POST
PRODUCTION
SCRIPT
Foreign
Correspondent
2022
The
Femicide Detectives
28
mins 30 secs
©2021
ABC
Ultimo Centre
700
Harris Street Ultimo
NSW
2007 Australia
GPO
Box 9994
Sydney
NSW
2001 Australia
Phone:
61 419 231 533
Precis
|
They're called Femicide Units; Mexico's special teams of
detectives, lawyers and doctors set up to investigate violent crimes against
women. They're the country's solution to an entrenched problem. In the land
of machismo, on average 10 women are murdered every day. The head of Mexico City's first Femicide Unit, Sayuri Herrera,
is clear about the reasons behind the violence. "Discrimination. Hate for who we are. It is an attempt to
keep us in the place and role that society has assigned for us." Last year, women's anger erupted onto the streets of Mexico
City. Tens of thousands gathered to show their fury, not only with the high
rates of violence but also with the fact that the men were getting away with
it. Herrera admits that old school policing wasn't working, that
police weren't believing women's stories. "More weight was given in investigations to the partner's
version," she says. In this compelling true crime episode, correspondent Sarah
Ferguson goes on the road with Mexico's City's femicide detectives, following
them as they visit crimes scenes, gather evidence
and solve cases. "It's very important to have women police," says one
of the female detectives. "We can put ourselves into the victim's shoes.
And tomorrow, it might be our family members, our mother...even
ourselves." Ferguson witnesses some raw and confronting scenes. She visits
the blood-strewn apartment of a woman who's been the victim of a vicious
knife attack at the hands of her ex-partner. Her brother watches on as police
comb for clues. "She was facing a real monster, the guy that did this to
her," says the woman's brother. Later, she meets the woman in hospital. "In Mexico not all cases have justice," she says. But
she's optimistic about the work of the Femicide Unit. "I hope that
justice in this case is final." Outside Mexico City, Ferguson speaks with the distraught mother
of thirteen-year-old Melany who was kidnapped and killed last December.
Melany's cross is pink, marking her death as a femicide. But here, there are
fewer police resources to investigate femicides and Melany's mother has no
confidence the police will catch the killer. "The only thing I can say is that we're in Mexico and there
is a lot of impunity. So, it's impossible they're going to catch him." The Minister for Women in Mexico City, Ingrid Saracibar,
acknowledges that governments have a long way to go in reforming Mexico's
police culture. "An institution that's as vertical, as masculine as that of
the police takes hard work to change', she says. 'But of course, we aren't
satisfied. We don't want to count the death of any more women." |
|
GV
Mexico City residential. Detectives and forensics at scene of crime |
Music |
00:10 |
|
SARAH
FERGUSON, Reporter: A police unit is assembling at a quiet residential
compound in Mexico City. These are detectives from one of Mexico’s new
femicide units, formed only two years ago to investigate violent crimes
against women. |
00:13 |
|
FORENSICS
WOMAN: We will inspect the scene, collect the evidence
and send it to the lab for analysis. |
00:28 |
|
SARAH
FERGUSON, Reporter: Violence against women is increasing in Mexico. An estimated 10 women are murdered every
day. |
00:36 |
Blood stained
hallway/Ferguson to camera |
The
amount of blood visible here in the hallway tells a powerful story, not just
of the violence and rage that was here, but the vulnerability of Mexican
women in the supposed safety of their own homes. |
00:48 |
|
"Why
is there is so much violence against women in Mexico?" |
01:00 |
Herrera
interview |
SAYURI
HERRERA Special Prosecutor, Femicide:
It's discrimination. It's hate for who we
are. |
01:03 |
Women
protest |
It's
an attempt to keep us in the place and role that society has assigned for us.
