Ganz
– How I Lost My Beetle
Original dialogue transcript – 55’
version
Speaker |
TC in |
TC out |
Text |
Voice Over |
00:00:37 |
00:01:07 |
The Beetle. The most popular car of all
time. A car with character, a
timeless car, a people’s car. A car designed in the heart of
Hitler’s Reich. A car that won people’s hearts
all over the world. This is the story of Josef
Ganz, the forgotten father of the Beetle. A Jewish engineer whose name
was erased from history, swept away by the very powers that made his dream
come true. |
Gerd |
00:01:53 |
00:01:54 |
Hello. |
Lorenz |
00:01:54 |
00:01:54 |
Hello. |
Gerd |
00:01:55 |
00:01:56 |
Are you here for the Ganz car? |
Lorenz |
00:01:57 |
00:01:57 |
Yes. |
Paul |
00:01:59 |
00:01:60 |
Hi, Gerd. |
Gerd |
00:01:59 |
00:01:59 |
Hi, Paul |
Lorenz |
00:02:00 |
00:02:17 |
Hi, Lorenz.
Nice to meet you. |
Paul |
00:02:03 |
00:02:06 |
This is the
first time we'll see a Standard Superior. |
Gerd |
00:02:08 |
00:02:24 |
It's
amazing that the car managed to survive so well
in the GDR. Many
parts of the car are still original. Like the fenders.. |
Paul |
00:02:24 |
00:02:25 |
Yes, the
fenders. |
Gerd |
00:02:26 |
00:02:29 |
The side
panels, the wheels, the headlights.. |
Gerd |
00:02:18 |
00:02:42 |
The Volkswagen
Beetle is built on the same principle, customized for mass production. But
all the construction elements are there, as you can see. |
Lorenz |
00:02:47 |
00:02:50 |
What would we
need to do to start the engine? |
Gerd |
00:02:51 |
00:02:57 |
Install a battery,
pour petrol in the tank, connect the throttle linkage, and then it should
run. |
Lorenz |
00:02:57 |
00:02:58 |
Okay. |
Paul |
00:03:00 |
00:03:08 |
So here we have
the original Standard Superior brochure. What’s interesting is that Joseph
Ganz is mentioned here. |
Gerd |
00:03:10 |
00:03:16 |
That shows that
he was a very famous and reputable craftsman at the time. |
Paul |
00:03:16 |
0:03:20 |
And of that
model – the very first model. As far as I know, no complete cars exist. |
Lorenz |
00:03:20 |
00:03:21 |
Okay. |
Paul |
00:03:25 |
00:04:10 |
Even as a child
I was somehow fascinated with the Beetle. This small, round car with an
engine in the back and a very characteristic sound. I kind of knew the story
of Porsche and Hitler who launched it on the market. But when I started
looking into the story, I came across the name Josef Ganz in an article. I
had never heard of him. A Jewish engineer, no less, who had played a key role
in the development of the Volkswagen, which I knew to be a Nazi project. It moved me to
see this picture of Ganz, an old man living in Australia. Reason enough for
me to start researching Ganz' story. |
Gerd |
00:04:24 |
00:04:26 |
A little bit to
the right. |
Lorenz |
00:04:26 |
00:04:26 |
Yes, to the
right. |
Gerd |
00:04:27 |
00:04:33 |
Slowly. It’s
come off here too. |
Voice Over |
00:04:46 |
00:04:49 |
In the
beginning, people thought the first automobiles were a miracle. |
Voice Over |
00:04:52 |
00:04:58 |
Born in 1898
and growing up in Vienna, Josef Ganz was fascinated by this extraordinary new
invention. |
Voice Over |
00:05:00 |
00:05:08 |
Ferdinand
Porsche had just launched an innovative electric car. As a 12-year-old Ganz
was already dreaming of becoming an engineer himself. |
Voice Over |
00:05:10 |
00:05:18 |
Crossing the
busy boulevards of Vienna, he might have walked past a certain Adolf Hitler,
a frustrated artist, who would later come to ruin his life. |
Lorenz |
00:05:27 |
00:06:22 |
I have always
been a petrol head. In 2005, I was the chief editor of model car magazines.
And at a family party, someone showed me a newspaper article about Josef
Ganz. That was so special: a man from my family who was involved with cars.
