|
00.16.20 |
Screen text |
The world is experiencing the highest amount of displaced people ever, with 70.8 million people forced from their homes -- UNHCR (2019) |
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00.25.00 |
Screen text |
The Saharawi Refugee Camps, ALGERIA |
|
00.38.00 |
V/O - Maglaha Salek
Dedou |
On the 31st of October, 1975 |
|
00.41.00 |
V/0 - Maglaha Salek
Dedou |
Moroccan invaders entered Western Sahara |
|
00.44.00 |
V/O - Maglaha Salek
Dedou |
with their army [when Spain pulled out of its Western Sahara colony] |
|
00.48.10 |
Screen text/interviewee |
Maglaha Salek Dedou |
|
00.48.10 |
Interview - Maglaha
Salek Dedou |
and started bombing us heavily with airstrikes. |
|
00.51.20 |
Interview - Maglaha
Salek Dedou |
The Saharawi people escaped into nowhere. |
|
00.55.00 |
Interview - Maglaha
Salek Dedou |
The Moroccan invaders mercilessly killed kids, |
|
01.00.00 |
Interview - Maglaha
Salek Dedou |
the elderly, Sheikhs, pregnant and sick women. |
|
01.05.10 |
Interview - Maglaha
Salek Dedou |
People escaped to the Tindouf area [Algeria] |
|
01.10.20 |
Interview - Maglaha
Salek Dedou |
and started living in tents again. |
|
01.16.15 |
Interview - Maglaha
Salek Dedou |
We as Saharawi people are angry |
|
01.19.05 |
Interview - Maglaha
Salek Dedou |
and extremely frustrated. |
|
01.25.00 |
Interview - Maglaha
Salek Dedou |
My dream is to be a film director or a writer. |
|
01.29.05 |
Interview - Maglaha
Salek Dedou |
I would write about the Western Sahara |
|
01.35.00 |
Screen text |
Refugee Camp Filmmaking Workshop |
|
01.46.10 |
V/O - Reham Ghazali |
Palestine and Western Sahara |
|
01.43.00 |
Screen text/interviewee |
Reham Ghazali Palestinian Filmmaker |
|
01.43.20 |
Interview - Reham Ghazali |
are very similar. |
|
01.45.10 |
Interview - Reham Ghazali |
Unfortunately we share the fact |
|
01.47.00 |
Interview - Reham Ghazali |
that we are both under occupation. |
|
01.48.13 |
Interview - Reham Ghazali |
I hope the next time I see you |
|
01.49.15 |
Interview - Reham Ghazali |
you’ll be in your homeland |
|
01.50.20 |
Interview - Reham Ghazali |
and you’ll have achieved independence. |
|
01.53.05 |
Interview - Reham Ghazali |
We are here to learn about documentaries. |
|
01.56.22 |
Interview - Reham Ghazali |
What is a documentary movie? |
|
02.00.20 |
Interview - workshop participant |
It’s about a real story |
|
02.03.05 |
Interview - workshop participant |
that has an impact on the audience. |
|
02.05.08 |
Interview - Reham
Ghazali |
Movies are weapons. That’s why |
|
02.08.02 |
Interview- Reham
Ghazali |
we should fight for our cases with it. |
|
02.11.04 |
Interview- Reham
Ghazali |
My work in Gaza is mostly with Palestinian women. |
|
02.15.12 |
Interview- Reham
Ghazali |
Most of my [filmmaking] projects have been |
|
02.18.22 |
Interview - Reham
Ghazali |
about how women live under occupation |
|
02.22.22 |
Interview - Reham
Ghazali |
and the pressure of a harsh society. |
|
02.31.00 |
Interview - Reham
Ghazali |
This is a big chance for you to be in this field, |
|
02.34.08 |
Interview - Reham
Ghazali |
to be [filmmakers] like us. |
|
02.36. 18 |
Interview - Reham
Ghazali |
And hopefully next time I see you |
|
02.38.14 |
Interview - Reham
Ghazali |
you’ll be like us. |
|
02.40.05 |
Interview - Reham
Ghazali |
What I can say about Palestine |
|
02.42.17 |
Interview - Reham
Ghazali |
is that the conditions there are getting worse |
|
02.45.18 |
Interview - Reham
Ghazali |
and worse because of the daily struggles |
|
02.48.01 |
Interview - Reham
Ghazali |
that Palestinians go through. |
|
02.50.18 |
Interview - Reham
Ghazali |
Gaza is currently under the Israeli siege. |
|
02.53.21 |
Interview - Reham
Ghazali |
Gaza has been under siege for about |
|
02.57.10 |
Interview - Reham
Ghazali |
seven or eight years. |