SARAH
FERGUSON, Reporter: Last year thousands of women from all over the country,
fed up at the torrent of violence against them, came
to protest in Mexico City. The suppressed rage of these women boiled over in
the capital. INGRID
SARACIBAR, Minister for Women: The protests were a product of women being fed
up. |
01:16 |
Saracibar
interview |
They
carried banners specifically about unsolved cases, cases categorised as
suicides that turned out to be femicides and where there had been no
meaningful action taken by the authorities. |
01:45 |
Protests |
SAYURI
HERRERA Special Prosecutor, Femicide:
There's rage. Frustration. Anger. |
02:02 |
Herrera
interview |
There's
also energy to change things. |
02:08 |
Herrera
in police offices |
SARAH
FERGUSON, Reporter: The head of the
first femicide unit in Mexico City, Sayuri Herrera, directs investigations of
violent deaths involving women. She's also reopened hundreds of cases
previously ignored by police. |
02:11 |
|
SAYURI
HERRERA Special Prosecutor, Femicide: These are the names of women who lost
their lives violently. There are 700 open investigations. SARAH
FERGUSON, Reporter: 700? Too many. Trying
to turn back the tide of violence against Mexican women, |
02:30 |
Title:
THE FEMICIDE DETECTIVES |
the
femicide detectives. |
02:49 |
Mexico
City skyline GV |
|
02:53 |
Drone
shot. Police headquarters. Super: |
|
02:56 |
Ferguson
walks into police headquarters. Super: |
|
02:59 |
Police
headquarters. Femicide detectives into car |
SARAH
FERGUSON, Reporter: In Mexico City’s sprawling police headquarters, known as
the Bunker, detectives from the femicide unit are called out to a crime
scene. |
03:03 |
Norma
and colleagues in car |
Norma
Beltran and her colleagues are on their way to a downtown hotel. Norma:
"Romeo forty nine, Bravo, Echo, Whisky." MALE
DETECTIVE: We work in the Femicide Prosecutor's Office
and these are very, very high-impact crimes that hit society very hard. |
03:22 |
|
SARAH
FERGUSON, Reporter: Many of their investigations are crimes of domestic violence
– murder or attempted murder of a partner or spouse. |
03:40 |
|
MALE
DETECTIVE: Whether it was the partner
or the husband who committed the crime, they try to make us believe that it
was someone else – her boyfriend. DETECTIVE
NORMA BELTRAN: Or even themselves – that they the victim caused the
injury. |
03:50 |
|
SARAH
FERGUSON, Reporter: Expecting to be
believed by old school homicide detectives, perpetrators often allege their
victim committed suicide. |
04:11 |
|
SAYURI
HERRERA Special Prosecutor, Femicide:
It is inconceivable what they are willing to say and do to get away
with it. |
04:27 |
Herrera
interview |
They
have murdered women in their homes, buried them in their homes and then
reported them as missing. |
04:35 |
Hotel
corridor. Detective suit up and enter room |
They
are very creative, very creative in designing scenes of supposed suicide, to
blame the woman, and they count on us believing them, because society has
somehow always proved them right. |
04:46 |
|
SARAH
FERGUSON, Reporter: Room 7 on the 3rd
floor. A young woman was found dead in the bathroom. Police won’t give us
details except to say It was reported as a suicide. Unlike in the past, all
violent deaths involving women are now investigated by the femicide unit as
potential crimes. |
05:07 |
|
Femicide
detective: "All the cigarette butts were here,
it was a full packet." SARAH
FERGUSON, Reporter: One of Sayuri's
first actions was to re-examine hundreds of cases where violent deaths were
classified as suicide. SAYURI
HERRERA Special Prosecutor, Femicide:
Investigations were carried out with prejudices and stereotypes about
what it means to be a woman. |
05:36 |
Herrera
interview |
Women
are very emotional, very impulsive, they're depressives, they're not very
rational. We would make the decision to take our own life faced with a
difficult situation. |
05:56 |
Detectives
use luminol spray |
SARAH
FERGUSON, Reporter: At the hotel crime scene, luminol spray reveals evidence
hidden to the naked eye. |
06:10 |
Detectives
in office |
Back
in the office, Detective Norma Beltran files her report. After 16 months in
the unit, she has a sense of mission. DETECTIVE
NORMA BELTRAN: It’s very important to
have women police. |
06:34 |
Beltran
interview |
Because
we are women, we can put ourselves in the victims’ shoes, and tomorrow, it
might be our family, our mother, our colleagues, even ourselves. |
06:51 |
|
SARAH
FERGUSON, Reporter: Every country has homicide units; why do you need a
separate institution dedicated to women? |
07:01 |
Herrera
interview |
SAYURI
HERRERA Special Prosecutor, Femicide:
Investigating femicide is different to investigating homicides. The
women in our cases are often murdered because of gender. In a femicide, it's
presumed the woman has been sexually assaulted which is different to a
homicide. SARAH
FERGUSON, Reporter: Sayuri Herrera was a remarkable choice to run this unit.