And with Porsche and the beginning of the automotive industry. I thought the
journalist Paul Schilperoord would be an old man, but he was young, around
the same age as me. This car was modified a bit during the GDR era. We will
try to bring it back to its original state so we can tell the story of Josef
Ganz. Because his story doesn’t feature in the official history. Josef Ganz’
story is missing. |
Paul |
00:06:30 |
00:06:50 |
In Australia
Josef Ganz put all of his documents on microfilm, and it was all kept by his
lawyer. And I tracked the family of the lawyer, and I found out that they
kept it all these years. And they agreed to send it to me. So one day the
first box arrived, like this. I opened it, this is all microfilms. |
Lorenz |
00:06:50 |
00:06:51 |
Can I take it
out? |
Paul |
00:06:51 |
00:06:58 |
Yeah, you can
take it out, just hold it at the edges. And in some of these I found really
interesting documents. |
Lorenz |
00:07:02 |
00:07:04 |
I think I see a
car or something? |
Paul |
00:07:08 |
00:07:15 |
In here, this
is the oldest thing I found about Josef Ganz, it’s the only picture of him
actually as a child. |
Lorenz |
00:07:17 |
00:07:32 |
Josef Ganz, a 12 year-old grammar school student
from Vienna invented a protection device for electric trams. The young
technician promises to become a famous man one day. |
Voice Over |
00:07:37 |
00:07:54 |
A promising
future lay ahead of him. His father was a well-known journalist writing for
the Frankfurter Zeitung. Their home was a meeting place for members of state,
famous scientists and prominent artists. Josef and his sister Margit were
brought up as free spirits. |
Maja |
00:08:05 |
00:08:39 |
Josef Ganz was
my great-uncle. He had no children of his own and my father was his godchild.
He was an amazing figure in our family, even though he was in fact absent. My
father always solemnly stated: ‘Never forget that Josef Ganz was the
developer of the Volkswagen Beetle. The most beautiful car in the world.’ |
Maja |
00:08:54 |
00:09:09 |
As my father is
no longer alive, I’m left with many questions. And the story of this
Volkswagen… in a way, it was always a bit too big for me to handle. |
Voice Over |
00:09:19 |
00:09:27 |
In July 1916,
Ganz voluntarily enlisted in the German army. He was Jewish, but he felt
German above all else. |
Voice Over |
00:09:33 |
00:09:40 |
He was
stationed at the Warnemünde airbase during the war.
He learned that aerodynamics and curved edges can greatly improve speed. |
Voice Over |
00:09:49 |
00:10:01 |
Immediately
after the war Ganz studied engineering in Darmstadt, where he met the love of
his life, Madeleine, his landlord’s niece. She was as crazy about cars as he
was. |
Paul |
00:10:04 |
00:10:13 |
And this came
also with the boxes from Australia. The original driving license, it’s full
of stamps. |
Lorenz |
00:10:14 |
00:10:15 |
How old was he?
At the time… |
Paul |
00:10:16 |
00:10:24 |
Here he was 21
or 22. I think you look a little bit like Josef Ganz. |
Voice Over |
00:10:30 |
00:10:33 |
Josef and
Madeleine didn’t have a car yet. They were too expensive for ordinary people. |
Voice Over |
00:10:37 |
00:10:48 |
In America,
Ford had given the masses an affordable car, the model T. But in Europe the
car industry was still dominated by luxurious, impractical cars. |
Voice Over |
00:10:52 |
00:11:09 |
Ganz was a
regular at the races and wrote enthusiastically about all the technical
innovations. But the German
automotive industry was slow to keep up. Ganz thought their designs were too
old fashioned: no better than carriages without horses! |
Voice Over |
00:11:14 |
00:11:21 |
Already in
1923, Ganz dreamt of a lightweight car, affordable for everyone. A people’s
car. |
Paul |
00:11:23 |
00:11:44 |
My bond with
Josef Ganz has grown stronger over the years. It feels like it’s my mission
to tell his story. New things keep happening. I came into contact with the
artist Rémy Markowitsch. He wants to create an
artwork about Josef Ganz from my photo archives. |
Rémy |
00:11:46 |
00:12:17 |
I had never
even heard of Josef Ganz. I’ve always been fascinated by the fact that the
car industry and the early stages of mass production were influenced a great
deal by Nazis and their sympathizers. And I wanted to do something about this
relationship for Wolfsburg Art Museum. But thanks to your research, my
project has completely changed. |
Paul |
00:12:22 |
00:12:49 |
When this first
arrived by mail it was just incredible. You know, big box like that. I opened
this and it was just completely stuffed with photo negatives. So for me it
was really quite fascinating to get a glimpse how he looked of course. He
made so many photographs, his sense of humor in it.
