

So then he fucking says, he goes to me "You fucking..."

202.

1:24:53:05

1:24:55:18

2:13

ED MISTRETTA)

So then he fucking says, he goes to me "You fucking..."

ED MISTRETTA

[indistinct]

203.

1:24:56:07

1:25:00:12

4:05

ED MISTRETTA)

[indistinct]

SCENE 46:                          1:25:16:09 - 1:25:58:23

EXT. RIVERHEAD PARKING LOT- DAY.

LS MAN RUNNING INTO CROWD. PAN TO FIGHT BREAKING OUT.

(string music playing)

SCENE 47:                          1:25:58:23 - 1:26:20:21

CUT TO LS TWO MEN RUNNING DOWN LOT.

(string music continues)

SCENE 48:                          1:26:20:22 - 1:27:03:06

INT. ED'S HOUSE- DAY.

MS ARCHIVE FOOTAGE PLAYING ON TV.

INTERVIEWER

(in archive footage) Gettin' out of the car now. Let’s make some noise for "Krazy" Ed Mistretta!

204.

1:26:20:23

1:26:26:06

5:07

INTERVIEWER)

Gettin' out of the car now. Let’s make some noise for "Krazy" Ed Mistretta!

INTERVIEWER (VO)

And Shrek took the ride with him. Shrek over here inside the car.

205.

ITAL

1:26:29:15

1:26:32:22

3:07

INTERVIEWER)

And Shrek took the ride with him. Shrek over here inside the car.

INTERVIEWER

Well, Eddie, on behalf of Buzz Chew Chevrolet and Cadillac,

206.

1:26:33:14

1:26:36:19

3:05

INTERVIEWER)

Well, Eddie, on behalf of Buzz Chew Chevrolet and Cadillac,

INTERVIEWER

it was supposed to be their night at the races last week.

207.

1:26:36:21

1:26:38:17

1:20

INTERVIEWER)

it was supposed to be their night at the races last week.

INTERVIEWER

That’s been rescheduled for August 12th, but since you guys have the night off, you get the, uh--

208.

1:26:39:06

1:26:42:17

3:11

INTERVIEWER)

That’s been rescheduled for August 12th, but since you guys have the night off, you get the, uh--

INTERVIEWER

the Buzz Chew trophy here tonight. Congratulations. A great run. You’re back.

209.

1:26:43:09

1:26:47:11

4:02

INTERVIEWER)

the Buzz Chew trophy here tonight. Congratulations. A great run. You’re back.

ED MISTRETTA

(in archive footage) Thank you.

210.

1:26:47:20

1:26:48:10

0:14

ED MISTRETTA)

Thank you.

ED MISTRETTA

I can’t even talk.

211.

1:26:49:17

1:26:50:10

0:17

ED MISTRETTA)

I can’t even talk.

INTERVIEWER

It’s got to be- no, let’s talk about it. It’s been a hot day.

212.

1:26:51:04

1:26:53:12

2:08

INTERVIEWER)

It’s got to be- no, let’s talk about it. It’s been a hot day.

INTERVIEWER

How hot was it getting inside this car?

213.

1:26:53:16

1:26:55:11

1:19

INTERVIEWER)

How hot was it getting inside this car?

ED MISTRETTA

Very hot. I'm, like, out of breath.

214.

1:26:56:04

1:26:58:00

1:20

ED MISTRETTA)

Very hot. I'm, like, out of breath.

ED MISTRETTA

This win was for my father, who passed away.

215.

1:26:59:20

1:27:02:16

2:20

ED MISTRETTA)

This win was for my father, who passed away.

ARCHIVE FOOTAGE

(interview continues in background)

216.

1:27:03:07

1:27:20:21

17:14

ARCHIVE FOOTAGE)

ED MISTRETTA

Yeah, and that was dedicated to my dad.

217.

1:27:03:07

1:27:04:22

1:15

ED MISTRETTA)

Yeah, and that was dedicated to my dad.

SCENE 49:                          1:27:03:08 - 1:27:31:05

INT. ED'S LIVING ROOM- DAY.

LS ED STANDING IN FRONT OF TV. VARIOUS TROPHIES IN FG.

(archive footage playing in BG)

ED MISTRETTA

My dad died on the 29th of July

218.