She was a human rights lawyer and an activist. |
07:12 |
|
SAYURI
HERRERA Special Prosecutor, Femicide:
The mothers and students I was working with, who I marched with
demanding justice, we thought this should be our Prosecutor's Office. That we
should commit ourselves to this office, that we should take back our
institutions. |
07:47 |
Prosecutor's
office interior |
SARAH
FERGUSON, Reporter: To tackle the 700 open investigations in Mexico City, there
are 18 lawyers in her team, 42 detectives, doctors
and an intelligence unit. "Do
you understand why there are so many murders of women in Mexico?" MALE
DETECTIVE: I think machismo is the root of it, right? That the man is the ruler of the home, |
08:10 |
Male
detective interview |
that
the man is the breadwinner. And they don’t recognise that we, as men and
women, are equal. |
08:37 |
Drone
shots. Mexico City residential. Super: |
Music
|
08:50 |
Ferguson
with detectives at apartment crime scene |
SARAH
FERGUSON, Reporter: At the residential compound on the outskirts of Mexico
City, femicide detectives and forensic technicians are piecing together the
story of what happened in the blood-spattered apartment. |
09:05 |
|
Female
forensics: "Now we're going to do the description of the property." SARAH
FERGUSON, Reporter: Detective Jorge Palleco is in charge. |
09:22 |
Palleco
explains blood stains |
DETECTIVE
JORGE PALLECO: We find evidence in the
blood stains. This stain is not the same as that one. That one is trying to
tell me something different. |
09:31 |
|
The
dripping… That type of stain, why is it on the wall? A pool of blood and
within the stain you can see a knife print. The outline of a knife that had
been placed there. That’s why it’s important to observe the pools of blood. |
09:41 |
Brother
in apartment doorway |
SARAH
FERGUSON, Reporter: The victim’s brother watches on JORGE
TULTECA, Brother of victim: My sister? She was facing a monster. |
10:00 |
Jorge
Tultaca interview |
She
was facing a real monster, the guy that did this to her. It’s an atrocity,
what he did. |
10:11 |
Dona
in hospital |
DONA
TULTECA: He took me by my arms and he pulled me from the bedroom. And then he was
with a knife. |
10:24 |
|
SARAH
FERGUSON, Reporter: Dona was stabbed multiple times by her ex-partner. It’s a miracle she survived. |
10:39 |
Dona
interview in hospital |
DONA
TULTECA: I can’t believe it. I don't
believe that he did this to me. I'm in shock. |
10:50 |
Dona's
apartment |
SARAH
FERGUSON, Reporter: Her attacker was her ex-partner
Marco. They were together for eight years, but had
separated not long before the attack. DONA
TULTECA: I didn't see it coming.