|
02.59.08 |
Interview - Reham
Ghazali |
This siege has made Gaza isolated |
|
03.04.05 |
Interview - Reham
Ghazali |
from the world. |
|
03.06.08 |
Interview - Reham
Ghazali |
It made the Palestinian case look small |
|
03.09.11 |
Interview - Reham
Ghazali |
or insignificant. |
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03.12.05 |
Interview - Reham
Ghazali |
People from Palestine only care |
|
03.14.08 |
Interview - Reham
Ghazali |
about electricity, and their own struggles. |
|
03.17.08 |
Interview - Reham
Ghazali |
I think Israel’s main goal was |
|
03.20.12 |
Interview - Reham
Ghazali |
for people to eventually care less about the case |
|
03.23.09 |
Interview - Reham
Ghazali |
and more about their daily struggles |
|
03.25.12 |
Interview - Reham
Ghazali |
or their own personal problems. |
|
03.27.20 |
Interview - Reham
Ghazali |
The siege caused huge unemployment, |
|
03.30.07 |
Interview - Reham
Ghazali |
the passages [to leave] are closed. |
|
03.32.16 |
Interview - Reham
Ghazali |
This has caused a lot of poverty. |
|
03.34.24 |
Interview - Reham
Ghazali |
There is no business or trading at all in Gaza. |
|
03.37.21 |
Interview - Reham
Ghazali |
I need to focus the camera |
|
03.39.18 |
Interview - Reham
Ghazali |
I focus on what I want to film. |
|
03.45.11 |
Interview - Maglaha
Salek Dedou |
Reham is a strong young woman |
|
03.47.05 |
Interview - Maglaha
Salek Dedou |
who has come from a very far country. |
|
03.49.16 |
Interview - Maglaha
Salek Dedou |
She started teaching us a lot of things |
|
03.51.13 |
Interview - Maglaha
Salek Dedou |
like how to shoot videos, |
|
03.53.18 |
Interview - Maglaha
Salek Dedou |
and how to edit your movie yourself. |
|
03.56.14 |
Interview - Reham
Ghazali |
This is the camera application alright? |
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03.58.05 |
Interview - Reham
Ghazali |
I’m going to launch the application. |
|
04.00.06 |
Interview - Reham
Ghazali |
Oh my God! |
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04.01.16 |
Interview - Reham
Ghazali |
(Storage full) damn it. |
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04.03.20 |
Interview - Reham
Ghazali |
This is the video camera application. |
|
04.05.22 |
Interview - Reham
Ghazali |
What type of scene is this? |
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04.07.23 |
Interview - Reham
Ghazali |
Close. |
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04.09.08 |
Interview - Reham
Ghazali |
It's close. |
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04.12.02 |
Interview - Reham
Ghazali |
Now that my hand is closer to my body |
|
04.14.09 |
Interview - Reham
Ghazali |
what is it? |
|
04.16.04 |
Interview - Reham
Ghazali |
Medium. |
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04.17.11 |
Interview - Reham
Ghazali |
And when I go all the way to the back |
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04.19.21 |
Interview - Reham
Ghazali |
what is the type of the scene then? |
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04.22.05 |
Interview - Reham
Ghazali |
Yes, correct it’s wide angle. |
|
04.25.19 |
Interview - Maglaha
Salek Dedou |
Are you rolling? |
|
04.27.07 |
Interview - Maglaha
Salek Dedou |
The difficulties of living here as refugees |
|
04.31.08 |
Interview - Maglaha
Salek Dedou |
are the very high temperatures |
|
04.34.20 |
Interview - Maglaha
Salek Dedou |
and strong sandy winds, |
|
04.39.10 |
Interview - Maglaha
Salek Dedou |
the heavy rain that destroys |
|
04.43.15 |
Interview - Maglaha
Salek Dedou |
our houses and schools. |
|
04.47.13 |
Interview - Maglaha
Salek Dedou |
The losses are very great. |
|
04.53.11 |
Interview - Maglaha
Salek Dedou |
Unemployment here is extreme. |
|
04.56.23 |
Interview - Maglaha
Salek Dedou |
In the camp, men struggle |