1:27:06:08

1:27:08:18

2:10

ED MISTRETTA)

My dad died on the 29th of July

ED MISTRETTA

so this was the win for my dad, so that’s why I wanted to show you the video.

219.

1:27:09:12

1:27:12:17

3:05

ED MISTRETTA)

so this was the win for my dad, so that’s why I wanted to show you the video.

ED MISTRETTA

So it felt good to pull it off,

220.

1:27:14:19

1:27:16:03

1:08

ED MISTRETTA)

So it felt good to pull it off,

ED MISTRETTA

and now we’ll just keep winning

after that as much as we can.

221.

1:27:17:01

1:27:19:18

2:17

ED MISTRETTA)

and now we’ll just keep winning

after that as much as we can.

ED MISTRETTA

(in archive footage) Next thing you know I bought the car. I just bought a new truck last week.

222.

1:27:20:21

1:27:24:00

3:03

ED MISTRETTA)

Next thing you know I bought the car. I just bought a new truck last week.

ED MISTRETTA

Oh, yeah, I had just bought a new truck too.

223.

1:27:24:05

1:27:25:17

1:12

ED MISTRETTA)

Oh, yeah, I had just bought a new truck too.

ED MISTRETTA

So what’d you think of the video, pretty good?

224.

1:27:27:10

1:27:28:23

1:13

ED MISTRETTA)

So what’d you think of the video, pretty good?

ED'S GIRLFRIEND

We spoke about when we met each other that you're gonna...

225.

1:27:31:07

1:27:33:20

2:13

ED'S GIRLFRIEND)

We spoke about when we met each other that you're gonna...

SCENE 50:                          1:27:31:08 - 1:28:29:13

INT. ED'S LIVING ROOM- DAY.

LS ED AND GIRLFRIEND SITTING. VARIOUS TROPHIES IN BG.

ED'S GIRLFRIEND

back up on that.

226.

1:27:34:20

1:27:35:14

0:18

ED'S GIRLFRIEND)

back up on that.

ED'S GIRLFRIEND

Now they are pushing you to go back racing

227.

1:27:36:12

1:27:39:06

2:18

ED'S GIRLFRIEND)

Now they are pushing you to go back racing

ED'S GIRLFRIEND

because you agreed that you probably were not gonna do it.

228.

1:27:39:23

1:27:42:22

2:23

ED'S GIRLFRIEND)

because you agreed that you probably were not gonna do it.

ED'S GIRLFRIEND

They are pushing you so much, calling you so much, that you decided to do it...

229.

1:27:43:07

1:27:46:21

3:14

ED'S GIRLFRIEND)

They are pushing you so much, calling you so much, that you decided to do it...

ED'S GIRLFRIEND

and you have to remember you were planning to get married, having a house together.

230.

1:27:48:19

1:27:52:11

3:16

ED'S GIRLFRIEND)

and you have to remember you were planning to get married, having a house together.

ED'S GIRLFRIEND

That’s a lot of expenses involved...

231.

1:27:52:23

1:27:54:23

2:00

ED'S GIRLFRIEND)

That’s a lot of expenses involved...

ED'S GIRLFRIEND

and all that.

232.

1:27:56:12

1:27:57:03

0:15

ED'S GIRLFRIEND)

and all that.

ED MISTRETTA

Well, I was hoping you’re rich so you could cover that.

233.

1:27:57:15

1:27:59:14

1:23

ED MISTRETTA)

Well, I was hoping you’re rich so you could cover that.

ED'S GIRLFRIEND

But I am not.

234.

1:27:59:15

1:28:00:12

0:21

ED'S GIRLFRIEND)

But I am not.

ED MISTRETTA

(laughing) I'm only kidding.

235.

1:28:00:11

1:28:02:12

2:01

ED MISTRETTA)

I'm only kidding.

ED'S GIRLFRIEND

But I am not, and I--

236.

1:28:03:08

1:28:04:05

0:21

ED'S GIRLFRIEND)

But I am not, and I--

ED MISTRETTA

No, I understand that. I understand that. Like you said.

237.

1:28:04:04

1:28:06:22

2:18

ED MISTRETTA)

No, I understand that. I understand that. Like you said.

ED MISTRETTA

I guess it’s in the blood. I followed my father’s footsteps.