He made some really funny photographs sometimes. Some are even difficult to analyse,
you know, why he took a certain picture. He’s not often in the photographs,
but here for example he is after his car accident. |
Voice Over |
00:12:50 |
00:13:22 |
Driving cars as
often as he did, Ganz soon had a serious accident. After his recovery, he
carried his camera around with him everywhere. He carefully studied and
recorded all the failings of the current car designs. Big carriages lying in ditches, victims of their
high centres of gravity. Their rigid axles. |
Voice Over |
00:13:53 |
00:14:27 |
But building a
car takes more than just a dream. It needs investment, time and money. Ganz
didn’t have the resources to create his perfect car. Instead he became the chief editor of Motor Kritik, which became one of the most influential
magazines in the German auto industry. His girlfriend
Madeleine was hired as his editorial secretary and they moved in together
above the magazine’s office in Frankfurt. |
Voice Over |
00:14:32 |
00:14:59 |
Ganz lived and
worked by the motto: No innovation without criticism. He tested every new car himself. On steps, rough
terrain and alpine passes. There was no better
place to get to know a car than a hairpin bend. He uncovered
faults in new models. Not for the sake of
criticism, but for progress. To move forward. |
Voice Over |
00:15:01 |
00:15:22 |
Within a few
years, circulation reached 13,000 subscribers. But the
industry was not amused by his magazine’s critical reviews. Ganz got threats from car manufactures. Advertisement
boycotts. They feared their car sales would drop because of the magazine. |
Paul |
00:15:36 |
00:15:36 |
Can I try? |
Lorenz |
00:15:37 |
00:15:37 |
Yeah. |
Paul |
00:16:00 |
00:16:01 |
This was
running nicely. |
Voice Over |
00:16:17 |
00:17:09 |
No car company
was brave enough to invest in small cars. Finally, Ganz got a chance to put
his knowledge into practice. He
built a first prototype of his people’s car at The Ardie
motorcycle factory. This small, lightweight car featured a central backbone chassis,
independent all-round suspension and a mid-mounted engine. An economical,
streamlined and comfortable car that hugged the road. He named the car ‘The Ardie Ganz’ and put himself on the front page of the
magazine. His Ardie-Ganz was inspired by nature: no
hard edges but round shapes and flexible joints. A good car, Ganz believed,
should move naturally like an animal, and as fluidly as his favourite
creature of all, the May Beetle. |
Paul |
00:17:15 |
00:17:24 |
This is the
original photo album by Josef Ganz. And it’s all really photos of prototypes,
some family photo’s but a lot of… |
Paul |
00:17:28 |
00:17:29 |
The birth of
the May Beetle. |
Lorenz |
00:17:33 |
00:17:35 |
You really have
many, many pictures. |
Voice Over |
00:17:42 |
00:17:57 |
Ganz became the
sensation of Frankfurt. People loved his car. They wanted to reach out and
touch it. Children posed proudly
behind its wheel. He even made it into the cinema. |
Archive |
00:17:58 |
00:18:13 |
This car only
weighs 260 kilos. In the streets of Frankfurt am Main, where it was built. In
the front: Axle-less suspended wheels. In the back: swing axles. It can take
on any obstacle. |
Voice Over |
00:18:22 |
00:19:10 |
Ganz was happy.
His years of hard work were starting to pay off. Finally Germany was becoming
a centre for automotive innovation and progress. New models rolled off the
assembly line. Ganz was held in high regard, thanks to his brilliant
engineering work and critical journalism. At the Ford Factory in Cologne he
admired the efficiency with which the cars rolled off the belt. They were
still shaped like square tin cans, but the scale and ambition was impressive.
Finally carmakers realized the potential of his ideas. He was hired by no
less than three car manufacturers to be their technical advisor: Adler,
Mercedes and BMW. |
Rémy |
00:19:12 |
00:19:28 |
So here we have
this Chaplinesque depiction. You see him torn
between his two clients, big industrial companies. He had the naive hope that
his critical contribution would ensure a place for him. |
Paul |
00:19:40 |
00:20:01 |
You see
Swastikas appearing, like right here for example. But it’s more by chance.
What I find quite fascinating is this photograph. Where everybody is giving
the salute. And it makes you wonder, is Ganz taking the photograph as a sort
of excuse not to make the salute, or… |
Voice Over |
00:20:04 |
00:20:41 |
And yet he was
bothered by the troublemakers that were becoming a more permanent fixture,
with their flags and uniforms. Soon they targeted Ganz himself. The National
Front, a Nazi magazine, called Ganz a danger to German industry, Jewish
vermin. He refused to let it go. He threatened with a lawsuit, prepared his
case and collected multiple statements of support. The magazine was forced to
make a statement in which they withdrew their allegations. It was 1932, and this time Ganz won, but the feud
was far from over. |
Voice Over |
00:20:45 |
00:21:05 |
Spring had come and Ganz did
further test runs with his May Beetle. The Standard car company wanted to put