|
05.00.14 |
Interview - Maglaha
Salek Dedou |
a lot to find a job. |
|
05.03.20 |
Interview - Maglaha
Salek Dedou |
Most men here work with exporting |
|
05.06.08 |
Interview - Maglaha
Salek Dedou |
and importing goods or delivering goods |
|
05.09.11 |
Interview - Maglaha
Salek Dedou |
to or from the camp. |
|
05.26.16 |
Interview - Reham
Ghazali |
Saharawi people hosted us and cooked |
|
05.29.03 |
Interview - Reham
Ghazalis |
their traditional food for us, and |
|
05.30.22 |
Interview - Reham
Ghazali |
prepared their delicious traditional tea. |
|
05.35.00 |
Interview - Reham
Ghazali |
Tell me if this is a good idea... |
|
05.37.10 |
Interview - Reham Ghazali |
I’m thinking of dressing up like a Saharawi woman |
|
05.39.15 |
Interview - Reham Ghazali |
by putting a scarf on my head. |
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05.42.00 |
Interview - “Haima” household |
It actually fits you! |
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05.44.21 |
Interview - Reham Ghazali |
Everything fits me! |
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05.47.08 |
Interview - Reham Ghazali |
I can pull off Palestinian and Saharawi clothes! |
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05.52.24 |
Lady on the street |
Cover your head! |
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05.58.16 |
Lady on the street |
You look like a Saharawi now. |
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06.04.16 |
Interview - Reham Ghazali |
I arrived at the desert yesterday. |
|
06.08.12 |
Interview - Reham Ghazali |
I’ve sent you a few pictures. |
|
06.11.11 |
Interview - Reham Ghazali |
It’s a proper desert with tents and everything! |
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06.15.05 |
Interview - Reham Ghazali |
All of our bags are still at Madrid airport! |
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06.20.13 |
Interview - Reham Ghazali |
I don’t even have clothes, |
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06.22.13 |
Interview - Reham Ghazali |
I’m still wearing the same clothes. |
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06.24.13 |
Interview - Reham Ghazali |
Most of the bags just did not arrive unfortunately. |
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06.26.19 |
Interview - Reham Ghazali |
The bags might arrive |
|
06.28.21 |
Interview - Reham Ghazali |
today or tomorrow. |
|
06.32.00 |
Interview - Reham Ghazali |
Yes I’ve eaten and everything is fine. |
|
06.43.00 |
Workshop participant |
I have always had in mind a certain |
|
06.45.09 |
Workshop participant |
time setting for my story, 1975 and 1976 |
|
06.47.10 |
Workshop participant |
This time frame talks about |
|
06.49.05 |
Workshop participant |
the displacement of people |
|
06.51.10 |
Workshop participant |
from Western Sahara. |
|
06.52.21 |
Workshop participant |
There was a lot of random bombing |
|
06.55.08 |
Workshop participant |
from military jets. |
|
06.57.08 |
Workshop participant |
There were pregnant women that |
|
07.01.20 |
Workshop participant |
delivered their children during the displacement. |
|
07.06.16 |
Interview - Reham Ghazali |
I think there has been a lot of films about the forced migration. |
|
07.19.16 |
Interview - Reham Ghazali |
I’m eating unusual food here! |
|
07.22.14 |
Interview - Reham Ghazali |
Everything is different. |
|
07.23.12 |
Interview - Reham Ghazali |
Even the tea we have here tastes weird. |
|
07.27.00 |
Interview - Reham Ghazali |
But you really enjoy and eat with love, |
|
07.29.17 |
Interview - Reham Ghazali |
even though their capabilities with food |
|
07.31.24 |
Interview - Reham Ghazali |
are limited you still enjoy it. |
|
07.37.00 |
Interview - “Haima” household |
You haven’t eaten. |
|
07.39.02 |
Interview - Reham Ghazali |