Never. We have not that perfect relationship, but it was not that bad. |
11:06 |
Jorge
Tultaca interview |
JORGE
TULTECA: My mum mainly noticed this
guy was a narcissist, and he didn't want to relate with us, with my sister's
family. He was controlling my sister. That's what happened. |
11:34 |
Apartment
exterior. Night |
SARAH
FERGUSON, Reporter: On the day of the attack, in early January, a few days
after New Year, Marco came to see her at the apartment. DONA
TULTECA: He started to say that he's
going to kill himself. He go to the kitchen, he |
11:49 |
Dona
interview in hospital |
took
a knife and he was like, I'm going to kill myself because you don't love me
anymore. |
12:13 |
Forensic
team at apartment |
SARAH
FERGUSON, Reporter: Dona thinks he saw messages on her phone from her new
boyfriend. |
12:22 |
Dona
interview in hospital |
DONA
TULTECA: After that, he was another
person. He was like "your time is over" And I was like… huh? |
13:34 |
Apartment
exterior. Night |
JORGE
TULTECA: He tried to strangle my
sister. Twice he hit her in the face. He punched her in the face, and then he
took the knife. DONA
TULTECA: The first cut he did |
12:43 |
Scars
on Dona's neck |
was
in my neck, it's all over my neck. And instantly I started to scream for
help. |
13:01 |
Apartment
exterior. Night |
JORGE
TULTECA: And then he started to stab her. |
13:12 |
Dona
interview in hospital |
DONA
TULTECA: He cut my hands, on my arms.
He perforated my lung. I told him, Marc you're going to kill me. And he said
to me, "Yes". |
13:17 |
Mexico
City. Night |
SARAH
FERGUSON, Reporter: Dona’s neighbour
heard her screams and called the police. DETECTIVE
JORGE PALLECO: It was about 8:00 p.m.,
but it was dark, it was all dark. There was an armed person inside. MALE:
What kind of weapon? |
13:40 |
Palleca |
DETECTIVE
JORGE PALLECO: A sharp knife. Later we realised that it was a butcher's
knife. |
13:56 |
Forensic
team collect blood samples |
DONA
TULTECA: I was at the floor. He was
over me, so I can't move. SARAH
FERGUSON, Reporter: Dona’s life was
probably saved because Marco slipped in a pool of her blood. |
14:06 |
Dona
interview in hospital |
DONA
TULTECA: I find the keys and I open
the door. SARAH
FERGUSON, Reporter: How did you get to the door? DONA
TULTECA: I don't know. I don't know. |
14:21 |
|
I
remember I wake up and I said, oh, thank you, God, for this body, for this
strong body. Thank you, God, for my hands. Because this attack that I have
here I put my left hand –
I am right handed – but I put my left hand and I can defend
myself. And I am so thankful for that. And now I can't move my three fingers.
But it's okay. It's okay for me because I'm alive. |
14:31 |
|
JORGE
TULTECA: We are a society that cannot tolerate this anymore. We breed
violence |
15:31 |
Jorge
interview |
every
day in this country. Maybe you read it, maybe you see it on TV, but you never
imagine this can happen to your sister. |
15:39 |
|
DONA
TULTECA: For me, it's very important
that he pay for this. |
15:50 |
Drone
shot. City/Police car with siren/ Ixtapaluca |
Music
|
15:55 |
Ferguson
in car Ixtapaluca |
SARAH
FERGUSON, Reporter: Ixtapaluca is only 35 kilometres from Mexico City, but
the progress we saw in Mexico City feels remote. Here, in Mexico State, more women are
killed than anywhere else in the country and the age of the victims is