a people’s car designed from his prototype into production. Hundreds of the
Standard Superiors would make it onto the road. The car was produced in two
colours and branded a ‘Volkswagen’. |
Paul |
00:21:13 |
00:21:37 |
These are all magazines from
the early 1930’s when the Standard Superior was introduced. In all these
magazines, Ganz is praised for what he had accomplished. The whole article is
about the Berlin Car Show. The showpiece of the Car Show comes from Mr. Ganz from Motor Kritik. |
Archive |
00:21:37 |
00:21:40 |
The big car show in Berlin! |
Voice Over |
00:21:41 |
00:21:58 |
One of the first things Hitler
did after coming into power in 1933 was to open the auto show in Berlin. Ganz
saw him, lingering at his Standard Superior. Hitler was passionate about the
idea of a Volkswagen to motorize the German people. |
Paul |
00:22:01 |
00:22:10 |
That looks like Hitler and Göring walking on this floor of the show. He was really,
directly behind Hitler. |
Voice Over |
00:22:11 |
00:22:18 |
With the country still
recovering from the Great Depression, the new Autobahn that Hitler was so
proud of gave the German economy a major boost. |
Archive |
00:22:20 |
00:22:20 |
Attention! |
Voice Over |
00:22:21 |
00:22:32 |
Ganz appealed to his readers:
let’s help our government achieve its goals. To make Germany a fully
motorized country. |
Andrei |
00:22:51 |
00:23:16 |
So, we took off the old
bodywork. We dismantled all the parts, and sandblasted, primed and painted
them. In order to replace the bodywork on this original chassis, they took
two doors off a car from the GDR. |
Paul |
00:23:16 |
00:23:17 |
Yes. |
Andrei |
00:23:17 |
00:23:19 |
And around this door… |
Lorenz |
00:23:19 |
00:23:22 |
You have built the entire… |
Andrei |
00:23:22 |
00:23:35 |
They built the entire body. And
that’s why this bodywork is very different from the original shape of the
Standard Model 1. |
Paul |
00:23:35 |
00:23:37 |
So is anything still original? |
Andrei |
00:23:37 |
00:23:44 |
No. There is nothing original
at all in this wooden construction. Everything is fake. |
Lorenz |
00:23:52 |
00:23:54 |
It is still more work than I
expected. |
Paul |
00:23:54 |
00:23:55 |
Yeah. |
Lorenz |
00:23:56 |
00:24:01 |
Yeah. It’s just
a huge work. Probably we were a bit naive. |
Rémy |
00:24:07 |
00:24:34 |
He knew the
Nazis were coming. But for a long time, he still believed that there was a
way. The small car was his baby and Hitler wanted the same thing. He had this
naive faith in progress and refused to think about the rest. He stuck his
head in the sand. Many people, including many Jews, simply did not think that
such things could really happen. |
Voice Over |
00:24:39 |
00:25:02 |
Hitler’s support of his
lifelong dream blinded Ganz to the dark sides of the Nazi regime. In May 1933
he was arrested by the Gestapo and falsely accused of blackmailing the German
car industry. They interrogated him for days. Weeks went by without a charge.
After a month, he was released thanks to some influential friends. |
Paul |
00:25:08 |
00:25:21 |
The curve is
not completely correct yet but... It’s based on the curve from front to back.
I took the original rims. |
Lorenz |
00:25:23 |
00:25:27 |
So if they can
rebuild it like that… That will be
awesome. |
Voice Over |
00:25:32 |
00:25:43 |
As soon as he
was out of prison, Ganz started working on a second model of the Standard
Superior. Slightly bigger, with a more fluid line and a back window. |
Archive |
00:25:48 |
00:26:11 |
It is the
people who are at home both nowhere and everywhere, but who don’t have any
roots. They feel at home everywhere. [Jews!] They are the ones who can be
addressed as international elements because they conduct their business
everywhere. |
Voice Over |
00:26:15 |
00:26:35 |
By 1934, the
Nazis had completely banned Ganz from working. The Gestapo forced Ganz out of
his position as editor-in-chief of Motor-Kritik. He
lost his job as consulting engineer at Daimler-Benz and BMW. The letters from
his employers were courteous and full of regret. |
Paul |
00:26:37 |
00:26:45 |
Dear Mr Ganz, unfortunately we have no choice but to
end our contractual relationship with you as soon as possible. |
Paul |
00:26:50 |
00:26:58 |
After March
1934, the name Josef Ganz suddenly disappears. He is no longer mentioned in
car magazines and there’s no explanation as to what happened to him. |
Voice Over |
00:27:08 |
00:27:18 |
Ganz was
bereft. He couldn’t eat or sleep. Madeleine convinced him to go to
Switzerland: a holiday from which they would never return. |
Paul |
00:27:21 |
00:27:35 |
In 1936 Josef
Ganz received quite a clear warning for both his patents and life that they
were both endangered. And the letter comes from an acquaintance from the
technical industry. At the bottom he
writes… |
Lorenz |
00:27:36 |
00:28:13 |
The main reason for this letter is to inform you
that the German patents of Mr. G. are in danger as long as they are in his
hands. I do not think that the Germans would waste any time taking action if
the production of the so-called Volkswagen were to be blocked by the patents