I have eaten thank you. I’m really full. |
|
07.42.02 |
Interview - “Haima” household |
Why don’t you eat some chicken or meat? |
|
07.51.10 |
Interview - “Haima” household |
You work too hard and you don’t eat enough! |
|
07.54.22 |
Interview - Reham Ghazali |
I really had enough food. |
|
07.57.01 |
Interview - Reham Ghazali |
I had breakfast and lunch today. |
|
08.04.08 |
Interview - Reham Ghazali |
Tell me why do you drink tea three times a day? |
|
08.09.04 |
Interview - “Haima” household |
It's culture. |
|
08.11.03 |
Interview - Reham Ghazali |
Yes culture, but there has to be a reason |
|
08.14.10 |
Interview - Reham Ghazali |
behind these cultural habits? |
|
08.16.00 |
Interview - “Haima” household |
It’s our grand grandparent’s traditions. |
|
08.17.22 |
Interview - “Haima” household |
They used to drink tea three times a day. |
|
08.33.19 |
Interview - Reham Ghazali |
I’m thinking we should make a simple idea... |
|
08.38.18 |
Interview - Reham Ghazali |
We are interviewing you based on you being |
|
08.40.19 |
Interview - Reham Ghazali |
a Saharawi that respects her culture |
|
08.42.16 |
Interview - Reham Ghazali |
and traditions by dressing in a specific |
|
08.44.23 |
Interview - Reham Ghazali |
way or through working with your henna. |
|
08.47.03 |
Interview - Reham Ghazali |
We’ll interview you and ask you |
|
08.49.03 |
Interview - Reham Ghazali |
about your henna work. |
|
08.50.18 |
Interview - Reham Ghazali |
What kind of art do you work with? |
|
08.52.18 |
Interview - Reham Ghazali |
Who are your clients? |
|
08.54.11 |
Interview - Reham Ghazali |
What does henna mean to you? |
|
08.56.02 |
Interview - Reham Ghazali |
We’d like to see you working with henna. |
|
08.58.01 |
Interview - Reham Ghazali |
That’s it! Western people would like to learn about that. |
|
09.01.01 |
Henna Artist |
It’s the people I’ve been doing a workshop with. |
|
09.03.19 |
Henna Artist |
They want to come to the tent to film. |
|
09.36.10 |
Interview - Reham Ghazali |
Please hurry up. |
|
09.38.00 |
Interview - Reham Ghazali |
My friend we’re racing against time |
|
09.40.12 |
Interview - Reham Ghazali |
because of the battery issue. |
|
09.43.19 |
Interview - Reham Ghazali |
Here I am trying to focus on her face. |
|
09.47.00 |
Interview - Reham Ghazali |
Set the focus in "settings". |
|
09.52.13 |
Interview - Reham Ghazali |
Look here, do you think this looks fine? |
|
09.57.12 |
Interview - Reham Ghazali |
I’m very worried about the battery. |
|
09.59.24 |
Interview - Reham Ghazali |
Oh dear God help me. |
|
10.05.18 |
Interview - Reham Ghazali |
My friend Hayat. |
|
10.08.01 |
Interview - Reham Ghazali |
What are you guys talking about? |
|
10.10.12 |
Interview -- Hayetna Mohamed Deid |
We’re just chatting about random things. |
|
10.12.15 |
Interview - Reham Ghazali |
How long will it take |
|
10.13.20 |
Interview - Reham Ghazali |
for the drawing to be done? |
|
10.15.08 |
Interview -- Hayetna Mohamed Deid |
It’s going to take a while, |
|
10.16.20 |
Interview -- Hayetna Mohamed Deid |
she’s thinking what to draw |
|
10.18.05 |
Interview -- Hayetna Mohamed Deid |
and each finger has a different printing |
|
10.19.18 |
Interview -- Hayetna Mohamed Deid |
so she needs to focus. |
|
10.25.22 |
Interview - Reham Ghazali |
Please talk loudly and don’t be shy. |
|
10.29.22 |
Interview -- Hayetna Mohamed Deid |
How long did it take for you to learn |
|
10.32.20 |
Interview -- Hayetna Mohamed Deid |
how to make and draw with henna? |
|
10.35.05 |
Henna Artist |
One year. |
|
10.37.21 |
Interview -- Hayetna Mohamed Deid |
Why did you choose henna specifically? |
|
10.40.13 |
Henna Artist |
Because it’s part of our culture |
|
10.42..06 |
Henna Artist |
and I want that to live on. |
|
10.44.00 |
Interview - Reham Ghazali |
What does Henna mean to you? |
|
