DUGMA: The Button

An intimate portrait of a group of suicide bombers in Syria

DUGMA: The Button An intimate portrait of four very different suicide bombers working for Al Nusra in Syria. From the Saudi who loves singing and fried chicken to the 26-year-­old British convert who is worried about his new wife, this remarkable film embeds with an unlikely bunch of ‘martyrdom seekers’. As each waits for their turn to go on a final mission, known by jihadists as ‘Dugma’, this film lays bare the faith and doubt at the core of men who give their life for their cause.

Winner, Golden Nymph Award for Best Documentary - Festival du Television Monte Carlo 2017

Winner, Best Mid-Length Documentary - Hot Docs Festival 2016

Laurel Winner, Golden Nymph Award for Best Documentary - Festival du Television Monte Carlo 2017
Laurel Winner, Best Mid-Length Documentary - Hot Docs Festival 2016

The Producers


Paul Refsdal, 52, is a freelance journalist who has spent more than three decades covering conflict around the world; he has previously reported from a dozen rebel groups in countries like Sri Lanka, Kosovo, Peru, Chechnya, Afghanistan, etc. Dugma was filmed over the course of two trips to Syria.

Making The Film


Refsdal was in a village in the northern Syria province of Aleppo when he heard an explosion. Camera in hand, he jumped into a minibus driven by a fighter from the Nusra Front, Al-Qaeda's affiliate in Syria, to inspect the damage. A U.S.-led coalition airstrike had hit a base in the town, leaving at least 10 people dead. A civilian speaks angrily into Refsdal's camera, saying the airstrike has targeted civilian homes and killed innocent people. A Nusra fighter interrupts: “"Easy now. There is both a military base and civilians here. Tell the truth", he says, before adding that the blast'’s intended target was a Nusra base. Refsdal understood the implicit message from the Al-Qaeda member: Film what you want—, we'’re not going to feed you propaganda. To his surprise, Refsdal found that the group remained committed to letting a Western journalist film the fighters openly and without censorship. Refsdal spent a total of six weeks embedded with the Nusra fighters.

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