of a Jewish emigrant. Even if he is as beloved as Mr. G. Geese cackle, as the
saying goes, but when they get too loud, people will try to strangle them. |
Voice Over |
00:28:21 |
00:28:29 |
Ganz had no
choice but to start a new life in Switzerland. He wanted to save his patents
and documents from the clutches of the Nazis at all costs. |
Voice Over |
00:28:37 |
00:29:19 |
He planned his
secret journey on the day he knew all Nazis would be busy: The Nazi rally in
Nuremberg. His car broke down on
the way. But a platoon of SA soldiers offered him a push-start. Much was
still the same in Frankfurt. He had tea with
colleagues in the garden of his house. The place where his life had
flourished. He took a final picture of his house. It would not make it
through the war. Ganz loaded up his car
with papers, patents and drawings and left Germany. |
Voice Over |
00:29:23 |
00:29:39 |
He drove on
backroads. Arriving at the Swiss
border crossing, Ganz was met by a single soldier who waved him through. Back
in Zurich, he went to the annual Paris motor show. |
Paul |
00:29:43 |
00:30:04 |
He somehow obtained his passport in 1935 at the embassy of Honduras in
Paris. He was of course looking for a new country. He couldn’t return to
Germany. And he used this to travel all around Europe. When he was stateless
so he couldn’t stay anywhere. He had no country anymore to live in. |
Voice Over |
00:30:07 |
00:30:14 |
In 1938, his German citizenship was taken away from him and with it,
all his claims to German patents. |
Archive |
00:30:17 |
00:30:33 |
I am glad that our engineers have succeeded in making the preliminary
designs for a car for the German people. The first model should be ready
towards the middle of this year. |
Voice Over |
00:30:34 |
00:30:51 |
Hitler had given Ferdinand Porsche the contract to develop a people's
car to be sold for a thousand Reichsmarks. Hitler himself
made a sketch, very similar to Ganz’s own publications. It was the drop shape that he had been promoting for
over 10 years. |
Archive |
00:30:55 |
00:30:59 |
The constructor of the car, Prof. Dr.
Porsche, explains the chassis to the Führer. |
Voice Over |
00:31:01 |
00:30:16 |
Porsche was developing an identical concept to the one Ganz had been
testing. An engine in the back, backbone tube chassis, swinging axles and a
streamlined look. A savings scheme
allowed people to save up for their own car. |
Voice Over |
00:31:21 |
00:31:29 |
After more than a year of roaming through Europe, Ganz finally made
his home in Zurich, with Madeleine, her sister and little cousin Dieter. |
Dieter |
00:31:34 |
00:31:49 |
I was born in 1930. From 1937 onwards, I shared a house with Josef
Ganz. A household of two women, one man and one child. |
Maja |
00:32:02 |
00:32:05 |
Did you live here? |
Dieter |
00:32:05 |
00:32:08 |
Yes, there were two garages. |
Maja |
00:32:08 |
00:32:09 |
Okay. |
Dieter |
00:32:10 |
00:32:29 |
One of the garages was ours. That picture was taken over there. This was the time he was building the Swiss people’s car. |
Maja |
00:32:30 |
00:32:37 |
Do you think Josef Ganz was happy while he was living in this house? |
Dieter |
00:32:37 |
00:32:44 |
Yes. It was all very harmonious. It was a really good time. |
Voice Over |
00:32:53 |
00:33:22 |
At the same time as Porsche developed his Volkswagen in Germany, Ganz
was now working on a Swiss Volkswagen. Ganz considered
this perhaps his greatest design. He drove around in an aluminium prototype.
He called it his Silverfish. In 1939 he signed license agreements for the
production of 25,000 Swiss Volkswagens. But yet again…
his hopes were dashed before he could reap the benefits of his design. |
Voice Over |
00:33:34 |
00:33:48 |
Europe was
plunged into a state of war. In Germany the glistening new Volkswagen factory
immediately switched to producing military vehicles that Porsche developed
based on the design of Volkswagen. |
Archive |
00:33:49 |
00:33:52 |
New Volkswagen
for Colonel-General Rommel’s tank army. |
Voice Over |
00:33:53 |
00:33:56 |
Ganz’s Beetle
was turned into a war machine. |
Archive |
00:33:57 |
00:34:04 |
A division of
the SS, equipped with special Volkswagen. The small
vehicles are very fast and nimble. |
Norbert |
00:34:20 |
00:34:20 |
Hey. |
Lorenz |
00:34:21 |
00:34:23 |
Ciao Norbert.
Hallo. |
Norbert |
00:34:23 |
00:34:24 |
How are you? |
Lorenz |
00:34:24 |
00:34:26 |
Good. Good. |
Norbert |
00:34:26 |
00:34:48 |
During the war,
in 1941, the Germans were planning to attack and occupy Switzerland. We were
incredibly scared. We already knew about the concentration camps. As a child,
you pick up on that fear. |
Voice Over |
00:35:00 |
00:35:12 |
Ganz was
constantly threatened with deportation because corrupt Swiss officials were
trying to claim the Swiss Volkswagen project as their own. Ganz found refuge
with his uncle Alfred in Luzern. |
Woman |
00:35:16 |
00:35:17 |
His name is
Barry. Come on in, he doesn’t bite. |
Voice Over |
00:35:20 |
00:35:25 |
His house was
filled with family and friends. Together they shared the horrible news from
Germany. |
Voice Over |
00:35:37 |
00:35:42 |
Ganz’s niece
Elisabeth was killed in Auschwitz.
