Katwe

A salt-mining community navigate broken promises of development

Katwe Nima Shirali’s quietly witty, visually stunning film captures life in Katwe, Uganda; a community nestled between a salt lake and a national park. Through an enthusiastic teacher, a weary caretaker and a razor-tongued mother, the lake appears both lifeline and burden: promise eroded by seasonal floods, collapsing prices and toxic labour. As a flamboyant local politician sells grand schemes, residents quietly ask what future remains.


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Festivals and Awards
LaurelTempo Documentary Festival 2025 | World Premiere


LaurelSheffield DocFest 2025 | International Premiere


Laurel Cine Eco Film Festival 2025 | Environmental Anthropology Award


Laurel Another Way Film Festival 2025 | Official Selection


Laurel Aegean Film Festival 2025 | Greek Premiere

Reviews and More
"A natural resource is beset with the realities of capitalist and colonial intervention, and the rolling boil of frustration is deftly harnessed by Shirali” – Now Then Magazine

The Producers


Nima Shirali — Director

Nima Shirali has a Master’s Degree in Social Anthropology from the University of Stockholm and graduated with the short Farewell Riegelmann (2008) from New York Film Academy. Katwe is his first feature.

Making The Film





Director's Statement

I’m a child of political immigrants from Iran living in Sweden. Through family stories and experience I have learnt to always be grounded with the grassroots people; that the reality and perspective of working class and poor people is the truth of any society. In my work I am dedicated to this principle.

The salt workers of Katwe have been witnesses to political forces, both external and internal, that come to their community in order to profit from it, and who all leave as soon as they have succeeded or failed in their pursuits. This film is about those who are left behind, to labour, to wait, and to live their lives day to day struggling to not fail getting something to eat. It's about their hopes and dreams and their views of the larger forces that want to shape their lives, both past and present. As such, it is an attempt to tell history from below through the perspectives of the indigenous and grassroots people whose voices, although marginalised, radiate with deep knowledge and truth. And I feel it is a perspective that is ever more urgent during these dangerous times when we are faced with a monopoly oligarch threat to dominate world politics while pretending that they represent the working class.

— Nima Shirali, Director

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