238.

1:28:07:22

1:28:11:01

3:03

ED MISTRETTA)

I guess it’s in the blood. I followed my father’s footsteps.

ED MISTRETTA

Been around the track since I was born.

239.

1:28:12:02

1:28:14:03

2:01

ED MISTRETTA)

Been around the track since I was born.

ED MISTRETTA

Uh...

240.

1:28:15:02

1:28:15:14

0:12

ED MISTRETTA)

Uh...

ED MISTRETTA

Last time I saw my dad, I took a win for him in New Jersey.

241.

1:28:17:12

1:28:21:07

3:19

ED MISTRETTA)

Last time I saw my dad, I took a win for him in New Jersey.

ED MISTRETTA

I know my father had tears in his eyes. He always says to me,

242.

1:28:22:16

1:28:25:12

2:20

ED MISTRETTA)

I know my father had tears in his eyes. He always says to me,

ED MISTRETTA

"You go do it," he says, "I know you’ll be good at it."

243.

1:28:26:11

1:28:29:02

2:15

ED MISTRETTA)

"You go do it," he says, "I know you’ll be good at it."

SCENE 51:                          1:28:29:14 - 1:28:41:03

CUT TO CU FRAMED PICTURE OF ED HOLDING CHECKERED FLAG.

RED MODEL TOY CARS IN FG.

ED MISTRETTA

And when he saw me win he goes, "Now I know you’re gonna be better than me,"

244.

1:28:29:16

1:28:33:03

3:11

ED MISTRETTA)

And when he saw me win he goes, "Now I know you’re gonna be better than me,"

ED MISTRETTA

he says, "So don’t ever give up on it."

245.

1:28:33:21

1:28:35:12

1:15

ED MISTRETTA)

he says, "So don’t ever give up on it."

ED MISTRETTA

He says, "And if you love what you’re doing, don’t stop till you can’t do it no more."

246.

1:28:36:13

1:28:40:14

4:01

ED MISTRETTA)

He says, "And if you love what you’re doing, don’t stop till you can’t do it no more."

SCENE 52:                          1:28:41:04 - 1:29:09:02

CUT BACK TO LS ED AND GIRLFRIEND SITTING DOWN.

ED'S GIRLFRIEND

You have breathing problems. You having... sinus problem. You have the high cholesterol. You have all your heart attacks and stents, and...

247.

1:28:41:17

1:28:51:20

10:03

ED'S GIRLFRIEND)

You have breathing problems. You having... sinus problem. You have the high cholesterol. You have all your heart attacks and stents, and...

ED'S GIRLFRIEND

you have to--

248.

1:28:52:12

1:28:53:09

0:21

ED'S GIRLFRIEND)

you have to--

ED'S GIRLFRIEND

I think you forget a little bit about that and worry about the racing more than your health.

249.

1:28:54:22

1:29:00:00

5:02

ED'S GIRLFRIEND)

I think you forget a little bit about that and worry about the racing more than your health.

ED MISTRETTA

Well, it’s funny to say, but when you get in a race car,

250.

1:29:01:22

1:29:04:10

2:12

ED MISTRETTA)

Well, it’s funny to say, but when you get in a race car,

ED MISTRETTA

you could have pain in your arm,

251.

1:29:05:05

1:29:06:11

1:06

ED MISTRETTA)

you could have pain in your arm,

ED MISTRETTA

soon as you get on that racetrack, you don’t have pain in your arm.

252.

1:29:06:20

1:29:09:01

2:05

ED MISTRETTA)

soon as you get on that racetrack, you don’t have pain in your arm.

SCENE 53:                          1:29:09:06 - 1:29:21:07

EXT. RESIDENTIAL STREET.

LS HOUSE WITH BLUE CAR PARKED OUTSIDE.

CARS DRIVING BY IN FG.

SCENE 54:                          1:29:21:07 - 1:29:34:11

CU JIMMY WORKING ON CAR ENGINE.

(engine sputtering)

SCENE 55:                          1:29:34:11 - 1:29:55:11

CUT TO CU EXPOSED CAR ENGINE, FLAME IGNITING.

SCENE 56:                          1:29:55:13 - 1:30:02:02

EXT. FRONT PORCH- DAY.