His aunt Regina died in
Theresienstadt. |
Lorenz |
00:35:52 |
00:36:00 |
I heard that
your mother made preparations in case they came to take you away. |
Norbert |
00:36:01 |
00:36:02 |
She had poison
ready. |
Archive |
00:36:17 |
00:36:26 |
In Europe, the
guns finally fell silent. Do you remember the joy we felt on that day? The
war had barely touched us here. The danger vanished. |
Voice Over |
00:36:33 |
00:36:57 |
Ragged and
starved, Ganz and his family celebrated the end of the war. Germany was in
ruins and occupied by the Allied forces. But Ganz was confident that he would
be making cars once more now that the war was over. Not everything had been
totally destroyed. The Beetle would soon
be back on the road again. |
Archive |
00:36:58 |
00:37:04 |
The Germans, so
long committed to war production, today are turning their energy into peacetime
channels. |
Voice Over |
00:37:08 |
00:37:24 |
As early as
1946, with English management, the first Beetles were back in production. Who would have thought that this car would help
Germany recover so fast? That the Beetle would become a symbol of German
resurrection. |
Paul |
00:37:39 |
0:37:47 |
Wolfsburg is
really the heart of Volkswagen. And everything in this city is connected to
this huge factory. And there is a big art museum in the center. |
Ralf Beil |
00:37:51 |
00:38:11 |
We are now in
the Rémy Markowitsch Hall and the name of the
installation is ‘Nudnik. Forgetting Josef Ganz’. Nudnik is Yiddish for troublemaker. And ‘Forgetting Josef
Ganz’ mean the exact opposite, of course: To bring back this long forgotten
Josef Ganz. Rémy? |
Rémy |
00:38:12 |
00:38:20 |
In the middle
of the room, we see the design for a monument for Josef Ganz. |
Paul |
00:38:27 |
00:38:37 |
I was invited
by Volkswagen’s historian. The idea behind this symposium is to see who
influenced the design of the Volkswagen. |
Paul |
00:38:38 |
00:38:50 |
The Ardie and the May Beetle, they are quite simple. They are
very simple cars but the design is very innovative. So I think for his
designs and also his patents he did inspire the final design of the Beetle. |
Volkswagen historian |
00:38:52 |
00:38:53 |
Okay. Thank
you. Mr. Landenberger? |
Porsche historian |
00:38:54 |
00:39:13 |
Josef Ganz
caused a lot of trouble in the media. He was very bothersome. The young guns
of Motor Kritik repeatedly attacked the renowned
designers and the automotive industry. To me, his technical role is
overrated. |
Man |
00:39:14 |
00:39:24 |
I don’t see any
similarities between the so-called May Beetle and the Porsche Volkswagen. |
Paul |
00:39:25 |
00:39:48 |
The atmosphere
was quite strange. Whatever I said, whatever I showed, it was all
trivialized. ‘It’s not all that special. It’s only a small car.’ ‘The name
May Beetle is just a coincidence.’ They did everything to show that Josef
Ganz wasn’t all that important. |
Volkswagen historian |
00:39:48 |
00:40:02 |
What we refer
to as the May Beetle… it’s just a name, as it were. It’s a small car. I think
here we should ask ourselves if we shouldn’t avoid comparing apples and
oranges. |
Lorenz |
00:40:04 |
00:40:09 |
They don’t
really see his achievements, or they don’t want to see. |
Paul |
00:40:10 |
00:40:21 |
Yeah, it’s
quite surprising after all this time there’s still almost a hostile feeling
towards him. Why is it so difficult for them to recognize the work that he
did? |
Norbert |
00:40:25 |
00:40:43 |
Ferdinand
Porsche can say that he made the Volkswagen, that’s correct. But when you
look at what’s inside. The streamlined shape, the rear engine and a swing
axle. The most important components all come from Seppel
Ganz. |
Voice Over |
00:40:49 |
00:41:00 |
But Ganz’s attempts
to resume his work were overshadowed by new accusations of defamation. His tireless efforts to fight injustice eventually
gave him a reputation as a trouble maker. |
Paul |
00:41:03 |
00:41:05 |
He had so much
evidence he had to give. |
Lorenz |
00:41:05 |
00:41:08 |
He wanted to
really prove, he was right. |
Paul |
00:41:09 |
00:41:19 |
There was one
journalist who wrote that the Ganz cases alone, the Ganz cases could paralyze
the whole Swiss legal system. At one point there were 10 cases at the same
time going on. |
Voice Over |
00:41:21 |
00:41:27 |
The court cases
had put him under so much strain that it also cost him his relationship with
Madeleine. |
Norbert |
00:41:28 |
00:41:44 |
It wasn’t
acceptable to fight publicly, even if you were right. That was the problem.