10.46.15 |
Henna Artist |
It’s my talent, I love it. |
|
10.49.21 |
Interview - Reham Ghazali |
Ok, repeat the sentence you just said |
|
10.52.00 |
Interview - Reham Ghazali |
but say it as a full sentence. |
|
10.54.10 |
Interview - Reham Ghazali |
I have been doing henna, |
|
10.56.14 |
Interview - Reham Ghazali |
young women come to me during |
|
10.58.20 |
Interview - Reham Ghazali |
weddings to get their hands done. |
|
11.00.19 |
Interview - Reham Ghazali |
Must I talk for you?! |
|
11.02.14 |
Interview - Reham Ghazali |
What’s wrong?! |
|
11.04.03 |
Interview - Reham Ghazali |
Let’s wrap up please. |
|
11.09.06 |
Henna Artist |
We do have different types of henna. |
|
11.12.24 |
Henna Artist |
The henna we use for weddings |
|
11.15.04 |
Henna Artist |
is completely different. |
|
11.17.09 |
Interview - Reham Ghazali |
You were talking all this time to her, |
|
11.18.16 |
Interview - Reham Ghazali |
why did you not prepare her? |
|
11.21.00 |
Interview -- Hayetna Mohamed Deid |
I tried my best, she’s very shy now. |
|
11.23.10 |
Interview - Reham Ghazali |
Yes! She talked much more in the other tent. |
|
11.24.18 |
Interview - Reham Ghazali |
Don’t be shy! |
|
11.28.12 |
Interview - Reham Ghazali |
Why do I make movies? |
|
11.30.16 |
Interview - Reham Ghazali |
I think movies express how I feel way better. |
|
11.33.03 |
Interview - Reham Ghazali |
I don’t understand any other language |
|
11.35.10 |
Interview - Reham Ghazali |
in the world but the language of cinema. |
|
11.44.00 |
Interview - Reham Ghazali |
Today we woke up and it was very windy. |
|
11.47.01 |
Interview - Reham Ghazali |
So there is sand in the air. |
|
11.49.04 |
Interview - Reham Ghazali |
God help us, you know when you walk in |
|
11.52.07 |
Interview - Reham Ghazali |
dusty weather and your eyes hurt badly? |
|
11.55.19 |
Interview - Reham Ghazali |
I don’t have any eye drops. Remember |
|
11.58.07 |
Interview - Reham Ghazali |
that my bag is not with me now. |
|
12.05.17 |
Interview - Reham Ghazali |
It seems quite windy. |
|
12.07.12 |
Interview - Reham Ghazali |
Do you think winter has started? |
|
12.09.23 |
Interview - “Haima” household |
It is getting colder yes. Thank you God. |
|
12.13.11 |
Interview - Reham Ghazali |
What do you do in winter? |
|
12.15.01 |
Interview - Reham Ghazali |
Do you stay inside the tents? |
|
12.16.15 |
Interview - “Haima” household |
At night we stay inside all the time. |
|
12.33.16 |
Hayetna Mohamed Deid |
Whatever you think is not useful |
|
12.35.08 |
Screen text |
Hayetna Mohamed Deid Workshop Coordinator |
|
12.35.24 |
Hayetna Mohamed Deid |
information we need to edit it out. |
|
12.39.05 |
Hayetna Mohamed Deid |
We only want the good questions |
|
12.42.04 |
Hayetna Mohamed Deid |
from the interview. |
|
12.44.04 |
Hayetna Mohamed Deid |
Any parts you see that you think |
|
12.46.10 |
Hayetna Mohamed Deid |
we can edit out we should do it. |
|
12.50.18 |
Hayetna Mohamed Deid |
Focus on what she is saying |
|
12.53.14 |
Hayetna Mohamed Deid |
or if she’s repeating. |
|
13.00.03 |
Interview - Maglaha Salek Dedou |
I learned a lot about production. |
|
13.02.00 |
Interview - Maglaha Salek Dedou |
I learned how to put scenes together. |
|
13.03.16 |
Interview - Maglaha Salek Dedou |
It’s been a great experience. |
|
13.05.07 |
Interview - Maglaha Salek Dedou |
as I received a lot of useful information |
|
13.06.20 |
Interview - Maglaha Salek Dedou |
about editing and producing. |
|
13.08.06 |
Interview - Maglaha Salek Dedou |
I learned how to trim and crop scenes. |
|
13.09.19 |
Interview - Maglaha Salek Dedou |
I’m very happy. |
|
13.26.08 |
Screen text |
Reham's clothes finally arrive. |
|
13.40.08 |
Interview - Reham Ghazali |
The story should be true |
|
13.41.22 |
Interview - Reham Ghazali |
and you should do something you love. |