MS TODDLER STANDING IN FRONT OF DOOR SCREEN.

SCENE 57:                          1:30:02:04 - 1:30:15:03

EXT. RESIDENTIAL DRIVEWAY- DAY.

LS GATE OPENING TO LET VAN THROUGH.

SCENE 58:                          1:30:15:05 - 1:30:40:10

LS JIMMY AND DALTON EXITING VAN.

JIMMY WHITE JR.

Dalton, we can go this way.

253.

1:30:17:23

1:30:18:18

0:19

JIMMY WHITE JR.)

Dalton, we can go this way.

JIMMY WHITE JR.

There’s one in the front and one in the back.

254.

1:30:36:15

1:30:37:20

1:05

JIMMY WHITE JR.)

There’s one in the front and one in the back.

SCENE 59:                          1:30:40:11 - 1:30:59:11

INT. WHITE SHED- DAY.

LS JIMMY AND DALTON SETTING UP A LADDER.

JIMMY WHITE JR.

(whispering) They’re German hornets. Do not slam that ladder on there.

255.

1:30:44:01

1:30:46:23

2:22

JIMMY WHITE JR.)

They’re German hornets. Do not slam that ladder on there.

JIMMY WHITE JR.

It’ll be one of the worst mistakes you ever make.

256.

1:30:49:07

1:30:51:01

1:18

JIMMY WHITE JR.)

It’ll be one of the worst mistakes you ever make.

DALTON

Take this.

257.

1:30:52:09

1:30:52:18

0:09

DALTON)

Take this.

JIMMY WHITE JR.

You will get torn the fuck up.

258.

1:30:52:15

1:30:54:00

1:09

JIMMY WHITE JR.)

You will get torn the fuck up.

SCENE 60:                          1:30:59:13 - 1:31:10:22

CU HORNET NEST HANGING FROM WOODEN BEAMS.

SCENE 61:                          1:31:10:23 - 1:31:24:05

MS JIMMY SPRAYING DOWN NEST.

SCENE 62:                          1:31:24:05 - 1:31:35:06

CU NEST BEING TORN DOWN WITH SPADE.

SCENE 63:                          1:31:35:08 - 1:31:52:08

CU HORNET TUMBLING ON GRAVEL.

SCENE 64:                          1:31:52:11 - 1:32:02:23

EXT. FRONT PORCH- DAY.

LS JIMMY LOCKING FRONT DOOR.

SCENE 65:                          1:32:03:00 - 1:32:06:11

CU PAPER TAG HANGING FROM DOORKNOB.

PRINCIPAL PHOTOGRAPHY TEXT:

JIM'S BUSY BEE

9-19-13

WASP OR BEE CONTROL

PRINCIPAL PHOTOGRAPHY

259.

1:32:04:16

1:32:05:23

1:07

JIM'S BUSY BEE

9-19-13

WASP OR BEE CONTROL

SCENE 66:                          1:32:06:13 - 1:32:40:05

INT. KITCHEN- DAY.

MS PICKERELLS STANDING IN KITCHEN.

RON PICKERELL SR.

What are you gonna have?

260.

1:32:06:21

1:32:07:12

0:15

RON PICKERELL SR.)

What are you gonna have?

TOM PICKERELL

Eggs.

261.

1:32:08:05

1:32:08:13

0:08

TOM PICKERELL)

Eggs.

RON PICKERELL SR.

Eggs?

262.

1:32:10:04

1:32:10:12

0:08

RON PICKERELL SR.)

Eggs?

"BUG" PICKERELL

All-righty.

263.

1:32:11:20

1:32:12:02

0:06

"BUG" PICKERELL)

All-righty.

RON PICKERELL SR.

Bugsy, you make it. I'm-- I--

264.

1:32:12:04

1:32:13:08

1:04

RON PICKERELL SR.)

Bugsy, you make it. I'm-- I--

"BUG" PICKERELL

You guy-- You guys set the table. I’ll make the breakfast, all right?

265.

1:32:12:22

1:32:15:12

2:14

"BUG" PICKERELL)

You guy-- You guys set the table. I’ll make the breakfast, all right?

RON PICKERELL SR.

You get the eggs from down there already?

266.

1:32:15:04

1:32:16:13

1:09

RON PICKERELL SR.)