The family said, ‘Don’t fight. In God’s name, no trial.’ |
Lorenz |
00:42:01 |
00:42:01 |
I think it’s
over there. |
Paul |
00:42:07 |
00:42:07 |
Good morning. |
Lorenz |
00:42:15 |
00:42:17 |
They’ve done a
great job. |
Paul |
00:42:27 |
00:42:28 |
Model 1 doesn’t
have a rear window. |
Andrei |
00:42:28 |
00:42:32 |
No? Did you
tell us that, or no? |
Paul |
00:42:33 |
00:42:36 |
There is no
rear window in my 3D model. |
Andrei |
00:42:38 |
00:42:40 |
There was no
window in our drawing? |
Paul |
00:42:40 |
00:42:40 |
No. |
Andrei |
00:42:42 |
00:42:44 |
But you didn’t
do a drawing of the rear. |
Lorenz |
00:42:47 |
00:42:49 |
You think this
is maybe too short? It should come… |
Paul |
00:42:50 |
00:42:52 |
I think this
should be lower, but- |
Lorenz |
00:42:53 |
00:42:54 |
Lower, like… |
Paul |
00:42:54 |
00:42:57 |
Yeah that it
stops more or less here, and not here. |
Andrei |
00:42:57 |
00:42:58 |
Like this? |
Paul |
00:42:58 |
00:43:01 |
Yes. And then
bend it a little. |
Rémy |
00:43:10 |
00:43:27 |
Here we see
Josef Ganz, looking very charming and mischievous. This is in St. Moritz. Because
the bobsleigh team had asked him to improve the system. |
Archive |
00:43:30 |
00:43:36 |
The Swiss got
first and second place. The US came in third, Belgium fourth and the UK in
fifth place. |
Rémy |
00:43:40 |
00:44:00 |
It was so
schizophrenic. On the one hand, the Swiss win gold and silver with Josef
Ganz’ inventions. But in the end, he lost everything. He got arrested for
working in Switzerland without a work permit. 24 hours later he was kicked
out of the country. |
Voice Over |
00:44:07 |
00:44:24 |
In 1951,
disillusioned, Ganz immigrated to Australia. Leaving
everything and everyone he loved behind. His departure
took place at the same time his Beetle was shipped all over the world. |
Radio ABC |
00:44:35 |
00:45:06 |
You are going
to hear an astonishing story, a little part of our history that has been
completely lost, until now. After World War II, an engineer escaping from
post-World War II Europe, settled here in Melbourne and started a new career.
The remarkable story of Josef Ganz will be told by Dutch journalist and
industrial designer Paul Schilperoord. He’s been
researching it for years. |
Paul |
00:45:08 |
00:45:15 |
He lived here
from 1951 up until his death in 1967. So I think he must have met tons of
people. |
Radio ABC |
00:45:16 |
00:45:22 |
So if there are
people listening who have a connection to Ganz or have some contribution to
make you can give us a call at the radio station… |
Suzanne |
00:45:24 |
00:45:32 |
So that was our
apartment there, on the third floor. Where the balcony goes in. And then Joe’s apartment was down the
back on the same floor. |
Paul |
00:45:34 |
00:45:35 |
So where were
you in? Which one? |
Suzanne |
00:45:35 |
00:45:41 |
We were in 3A,
that one. And Josef was in 3H, that was his. |
Paul |
00:45:42 |
00:45:45 |
So these are
still the original letterboxes. |
Suzanne |
00:45:45 |
00:45:47 |
They are the
original. Yep, that’s them. |
Paul |
00:45:47 |
00:45:48 |
Ah, nice view. |
Suzanne |
00:45:48 |
00:45:49 |
Beautiful view.