|
13.43.04 |
Interview - Reham Ghazali |
What we did here was truly |
|
13.44.23 |
Interview - Reham Ghazali |
something I enjoyed and loved. |
|
13.46.05 |
Interview - Reham Ghazali |
The film about henna was beautiful. |
|
13.47.18 |
Interview - Reham Ghazali |
There was a problem with the interview. |
|
13.49.04 |
Interview - Reham Ghazali |
She did not talk properly |
|
13.50.14 |
Interview - Reham Ghazali |
or provide us with the right information |
|
13.52.05 |
Interview - Reham Ghazali |
I think she could have done better. |
|
13.53.16 |
Interview - Reham Ghazali |
We were more dependent on the scenes |
|
13.55.12 |
Interview - Reham Ghazali |
than the interview which was not ideal. |
|
13.58.11 |
Interview - Reham Ghazali |
You as a Saharawi person, |
|
14.01.00 |
Interview - Reham Ghazali |
did you feel the story represents you? |
|
14.03.00 |
Interview - Maglaha Salek Dedou |
The idea of the henna was a great idea |
|
14.05.07 |
Interview - Maglaha Salek Dedou |
It is part of our culture and traditions. |
|
14.10.13 |
Interview - Reham Ghazali |
Perfect. Now I’d like you to tell me |
|
14.13.09 |
Interview - Reham Ghazali |
can you at any time use your phone’s |
|
14.17.01 |
Interview - Reham Ghazali |
camera and shoot a film? |
|
14.20.03 |
Interview - Maglaha Salek Dedou |
I choose the story, |
|
14.22.15 |
Interview - Maglaha Salek Dedou |
review properly and start filming it. |
|
14.27.24 |
Interview - Reham Ghazali |
There are a lot of stories you can film |
|
14.30.16 |
Interview - Reham Ghazali |
and talk about. |
|
14.32.07 |
Interview - Reham Ghazali |
What would your next story be about? |
|
14.35.05 |
Interview - Maglaha Salek Dedou |
The case of the Western Sahara. |
|
14.36.24 |
Interview - Maglaha Salek Dedou |
The story about our case and struggles |
|
14.40.02 |
Interview - Maglaha Salek Dedou |
as Saharawi people. |
|
14.42.13 |
Interview - Maglaha Salek Dedou |
How we cope with daily struggles as Saharawi. |
|
14.46.03 |
Interview - Reham Ghazali |
Show your culture and tradition to immortalise your land. |
|
14.49.08 |
Interview - Reham Ghazali |
Show that there is a land |
|
14.52.11 |
Interview - Reham Ghazali |
that you need to get back to. |
|
14.56.02 |
Interview - Reham Ghazali |
You need to prove to the world |
|
14.59.04 |
Interview - Reham Ghazali |
about our daily struggles, |
|
15.02.17 |
Interview - Reham Ghazali |
using video... |
|
15.05.17 |
Interview - Reham Ghazali |
through art and politics. |
|
15.10.14 |
Interview - Reham Ghazali |
It was a unique experience for me |
|
15.12.18 |
Interview - Reham Ghazali |
to come here and teach young women |
|
15.14.07 |
Interview - Reham Ghazali |
from the Western Sahara. |
|
15.16.00 |
Interview - Reham Ghazali |
In a way we also taught them |
|
15.17.19 |
Interview - Reham Ghazali |
that as young women they should have a |
|
15.20.10 |
Interview - Reham Ghazali |
weapon that they use to fight for their case, |
|
15.22.14 |
Interview - Reham Ghazali |
even if the weapon was a simple short film, |
|
15.24.24 |
Interview - Reham Ghazali |
especially considering that most of the world |
|
15.27.10 |
Interview - Reham Ghazali |
does not know anything about this place |
|
15.29.14 |
Interview - Reham Ghazali |
even, surprisingly, in the Middle East |
|
15.31.22 |
Interview - Reham Ghazali |
and Palestine. |
|
15.36.14 |
Screen text |
This documentary was produced during the FiSahara Festival by Neil Shaw. www.neilshaw.tv TRANSLATIONS: Adnan Al Mouselli MUSIC: "Salt Road" by Eino Toivanen, kongano.com "Retro Dreamscape" by Twin Musicom (twinmusicom.org) "Looked back, saw nothing" by Twin Musicom (twinmusicom.org) "Wilderness" by Eino Toivanen, kongano.com "Non Angular" by Eino Toivanen, kongano.com |
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