You get the eggs from down there already?

RON PICKERELL SR.

Yeah.

267.

1:32:17:07

1:32:17:19

0:12

RON PICKERELL SR.)

Yeah.

"BUG" PICKERELL

Yeah, I got 'em this morning.

268.

1:32:17:10

1:32:18:13

1:03

"BUG" PICKERELL)

Yeah, I got 'em this morning.

RON PICKERELL SR.

Okay.

269.

1:32:19:05

1:32:19:15

0:10

RON PICKERELL SR.)

Okay.

"BUG" PICKERELL

Somebody’s got to wake the chickens up.

270.

1:32:19:23

1:32:21:14

1:15

"BUG" PICKERELL)

Somebody’s got to wake the chickens up.

RON PICKERELL SR.

Had to wake the goddamn chickens up, and we wait-- sit around here for three hours before you get here.

271.

1:32:22:20

1:32:26:10

3:14

RON PICKERELL SR.)

Had to wake the goddamn chickens up, and we wait-- sit around here for three hours before you get here.

RON PICKERELL SR.

Am I gonna need my, uh, calm-me-down pills today or not?

272.

1:32:29:22

1:32:32:19

2:21

RON PICKERELL SR.)

Am I gonna need my, uh, calm-me-down pills today or not?

TOM PICKERELL

I'll make a roll.

273.

1:32:30:07

1:32:31:02

0:19

TOM PICKERELL)

I'll make a roll.

"BUG" PICKERELL

What?

274.

1:32:33:03

1:32:33:12

0:09

"BUG" PICKERELL)

What?

TOM PICKERELL

I’ll make a roll, I guess.

Right?

275.

1:32:33:15

1:32:35:04

1:13

TOM PICKERELL)

I’ll make a roll, I guess.

Right?

"BUG" PICKERELL

You don’t want eggs?

276.

1:32:35:10

1:32:36:04

0:18

"BUG" PICKERELL)

You don’t want eggs?

TOM PICKERELL

No, you can make me eggs, but I’ll eat a roll in the meantime.

277.

1:32:36:02

1:32:38:02

2:00

TOM PICKERELL)

No, you can make me eggs, but I’ll eat a roll in the meantime.

"BUG" PICKERELL

All right.

278.

1:32:38:04

1:32:38:16

0:12

"BUG" PICKERELL)

All right.

TOM PICKERELL

I see rolls there.

279.

1:32:39:11

1:32:40:04

0:17

TOM PICKERELL)

I see rolls there.

SCENE 67:                          1:32:40:07 - 1:33:07:22

INT. DINING ROOM- DAY.

MS RON AND TOM HAVING BREAKFAST ON TABLE.

RON PICKERELL SR.

But I could-- even last week.

280.

1:32:43:06

1:32:44:20

1:14

RON PICKERELL SR.)

But I could-- even last week.

RON PICKERELL SR.

It cost you, what, two wheels, two tires,

281.

1:32:45:11

1:32:48:06

2:19

RON PICKERELL SR.)

It cost you, what, two wheels, two tires,

RON PICKERELL SR.

and a week’s worth of work.

282.

1:32:49:11

1:32:50:10

0:23

RON PICKERELL SR.)

and a week’s worth of work.

RON PICKERELL SR.

Now--

283.

1:32:51:20

1:32:52:05

0:09

RON PICKERELL SR.)

Now--

"BUG" PICKERELL

Rims, tie rod.

284.

1:32:52:08

1:32:53:20

1:12

"BUG" PICKERELL)

Rims, tie rod.

RON PICKERELL SR.

New tie rod ends just from

his anger management problem.

285.

1:32:54:02

1:32:57:12

3:10

RON PICKERELL SR.)

New tie rod ends just from

his anger management problem.

RON PICKERELL SR.

But--

286.

1:33:01:09

1:33:01:15

0:06

RON PICKERELL SR.)

But--

"BUG" PICKERELL

Yeah, we need a win to pay for it now.

287.

1:33:01:13

1:33:03:07

1:18

"BUG" PICKERELL)

Yeah, we need a win to pay for it now.

RON PICKERELL SR.

What goes around comes around. He bring it on himself.

288.

1:33:03:11

1:33:05:15

2:04

RON PICKERELL SR.)