|
Suzanne |
00:45:51 |
00:46:02 |
I remember the
day he gave my dad a wad of paperwork. Joe was sitting in the chair there, I
was there. My dad was here. And I remember him putting down all the paperwork
in front of me on the coffee table. And the
photos. |
Paul |
00:46:03 |
00:46:07 |
You don’t know
why Joe gave those documents and those photos to your father? |
Suzanne |
00:46:06 |
00:46:15 |
I think he just
wanted him to tell the story one day. But my dad passed away in ’85 and no
one was still interested then. So,
you’ve done that job. |
Voice Over |
00:46:18 |
00:46:33 |
Ganz found a
job at the engineering department of General Motors. He kept thinking about
the possibility of developing a cheap car: an Australian Volkswagen. But his
plan yielded nothing but a newspaper article. |
Voice Over |
00:46:40 |
00:47:01 |
He missed his
old friends, his family, and Madeleine. His letterbox
became his lifeline. Madeleine kept sending
books and articles about the Beetle’s enormous success. Director Nordhoff was celebrated, the genius Ferdinand Porsche was
honoured, but Ganz’s name was absent. |
Archive |
00:47:02 |
00:47:10 |
This is how
Wolfsburg celebrated the day which has no long since passed, marking the
one-millionth post-war VW to roll off the assembly line. |
Voice Over |
00:47:12 |
00:47:26 |
Ganz wasn’t
invited to this celebration. Only a few
years later, when the fifth millionth Beetle rolled off the production line,
the famous director of Volkswagen, Heinrich Nordhoff,
wrote him a letter. |
Lorenz |
00:47:29 |
00:47:51 |
Dear Mr Ganz,
after getting hold of your address by a stroke of good fortune, and following
a recent meeting with mutual friends from Zurich, I am now able to write you
this letter to ask you if you are interested in helping us out a bit at the
Volkswagen factory. |
Voice Over |
00:47:52 |
00:48:19 |
He replied
saying that he would be very pleased to work at Nordhoff’s
factory, the one that gave birth to the very idea of the May Beetle. It could have been such a happy ending, Ganz working
at the Volkswagen factory in Wolfsburg. But tragedy struck again. Before he
could pack his suitcase, Ganz had a heart attack. |
Paul |
00:48:23 |
00:48:23 |
Hello, Doctor
Wright? |
Dr. Wright |
00:48:23 |
00:48:24 |
Yes. |
Paul |
00:48:24 |
00:48:25 |
Hello. |
Dr. Wright |
00:48:25 |
00:48:28 |
Come in. [Paul:
I’m Paul Schilperoord] Hello, Paul, please come in. |
Paul |
00:48:32 |
00:48:48 |
I actually
found your name during my research. Since the end of 1961 he has been an
invalid and unable to work due to a heart condition. As well as his heart
condition, Dr. Ganz suffers psychoid manic
depressive mental illness. |
Dr. Wright |
00:48:49 |
00:49:01 |
He had that
sort of resentment that he had been badly treated. He was not a happy,
healthy man. He was old for his age. |
Voice Over |
00:49:07 |
00:49:14 |
Ganz hardly
left his apartment anymore; his neighbours brought him food. He never
completely recovered. |
Voice Over |
00:49:25 |
00:49:50 |
Meanwhile, the
Beetle had become a symbol of hippie counterculture, driven by young people
with long hair celebrating freedom. In 1965, he got in touch with an
Australian car magazine to tell his life story: Ganz’ last
attempt to get recognition. |
Dr. Wright |
00:49:57 |
00:50:15 |
Before he
passed away, he did tell me that Volkswagen had actually given him a small
pension. Not quite the recognition he wanted, but he felt there was some
degree of recognition of his past work. |
Suzanne |
00:50:17 |
00:50:19 |
I am not sure
he lived long enough to receive it. |
Paul |
00:50:20 |
00:50:27 |
Yeah that’s
what I wondered because… Do you remember anything that his position changed?
That he somehow at one point received more money? |
Suzanne |
00:50:27 |
00:50:28 |
No. I don’t
remember that. No. |
Paul |
00:50:30 |
00:50:33 |
So your parents
were still bringing him meals right up to the end of his life |
Suzanne |
00:50:34 |
00:50:34 |
Yes. |
Suzanne |
00:50:39 |
00:51:05 |
My family had
been out somewhere and as my dad was putting the key in the door, mom yelled:
Oh, Joe’s collapsed. And we all had looked down the hallway obviously. And
his legs, only his legs were sticking out into the hallway. He obviously
collapsed literally in the doorway of his apartment. And obviously my father
went rushing down there and…
I know he died while the ambulance was being called in my dad’s arms. |
Paul |
00:51:14 |
00:51:20 |
I’m looking for
the last resting place of a man who was cremated here in the late 1960’s. |
Reception |
00:51:21 |
00:52:29 |
Okay, I can
show you the Garden of No Distant Place where all our scatterings take place.
It’s actually located… here. |
Paul |
00:51:37 |
00:52:45 |
It’s so
strange, there’s nothing there. There’s not even a grave or a memorial plaque
or anything. |
Maja |
00:51:53 |
00:52:42 |
Dear little Maja. If this letter somehow happens to
survive, then someone will have to tell you who wrote it. A great-uncle, an
engineer like your dad, who ended up on the other side of the world because
he intervened in the history of technology, which led to a lot of bad blood.
I wish from the bottom of my heart that you will live in a time that is truly
worth living. A time ruled not by violence but by justice. Warmest greetings,
your Great-Uncle Joe. |
Car event |
00:52:51 |
00:53:00 |
Today we have a
special highlight: the Standard Superior. It is the car’s first public
appearance after over a year of restoration work. |
Paul |
00:53:02 |
00:53:02 |
One more try? |
Car event |
00:53:21 |
00:53:25 |
This car is the
absolute forerunner of the Volkswagen. |
Car event |
00:53:44 |
00:53:51 |
Yes! Well done
guys. Paul and Lorenz, well done, excellent. |