getting younger. |
16:15 |
Pink
cross on side of road |
A
pink cross marks the spot where a femicide has taken
place. |
16:36 |
Ferguson
to camera in car |
This
is the latest murder to have happened here, and its details are shocking,
even in Mexico. |
16:43 |
Ferguson
to Angeles' home |
And
it's left the mother of the victim isolated and terrified in this harsh
landscape. |
16:50 |
|
Music
|
17:00 |
|
SARAH
FERGUSON, Reporter: "What happened to your family in December?" |
17:13 |
Angeles
interview |
ANGELES: My daughter was raped and murdered in
December. That’s what happened. I wasn’t… I wasn’t a good mother… Sorry. In
Mexico there’s a word. We say you are chingona. You are strong. I used to
tell her all the time, for a girl your age, you are very chingona. There are
so many things you can do; you’re an outstanding student. I found a way to
buy her school supplies, her phone, whatever she needed. Why? Because she was
my pride and joy, and I didn’t tell her that. |
17:19 |
Home
interior |
SARAH
FERGUSON, Reporter: Melany was only 13 years old. Her pink school bag still
hangs on the wall |
18:39 |
|
ANGELES: She was our rock. |
18:51 |
Fatima
and Julia play |
SARAH
FERGUSON, Reporter: She had two little
sisters, Fatima and Julia. One morning in December, Angeles asked
Melany to help her. |
18:55 |
|
ANGELES:
I didn’t feel well. I got Fatima ready for school and Melany didn’t have
classes that day, so I asked her, please take Fatima to school. |
19:12 |
Angeles
interview |
Normally,
she wouldn't, as she had school, too. But that day I asked her to take her
sister. And she didn’t come back. |
19:28 |
School
exterior. Fence |
I
went straight to the primary school to talk to Fatima’s teacher. She Melany
had dropped Fátima off, and she saw her leave to go home. SARAH
FERGUSON, Reporter: As Angeles searched frantically through the streets she asked friends to post messages on Facebook
with a photo of Melany. |
19:37 |
Dog
on rooftop. Overlay of photo Melany |
Shortly
after, Melany’s body was dumped a few yards from the primary school gate. |
20:08 |
Angeles
with Fatima and Julia into home |
ANGELES:
Her little face and body were covered with dirt. Like they'd just gone there
and tossed her out. Her little face
was purple |
20:25 |
Angeles
interview |
because
she had been suffocated. Her clothes were all torn up because she had been
raped. I was silent, I couldn’t even scream. |
20:41 |
Angeles
walks with Julia and Fatima past pink cross on side of road |
SARAH
FERGUSON, Reporter: Now a simple pink cross marks the spot where Melany’s body was left, connecting her death to the thousands of
other women and girls killed in Mexico in recent decades. |
21:04 |
Mexico
City. Skyline/Roads |
Music
|
21:22 |
|
SAYURI
HERRERA Special Prosecutor, Femicide:
It's an intentional public display of the body to send a message to
society about the value of a woman who has been degraded. It's public
humiliation. |
21:30 |
Femicide
unit offices. Herrera in office |
That's
why they dispose of them like garbage. It’s turning women’s bodies into
rubbish. |
21:43 |
|
SARAH
FERGUSON, Reporter: Every country has a manifestation of violence against
women, but in Mexico why is the violence so extreme? |
22:00 |
Herrera
interview |
SAYURI
HERRERA Special Prosecutor, Femicide:
A former president declared a decade-long war against the drug trade.