What goes around comes around. He bring it on himself.

SCENE 68:                          1:33:07:23 - 1:33:16:05

CU CHIMING WALL CLOCK RINGING AT HOUR.

(music box tune playing)

SCENE 69:                          1:33:16:06 - 1:33:35:09

INT. SHELLFISH PROCESSING PLANT WORKROOM- DAY.

LS TOM EMPTYING SHELLFISH BAGS ON TRAY.

SCENE 70:                          1:33:35:10 - 1:33:47:05

CU SHELLFISH PASSING THROUGH GRADING MACHINE.

SCENE 71:                          1:33:47:06 - 1:33:54:06

LS SHELLFISH BEING SORTED INTO RED BAGS.

SCENE 72:                          1:33:54:07 - 1:34:00:09

LS PHOTOGRAPH OF RACERS HANGING FROM WALL.

PRINCIPAL PHOTOGRAPHY TEXT (PHOTOGRAPH):

KAUNEONGA SPEEDWAY

1998

PRINCIPAL PHOTOGRAPHY TEXT (SIGNAGE):

WASH HANDS BEFORE HANDLING SHELLFISH.

PRINCIPAL PHOTOGRAPHY

289.

1:33:54:13

1:33:55:13

1:00

WASH HANDS

BEFORE

HANDLING SHELLFISH

PRINCIPAL PHOTOGRAPHY

290.

1:33:56:00

1:33:57:00

1:00

KAUNEONGA SPEEDWAY 1998

SCENE 73:                          1:34:00:10 - 1:34:10:10

MS RON STANDING IN FRONT OF DOOR.

SCENE 74:                          1:34:10:11 - 1:34:22:05

EXT. RIVERHEAD RACEWAY- DAY.

CU WHITE AND RED SIGN BEHIND FENCE.

PRINCIPAL PHOTOGRAPHY TEXT (SIGNAGE):

RACING EVERY SATURDAY

6 PM

PRINCIPAL PHOTOGRAPHY

291.

1:34:10:19

1:34:12:12

1:17

RACING EVERY SATURDAY

6 PM

SCENE 75:                          1:34:22:08 - 1:34:55:17

INT. RIVERHEAD OFFICE- DAY.

LS BARBARA AND JIM SITTING.

SCENE 76:                          1:34:55:17 - 1:35:10:00

EXT. RACETRACK- DUSK.

LS RED RACE CAR DRIVING. GRANDSTANDS IN BG.

(announcer on PA in BG)

SCENE 77:                          1:35:10:02 - 1:35:33:23

MS RICK AND BOB SITTING ON STEPS OF VIEWING PLATFORM.

"CAPTAIN VIDEO" RICK TODD

So now you got, like, a few seconds now.

292.

1:35:11:07

1:35:13:08

2:01

"CAPTAIN VIDEO" RICK TODD)

So now you got, like, a few seconds now.

PETER MILANO

Okay, ready?

All right.

293.

1:35:13:12

1:35:14:14

1:02

PETER MILANO)

Okay, ready?

All right.

PETER MILANO

Just tell me about yourself.

294.

1:35:16:05

1:35:17:08

1:03

PETER MILANO)

Just tell me about yourself.

PETER MILANO

Tell me what you do

and where you're from and what you do here.

295.

1:35:17:17

1:35:20:06

2:13

PETER MILANO)

Tell me what you do

and where you're from and what you do here.

"CAPTAIN VIDEO" RICK TODD

Well, I, um--

296.

1:35:20:08

1:35:21:16

1:08

"CAPTAIN VIDEO" RICK TODD)

Well, I, um--

"CAPTAIN VIDEO" RICK TODD

Oh, okay, sure.

297.

1:35:23:00

1:35:23:22

0:22

"CAPTAIN VIDEO" RICK TODD)

Oh, okay, sure.

"CAPTAIN VIDEO" RICK TODD

Hi, everybody. I just want to let you know that I'm-- I've been-- We been doing this filming here

298.

1:35:24:15

1:35:30:10

5:19

"CAPTAIN VIDEO" RICK TODD)

Hi, everybody. I just want to let you know that I'm-- I've been-- We been doing this filming here

"CAPTAIN VIDEO" RICK TODD

at Riverhead Raceway for 25 years,

299.