Peter Day - Director
Peter Day is a producer/director with more than 30 years’ experience working in Film and
TV in Britain. He has produced feature documentaries including The Hard Stop (BAFTA
Award nominee), The Plan Came from the Bottom Up (Grierson Award nominee), and The
Joneses (Golden Gate Award nominee).
Television series include Madam Kitty’s Cathouse (BBC), Inside Gatwick (Sky) and Drugs Inc
His latest cinema documentary Off the Rails, which he directed and produced, won Best
New Zealand Film at Doc Edge, putting it in consideration for the Academy Awards 2023.
The film also won The Best Documentary for Youth at the Pärnu International Film Festival.
Off The Rails premiered at the Thessaloniki International Documentary Festival in March
2022 where it was nominated for the Golden Alexander Award. It was officially selected at
Sheffield DocFest, with more festivals to be announced.
Grant Keir - Producer
Grant Keir owns, and produces with, production company Faction North. He develops and produces feature films, feature documentaries, television and cross platform projects with a range of national and international partners. Grant teaches Pitch Training to his fellow industry producers, funded by organisations such as Creative England and ScreenSkills. He was Head of Studies on the leading international Rough-Cut-to-Industry-Launch Training Programme, Dok Incubator, 2018-2020. Grant’s recent credits include the TV documentary ‘Dreaming without Sleeping’ for BBC Scotland and the feature documentary ‘Suzi Q’ (Dir Liam Firmager - Melbourne Film Festival 2019). The short drama, ‘Lift Share’, by writer / director, Virginia Heath, was backed by the Scottish Film Talent Network (SFTN), premiered at Edinburgh International Film Festival 2018, screened at Underwire Film Festival in London in November 2018 and won Best Short at the Annual CPH Film Festival 2019. Grant produced the short documentaries ‘Three Chords and the Truth’, by Virginia Heath (2019) and ‘Silent Laughs’, which Premiered at EIFF 2016 and continues to screen at festivals around the world as part of the Scottish Documentary Institute’s Bridging the Gap series. Feature Film productions at his Edinburgh-based production company, Faction North, include a film that has already become a Scottish Classic: ‘From Scotland with Love’, (2014).
Rishi Ghosh-Curling - Associate Producer
Rishi has over 10 years’ experience in the TV & Film industry. He cut his teeth in Fact Ent and Entertainment on shows such as Secret Life of Dogs (ITV), Scam City (Nat Geo/Discovery), and magic show Troy (C4) before moving over to Docs in 2017. Rishi has since worked on films such as The Plan, which was nominated for a Grierson at LFF 2018, and Parkour Changed Our Lives (BBC). He now helps run Faction Films where he is Head of Development.
Rob Alexander - Producer and Editor
Rob Alexander has worked as a director and producer for several years, producing content such as Knockout Scousers for Channel Four, and Gary Numan: Android in La La Land for the BBC, which he also directed. He has also produced and edited a feature documentary for VICE International, Amber & Me.
Making The Film
Off the Rails, is a coming of age film. I follow Rikke Brewer, as he struggles to escape his volatile past, while forging a career in the dangerous world of Urban Exploration - UrbEx. Rikke is attempting to monetise on YouTube the videos he shoots of himself and his ‘crews’ as they illegally surf trains and ascend tall buildings such as new Forth Road Bridge. Some viral train surfing videos have already got Rikke worldwide attention. But dangerous stunts come at a high cost. As the film reaches its climax, we see the emotional and personal price Rikke has to pay to his Mum, his girlfriend and his best friend Aiden Knox.
I have developed a close relationship with Rikke and Aiden over several years. As the film unfolds, we see that their relationship is like a Janus coin. Where Rikke is out going, Aiden is inward looking. Rikke achieves ‘success’ while Aiden struggles with ‘failure’. Rikke claims to make memories from an exciting present but Aiden lives in memories of a more innocent time.
Aiden doesn’t condone but can’t bring himself to condemn Rikke’s dangerous UrbEx stunts. Aiden becomes Rikke’s conscience, and so becomes the moral centre of the film. Aiden believes that Rikke’s ‘madnesses’, (as he calls his stunts) will be the death of Rikke. Aiden seeks salvation in the purity of Parkour and hopes it could be for Rikke too.
Rikke and Aiden have both given access to their UGC. The material explores the spaces between the private and the public. Another layer of meaning is added from the text and chat feedback they receive on their stunts; the ‘likes’ and the ‘dislikes’. These texts displayed graphically provide an ironic counterpoint to Rikke’s stunts. I am interested in exploring the sense that generation z are always online. In this digital treasure trove of out-takes and off-cuts, I have found revelations of fear, excitement, joy and despair - the emotional glue that binds the film together.
- Peter Day, Director