We have seen femicides where the methods used to kill women have been learned
from organised crime. It's what we
call 'overkill'. |
22:12 |
|
SARAH
FERGUSON, Reporter: Angeles has
received a welfare visit from the local police. |
22:45 |
Police
officer visits Angeles |
Policeman: "I feel for you. I’m holding you in my
heart." |
22:53 |
|
SARAH
FERGUSON, Reporter: But she hasn’t heard anything from the team investigating
the murder. |
22:58 |
Angeles
interview |
ANGELES: The Special Prosecutor’s Office is not
doing its job. It’s unbelievable that they haven’t found who did this when
it’s such a tiny place. |
23:07 |
Ixtapaluca
police car parked in front of femicide mural |
SARAH
FERGUSON, Reporter: The State has a femicide unit, but it’s got little
funding; the police here response seems totally inadequate. |
23:30 |
|
ANGELES: Well, the only thing I can say is that
we’re in Mexico and there is a lot of impunity. So
they'll never catch him. |
23:40 |
|
SARAH
FERGUSON, Reporter: Have they called you on the phone? ANGELES:
No. SARAH
FERGUSON, Reporter: Nothing? |
23:54 |
Angeles
interview |
ANGELES: I’ve called them. They haven’t called me. SARAH
FERGUSON, Reporter: How do you accept that? That must make you very angry. ANGELES:
I feel helpless. Because in this country, if you don’t have money, nothing
gets done. |
23:58 |
|
Music
|
24:20 |
Saracibar
interview on roof terrace |
INGRID
SARACIBAR, Minister for Women: The cause is cultural, but also impunity. SARAH
FERGUSON, Reporter: Ingrid Saracibar
is the Minister for Women in Mexico City. |
24:30 |
|
INGRID
SARACIBAR, Minister for Women:
Femicide is a crime that we have in 2007 just put it into law. |
24:41 |
|
SARAH
FERGUSON, Reporter: Do you understand women who still say the police don't
come? INGRID
SARACIBAR, Minister for Women: Yes,
yes, yes, I believe it. |
24:52 |
|
I
mean, we are working to try to change the mindset of the police. An
institution that’s as vertical and masculine as the police, takes hard work
to change. |
24:58 |
Dona
at home applying ointment |
SARAH
FERGUSON, Reporter: Dona is home from
the hospital, tending to her wounds and in the care of her family. |
25:24 |
|
DONA
TULTECA: My family is my entire world.
Without my family, I don’t know the way that I can survive to this. |
25:35 |
Dona
and Jorge at tale. Jorge examines her hand |
Jorge:
"Was this one cut as well?" Dona: "Yes." Jorge:
"Can you move the little one?" Dona: "No." Jorge:
"How does your hand feel?" Dona:
"You're rough!" SARAH
FERGUSON, Reporter: Her dealings with the femicide unit have been positive.
Her attacker is in jail, awaiting trial. |
25:43 |
Dona
at window |
DONA
TULTECA: In Mexico, not all the cases have justice. I want to believe that
most of the cases has justice, but we know that this doesn’t happen. So I hope this case is final with justice. |
26:05 |
Mexico
City GVs |
Music
|
26:29 |
|
INGRID
SARACIBAR, Minister for Women: Mexico
City has been making huge transformations and we are one of the few states in
the Republic that has reduced the incidence of femicide. |
26:37 |
Saracibar
interview |
Not
all cities and not all states have the same level of infrastructure but of
course we aren't satisfied. We don't want to count the deaths of any more
women. |
26:52 |
Angeles
in car |
SARAH
FERGUSON, Reporter: In Mexico State, Angeles passes past the place every day
where Melany was abandoned. |
27:10 |
|
ANGELES: As long as the person who attacked my
daughter is walking free, I can’t ever be at peace. |
27:23 |
Angeles
visits Melany's grave |
SARAH
FERGUSON, Reporter: All she has left is a grave to visit. And no one to stand
with her. |
27:40 |
Phone
footage. Melany blows out birthday candles. Credit start [see below] |
ANGELES: They're magic candles, they never go out. |
27:59 |
Outpoint |
|
28:30 |
CREDITS:
REPORTER
Sarah Ferguson
DIRECTOR
OF PHOTOGRAPHY
Cameron Schwarz
EDITOR
Nikki Stevens
ADDITIONAL CAMERA
Miguel Tovar
Cinthya Chávez
FIXER
Ulises Escamilla Haro
RESEARCH
Olivia O'Kane
ASSISTANT
EDITOR
Tom Carr
ARCHIVAL
RESEARCH
Michelle Boukheris
SENIOR
PRODUCTION MANAGER
Michelle Roberts
PRODUCTION
CO-ORDINATOR
Victoria Allen
DIGITAL
PRODUCER
Matt Henry
SUPERVISING
PRODUCER
Lisa McGregor
EXECUTIVE
PRODUCER
Matthew Carney
foreign correspondent
abc.net.au/foreign
©2022
Australian Broadcasting Corporation